Art glass vase and candlesticks by Louis Comfort Tiffany/Tiffany Studios, Corona, New York. American. Collections of the Chrysler Museum of Art, Norfolk, Virginia.

Egyptian onion form-vase. ca. 1901.
Egyptian onion form-vase. ca. 1901. Blown iridized glass. Opaque, green and silver glass. Marked around bottom: “L.C.T. o2255” on wafer pontil. Tiffany Glass and Decorating Company, Corona, New York, maker. Image © Chrysler Museum, Norfolk. Fair use license. via https://chrysler.emuseum.com/objects/21824/budstick-vase?ctx=4e482abf-f0d2-4236-a2f7-b4735a10a10e&idx=5
Candlestick. ca. 1906-13
Candlestick. ca. 1906-13. Bronze with a favrile ribbed pulled green and iridescent glass open bud-like cap. Tiffany Glass and Decorating Company, Corona, New York, maker. Image © Chrysler Museum, Norfolk. Fair use license. via https://chrysler.emuseum.com/objects/16522/candlestick?ctx=4e482abf-f0d2-4236-a2f7-b4735a10a10e&idx=7
Bronze two-light candelabra with a "tree-trunk" base. Two light candelabra with a "tree-trunk" base.  Screwed into the two top limbs are candleholders with diamond-shaped openings. Opaque jade-green glass was blown into the candleholders. ca. 1900.
Bronze two-light candelabra with a “tree-trunk” base. Two light candelabra with a “tree-trunk” base. Screwed into the two top limbs are candleholders with diamond-shaped openings. Opaque jade-green glass was blown into the candleholders. ca. 1900. Inscribed “Tiffany Studios/New York” on metal plate on the base. Tiffany Glass and Decorating Company, Corona, New York, maker. Image © Chrysler Museum, Norfolk. Fair use license. via https://chrysler.emuseum.com/objects/29472/candelabra?ctx=4e482abf-f0d2-4236-a2f7-b4735a10a10e&idx=6

Art Nouveau flowers, artwork done by Maurice Pillard and taken from the pages of “Etude de la plante: son application aux industries d’art: pochoir, papier peint, etoffes, céramique, marqueterie, tapis, ferronnerie, reliure, dentelles, broderies, vitrail, mosaïque, bijouterie, bronze, orfévrerie” which was printed in Paris in 1903 by the Librairie Centrale des Beaux-Arts.

"Anémone sylvie." Figure 29.
“Anémone sylvie.” Figure 29. Page 39 (detail). Collection of and digitalized by the Getty Research Institute. In the public domain. via https://archive.org/details/gri_33125005959479/page/n39
"Anémone sylvie". Figure 33. Page 41 (detail).
“Anémone sylvie”. Figure 33. Page 41 (detail). Collection of and digitalized by the Getty Research Institute. In the public domain. via https://archive.org/details/gri_33125005959479/page/n41
"Plat orné de Porillon." Figure 34. Page 42 (detail).
“Plat orné de Porillon.” Figure 34. Page 42 (detail). Collection of and digitalized by the Getty Research Institute. In the public domain. via https://archive.org/details/gri_33125005959479/page/n42
gri_33125005959479_0042
“Couverture d’album Porillon.” Figure 35. Page 42 (detail). Collection of and digitalized by the Getty Research Institute. In the public domain. via https://archive.org/details/gri_33125005959479/page/n42
"Porillon" (detail). Figure 30.
“Porillon.” Figure 30. Page 39 (detail).Collection of and digitalized by the Getty Research Institute. In the public domain. via https://archive.org/details/gri_33125005959479/page/n39

Plates of architectural décor used at the Castel Béranger, an Art Nouveau era apartment building built in Paris in the late 1890s. Taken from the 1898 work by Hector Guimard “Le Castel Béranger,” Guimard having been the architect. French. Collections of the Wolfsonian-FIU Rare Books and Special Collections Library in Florida.

"Plan de la mosaique du Vestibule (second corps de batiment)." Plate 28, figures 1-7.
“Plan de la mosaique du Vestibule (second corps de batiment).” Plate 28, figures 1-7. Image © 2017 The Wolfsonian—Florida International University. Fair use license. via https://digital.wolfsonian.org/WOLF048832/00001/40?search=hector+%3dguimard
"Detail de l'encorbellement du bow-window sur grande cour (Second corps de batiment)." Plate 17.
“Detail de l’encorbellement du bow-window sur grande cour (Second corps de batiment).” Plate 17. Image © 2017 The Wolfsonian—Florida International University. Fair use license. via https://digital.wolfsonian.org/WOLF048832/00001/29?search=hector+%3dguimard
"Entree principale de I'immeuble." Plate 4.
“Entree principale de I’immeuble.” Plate 4. Image © 2017 The Wolfsonian—Florida International University. Fair use license. via https://digital.wolfsonian.org/WOLF048832/00001/thumbs?search=hector+%3dguimard

Jugendstil buildings imagined up in an ethereal way. Plates from the wonderful “Moderne Bauformen. Eine Sammlung von Details, Interieurs und Façaden für Architekten und Bauhandwerker” which came out in Stuttgart in 1903 and 1904. Various artists, Julius Hoffmann Verlag publisher.

Tafel 96, Inv. A. Laverrière, Paris. 1903. Band 2.
Tafel 96, Inv. A. Laverrière, Paris. 1903. Band 2. Max Joseph Gradl, creator (1873-1934). Collection of the Schola Graphidis Art Collection, Hungarian University of Fine Arts – High School of Visual Arts, Budapest. Cc0 License 4.0. via https://scholagraphidis.omeka.net/items/show/7775
"Inv. Maclachlan , Stuttgart." Tafel 73.
“Inv. Maclachlan , Stuttgart.” Tafel 73. Max Joseph Gradl, creator (1873-1934). Collection of the Schola Graphidis Art Collection, Hungarian University of Fine Arts – High School of Visual Arts, Budapest. Cc0 License 4.0. via https://www.europeana.eu/portal/en/record/2064110/Museu_ProvidedCHO_Schola_Graphidis_Art_Collection__Hungarian_University_of_Fine_Arts___High_School_of_Visual_Arts__Budapest__7646.html
"Inv. George Walton, London." Tafel 95.
“Inv. George Walton, London.” Tafel 95. Max Joseph Gradl, creator (1873-1934). Collection of the Schola Graphidis Art Collection, Hungarian University of Fine Arts – High School of Visual Arts, Budapest. Cc0 License 4.0. via https://scholagraphidis.omeka.net/items/show/7774
"Inv. P. de Rutté et J. Bassompierre, Paris." Tafel 91.
“Inv. P. de Rutté et J. Bassompierre, Paris.” Tafel 91. Max Joseph Gradl, creator (1873-1934). Collection of the Schola Graphidis Art Collection, Hungarian University of Fine Arts – High School of Visual Arts, Budapest. Cc0 License 4.0. via https://scholagraphidis.omeka.net/items/show/7768
"Inv. F. W. Jochem, Darmstadt." Tafel 90.
“Inv. F. W. Jochem, Darmstadt.” Tafel 90. Max Joseph Gradl, creator (1873-1934). Collection of the Schola Graphidis Art Collection, Hungarian University of Fine Arts – High School of Visual Arts, Budapest. Cc0 License 4.0. via https://scholagraphidis.omeka.net/items/show/7767

There are 181 images altogether and 18 screens left to go. So more soon.

More Art Nouveau ceramics, these from the Netherlands. N.S.A. Brantjes & Company, creators. Not in business all that long, but long enough to be part of the expositions in Paris and Saint Louis in 1900 and 1904.

Pair of ceramic vases. ca, 1896. Hand-painted.
Pair of ceramic vases. ca, 1896. Hand-painted. Signed “NB” on the bottom and “Faïence de Purmerende Hollande” with the artist’s initials and “A” for year. N.S.A. Brantjes & Company, maker. Image © 1stdibs, Inc. 2019. Fair use license. via
Ear vase, earthenware with floral motifs. Model 1082.
Ear vase, earthenware with floral motifs. Model 1082. D, Van de Veen, painter for N.S.A. Brantjes. Image © 2019 Kunstconsult. Fair use license. via https://www.kunstconsult.com/Ceramics/Wed.-N.S.A.-Brantjes-Co-Dutch-Art-Nouveau-vase.-model-1082.-painter-D.-van-de-Veen.-ca.-1900
Vase with a lily design. ca. 1900.
Vase with a lily design. ca. 1900. Image © 2018 Artsy. Fair use license. via https://www.artsy.net/artwork/wed-nsa-brantjes-and-co-purmerend-art-nouveau-vase-with-lilies

Antique trays made to hold your friends calling cards. So much jazzier than an ancient saucer from the kitchen. Made in Germany by WMF. Starting up in 1853 they are still making things though not ones that look like these.

Card tray. ca. 1906.
Card tray. ca. 1906. Silver-plated tin-based alloy. Marked to the underside with WMF logo ostrich in lozenge, letters “AS” and “B” in square. Image © 2019 Catawiki. Fair use license. via https://auction.catawiki.com/kavels/22308785-wmf-art-nouveau-card-tray
Figural card tray. ca. 1906.
Figural card tray. ca. 1906. Art Nouveau in style. Silver-plate. Image © 2019, Sue Todd Antiques. Fair use license. via https://suetoddantiques.com/products/w-m-f-art-nouveau-figural-card-tray
Visiting card tray with a maiden holding a dove.
Visiting card tray with a maiden holding a dove. ca. 1900. Art Nouveau in style. Silver-plated. Stamped marks. Image © 2019 – All Rights Reserved Style Gallery. Fair use license. via https://www.styleantiques.co.uk/recently-sold/1482-wmf-silver-plated-visiting-card-tray-with-art-nouveau-maiden-dove.html

Vases by George Paulding Farnham, chief designer for Tiffany & Company from 1885 to 1907. Art Nouveau. American.

"Ptarmigan" vase. 1900-1905.
“Ptarmigan” vase. 1901-1903. The body created from layers of fused copper and silver, sterling silver bird and coat of arms in gold. Photo © NGC. Image © National Gallery of Canada, Ottawa. Fair use license. via https://www.gallerieswest.ca/news/whistler%E2%80%99s-audain-art-museum-to-showcase-historic-ptarmigan-/
Vase. ca. 1901. Silver and enamel.
Vase. ca. 1901. Silver and enamel. Image ©2019 Artnet Worldwide Corporation. Fair use license. via http://www.artnet.com/artists/tiffany-co/vase-by-george-paulding-farnham-eLk3-2H4IZVa61SQDZ-YJg2
Adams vase.
Adams vase designed to resemble a cotton plant, a commission made for Edward Dean Adams, chairman of the board of the American Cotton Oil Company. 1893-95. Gold, tourmaline, quartz, spessartite, rock crystal, amethyst, fresh water pearl, and enamel. Image © 2000–2019 The Metropolitan Museum of Art. Fair use license. via https://www.metmuseum.org/art/collection/search/35
Vase. ca. 1900. Exhibited at the 1900 Paris Exposition Universelle
Vase, designed to celebrate Native American art with “corncob” handles among other elements. ca. 1900. Exhibited at the 1900 Paris Exposition Universelle. Hand-raised silver body ornamented with amazonite,bluish opal and freshwater pearl embedded in the handles. Collection of the Metropolitan Museum of Art, New York. Image © Metropolitan Museum of Art. Fair use license. via https://antiquesjournal.com/index.php/2019/05/14/show-and-tell-5/
Loving cup. 1897.
Loving cup. 1897. Silver, copper, niello, and horn. Attributed to Paulding Farnham. Chasing attributed to Eugene Soligny. Collection of the Cincinnati Art Museum. Photo credit: Daderot. Cc0 License 1.0. via https://commons.wikimedia.org/wiki/File:Loving_Cup_by_Tiffany_Co.,_Paulding_Farnham_attrib_designer,_Eugene_Soligny_attrib_chaser,_1897,_silver,_copper,_niello,_horn_-_Cincinnati_Art_Museum_-_DSC04483.JPG