Art Nouveau iris, taken form Maurice Pillard’s “Etude de la plante: son application aux industries d’art: pochoir, papier peint, etoffes, céramique, marqueterie, tapis, ferronnerie, reliure, dentelles, broderies, vitrail, mosaïque, bijouterie, bronze, orfévrerie” which was printed in Paris in 1903 by the Librairie Centrale des Beaux-Arts.

“Iris Germanique, plan de la fleur.” Page 39/image 44. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125005959479/page/n44/mode/1up
“Iris Germanique.” Figure 37, page 44. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125005959479/page/n44/mode/1up
“Iris Germanique. Couronnement de grille en fer forgé.” Figure 39. Page 46. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125005959479/page/n46/mode/1up

Cabinet vases. Art glass from around 1900 made by Tiffany Studios of New York City.

Decorated Cabinet Vase Decorated cabinet vase in favrile glass. ca. 1898-1900. American. Maker’s marks: engraved “L.C.T./Q40” on the base. Image © 2021 Sotheby’s. Fair use license. via https://www.sothebys.com/en/buy/auction/2021/design/decorated-cabinet-vase
Favrile and millifiore art glass cabinet vase, with overall purple iridescence with silver vines, green ivy and interspersed millifiore. ca. 1902. American. Maker’s marks: Inscribed “L.C.T.” to the base. Image © 1stDibs.com, Inc. 2021. Fair use license. via https://www.1stdibs.com/furniture/decorative-objects/vases-vessels/vases/tiffany-favrile-millifiore-glass-cabinet-vase-circa-1902/id-f_20371202/
Favrile glass cabinet vase. Early 20th c. American. Maker’s marks: marked “L.C.T, H. 1518”. Imaged by and image © Heritage Auctions, HA.com. Fair use license. via https://fineart.ha.com/itm/glass/tiffany-studios-favrile-glass-cabinet-vase-early-20th-centurymarks-lct-h-15182-x-4-inches-51-x-102-cm-/a/8006-79291.s

Art Nouveau imagery. Various artists. Digital collections of the New York Public Library.

Art Nouveau design. (image turned sideways). 1893-1908. Image 16. Victor Lhuer, artist. In the public domain due to age. via https://digitalcollections.nypl.org/items/510d47e1-3e74-a3d9-e040-e00a18064a99/book?parent=fc7d4980-c54f-012f-febe-58d385a7bc34#page/17/mode/2up
Art Nouveau design. (image turned sideways). 1893-1908. Image 17. Victor Lhuer, artist. In the public domain due to age. via https://digitalcollections.nypl.org/items/510d47e1-3e6e-a3d9-e040-e00a18064a99#/?rotate=90
Art Nouveau design. (image turned sideways). Printed “Armand Guerinet, 140 Fg. St. Martin, Paris.”1893-1908. Image 17. In the public domain due to age. via https://digitalcollections.nypl.org/items/510d47e1-3e6d-a3d9-e040-e00a18064a99
Art Nouveau pattern depicting women outdoors. 1893-1908. . In the public domain due to age.https://digitalcollections.nypl.org/items/510d47e1-3e87-a3d9-e040-e00a18064a99

Jugendstil/Art Nouveau Majolica porcelain centerpieces made by Eichwald of Bohemia in what is now Czechoslovakia. Lovely colors.

Oval Majolica ceramic centerpiece with the bowl adorned with small rose blossoms on two sides which sits on a great shaped base with two white blossoms and red accents. ca. 1910. Bohemian. Eichwald, maker. Maker’s marks: Impressed “Eichwald and the Model Number 3013 on the bottom. Image © 1stdibs.com, Inc. 2020. Fair use license. via https://www.1stdibs.com/furniture/dining-entertaining/centerpieces/ceramic-centerpiece-eichwald-bohemia-circa-1910/id-f_13097751/
Large Majolica centerpiece with the top bowl surrounded by berries and leaves set on a gray background and floating on three beige columns. ca. 1910. Bohemian, assumed on the basis of various attributes to be Eichwald. Model number “4538” impressed on the bottom. Image © 2019 Vinterior Group Ltd. Fair use license. via https://www.vinterior.co/home-decor/accessories/other-objects/majolica-centerpiece-by-eichwald-bohemia-circa-1910
Majolica ceramic garniture with two vases and a centerpiece or jardinière in white, blue and dark petrol tones. ca. 1915. Bohemian. Eichwald, maker. Maker’s marks: Each piece marked “EICHWALD”, the centerpiece showing the model number “4353” and both vases being model number “986/4.” Image © 2019 Vinterior Group Ltd. Fair use license. via https://www.vinterior.co/art/ceramics/art-nouveau-ceramic-garniture-by-eichwald-bohemia-circa-1915

Light your home the Art Nouveau way.. Chandeliers by French architect and designer Hector Guimard who lived from 1867 to 1942. He designed the first Art Nouveau apartment building in Paris. Love the curtain effect with these.

Boudoir chandelier with a body made of gilt bronze crafted into a curved, semi-ovular frame with glass and bronze tubes hanging from the edges, creating an ephemeral curtain around the lighting inside. An opaque blue glass plaque hangs from the frame as well, marking a delineation between two sides of this oblong chandelier. From Guimard’s “Lustre Lumière” collection. ca. 1914. French. Image © 1stdibs.com, Inc. 2020. Fair use license. via https://www.1stdibs.com/furniture/lighting/chandeliers-pendant-lights/french-art-nouveau-boudoir-chandelier-hector-guimard/id-f_3837392/
Chandelier with three hanging elements. Colored molded glass and gilt bronze. ca. 1905. French. Guimard. Image © 2010 – 2019 French Cab, Jean-Noël Cabanettes – 1930.fr. Fair use license. via https://1930.fr/hector-guimard-art-nouveau-ceiling-light.html
Four-light chandelier, having gilt-metal supports formed as scrolling tendrils, supporting a serpentine surround with a curtain formed by long slender pendant metal and glass rods that are centered on both sides by black glass panels within a whiplash frame. Has four black glass teardrops with pendant gilt-metal rods. Art Nouveau. French. Marked after Hector Guimard. Image © 2002-2020 LiveAuctioneers and Austin Auction Galleries. Fair use license. via https://www.liveauctioneers.com/item/56101789_marked-after-hector-guimard-art-nouveau-chandelier

Flower pictures from Jules Auguste Habert-Dys work “Caprices Décoratifs des Oiseaux, des Fleurs, des Paysages, des Algues et Possions” which was published in Plauen, Saxony in 1890. Digitalized by SLUB- Dresden.

Plate. SLUB Dresden Reference ID#51. Collections of SLUB Dresden. Cc0 License 4.0. via https://digital.slub-dresden.de/werkansicht/dlf/151981/5/0/
Plate III. Plate. SLUB Dresden Reference ID25-III. Collections of SLUB Dresden. Cc0 License 4.0. via https://digital.slub-dresden.de/werkansicht/dlf/151981/25/0/#
Plate IV. Plate. SLUB Dresden Reference ID31-IV. Collections of SLUB Dresden. Cc0 License 4.0. via https://digital.slub-dresden.de/werkansicht/dlf/151981/31/0/#

Jugenstil artwork from “Jugend magazine: Münchner illustrierte Wochenschrift für Kunst und Leben,” Band 1, Number 1-26 which was published in 1902 in Münich.

“Ich bin die Flamme . . …” Page 67. Fritz Hegenbart, Munich, artist. Collections of the Heidelberg University Library. Image © Heidelberg University Library. Fair use license. via https://digi.ub.uni-heidelberg.de/diglit/jugend1900_1/0067/image
Page 184 (detail). Erich Kleinhempel, Dresden, artist. Collections of the Heidelberg University Library. Image © Heidelberg University Library. Fair use license. via https://digi.ub.uni-heidelberg.de/diglit/jugend1900_1/0187/image
“An Paul Heyse.” Page 199 (detail). Walther Püttner, Munich, artist. Collections of the Heidelberg University Library. Image © Heidelberg University Library. Fair use license. via https://digi.ub.uni-heidelberg.de/diglit/jugend1900_1/0202/image

“Apollo schlug die Cither, und Venus bezauberte alles, indem sie dazu einen Tanz aufführte” aus Max Klinger “Amor und Psyche.” Page 201. Theodore Stroefer’s Kunstgering, Nürnberg, artist. Collections of the Heidelberg University Library. Image © Heidelberg University Library. Fair use license. via https://digi.ub.uni-heidelberg.de/diglit/jugend1900_1/0204/image
H. Meyer-Cassel, Starnberg, artist. Page 237. Collections of the Heidelberg University Library. Image © Heidelberg University Library. Fair use license. via https://digi.ub.uni-heidelberg.de/diglit/jugend1900_1/0243/image

Jugendstil imagery from “Dekorative Vorbilder : eine Sammlung von figürlichen Darstellungen und kunstgewerblichen Verzierungen” which was published in Stuttgart around 1893-1900. J. B. Heukelom, artist. Digital collections of the New York Public Library


Advertisements.” Image 1. Wallach Division Picture Collection, New York Public Library. Image © The New York Public Library, 2020 Fair use license. via https://digitalcollections.nypl.org/items/510d47e1-3e74-a3d9-e040-e00a18064a99/book?parent=fc7d4980-c54f-012f-febe-58d385a7bc34#page/1/mode/2up
“Amaryllis.” Image 2. Wallach Division Picture Collection, New York Public Library. Image © The New York Public Library, 2020 Fair use license. via https://digitalcollections.nypl.org/items/510d47e1-3e74-a3d9-e040-e00a18064a99/book?parent=fc7d4980-c54f-012f-febe-58d385a7bc34#page/3/mode/2up
Design showing a woman’s head, a joker and a sword. Image 11. Wallach Division Picture Collection, New York Public Library. Image © The New York Public Library, 2020. Fair use license. via https://digitalcollections.nypl.org/items/510d47e1-3e74-a3d9-e040-e00a18064a99/book?parent=fc7d4980-c54f-012f-febe-58d385a7bc34#page/11/mode/2up

More selections from Jugendstil imagery from “Jugend: Münchner illustrierte Wochenschrift für Kunst und Leben,” Band 1, Number 1-26 which was published in 1902 in Münich.

Plate 1. Image 13. Richard Schaupp, Munich, illustrator. Collections of the Heidelberg University Library. In the public domain. via https://digi.ub.uni-heidelberg.de/diglit/jugend1900_1/0013/image
Image 29. Collections of the Heidelberg University Library. In the public domain. via https://digi.ub.uni-heidelberg.de/diglit/jugend1900_1/0029/image
Image 30. Ludwig Hohlwein, Munich, illlustrator. Collections of the Heidelberg University Library. In the public domain. via https://digi.ub.uni-heidelberg.de/diglit/jugend1900_1/0030/image

Botanical Art Nouveau. Artwork done by Maurice Pillard, figures taken from the pages of “Etude de la plante: son application aux industries d’art: pochoir, papier peint, etoffes, céramique, marqueterie, tapis, ferronnerie, reliure, dentelles, broderies, vitrail, mosaïque, bijouterie, bronze, orfévrerie” which was printed in Paris in 1903 by the Librairie Centrale des Beaux-Arts.

“Anémone Sylvie.” Figure 33, page 41. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125005959479/page/n41/mode/2up
Couverture d’album Porillon.” Figure 35, page 43. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125005959479/page/n41/mode/2up
“Plat orné de Porillon.” Figure 34, page 41. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125005959479/page/n41/mode/2up