A mere bagatelle for the mantelpiece. 19th century garnitures. Gilt, silver bronze and other fun things.

“Persian” mantel clock garniture with two matching two-light candelabra. The clock with a three and a half inch dial with enamel cartouche numerals, the bell striking movement with Brocot suspension and stamped to the backplate HD. The case supported by metamorphic dragons on a shaped marble plinth with gilt base. ca. 1855. French. Gilt and silvered bronze. Adolphe-Victor Geoffroy-Dechaume, designer. Auguste-Maximillian Delafontaine, maker. Image © 2021 Sotheby’s. Fair use license. via https://www.sothebys.com/en/buy/auction/2022/style-london-furniture-clocks-silver-ceramics/a-gilt-and-silvered-bronze-persian-mantel-clock

Three piece garniture comprised of a central clock and a pair of flanking vases, all veneered in lapis lazuli with gilt bronze mounts. The clock with a central circular drum case holding the movement, fronted by the dial with enamel roundel showing the time in Roman and Arabic numerals. The clock with a hanging pendulum below and with clockworks set within a case flanked by two columns on each side. Two Greek sphinx figures with female heads and the wings of a bird are placed atop the lintel, set in line with the columns and facing outwards. The clock is surmounted by a lidded urn with flowers and fruit. The flanking vases with similar decorations and featuring twin intertwined serpent handles. Neoclassical, made in the late 19th century with the lapis lazuli veneer added later. French. Image © 2022 Mayfair Gallery Limited. Fair use license. via https://www.mayfairgallery.com/gilt-bronze-and-lapis-lazuli-three-piece-clock-garniture

Garniture with a central mantel clock and pair of flanking candlesticks. Ormolu with the malachite veneer added later. The mantel clock features a shaped malachite base raised by two ormolu toupie feet and two scrolled acanthus leaf feet. The base supports, via a waisted plinth, the circular white enamel clock dial which is inscribed with Arabic numeral hours indices. The dial is contained within an ormolu bezel and is set within the malachite case. The clock case is flanked by twin malachite and ormolu quiver and arrow elements and is surmounted by a malachite urn-form finial draped with ormolu foliate garlands. The candlesticks are similarly decorated, each raised on a conforming malachite and ormolu base and terminating in a single candleholder. Late 19th c,. Neoclassical French. The enamel dial is signed Ovington Brothers Co. / New York / Made in France for the retailer that originally sold the set. Image © 2022 Mayfair Gallery Limited. Fair use license. via https://www.mayfairgallery.com/antique-french-malachite-ormolu-three-piece-clock-set

Surtout de table or table centerpieces. French. They just don’t make them like this anymore.

Surtout de table à la Pagode in finely chiseled vermeil. Composed of a large plate, covered by a mirror and surrounded by balustrades surmounted by covered urns running alongside four small removable basins opening onto two flights of steps flanked by dolphins and, on the sides, onto two fountains with mascarons in the middle of rushes. There is an open pagoda in the center with leafy uprights and an openwork roof with a Meissen porcelain musician in the center. 1873 to 1900. French. Boin Taburet, maker. Maker’s marks: Goldsmith’s signature BOIN TABURET à PARIS. Image © proantic.com. Fair use license. via https://www.proantic.com/magazine/surtout-de-table-a-la-pagode/
Surtout de Table in cast and gilt bronze with hand engraving, cut glass, and silver-mirrored glass. Similar to one used at the wedding banquet of Napoleon and Empress Marie-Louise. ca. 1810. French. Pierre-Philippe Thomire, maker (1751-1843). Image © Cooper Hewitt Museum. Fair use license. via https://www.cooperhewitt.org/2018/09/05/surtout-de-table-sustenance-of-political-power/
Central section of a surtout de table of centerpiece for a table of a hundred guests with the theme of France distributing crowns of glory. Galvanic bronze and silver-plated bronze, electroplated. Originally silver-plated, its present color, rough areas, and blisters are due to the terrible fire that destroyed the Tuileries palace during the Commune in 1871. Neoclassical. 1852-1858, commissioned in 1852 by the future Napoleon III. French. François Gilbert, Georges Diebolt, and Pierre-Louis Rouillard, sculptors. Made in Paris by Christofle. Image © MAD, the  Musée des Arts Décoratifs. Fair use license. via https://madparis.fr/central-section-of-a-centerpiece-for-a-table-of-a-hundred-guests-france

Golf jewelry. Some in gold, some gold tone with rhinestones. All fun.

Golf club brooch in gold and diamonds. Designed as seen marked clubs, in a “bag” set with diamonds. Undated. Image © 1999 – 2020 SKINNER, INC,  Fair use license. via https://live.skinnerinc.com/lots/view/4-4NT9L7/14k-gold-and-diamond-golf-bag-brooch
Gold tone golf bag brooch with rhinestones. Vintage. Image © 2021 Etsy, Inc. Fair use license. via https://www.etsy.com/listing/1054640460/gold-tone-rhinestone-golf-bag-brooch?gpla=1&gao=1&&utm_source=google&utm_medium=cpc&utm_campaign=shopping_us_d-jewelry-brooches_pins_an
Siam figural golf club brooch in gold and black enamel. The clubs are articulated and move up and down. Image © 2021 Etsy, Inc. Fair use license. via https://www.etsy.com/listing/689496514/vintage-siam-figural-golf-club-bag

Novelty vinaigrettes in silver and silver gilt. All of these being Victorian. A big market as every lady wore a corset and needed one of these in her pocket in case she felt giddy.

Silver novelty vinaigrette lobed in the form of a melon, the gilt interior with a pierced and engraved foliate grille. 1886. Victorian. English. Made in Birmingham, England by George Unite and Sons. Image © COPYRIGHT 2021 DREWEATTS 1759 LTD. Fair use license. via https://auctions.dreweatts.com/auctions/8000/drewea1-10262/lot-details/fdde6315-3656-4b07-ab9f-adcc0121c6ae
Policeman’s bullseye lantern novelty vinaigrette in silver, the lantern with a fluted domed top and attached suspension ring, the front hinged cover mounted with a revolving ball set with white, red, and green glass and opening to reveal an incurving leaf pierced silver gilt grille. Hinged base and silver gilt interior with the reverse engraved with contemporary initials. Victorian. English, made in London by Henry William Dee. Image © BADA and Steppes Hill Farm Antiques Ltd. Fair use license. via https://www.bada.org/object/victorian-novelty-silver-policemans-bullseye-lantern-vinaigrette-0

Silver gilt and hardstone mounted novelty scarab vinaigrette. The jasper body with engraved detail, the silver-gilt head with garnet eyes and the base opening to reveal a finely pierced grille with ho-ho birds amongst scrolls. Victorian. Unmarked. Image © Bonhams 2001-2021. Fair use license. via https://www.bonhams.com/auctions/17934/lot/275/

“Retour d’Egypte” candelabra with more than a touch of Egyptian motifs. Very fashionable after Napoleon returned from Egypt. And later. Some of them almost five feet tall.

Pair of Empire “Retour d’Egypt” seven light figural candelabra in gilt and patinated bronze, depicting an Egyptian king and queen clad in draped robes and wearing nemes, their heads supporting pedestal urns with each urn issuing a pair of scrolling candle arms with folate nozzles surmounted by a further scrolling arm and flanked by two crouching female figures, the standing figural supports each holding a further urn issuing four scrolling candle arms, the nozzles supported on ram’s head or wolf’s head cast terminals. The tapering shaped plinths raised on paw feet, and having applied figural relief plaquettes depicting Diana and Endymion. Image © Bonhams 2001-2021. Fair use license. via https://www.bonhams.com/auctions/26939/lot/37/?category=list&length=189&page=1
Pair of “Retour d’Egypte” candlesticks in gilded bronze. ca. 1850. French. Maker not given. Image © 2021 AnticStore and Mora Antiques. Fair use license. via https://www.anticstore.art/91399P

Pair of Regency “Retour d’Egypte” ormolu three-light candelabra, each with a flaming finial and three sphinx branches, the fluted column with a lion monopodia base and hoof feet. The lower section of each candelabra depicting a stylized anthemion flanked with florets scrolling zoomorphic supports with lion paw feet, almost certainly modeled on designs of 1799 by Tatham that were disseminated in his “Etchings representing Fragments of Grecian and Roman Architectural Ornaments”. George IV as Prince Regent purchased a very similar pair. 1800-1825. Probably British. Image © Christie’s 2021. Fair use license. via https://www.christies.com/en/lot/lot-6062724

Salt thrones in silver, silver-gilt and champlevé enamel. Created in Imperial Russia, various silverworkers.

Silver-gilt shaped salt throne in shaped circular form with a double hinged cover enameled with a geometric pattern in red, white, blue and green. The sided applied with rectangular plaques, enameled with gryphons and an openwork centerpiece decorated with a gryphon on both sides on a red ground. Raised on four bracket feet. 1877. Made in Moscow, Russia. A. M. Postnikov partnership. Maker’s marks: The hinged covers and underside struck with the maker’s mark, 91 standard. Image © 2021 Sotheby’s. Fair use license. via https://www.sothebys.com/en/buy/auction/2021/russian-works-of-art-faberge-icons/a-silver-gilt-and-champleve-enamel-salt-throne-a-m
Silver and champlevé enamel salt throne, the seat with opaque and translucent polychrome enamel geometric motifs. The front inscribed “Without salt and bread, it is half a dinner,” and the lid with the arms of Ekaterinoslav and Kharkov. The back inscribed with the arms of Voronezh and Rostov flanked by roosters and the interior of the lid inscribed “To His Excellence Samuel Solomonovich Polyakov from the grateful members of the Kozlovo-Voronezhsko-Rostovskaya and Kursko-Kharkovo-Azovskaya railways .” 1879. Russian. Marked Khlebnikov with the Imperial Warrant, Moscow. 88 standard. Image © 2021 Sotheby’s. Fair use license. via https://www.sothebys.com/en/buy/auction/2021/russian-works-of-art-faberge-icons/a-rare-silver-and-champleve-enamel-salt-throne
Silver-gilt and champlevé enamel salt throne of traditional form on four bun feet, the trapezoidal body cast and chased with geometric and pan-Slavic design. The hinged cover draped with a trompe l’oeil napkin with the border finely cast and chased in the form of a traditional izba with pan-Slavic design enameled in red, blue, and turquoise and centering a vacant escutcheon within a cast and chased ribbon-tied laurel wreath. Maker’s marks: Cyrillic “MA” Moscow, 1891. Marked throughout, also with a Soviet mark. Inage © Christie’s 2021. Fair use license. via https://www.christies.com/en/lot/lot-5783527

Cigarette, cigar and vesta (matchsafe) cases in silver and other precious materials created in Imperial Russia by Andrei Bragin, a silverworker who had a workshop in Saint Petersburg.

Vesta case in silver with geometric enamel decoration in red, white, green, dark blue, and turquoise. Engraved with Cyrillic initials on the disc-shaped reverse. ca. 1880. Russian. Andrei Bragin, silverworker. Maker’s marks: mark of Andrei Bragin, Saint Petersburg. Image © Christie’s 2021. Fair use license. via https://www.christies.com/en/lot/lot-a-russian-silver-and-champleve-enamel-vesta-5341785/

Rectangular jeweled two color gold presentation cigarette case with rounded corners and a cabochon sapphire thumbpiece. The cover centering an Imperial double-headed eagle. The interior being engraved “From H.I.M. The Czar of Russia August 1909” an with a later inscription “Presented to Captain H. G. Adams-Connor, Chief Constable, Isle of Wight, and left by him to his grandson, Lionel Eldred Peter Smith-Gordon./1939.” , Fitted brown leather case stamped in Russian and French “A. D. Ivanov in Saint Petersburg.” 1909. Russian. Andrei Bragin, silverworker. Maker’s marks for Andrei Bragin, Saint Petersburg. Marked inside the cover and base. Image © Christie’s 2021, Fair use license. via https://www.christies.com/en/lot/lot-a-jewelled-two-colour-gold-presentation-cigarette-case-5630483/
Silver gilt and enamel cigar case. 1890s. Russian. Andrei Bragin, silverworker. Maker’s marks: Cyrillic initials A. B. of Andrei Bragin. Assay mark of Saint Petersburg. before 1899. Silver standard: 88 zolotnik. Image © 2021 Ruzhnikov. Fair use license. via https://www.ruzhnikov.com/russian-european-silver/russian-silver-gilt-enamel-cigar-case-2/

Wall-appliques (sconces) with a bit more than a little gilt bronze to put your best candles in. Each a little bit “different”, not the boring old kind your mother in law has.

Pair of two-light wall-appliques with burnished and matt gilding, each cast with a pair of winged sphinxes and garlands of flowers. Fitted for electricity. 1850-1875. Made in Paris. Gilt-bronze. after a design by Jean-Francois Forty. Image © 2021 Sotheby’s. Fair use license. via https://www.sothebys.com/en/buy/auction/2021/furniture-clocks-works-of-art/a-pair-of-louis-xvi-style-gilt-bronze-two-light
Pair of four-light wall-appliques. 19th c. Louis XVI. French. Gilt-bronze. After a model by Pierre Gouthière (1723-1813). Attributed to Henry Dasson (1825-1896). Maker’s marks: One light inscribed to one side “Henry Dasson 1879”. Image © 1996 – 2021 | Jan’s & Company Fine French Antiques Inc, Fair use license. via https://jansantiques.com/Lot/jac2421_2.php
Pair of French Empire style figural two branch wall appliques or sconces. Vintage. Gilt bronze. Made in England. Image © 1stDibs.com, Inc. 2021. Fair use license. via https://www.1stdibs.com/furniture/lighting/sconces-wall-lights/rare-pair-of-empire-style-figural-two-branch-wall-appliques-sconces-gilt-bronze/id-f_17168302/
Gilt and patinated bronze ormolu two light wall-appliques (sconces). ca. 1770-1775. Louis XV/Louis XVI. Attributed to Jean-Louis Prieur. Image © Auction Technology Group Germany GmbH 2021. Fair use license. via https://www.lot-tissimo.com/en-gb/auction-catalogues/rena/catalogue-id-renasc10000/lot-914b2400-44b9-4f60-bc6d-abc400864aec

Gilded up Art Nouveau ladies forever stuck in the art. Sculptures and a vase by French artist Maurice Bouval who lived from 1863 to 1916.

Gilt bronze vase with nude and leaves. 1910. Art Nouveau. French. Maurice Bouval, creator. Cast at the Colin Foundry in Paris. Image © 1stDibs.com, Inc. 2021. Fair use license. via https://www.1stdibs.com/furniture/decorative-objects/sculptures/figurative-sculptures/art-nouveau-gilt-bronze-vase-nude-leaves-maurice-bouval-france-1910/id-f_23311902/
“Obsession et rêve” suite of four candelabra. ca. 1898. French. Chased gilt bronze on marble plinths. Maurice Bouval, artist. Maker’s marks: Signed “M. Bouval” in the bronze. Foundry mark for Thiebaut Frères, Paris. Image © Christie’s 2021. Fair use license. via https://www.christies.com/en/lot/lot-5488859
Gilt bronze lidded vessel. ca, 1900. Art Nouveau. French. Maurice Bouval, artist. Marker’s marks: Stamped “M. BOUVAL.” Circular “JOLLET ET CIE stamp to base. Image © 2021 Bidsquare Inc. Fair use license. via https://www.bidsquare.com/online-auctions/rago/maurice-bouval-art-nouveau-vessel-602151

Cassolettes in ormolu and patinated bronze. Mostly from around 1800. Used to burn potpourri.

Pair of cassolettes, each cast as an oil lamp with an eagle’s head finial on a circular plinth. ca. 1795. Directoire. Ormolu and patinated bronze. Image © Christie’s 2021. Fair use license. via https://onlineonly.christies.com/s/collector-english-european-furniture-ceramics-silver-works-art/pair-directoire-ormolu-patinated-bronze-cassolettes-1/114915
Pair of cassolettes, each one raised on a triform white marble base, the base bordered with ormolu, raised on a molded ormolu step above three toupie feet and set to the center with an elaborate ormolu foliate finial. The base of each cassolette supporting three patinated legs, each leg modeled as an elongated cartyatid that terminates in a hoof foot with the legs supporting the bowl of the vase. The rim of each bowl finished with a pierced ormolu frieze and topped with a flat cover which is in turn surmounted by an elaborate ormolu finial comprised of a an abandance of fruit and foliage. Late 19th c. in the Louis XVI style. French. Ormolu, patinated bronze and white marble. Henry Dasson, maker (1825-1895). Maker’s marks: signed “Henry Dasson” to the base of each. Image v© 2021 Mayfair Gallery Limited. Fair use license. via https://www.mayfairgallery.com/pair-gilt-patinated-bronze-cassolettes-dasson

Pair of baluster form cassolettes, the ring-adorned waisted neck mounted with foliate swans, the stiff-leaf cast lip headed by a domed lid with pinecone finial flanked by winged putti blowing dolphin-headed horns and resting on scrolled paired lion supports above a circular fluted base with foliate-cast edge. ca. 1785-1790. French. Attributed to Pierre-Philippe Thomire. Image © Christie’s 2021, Fair use license. via https://www.christies.com/en/lot/lot-5103945