Jugendstil page and chapter headings along with a few illustrations from the art journal “Kunst und Jugend.” 1909. Bund Deutscher Kunsterzieher (editor). Collection of and digitalized by Heidelberg University Library, Heidelberg, Germany.

Abbildung (illustration) 2 . Page 3.
Abbildung (illustration) 2 . Page 3. E. Bollmann, illustrator. Image © © Heidelberg University Library, Heidelberg. Fair use license. via https://digi.ub.uni-heidelberg.de/diglit/kunst_jugend1909/0013/image
Abbildung (illustration) 1. Page 2.
Abbildung (illustration) 1. Page 2. E. Bollmann, illustrator. Image © Heidelberg University Library, Heidelberg. Fair use license. via https://digi.ub.uni-heidelberg.de/diglit/kunst_jugend1909/0012/image
Abbildung (illustration 3). Page 112.
Abbildung (illustration 3). Page 112. A. H. P, illustrator. Image © Heidelberg University Library, Heidelberg. Fair use license. via https://digi.ub.uni-heidelberg.de/diglit/kunst_jugend1909/0132/image
download (2)Work of the graphic department of the Munich School of Arts, Direktor Godron, leader.
Work of the graphic department of the Munich School of Arts, Direktor Godron, leader. Abbildung (illustration) 7. Page 68. Image © Heidelberg University Library, Heidelberg. Fair use license. via https://digi.ub.uni-heidelberg.de/diglit/kunst_jugend1909/0084/image
Abilldung (illustration) 21. Page 167.
Abilldung (illustration) 21. Page 167. Image © Heidelberg University Library, Heidelberg. Fair use license. via https://digi.ub.uni-heidelberg.de/diglit/kunst_jugend1909/0191/image
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Jugendstil ceramics made by Bohemian firm Amphora I Riessner, Stellmacher & Kessel which created luxury porcelain. Two of their collections received the highest award at the 1893 Columbian Exposition in Chicago and a Gold Medal at the San Francisco Exhibition in the same year. Lasted until the end of World War II.

Gres Bijou pottery ewer. Numbered 3855/45 to base.
Gres Bijou pottery ewer. Impressed Amphora mark and numbered 3855/45 to base. Image © Copyright 2019 Kodner.com, Dania Beach. Fair use license. via https://www.kodner.com/auctions/2018/11/28/important-collection-of-amphora-pottery/79
"Spider lady" vase. ca. 1895.
“Spider lady” vase. ca. 1895. Glazed and enameled porcelain. Impressed 41/576/AMPHORA with printed factory mark and painted PB. Image © 2019 Sotheby’s. Fair use license. via http://www.sothebys.com/en/auctions/ecatalogue/2016/20th-century-design-n09474/lot.102.html
Gres Bijou vase with maiden. Signed "Reissner", impressed Amphora Austria mark and numbered 3165 to base.
Gres Bijou vase with maiden. Signed “Reissner”, impressed Amphora Austria mark and numbered 3165 to base. Image © 1995-2019 eBay Inc. Fair use license. via https://www.ebay.com/itm/Werke-Reissner-Amphora-Gres-Bijou-Vase-/352530643347

Jugendstil art from Jugend magazine. Leo Putz, artist. Living from 1869 to 1940 he was a Tyrolean artist from northern Italy, born up in the Alps.

Cover art for Jugend. 1906, Number 5.
Cover art for Jugend. 1906, Number 5. In the public domain. via https://www.cutlermiles.com/cover-to-jugend-1906-leo-putz/
"Schneckenkampf" (Snails Battle). Done for Jugend in 1904.
“Schneckenkampf” (Snails Battle). Done for Jugend in 1904. In the public domain. via https://thefugitivesaint.tumblr.com/post/168681833798/leo-putz-1869-1940-schneckenkampf-snails
tumblr_p6m9uq980G1vjov3vo1_1280
Artwork for the 1909 Number 5 issue of Jugend Magazine. In the public domain. via https://thefugitivesaint.tumblr.com/post/172557477488/leo-putz-1869-1940-jugend-5-1909-source
"Fall of Russia." Illustration for Jugend Magazine. 1915, number 43.
“Fall of Russia.” Illustration for Jugend Magazine. 1915, number 43. In the public domain. via http://poramoralarte-exposito.blogspot.com/2017/06/leo-putz-1869-1940.html

Tea and coffee with the Wiener Kunst im Haus from just before the Wiener Werkstätte came along. Jugendstil. Jutta Sika and Kolomon Moser, designers. Living from 1877 to 1964, she studied ceramics under Moser who helped with the design work.

Light blue cup and saucer. 1901-1902.
Light blue cup and saucer. 1901-1902. Hard-paste porcelain with stenciled decoration. Jutta Sika, designer. Wiener Porzellan-Manufaktur, manufacturer. Image © Milwaukee Art Museum, Milwaukee. Fair use license. via https://blog.mam.org/2011/11/04/from-museum-storage-wiener-werkstatte-vase/
Pot. 1901-1902.
Pot. 1901-1902. Porcelain with stencil design. Kolomon Moser and Jutta Sika, designers. Wiener Porzellanmanufaktur, manufacturer. Image © Museum of Applied Arts, Vienna. Fair use license. via https://sammlung.mak.at/sammlung_online?id=collect-2947
Sauciere. 1901-1902.
Sauciere. 1901-1902. Porcelain with stencil design. Kolomon Moser and Jutta Sika, designers. Böhmische Manufaktur, manufacturer. Image © Museum of Applied Arts, Vienna. https://sammlung.mak.at/sammlung_online?id=collect-14509
Coffee set. ca. 1902.
Coffee set. ca. 1902. Porcelain. Jutta Sika, designer. Wiener Porzellan Josef Böck, manufacturer. Schule Professor Koloman Moser, producer. Image © Cooper Hewitt Museum, New York. Fair use license. via https://www.cooperhewitt.org/2013/09/17/coffee-talk-celebrating-the-birth-of-jutta-sika/

More graphics from the online archives of the Wiener Werkstätte. These by Carl Otto Czeschka (1878-1960) who was also a member of the Vienna Secession.

Poster for Nord-Deutsche Versicherungs-Gesellschaft. 1912.
Poster for Nord-Deutsche Versicherungs-Gesellschaft. 1912. Image ©2019 Artnet Worldwide Corporation. Fair use license. via http://www.artnet.com/artists/carl-otto-czeschka/nord-deutsche-versicherungs-gesellschaft-xXQjVxGtOqFIyDg03s7pdg2
"Vignettes" (detail). Plate 114 from Gerlach's "Allegorien."
“Vignettes” (detail). Plate 114 from Gerlach’s “Allegorien.” 1897. Lithograph. Image © 1stdibs, Inc. 2019. Fair use license. via https://www.1stdibs.com/art/prints-works-on-paper/figurative-prints-works-on-paper/carl-otto-czeschka-gerlachs-allegorien-plate-114-vignettes-lithograph-carl-otto-czeschka/id-a_1447393/
"Science." Plate 93 from Gerlach's "Allegorien."
“Science.” Plate 93 from Gerlach’s “Allegorien.” 1897. Lithograph. Image © 1stdibs, Inc. 2019. Fair use license. via https://www.1stdibs.com/art/prints-works-on-paper/figurative-prints-works-on-paper/carl-otto-czeschka-gerlachs-allegorien-plate-93-science-lithograph-carl-otto-czeschka/id-a_1447353

Jugendstil this and that to lend any home an avant garde touch. From”Bayerischer Kunstgewerbe-Verein [Hrsg.]: Kunst und Handwerk: Zeitschrift für Kunstgewerbe und Kunsthandwerk seit 1851: 52″. A journal of Arts and Crafts, these are from their 1901 to 1902 issues.

Dish. Silver in an oriental design. 1899.
Silver in an oriental design. 1899. E. Riegel, Munich, silversmith. Plate 74. Page 51. Image © University of Heidelberg, Heidelberg. Fair use license. via https://digi.ub.uni-heidelberg.de/diglit/kuh1901_1902/0063/image
Petroleum lamp. ca. 1901.
Petroleum lamp. ca. 1901. Made by E. Riegel, Munich. Illustration 69. Page 48. Image © University of Heidelberg, Heidelberg. Fair use license. via https://digi.ub.uni-heidelberg.de/diglit/kuh1901_1902/0060/image
Electric lamp. ca. 1901.
Electric lamp. Illustration 142-144, page 88. ca. 1901. Bronze. Made in Munich. Image © University of Heidelberg, Heidelberg. Fair use license. via https://digi.ub.uni-heidelberg.de/diglit/kuh1901_1902/0100/image
Vases. 1901. Vases. 1901. Illustrations 205-208, page 127.
Vases. 1901. Illustrations 205-208, page 127. Walter Ortlieb, Berlin, maker. Image © University of Heidelberg, Heidelberg. Fair use license. via https://digi.ub.uni-heidelberg.de/diglit/kuh1901_1902/0144/image

Designs with more than a whiff of Jugendstil and Art Nouveau floating around, tricked out in black and white from Christopher Dresser’s “Principles of Decorative Design,” published in London in 1870. Not Victorian looking at all.

Figure 23, Page 29.
Figure 23, Page 29. Collection of the Ontario College of Art & Design. In the public domain. via https://archive.org/details/principlesofdeco00dresuoft/page/29
Figure 22, page 28.
Figure 22, page 28. Collection of the Ontario College of Art & Design. In the public domain. via https://archive.org/details/principlesofdeco00dresuoft/page/28
Figure 20, page 27.
Figure 20, page 27. Collection of the Ontario College of Art & Design. In the public domain. via https://archive.org/details/principlesofdeco00dresuoft/page/27
Figure 56, page 80.
Figure 56, page 80. Collection of the Ontario College of Art & Design. In the public domain. via https://archive.org/details/principlesofdeco00dresuoft/page/80 Collection of the Ontario College of Art & Design. In the public domain. via https://archive.org/details/principlesofdeco00dresuoft/page/80
Figures 181 and 182, page 156.
Figures 181 and 182, page 156. Collection of the Ontario College of Art & Design. In the public domain. via https://archive.org/details/principlesofdeco00dresuoft/page/156
Figure 61, page 86.
Figure 61, page 86. Collection of the Ontario College of Art & Design. In the public domain. via https://archive.org/details/principlesofdeco00dresuoft/page/86