Visions of an earlier Greece back in 1801 to 1806, back when it was part of the Ottoman Empire. Illustrative plates from Volume I of Edward Dodwell’s 1819 work “A Classical and topographical tour through Greece.” Published in London.

“Sacred well at Patra.” Page 150. British. From a drawing by S. Pomardi. Smith, engraver. Collections of and digitalized by the Getty Research Institute. In the public domain. via https://archive.org/details/classicaltopogra01dodw/page/n150/mode/1up

“Drawbridge at Corfu.” Page 63. British. From a drawing by S. Pomardi. Charles Heath, engraver. Collections of and digitalized by the Getty Research Institute. In the public domain. via https://archive.org/details/classicaltopogra01dodw/page/n63/mode/1up

“Zakunthos.” Page 113. British. From a drawing by S. Pomardi. William Lizars, engraver. Collections of and digitalized by the Getty Research Institute. In the public domain. via https://archive.org/details/classicaltopogra01dodw/page/n113/mode/1up

“Salona.” Page 179. British. After a drawing by Edward Dodwell. Radcliffe, engraver. Collections of and digitalized by the Getty Research Institute. In the public domain. via https://archive.org/details/classicaltopogra01dodw/page/n179/mode/1up

Off on a holiday to various places with British painter Edward Henry Holder (1847-1922).

“Rievaulx Abbey, from the South.” 1880. British. Oil on canvas. Collectios of and photographed by the York Art Gallery. In the public domain. via https://artuk.org/discover/artworks/rievaulx-abbey-from-the-south-8412

“The Gorge and Palm Grove, Victoria Falls.” Undated but probably painted towards the end of his career when he visited South Africa. He exhibited a similar work in 1917 at the Royal Academy under the title “The Rainbow Falls: Victoria Falls on the Zambesi, Rhodesia.” British. Oil on canvas. SIgned “E. Henry Holder” on the lower right. Inscribed with the title on the stretcher verso. Image © Bonhams 2001-2021. Fair use license. via https://www.bonhams.com/auctions/15349/lot/17/

“Hackness Wood, near Scarborough.” 1880. British. Oil on canvas. Oil on canvas. Collectios of and photographed by the York Art Gallery. In the public domain. via https://artuk.org/discover/artworks/hackness-wood-near-scarborough-8416

Paintings of the Generalife Gardens in Granada, Spain. Near the Alhambra. Different artists. All beautiful.

“Generalife Gardens, Granada.” Undated. Spanish/Catalan. Santiago Rusiñol, artist (1861-1931) Signed “S. Rusiñol” on the lower left. Image © 2021 Sotheby’s. Fair use license. https://www.sothebys.com/en/buy/auction/2021/tableaux-dessins-sculptures-1300-1900/the-generalife-gardens-granada

“The Garden of Generalife, Granada, Spain (Alhambra).” 1939. American. Oil on canvas. Theodore Wores, artist (1859-1939). Collections of the Crocker Art Museum, Sacramento, California. Image © Crocker Art Museum. Artwork itself in the public domain due to age. via https://www.crockerart.org/collections/american-art-before-1945/artworks/the-garden-of-generalife-granada-spain-alhambra-1939

“Generalife, Granada.” 1910. Spanish. Oil on canvas. Joaquín Sorolla, artist (1863-1923). In the public domain in the United States because the artist died over 100 years ago. via https://www.wikiart.org/en/joaqu-n-sorolla/generalife-granada-1910

Cook, Francis Ferdinand Maurice; The Theatre Generalife Gardens by Moonlight, Granada, Spain; Sir Francis Cook Collection; http://www.artuk.org/artworks/the-theatre-generalife-gardens-by-moonlight-granada-spain-137875

“The Theatre Generalife Gardens by Moonlight, Granada, Spain.” 1960. British. Oil and mixed media on panel. Francis Ferdinand Maurice Cook, artist (1907-1978). Image © estate of the artist. Collections of and © Sir Francis Cook Art Gallery. Fair use license. via https://artuk.org/discover/artworks/the-theatre-generalife-gardens-by-moonlight-granada-spain-137875

Down to the water or perhaps the mountains with Constance Lady Wenlock. Born in London, she lived from 1852 to 1832. Traveled in Italy and in India where her husband was governor of Madras but she also painted and wrote poetry.

“Val d’Arno.” 1919. British. Watercolor, gouache and pencil. Image © 2021 Radnorshire Fine Arts Ltd. Fair use license. via https://www.radnorshire-fine-arts.co.uk/product/lady-constance-wenlock-val-darno-italy/

Figures on a mountain path overlooking the plains, thought to be India. 1894. British. Watercolor and body color. Signed and dated “C Wenlock/1894” on the lower left. Image © 1986-2021 Invaluable, LLC and Bonhams. Fair use license. via https://www.invaluable.com/auction-lot/Lady-Constance-Wenlock-British,-1852-1932-Figur_ECC4650844/#

“Evening scene – The Golden Horn.” Undated. Watercolor. Signed. Image © 1986-2021 Invaluable, LLC and Golding Young and Mawer. Fair use license. via https://www.invaluable.com/auction-lot/Constance-Wenlock-1852-1932-.-Evening-scene-The_77E064EC4D/#

An Indian landscape. 1897. British. Watercolor. Signed and dated 1897 on the lower right. Image © 1986-2021 Invaluable, LLC and Dreweatts 1759. Fair use license. via https://www.invaluable.com/auction-lot/constance-wenlock-19th-20th-century-a-indian-26-c-d14d3ff91b#

Down to the water with Scottish painter Sir David Young Cameron. Living from 1865 to 1945, he was a member of the Royal Academy. Studied at the Glasgow School of Art and the Edinburgh Schools of Art.

“Loch Eil.” Undated. Scottish. Oil on canvas. Signed “D. Y. Cameron” on the lower right, further signed and titled on the stretcher (verso). Image © Bonhams 2001-2021. Fair use license. via https://www.bonhams.com/auctions/26692/lot/39/?category=list&length=153&page=1

“Firth of Lorne, November (Sound of Kerrera).” Undated. Scottish. Oil on canvas. Image source: Sphinx Fine Art. In the public domain in the United States because it was published before January 1, 1926. via https://en.wikipedia.org/wiki/File:Cameron_-_Lorne.jpg

Cameron, David Young; The Hills ofniversity of Liverpool; http://www.artuk.org/artworks/the-hills-of-ardgower-66836

“The Hills of Ardgower.” Undated. Scottish. Oil on canvas. Photo credit: University of Liverpool. Collections of and image © Victoria Gallery and Museum, Liverpool. Artwork itself in the public domain due to age. via https://artuk.org/discover/artworks/the-hills-of-ardgower-66836

Landscapes, paintings of a Cuba that isn’t coming back. American, painted by Edmund Darch Lewis. Living from 1835 to 1910, he also did marine oils.

“Santiago de Cuba.” 1871. American. Oil on canvas. Signed, dated and titled “Edmund D. Lewis, 1871, Santiago de Cuba” on the lower left. Image © Christie’s 2021. Fair use license. via https://www.christies.com/en/lot/lot-5561710

“View of Cuba.” 1860. American. Oil on canvas. Signed and dated “E. D. Lewis 1860” on the lower right. Image © 2021 Heritage Auctions. Fair use license. via https://fineart.ha.com/itm/fine-art-painting-american/edmund-darch-lewis-american-1835-1910-view-of-cuba-1860oil-on-canvas17-x-32-1-2-inches-432-x-826/a/5423-68183.s

“View of Cuba.” 1860. American. Oil on canvas. Image source Artdaily.com. In the public domain in the United States because the artist died over 100 years ago. via https://commons.wikimedia.org/wiki/File:View_of_Cuba_by_Edmund_Darch_Lewis,_1860.jpg