Gold painted decor from Adler and Sullivan of Chicago, Illinois. Mostly from theatres and as bright if not brighter than the limelight that bounced off. Turn of the last century.

Banquet room frieze panel, Schiller Theatre building. 1891.
Banquet room frieze panel, Schiller Theatre building. 1891. Gold, silver, and bronze paint on reconstructed plaster. Collection of the Art Institute of Chicago. In the public domain. via https://www.artic.edu/artworks/151991/schiller-theatre-building-chicago-illinois-banquet-room-frieze-panel-restored
Recast of an 1884 residential light fixture made for the Louis Frank residence.
Recast of an residential light fixture made for the Louis Frank residence. Contemporary recast of an 1884 fixture. Cast plaster ceiling medallion. Urban Remains Company, Chicago. Fair use license. via https://www.urbanremainschicago.com/all-original-and-largely-intact-museum-quality-1884-sullivan-designed-interior-louis-frank-residence-light-fixture-cast-plaster-ceiling-medallion-26552.html
Panel from the proscenium arch of the Schiller Theater. 1892.
Panel from the proscenium arch of the Schiller Theater. 1892. Cast plaster with gold paint. Image © Architectural Artifacts. Fair use license. via https://www.architecturalartifacts.com/product-p/0316027.htm

Florida beach hotels looking like you could sit right down and put your toes under the sand. Postcards, 1920-1940’s.

Saint Augustine Beach Hotel, Saint Augustine, Florida. 1940's.
Saint Augustine Beach Hotel, Saint Augustine, Florida. 1940’s. Published by Colourpicture, Boston. In the public domain. via https://www.floridamemory.com/items/show/331804
Postcard Collection
Birdseye view of ultra modern skyscraper hotels at Miami Beach, Florida. Undated. Novelti-Craft Company, Miami, Florida, publisher. In the public domain. via https://www.floridamemory.com/items/show/334403
The New Hotel Coquina - Ormond Beach, Florida. ca 1920.
The New Hotel Coquina – Ormond Beach, Florida. ca 1920. In the public domain. via The New Hotel Coquina – Ormond Beach, Florida. ca 1920.
Luxurious hotels along ocean front at Miami Beach, Florida. After 1938.
Luxurious hotels along ocean front at Miami Beach, Florida. After 1938. In the public domain. via https://www.floridamemory.com/items/show/329769

An envisioning . . . 1980 and a winter house by the sea where Georgia meets Florida.

Oh to be here.

February and ice but no snow. Funny. A fortnight but somehow feeling like days without end till spring. Two weeks for each grandchild now but entire months then. Mother bringing everyone down on the train with a tutor for each one while Father stayed in the big house on Long Island with the Rolls Royce and chauffeur to get to the stock exchange.

Down by Thanksgiving and not back till Easter. Christmas with biscuits and corn chowder and church in the little chapel down the way.

No one learning much and wanting to go ice skating at the rink in Central Park but the grownups hating to be cold. Ancestors who grew up somewhere really warm, they must have had.

But old rice fields to run across and ditches to jump. The river to try to paddle to the sea in the old canoe. Falling in buildings to play in.

School friends missed but the teachers with their homework not so much. Mad they would be later. The rest of the class knowing twice as much by then, but not mattering how. At least two months before going back.

Two canes to get around and no more running down the drive but still the same air to breathe and the same Christmas Eve supper with the little tree. Bedroom on the first floor, not the third, but the same porch and easier to walk out to without all those stairs and yelling nurses.

Up to the nursery for a look around and sitting down hard at the old painting table with its mottled stains. Drawer pulled open and little sister’s pictures upside down. But something harder at the bottom in a frame. A treat and a memory in flood. The elephant to ride after the rocking horse stopped rocking and his mane fell out.

From Mother’s brother, the one who fought for the Boers and never came back. . . that sad but the elephant not . . . no . . . a fine memory and an entire day to sit and enjoy it . . .

William Henry Vanderbilt III riding on a toy elephant. ca. 1904.
William Henry Vanderbilt III riding on a toy elephant. ca. 1904. Image via Facebook. In the public domain due to age.

People worth flying away with to anywhere. Not your average holiday angel by any standard. English. George Frederic Watts, artist (1817-1904).

"Love Triumphant." 1900.
“Love Triumphant.” 1900. Photo credit: Watts Gallery – Artists’ Village. © ArtUK. Fair use license. via https://artuk.org/discover/artworks/love-triumphant-13337
"The Sower of the Systems." 1902.
“The Sower of the Systems.” 1902. © 2013 Art Gallery of Ontario. Fair use license. via http://artgalleryofontario.tumblr.com/post/72973230635/the-sower-of-the-systems-1902-george-frederick
"Love and Life." 1884-1885.
“Love and Life.” 1884-1885. Collection of the Tate Gallery. Cc licence 3.0. via https://www.tate.org.uk/art/artworks/watts-love-and-life-n01641.

From the golden age of book illustration, all with a hint of crimson. Living from 1900 to 1931 American artist Virginia Frances Sterrett did quite a few for different books but I like these best.

"Blondine threw her arms around the neck of Bonne-Biche." 1919-1920.
“Blondine threw her arms around the neck of Bonne-Biche.” 1919-1920. Illustration for the Comtesse de Ségur”s “Old French Fairy Tales”. In the public domain in the United States because the artist has been dead over 70 years. via http://artsycraftsy.com/sterrett/virginia_sterrett_old_french_fairy_tales.html
"I shall not touch it I assure you”, said she. 1921.
“I shall not touch it I assure you”, said she. 1921. Illustration for an edition of Nathaniel Hawthorne’s “Tanglewood Tales”. via publicdomainreview.org.
"They brought along with them a great many beautiful shells." 1921.
“They brought along with them a great many beautiful shells.” 1921. Illustration for an edition of Nathaniel Hawthorne’s “Tanglewood Tales”. via https://publicdomainreview.org/collections/nathaniel-hawthornes-tanglewood-tales-illustrated-by-virginia-frances-sterrett-1921/
"Leger meets the wicked princess Forbette". 1920.
“Leger meets the wicked princess Forbette”. 1920. Illustration for “Old French Fairy Tales” which was written by the Comtesse de Ségur. via https://www.walmart.com/ip/Old-French-Fairy-Tales-1920-Leger-meets-the-wicked-princess-Forbette-Stretched-Canvas-Virginia-Sterrett-24-x-36/918558560

An envisioning . . . 1992, Ontario and an old trunk in the ladies dressing room.

Oh to be there.

A new job for a new year. An old vaudeville theatre, it is. Well not much longer. Being reborn as a community center with a place for the ladies to sit and knit. Funny. Something they had done forever but bigger now and more room required.

All those years in graduate school in Paris and nothing but splinters and sneezes. An office yes but everything needing to be looked through. Three cousins wanting everything old and pretty and their mother rich and not someone to offend. No, better to look through it all and see.

Someone offering to help and one of the cousins up to look through things.

A good thing. Like a time capsule, it almost was. Manager with a hook to yank people who couldn’t sing off into the wings, movie screen for a curtain and a projection booth for movies in reels and then nothing. Bad part of town having grown around it and no one wanting to go anymore. Car parts for the shops for miles around instead.

Dust in sheets over everything and corner cobwebs that reached to the curtain rods and then to the light in the middle of the ceiling like children’s birthday party streamers. Windows you can barely see out of. Stage makeup so thick you’d have to break in down into little rocks of rouge with a sledgehammer.

But an old trunk way in the back of where the chorus girls used to change. Pictures in the bottom with no names. Forgotten when the show moved on to the next town. Used as a footrest by tiny chorines ever since and never opened again judging by how hard the lock had to be hammered to get it open.

But worth it. Two ladies dancing somewhere in the golden time. Canada to explore and lots of men from before they all died in the trenches in France.

But not knowing any of that yet . .  .no . . . another Christmas celebrated and a new year to begin  . . . always a good thing . . .something to look forward to and not the other way . . .

Two Vanderbilt women dancing on front of a Christmas tree. ca. perhaps 1910.
Two Vanderbilt women dancing on front of a Christmas tree. ca. perhaps 1910. via Facebook.

 

Textile designs by Frenchman Raoul Dufy bright enough to make anyone want to dance until spring. Living from 1877 to 1953 he painted pictures and composed decor schemes for public institutions, none as cheerful as these.

Dionyssos.
Dionyssos. Fair use license. via http://pictify.saatchigallery.com/1101774/dionyssos-tumbir-raoul-dufy-textile.
Elephants.
Elephants. Fair use license. via http://www.patternprintsjournal.com/2012/02/historical-patterns-designed-by-raoul.html
"Les Oiseaux."
“Les Oiseaux.” Lithograph. Fair use license. via https://www.affordableart101.com/Raoul-Dufy-lithograph-Les-Oiseaux-p/1935.htm

Art Deco cigarette cases . . . not making these anymore but what glorious days they must have been to smoke if you got to carry one of these around . . .

1930. Rose gold, silver, enamel and onyx.
1930. Rose gold, silver, enamel and onyx. Image © Christies. Fair use license. via https://www.decoweddings.com/1206/art-deco-cigarette-cases/
Lighter. 1920.
Lighter. 1920. Art Deco. French. Platinum and diamond. Cartier, maker. Image © Doyle Auctions. Lighter in the public domain due to age. via https://doyle.com/auctions/13jl02-important-jewelry/catalogue/372-art-deco-black-enamel-and-diamond-cigarette-lighter
Design for a cigarette case. 1936.
Design for a cigarette case that was presented to Mrs. Cole Porter at the première of her husband’s 1936 show, “Red, Hot and Blue.” 20th c. Verdura, maker. Image © Verdura. via http://www.jewelsdujour.com/2014/04/cole-porters-red-hot-and-blue-cigarette-case-by-verdura/

An envisioning . . . 1936 and Monaco for the weekend.

Oh to be here.

Aerodrome and a new secret fiancé with a bag stuffed filled with money for the casino. Mother not knowing that part. Met at someone’s country house weekend and all titled up but a little off.

Not to marry exactly but fun. The other kind good at escorting ladies to Christmas pantomimes and fox hunting weekends with old lady relatives sitting around drinking tea talking about who had been the king’s mistress. Not this king with Mrs. Simpson. But the one a few back from before the war.

Maybe one should listen. Two saying they danced with him and might have some tips. But so boring. Bad knees making them do nothing but sit. That and remarks about ladies not riding sidesaddle because it made your legs look strange.

But fun. Baccarat and roulette. Maybe an introduction to the prince and back for the New Year’s Ball later.

Maybe not. Father liking the other gentleman better. Hard. A fun life but all on someone else’s money. Some things to get to decide but not most.

But this weekend, anyway. As long as the scale doesn’t go too high. Weigh everyone they do, and if the arrow goes too high you can’t get on. That or they rework the thing, make everyone move while you start looking around for a rock to go under.

But hopefully. Chairs side by side to sit in at least when the stewardess isn’t going back and forth . . . a weekend and then . a memory one way or the other. . . no way to know and who would want to.

Weighing in. ca. late 1920's.
Weighing in. ca. late 1920’s. Cigarette card. Collection of the New York Public Library. via http://www.formerdays.com/2014/11/flying-1920s-style.html

Church silver and gold for Christmas Eve, and of the most spectacular kind. Some actual Gothic and some Gothic Revival, but all with more whistles and bells than most.

Chalice. 1608 with later restorations.
Chalice. 1608 with later restorations. Westphalian (German). Gold, enamel and jewels. Probably made by Otto Meier (active 1604–21). In the public domain. via https://www.metmuseum.org/art/collection/search/193477?pos=50&rpp=30&pg=2&ft=chalice
Wanamaker cross. First used in 1922.
Wanamaker cross. First used in 1922. Processional cross. Ivory, silver gilt and diamond. Walter Stoye, designer. Barkentin & Krall, maker. Collection of Westminster Abbey, London. Image © Westminster Abbey. via https://www.westminster-abbey.org/worship-music/worship-at-the-abbey/processional-crosses/
Chalice and paten. ca. 1867-1873.
Chalice and paten. ca. 1867-1873. Barkentin and Krall, maker. Silver, parcel gilt, semi-precious stones and pearls. In the public domain in the United States as the makers have been dead over 70 years. via https://www.liturgicalartsjournal.com/2018/03/chalice-by-barkentin-and-krall.html
Saint Bernard chalice. 1390's. German. Gold.
Saint Bernard chalice. 1390’s. German. Gold. Maker not known. In the public domain. via https://www.scross.co.za/2017/07/why-the-chalice/
Chalice. 1856-1857.
Chalice. 1856-1857. Silver with gilding set with semi-precious stones. William Butterfield, designer. John Kent, maker. © Victoria and Albert Museum, London. via http://collections.vam.ac.uk/item/O78077/chalice-william-butterfield/