Jugendstil era renderings of interior and exterior spaces by Austrian architect and designer Marcel Kammerer (1878-1959) with help from his friends on some of them.

Design for Bakolowits Söhne glassware shop, Vienna. 1911.
Design for Bakolowits Söhne glassware shop, Vienna. 1911. Pencil, black ink, color pencil, color washes and gouache on paper. Emil Hoppe, Marcel Kammerer, and Otto Schönthal , makers. © Estates of the artists. Fair use license. via https://www.drawingmatter.org/index/hoppe-kammerer-schonthal-design-glassware-shop-vienna-1911-dm-1953/#&gid=1&pid=1
"Grand hôtel Wiesler à Graz (Autriche), salle des fêtes." (design for a hotel restaurant). ca. 1912.
“Grand hôtel Wiesler à Graz (Autriche), salle des fêtes.” (design for a hotel restaurant). ca. 1912. Pencil, pen and ink, watercolor and gouache on tracing paper. Inscribed “AUS DEM FESTSAALE DES GRAND HOTEL WIESLER IN GRAZ” in black pencil. Marcel Kammerer, maker. Collection of the Musée d’Orsay, Paris. © DR – RMN-Grand Palais (Musée d’Orsay) / Hervé Lewandowski. Fair use license. via https://www.musee-orsay.fr/fr/collections/catalogue-des-oeuvres/notice.html?no_cache=1&nnumid=93165&cHash=7610ae0c30
"Design for apartment building, Martinstrasse 17, Vienna." 1910.
“Design for apartment building, Martinstrasse 17, Vienna.” 1910. Pencil, black wash and gouache on paper.Emil Hoppe, Marcel Kammerer, and Otto Schönthal , makers. © Estates of the artists. Fair use license. via https://www.drawingmatter.org/sets/portfolios/architects-wagnerschule/
L. Köllner Shop Front, Kärntnerstrasse, Vienna." 1911.
“L. Köllner Shop Front, Kärntnerstrasse, Vienna.” 1911. Arch. Emil Hoppe, Marcel Kammerer, and Otto Schönthal, makers. © Estates of the artists. Fair use license. via https://www.tumblr.com/search/marcel%20kammerer
"Trabrennbahn (race track) Krieau, Vienna." 1919. E
“Trabrennbahn (race track) Krieau, Vienna.” 1919. Emil Hoppe, Marcel Kammerer & Otto Schönthal, makers. Estates of the artists. Fair use license. via https://www.tumblr.com/search/marcel%20kammerer

A pair of interesting interiors by Czech artist Karel Vítězslav Mašek. Living from 1865 to 1927, he also taught art and was an architect.

"Začarovaná krajina." 1890.
“Začarovaná krajina.” 1890. Oil on canvas. Collection of the Národní galerie v Praze, Prague. In the public domain in the United States because it was published before January 1, 1925. via https://commons.wikimedia.org/wiki/File:Karel_Vitezslav_Masek_1.9.1865-24.7.1927_-_Zacarovana_krajina.jpg
Karel_Vitezslav_Masek,_Design_for_Breakfront,_1900,_NGA_121286
“Design for a Breakfront.” 1900. Watercolor, gouache, and ink. Collection of the National Gallery of Art, Washington, DC. Cc0 License 1.0. via https://commons.wikimedia.org/wiki/File:Karel_Vitezslav_Masek,_Design_for_Breakfront,_1900,_NGA_121286.jpg
"Alegoric Scene." 1913.
“Alegoric Scene.” 1913. Oil on canvas. Collection of the Oblastní galerie Liberec, Liberec. In the public domain due to age. via https://artsandculture.google.com/asset/alegoric-scene/1QHsjF84cmOeZg

Plates from Maurice Pillard Verneuil’s “Le Décor Floral.” 50 Color collotype plates after original photographs. Published by the Librairie Centrale des Beaux-Arts, Paris, in 1904. These being a selection from the website of antiquarian book seller Michael Laird.

Title. Plate 27.
Title. Plate 27. Image © 2020 Michael Laird Rare Books. Fair use license. via https://www.michaellaird.com/pages/books/2754/maurice-pillard-verneuil/le-decor-floral-50-planches-bordures-et-panneaux-semis-fonds-ornes-etc-cover-title
Plate with stylized leaves.
Plate with stylized leaves. Image © 2020 Michael Laird Rare Books. Fair use license. via https://www.michaellaird.com/pages/books/2754/maurice-pillard-verneuil/le-decor-floral-50-planches-bordures-et-panneaux-semis-fonds-ornes-etc-cover-title
"Fougere Polypode." Plate 2.
“Fougere Polypode.” Plate 2.Image © 2020 Michael Laird Rare Books. Fair use license. via https://www.michaellaird.com/pages/books/2754/maurice-pillard-verneuil/le-decor-floral-50-planches-bordures-et-panneaux-semis-fonds-ornes-etc-cover-title
'Glaïeul Sauvage." Plate 4.
‘Glaïeul Sauvage.” Plate 4. Image © 2020 Michael Laird Rare Books. Fair use license. via https://www.michaellaird.com/pages/books/2754/maurice-pillard-verneuil/le-decor-floral-50-planches-bordures-et-panneaux-semis-fonds-ornes-etc-cover-title

Decorative little people stuck sitting on the bric-a-brac and wanting to go out to dinner. All of these by Maison Denière of Paris. An important manufacturer of decorative bronze, their work appeared at the Exposition Universelle of 1855.

"Sappho"(detail)
“Sappho”(detail). Silvered and gilded bronze statuette of Sappho, the Greek poetess of antiquity which surmounts a mantle clock. Pierre Alexandre Schoenewerk, sculptor. Image © 2007 Galerie Marc Maison. Fair use license. via https://www.marcmaison.com/objets-d-art-19th-century-paintings-and-furniture/clocks-garnitures/maison-deniere-napoleon-iii-style-fireplace-insert-in-gilded-silver-bronze-and-onyx-11646
Marble figural jardinière. ca. 1870.
Marble figural jardinière. Rouge marble top supported by four git bronze putti after Clodion or Pigalle with foliate foliate garlands, on a stepped circular marble base.ca. 1870. in the Manner of Maison Denière, circa 1870. Marble and gilt bronze. In the manner of Maison Denière. Image © 1stdibs, Inc. 2020. Fair use license. via https://www.1stdibs.com/furniture/building-garden/garden-ornaments/marble-figural-jardiniere-manner-maison-deniere-circa-1870/id-f_13807282/
Satyr and female figure, both of whom are engaged in Bacchic revelry (clock detail). Part of a set that also includes a pair of candelabra.
Satyr and female figure, both of whom are engaged in Bacchic revelry (clock detail). Part of a set that also includes a pair of candelabra. ca. 1880. Patinated bronze. Signed “Clodion,” for Claude Michel. Likely after an original marble by the 18th century French sculptor. Image © 1stdibs, Inc. 2020. Fair use license. via https://www.1stdibs.com/furniture/decorative-objects/clocks/mantel-clocks/ormolu-patinated-bronze-mounted-clock-set-deniere/id-f_17530611/

Floral costumes, perhaps intended for dancers. One for each month of the year, the dress for each month including seasonal flowers and fruit. Mid 19th c. Watercolors, some heightened with gold and silver with captions in pencil.Done by “Barenne”, who was probably an accomplished amateur artist. From the website of Justin Croft as well.

Costume with black ribbon trim. Mid 19th c. Watercolor.
“August.” Mid 19th c. Watercolor. Image © 2020 Justin Croft. Fair use license. via https://www.justincroft.com/book/6412/costume-barenne/les-12-mois-aquarelles/
"December."
“December.” Mid 19th c. Image © 2020 Justin Croft. Fair use license. via https://www.justincroft.com/book/6412/costume-barenne/les-12-mois-aquarelles/
"April."
“April.” Mid 19th c. Image © 2020 Justin Croft. Fair use license. via https://www.justincroft.com/book/6412/costume-barenne/les-12-mois-aquarelles/

There are twelve in all, one for each month. More coming!

A selection of watercolors and sketches from an album by Rosalie Boyle who lived in the parish of Woodford, Essex, England which show scenes from the life of an average lady of that time period, 1862-1870. Quite interesting. From the website of antiquarian bookseller Justin Croft.

"Some pretty pictures are to be obtained between Geneva and Paris."
“Some pretty pictures are to be obtained between Geneva and Paris.” interior of a railway sleeping compartment on the Geneva-Paris line. 1862-1870. Image Image © 2020 Justin Croft. Fair use license. via https://www.justincroft.com/search/?vl_tag=social+sciences&vl_page=4
"And doth not a meeting like this make amends (pocket knives at a premium."
“And doth not a meeting like this make amends (pocket knives at a premium.” 1862-1870. Image © 2020 Justin Croft. Fair use license. via https://www.justincroft.com/search/?vl_tag=social+sciences&vl_page=4
"Sand Hoppers."
“Sand Hoppers.” Image © 2020 Justin Croft. Fair use license. via https://www.justincroft.com/search/?vl_tag=social+sciences&vl_page=4
"Charlie - Charlie this is not in the  Programme!'
“Charlie – Charlie this is not in the Programme!’ Image © 2020 Justin Croft. Fair use license. via https://www.justincroft.com/search/?vl_tag=social+sciences&vl_page=4

Still lifes, this time of food, not flowers by French realist artist Antoine Vollon (1833-1900). Starting out to do engravings, he taught himself to paint. A friend of Alexandre Dumas.

"Mound of Butter." 1875-1885. Oil on canvas.
“Mound of Butter.” 1875-1885. Oil on canvas. Collection of the National Gallery of Art, Washington, DC. In the public domain in the United States because the artist has been dead over 70 years. via https://commons.wikimedia.org/wiki/File:Antoine_Vollon_-_Mound_of_Butter_-_National_Gallery_of_Art.jpg
"Still Life with Fish and a Copper Jug." ca. 1860-1890. Oil on canvas.
“Still Life with Fish and a Copper Jug.” ca. 1860-1890. Oil on canvas. Image © Museum Boijmans Van Beuningen. Fair use license. via https://www.boijmans.nl/en/collection/artworks/3133/still-life-with-fish-and-a-copper-jug
"Still life with Onions." ca. 1875-1880. Oil on canvas.
“Still life with Onions.” ca. 1875-1880. Oil on canvas. Collection of the Birmingham Museum of Art, Birmingham, Alabama. In the public domain in the United States because the artist has been dead over 70 years. via https://commons.wikimedia.org/wiki/File:Still_Life_with_Onions_by_Antoine_Vollon.jpg