Visions of the countryside. Landscapes by French painter William Didier-Pouget. Living from 1864 to 1959, he is associated with the later phase of Impressionism. Studied in Toulouse and later in Paris.

*Soleil levant, vallée de la Dordogne.* Undated, by 1959. French. Oil on canvas. William Didier-Pouget, painter (1864-1959). Signed ‘Didier-Pouget’ on the lower right. © estate of the artist. Image © 2021-2023 Bonhams. Fair use license. via https://www.bonhams.com/auction/28104/lot/10/william-didier-pouget-french-1864-1959-soleil-levant-vallee-de-la-dordogne/

*Ajoncs et Bruyères*. ca. 1911. Published as a postcard for the Salon in 1912. This is a reproduction of that post card. French. William Didier-Pouget, painter (1864-1959). Image source Delcampe. In the public domain in the United States because it was published before 1928. via https://en.wikipedia.org/wiki/File:Didier-Pouget,_Ajoncs_et_Bruy%C3%A8res,_Salon_1912.jpg

*Le Matin*, *Bruyères en Fleurs* (*Auvergne*). 1907-1908. Published in 1908 for the Salon, Paris. French. Oil on canvas. French. William Didier-Pouget, painter (1864-1959). Image source Image Artnet. In the public domain in the United States because it was published before 1928. via https://en.wikipedia.org/wiki/File:William_Didier-Pouget_,*ca.1907-1908,_Le_Matin,_Bruy%C3%A8res_en_Fleurs*(Auvergne),_oil_on_canvas,_182.9_x_251.8_cm,_detail.jpeg

*Heather in Bloom, Morning.* ca. 1910. French. Oil on canvas. William Didier-Pouget, painter (1864-1959). © estate of the artist. Photo credit and collections of the Bristol Museums, Galleries and Archives. http://www.artuk.org/artworks/heather-in-bloom-morning-188452

Watercolors of an upstate New York American landscape that isn’t coming back, done by English-born artist George Harvey. Living from 1799 to 1880, most of these were done in the 1840s.

*Daybreak. Leather-stocking’s Expedient (Episode from James Fenimore Cooper’s “The Prairie”).* 1830s-1840s. Watercolor on paper with black ink, gouache and glazing over graphite. George Harvey, watercolorist (1799-1880). Signed *G. HARVEY* on the lower right. Collections of the New York Historical Society. Artwork is in the public domain due to age. via https://www.themagazineantiques.com/article/george-harveys-anglo-american-atmospheric-landscapes/

*Sunrise. Flatbush and the Ocean from the Green-Wood Cemetery L. I. [Brooklyn], New York*.1830s-1840s. Watercolor, graphite, gouache, selective glazing, and scratching out on paper, formerly laid on buff card. George Harvey, watercolorist (1799-1880). Signed G. HARVEY on the lower right. Collections of the New York Historical Society. Artwork is in the public domain due to age. via https://www.themagazineantiques.com/article/george-harveys-anglo-american-atmospheric-landscapes/

*Sunset. The Outlet of Cayuga and Seneca Lakes, New York*. 1830s-1840s. Watercolor, graphite, selective glazing, gouache, and scratching out on paper, formerly laid on buff card. George Harvey, watercolorist (1799-1880). Signed G. HARVEY on the lower right. Collections of the New York Historical Society. Artwork is in the public domain due to age. via https://www.themagazineantiques.com/article/george-harveys-anglo-american-atmospheric-landscapes/

*Early Twilight. Kaatskill [Catskill] Landing and Mountains from the East Bank of the Hudson River, New York.* 1830s-1840s. Watercolor, graphite, selective glazing, gouache, and scratching out on paper, formerly laid on buff card. George Harvey, watercolorist (1799-1880). Signed G. HARVEY on the lower right. Collections of the New York Historical Society. Artwork is in the public domain due to age. via https://www.themagazineantiques.com/article/george-harveys-anglo-american-atmospheric-landscapes/

Artist’s impression of the first class vestibule of the SS Ile de France. 1926. . .so very Art Deco . .

Source: decorativeartrust via beardbriarandrose.tumblr.com only one of these but I think I’ll go down to the cruise ship dock and see if I can get a ticket for Paris.

Hand-fans to waft spring or fall in, depending on where you are. All of these taken from the September email from Fan d’Eventails, Paris, France. Most of these were made for children, dolls and are otherwise miniature.

Bone *brisé* doll fan with an interlaced pink ribbon. ca. 1900. Maker not known. Image © Fan d’Eventails, Paris. Fair use license. via https://www.fandeventails.fr/en/novelty-hands-fans/3649-little-gallantry-miniature-fan-or-doll-s-fan-late-19thearly-20th-century.html

Large wooden brisé hand fan. On the reverse of each blade, metal supports are studded to form a sort of domino cabriolet, featuring chromolithographed papers depicting children and flowers. Late 19th c. Maker not known. Image © Fan d’Eventails, Paris. Fair use license. via https://www.fandeventails.fr/en/19th-century-fans/3631-children-and-flowers-giant-fan-early-20th.html

Hand-fan made for a child, the silk leaf painted and embroidered in the motif of a swan. Horn sticks and guards. ca. 1900. Maker not known. Image © Fan d’Eventails, Paris. Fair use license. via https://www.fandeventails.fr/en/19th-century-fans/3632-elegante-au-cygne-eventail-d-enfant-vers-1900.html

Small brisé hand-fan made for a child with the leaf painted and applied with engraving. Bone sticks and guards. ca. 1900. Henry À la Pensée, maker. Signed on the reverse by Henry À la Pensée, a Paris dealer on rue du Faubourg Saint-Honoré in Paris. Image © Fan d’Eventails, Paris. Fair use license. via https://www.fandeventails.fr/en/19th-century-fans/3645-for-a-child-fan-from-henry-a-la-pensee-circa-1900.html

Miniature brisé hand fan, the leaf painted and varnished with the motif of a fountain and windmill. Bone sticks and guards. Late 19th-early 20th c. Image © Fan d’Eventails, Paris. Fair use license. via https://www.fandeventails.fr/en/novelty-hands-fans/3647-little-gallantry-miniature-fan-or-doll-s-fan-late-19thearly-20th-century.html

Children’s hand-fan, the satin leaf printed with children’s games. Wooden sticks with the guards being made of gutta percha. Late 19th c. Lauronce, maker. Signed by Lauronce. Image © Fan d’Eventails, Paris. Fair use license. via https://www.fandeventails.fr/en/19th-century-fans/3628-gutta-percha-and-childrens-fan-by-lauronce-late-19th-century.html

Hand-fan with wooden sticks and guards, the paper leaf printed with little flowers. ca. 1900. Lachelin, maker. Image © Fan d’Eventails, Paris. Fair use license. via https://www.fandeventails.fr/en/advertising-fans/3644-little-flowers-by-lachelin-fan-circa-1900.html

Miniature hand-fan in pierced and painted bone with an interlaced ribbon. 19th c. Image © Fan d’Eventails, Paris. Fair use license. via https://www.fandeventails.fr/en/novelty-hands-fans/3650-little-gallantry-miniature-fan-or-doll-s-fan-late-19thearly-20th-century.html

The children of the Bon Marché palmette paper fan with a printed leaf and an interlaced ribbon. Belle Epoque. Image © Fan d’Eventails, Paris. Fair use license. via https://www.fandeventails.fr/en/advertising-fans/3652-the-children-of-the-bon-marche-belle-epoque-fan.html

Flower children hand-fan with a painted and printed silk leaf. Wooden sticks and guards. ca. 1890. Image © Fan d’Eventails, Paris. Fair use license. via https://www.fandeventails.fr/en/19th-century-fans/3643-the-flower-children-fan-circa-1890.html

Miniature brisé bone hand-fan, painted in the style of Wedgwood earthenware. ca. 1900. Image © Fan d’Eventails, Paris. Fair use license. via https://www.fandeventails.fr/en/novelty-hands-fans/3630-little-wedgwood-miniature-fan-circa-1900.html

Painted wood brisé doll hand-fan. ca. 1900. Image © Fan d’Eventails, Paris. Fair use license. via https://www.fandeventails.fr/en/novelty-hands-fans/3648-little-gallantry-miniature-fan-or-doll-s-fan-late-19thearly-20th-century.html

The Queen of the May and her friends back in the early 20th century at the University of Maryland College Park. Not all maidens in white dresses but more costumed up. They still have these at a few women’s colleges in the United States. I would assume it is a British folk tradition that migrated to America.

*Women dressed as gypsy dancers posing with each other for a May Day celebration held at the University of Maryland College Park on May 15, 1930.* College Park, Maryland. Photographer not given. Adele H. Stamp Papers, University of Maryland Archives. Photograph itself in the public domain due to age.
See the link to see it bigger https://digital.lib.umd.edu/resultsnew/id/umd:687756?query=Adele%20Stamp

*Woman posing dressed as a gypsy dancer for a May Day celebration held at the University of Maryland College Park on May 15, 1930.* College Park, Maryland. Photographer not given. Adele H. Stamp Papers, University of Maryland Archives. Photograph itself in the public domain due to age. https://digital.lib.umd.edu/resultsnew/id/umd:687758?query=Adele%20Stamp S

*Kneeling before the May Queen, University of Maryland, College Park, Maryland.* 1923.
Photograph from a page of Adele H. Stamp’s May Day scrapbook. Adele H. Stamp Papers, University of Maryland Archives. Photograph itself in the public domain due to age. via https://digital.lib.umd.edu/resultsnew/id/umd:97659?query=Adele%20Stamp

*Women posing while dressed as gypsy dancers with tambourines for the May Day celebrations, May 15, 1930*. University of Maryland, College Park, Maryland. Photograph from a page of Adele H. Stamp’s May Day scrapbook. Adele H. Stamp Papers, University of Maryland Archives. Photograph itself in the public domain due to age. via https://digital.lib.umd.edu/resultsnew/id/umd:687754?query=Adele%20Stamp

*May Queen, Evelyn Rideout, and her court at May Day celebrations, May 15, 1930.* University of Maryland, College Park, Maryland. Photograph from a page of Adele H. Stamp’s May Day scrapbook. Adele H. Stamp Papers, University of Maryland Archives. Photograph itself in the public domain due to age. via https://digital.lib.umd.edu/resultsnew/id/umd:687750?query=Adele%20Stamp

*May Day Court, University of Maryland, College Park, Maryland.* 1940-1950 image. University of Maryland, College Park, Maryland. Photograph from a page of Adele H. Stamp’s May Day scrapbook. Adele H. Stamp Papers, University of Maryland Archives. Photograph itself in the public domain due to age. via https://digital.lib.umd.edu/resultsnew/id/umd:96377?query=Adele%20Stamp

*May Day procession on McKeldin Mall, University of Maryland, College Park, Maryland.* 1940-1950 image. Photograph from a page of Adele H. Stamp’s May Day scrapbook. Adele H. Stamp Papers, University of Maryland Archives. Photograph itself in the public domain due to age. via https://digital.lib.umd.edu/resultsnew/id/umd:96370?query=Adele%20Stamp

*June Barnesly as the May Day Queen processing with two young boys carrying her train. University of Maryland, College Park, Maryland.* 1936 image. Photograph from a page of Adele H. Stamp’s May Day scrapbook. Adele H. Stamp Papers, University of Maryland Archives. Photograph itself in the public domain due to age. via https://digital.lib.umd.edu/resultsnew/id/umd:3622?query=Adele%20Stamp

The May Queen makes her entrance to the University of Maryland May Day festivities from the Main Administration Building, followed by a procession of young children, May 10, 1960. College Park, Maryland. Photograph from a page of Adele H. Stamp’s May Day scrapbook. Adele H. Stamp Papers, University of Maryland Archives. Photograph itself in the public domain due to age.https://digital.lib.umd.edu/resultsnew/id/umd:66609?query=Adele%20Stamp

*Six women dressed as walruses during May Day celebrations at the University of Maryland. The May Day theme was “Characters of the Watery Wave.” College Park, Maryland. Image ca. 1929.* Photograph from a page of Adele H. Stamp’s May Day scrapbook. Adele H. Stamp Papers, University of Maryland Archives. Photograph itself in the public domain due to age. https://digital.lib.umd.edu/resultsnew/id/umd:89599?query=Adele%20Stamp

*Cleopatra on a throne, University of Maryland Maye Daye, 1937.* University of Maryland, College Park, Maryland. Photograph from a page of Adele H. Stamp’s May Day scrapbook. Adele H. Stamp Papers, University of Maryland Archives. Photograph itself in the public domain due to age. https://digital.lib.umd.edu/resultsnew/id/umd:100746?query=Adele%20Stamp

*A group of female students dressed as hillbillies and dancing on stage, University of Maryland Maye Daye, circa 1931-1940. University of Maryland, College Park, Maryland.* Photograph from a page of Adele H. Stamp’s May Day scrapbook. Adele H. Stamp Papers, University of Maryland Archives. Photograph itself in the public domain due to age. https://digital.lib.umd.edu/resultsnew/id/umd:100750?query=Adele%20Stamp

Dance of the Stars, University of Maryland May Day, University of Maryland, College Park, Maryland. Image ca. 1923-1931. Photograph from a page of Adele H. Stamp’s May Day scrapbook. Adele H. Stamp Papers, University of Maryland Archives. Photograph itself in the public domain due to age. https://digital.lib.umd.edu/resultsnew/id/umd:100716?query=Adele%20Stamp

*Two women dressed in kimonos, University of Maryland Maye Daye, circa 1923-1930. College Park, Maryland.* Photograph from a page of Adele H. Stamp’s May Day scrapbook. Adele H. Stamp Papers, University of Maryland Archives. Photograph itself in the public domain due to age. https://digital.lib.umd.edu/resultsnew/id/umd:100718?query=Adele%20Stamp

More images added of West Indian scenes.

Especially of Saint Lucia where my family had a winter house because my grandmother had retired there so left it to my parents.

But anyway I put more in. See them here, all of them.

The West Indies as they used to be. Watercolors done between 1828 and 1938 by Canadian John Herbert Caddy who was a lieutenant in the Royal Artillery who was stationed in the West Indies during those years.

and more from a different post but by the same watercolorist.

Watercolors of the West Indies done between 1828 and 1938 by Canadian John Herbert Caddy who was a lieutenant in the Royal Artillery who was stationed in the West Indies during those years.

As far as I know the links will work.

Images from M. Digby Watt’s “The Industrial Arts of the Nineteenth Century: a series of illustrations of the choicest specimens produced by every nation, at the Great Exhibition of Works of Industry held in 1851. From various folios issued between 1851 and 1853. Collections of the New York Public Library.

*The Amazon.* Chromolithograph from Sir M. Digby Watt’s *The Industrial Arts of the Nineteenth Century: a series of illustrations of the choicest specimens produced by every nation, at the Great Exhibition of Works of Industry held in 1851.* Collections of the New York Public Library. In the public domain due to age. via https://digitalcollections.nypl.org/items/510d47e3-8fe5-a3d9-e040-e00a18064a99

*Embroidery in Bullion from Tunis.* Chromolithograph from Sir M. Digby Watt’s *The Industrial Arts of the Nineteenth Century: a series of illustrations of the choicest specimens produced by every nation, at the Great Exhibition of Works of Industry held in 1851.* Collections of the New York Public Library. In the public domain due to age. via https://digitalcollections.nypl.org/items/510d47e3-8fe8-a3d9-e040-e00a18064a99

*Specimens of Turkish Embroidery.* Chromolithograph from Sir M. Digby Watt’s *The Industrial Arts of the Nineteenth Century: a series of illustrations of the choicest specimens produced by every nation, at the Great Exhibition of Works of Industry held in 1851.* Collections of the New York Public Library. In the public domain due to age. via https://digitalcollections.nypl.org/items/510d47e3-8fee-a3d9-e040-e00a18064a99

A group of objects in glass – cut and engraved. Consisting of an engraved claret, and cut cream jug by Green of London – a Venetian champagne and an engraved ale glass by Bacchus of Birmingham – and an engraved claret glass and cut salt cellar by Apsley Pellatt of London. Chromolithograph from Sir M. Digby Watt’s *The Industrial Arts of the Nineteenth Century: a series of illustrations of the choicest specimens produced by every nation, at the Great Exhibition of Works of Industry held in 1851.* Collections of the New York Public Library. In the public domain due to age. via https://digitalcollections.nypl.org/items/510d47e3-8ff6-a3d9-e040-e00a18064a99

“*Cassette” carved in ivory, exhibited by Matifat of Paris.* Chromolithograph from Sir M. Digby Watt’s *The Industrial Arts of the Nineteenth Century: a series of illustrations of the choicest specimens produced by every nation, at the Great Exhibition of Works of Industry held in 1851.* Collections of the New York Public Library. In the public domain due to age. via https://digitalcollections.nypl.org/items/510d47e3-8ff9-a3d9-e040-e00a18064a99

*Black lace flounce, (Nottingham manufacture) by Greasely and Hopcroft.* Chromolithograph from Sir M. Digby Watt’s *The Industrial Arts of the Nineteenth Century: a series of illustrations of the choicest specimens produced by every nation, at the Great Exhibition of Works of Industry held in 1851.* Collections of the New York Public Library. In the public domain due to age. via https://digitalcollections.nypl.org/items/510d47e3-9002-a3d9-e040-e00a18064a99

*Metal bedstead, by Winfield of Birmingham.* Chromolithograph from Sir M. Digby Watt’s *The Industrial Arts of the Nineteenth Century: a series of illustrations of the choicest specimens produced by every nation, at the Great Exhibition of Works of Industry held in 1851.* Collections of the New York Public Library. In the public domain due to age. via https://digitalcollections.nypl.org/items/510d47e3-900e-a3d9-e040-e00a18064a99

*A Chinese looking glass in carved wood frame.* Chromolithograph from Sir M. Digby Watt’s *The Industrial Arts of the Nineteenth Century: a series of illustrations of the choicest specimens produced by every nation, at the Great Exhibition of Works of Industry held in 1851.* Collections of the New York Public Library. In the public domain due to age. via https://digitalcollections.nypl.org/items/510d47e3-9019-a3d9-e040-e00a18064a99

*Pianofortes by Collard and Collard of London.* Chromolithograph from Sir M. Digby Watt’s *The Industrial Arts of the Nineteenth Century: a series of illustrations of the choicest specimens produced by every nation, at the Great Exhibition of Works of Industry held in 1851.* Collections of the New York Public Library. In the public domain due to age. via https://digitalcollections.nypl.org/items/510d47e3-901e-a3d9-e040-e00a18064a99

*The Coventry ribbon, and specimens of ribbons from Saint Etienne, France.* Chromolithograph from Sir M. Digby Watt’s *The Industrial Arts of the Nineteenth Century: a series of illustrations of the choicest specimens produced by every nation, at the Great Exhibition of Works of Industry held in 1851.* Collections of the New York Public Library. In the public domain due to age. via https://digitalcollections.nypl.org/items/510d47e3-901f-a3d9-e040-e00a18064a99

Portraits of Renaissance ladies painted by François Clouet who was painter and valet de chamber to four French kings so a maker of death masks and funeral decorations for the deaths of kings along with the portraits he is remembered for. All of these from the website of artuk which has images from a great many British art museums, city and town halls, etc. etc.

Portrait of Henriette of Cleves, Fourth Duchess of Nevers (1542-1601). Undated, by 1572. French. Oil on panel. François Clouet, painter (ca. 1501-1572). Photo credit: Government Art Collection. via artuk.org. In the public domain due to age. https://artuk.org/discover/artworks/henriette-de-cleves-15421601-4th-duchess-of-nevers-27935/search/actor:clouet-francois-c-15151572/page/1/view_as/grid

Portrait of a Lady in a Black Dress with Marie Stuart Coiffure. Undated, by 1572. French. Painting. Attributed to François Clouet. Photo credit: The Bowes Museum. Collections of the Bowes Museum. Artwork itself in the public domain due to age. via https://artuk.org/discover/artworks/portrait-of-a-lady-in-a-black-dress-with-marie-stuart-coiffure-44818/search/actor:clouet-francois-c-15151572/page/1/view_as/grid

Female portrait. Undated, by 1572. French. Painting. Attributed to François Clouet. Photo credit: The Bowes Museum. Collections of the Bowes Museum. Artwork itself in the public domain due to age. via https://artuk.org/discover/artworks/female-portrait-45323/search/actor:clouet-francois-c-15151572/page/1/view_as/grid

Diane de Poitiers (1499-1566), Duchess of Valentinois. After 1547. French. Oil on panel. François Clouet, painter (ca. 1501-1572). Photo credit and collections Museums Sheffield. Artwork itself in the public domain due to age. via https://artuk.org/discover/artworks/diane-de-poitiers-14991566-duchess-of-valentinois-70876/search/actor:clouet-francois-c-15151572/page/2

Visions of a Scotland that isn’t coming back. Taken from the 1838 work “Scotland illustrated in a series of views.” Written by William Beattie, MD with artwork by Thomas Allom, W. H. Bartlett, and Horatio MacCulloch. Published in London by George Virtue.

*Edinburgh from the Calton Hill (with Dugald Stewart’s Monument).* 1838. British. Frontispiece, Page 7 of William Beattie’s *Scotland illustrated in a series of views* , , . Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/scotlandillustr01beat/page/n7/mode/1up

*Coldstream, from the English side (Berwickshire).* 1838. British. Page 38 of William Beattie’s *Scotland illustrated in a series of views* , , . H. Griffiths, engraver after an illustration by Thomas Allom. Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/scotlandillustr01beat/page/n38/mode/1up

*Dryburghe Abbey, Roxburghshire (the burial place of Sir Walter Scott).* 1838. British. Page 62 of William Beattie’s *Scotland illustrated in a series of views* , , . J. C, Varrall, engraver after an illustration by Thomas Allom. Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/scotlandillustr01beat/page/n62/mode/1up

*Fast Castle Berwickshire; The Royal squadron conveying His Majesty King George IV towards Edinburgh.* 1838. British. Page 68 of William Beattie’s *Scotland illustrated in a series of views* , , . S. Fisher, engraver after an illustration by Thomas Allom. Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/scotlandillustr01beat/page/n68/mode/1up

*Dunbar Castle (Lothian).* 1838. British. Page 79 of William Beattie’s *Scotland illustrated in a series of views* , , . W. R. Smith, engraver after an illustration by Thomas Allom. Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/scotlandillustr01beat/page/n79/mode/1up

*Tamtallan Castle (East Lothian).* 1838. British. Page 89 of William Beattie’s *Scotland illustrated in a series of views* , , . R Sands, engraver after an illustration by Thomas Allom. Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/scotlandillustr01beat/page/n89/mode/1up

*Interior of Roslyn Chapel (Mid Lothian)*. 1838. British. Page 112 of William Beattie’s *Scotland illustrated in a series of views* , , . J. Cleghorn, engraver after an illustration by Thomas Allom. Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/scotlandillustr01beat/page/n112/mode/1up

*The Royal Institution, Edinburgh.* 1838. British. Page 112 of William Beattie’s *Scotland illustrated in a series of views* , , . W. Deeble, engraver after an illustration by G. M. Kemp. Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/scotlandillustr01beat/page/n112/mode/1up

*Holyrood Chapel, Edinburgh.* 1838. British. Page 159 of William Beattie’s *Scotland illustrated in a series of views* , , . H. Adlard, engraver after an illustration by Thomas Allom. Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/scotlandillustr01beat/page/n159/mode/1up

*The Canongate during the procession of His Majesty George IV (Edinburgh, August 22nd, 1822).* 1838. British. Page 182 of William Beattie’s *Scotland illustrated in a series of views* , , . J. Conson, engraver after an illustration by Thomas Allom. Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/scotlandillustr01beat/page/n182/mode/1up

*Stirling Castle.* 1838. British. Page 219 of William Beattie’s *Scotland illustrated in a series of views* , , . W. Wallis, engraver after an illustration by Thomas Allom. Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/scotlandillustr01beat/page/n219/mode/1up

*Bridge of Doune (tam-o-shanter); Dedicated to Allan Cunningham, Esq. (biographer of Burns).* 1838. British. Page 243 of William Beattie’s *Scotland illustrated in a series of views* , , . G. K. Richardson, engraver after an illustration by W. H. Bartlett. Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/scotlandillustr01beat/page/n243/mode/1up

Isle of Arran from Greenan Castle (Ayrshire). 1838. British. Page 253 of William Beattie’s *Scotland illustrated in a series of views* , , . H. Adlard, engraver after an illustration by W. H. Bartlett. Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/scotlandillustr01beat/page/n253/mode/1up

*Banks of the Water of Ayr (near Ballochmyle).* 1838. British. Page 265 of William Beattie’s *Scotland illustrated in a series of views* , , . S. Fisher, engraver after an illustration by W. H. Bartlett. Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/scotlandillustr01beat/page/n265/mode/1up

*Drumlanrig Castle (Dumfries-shire).* 1838. British. Page 278 of William Beattie’s *Scotland illustrated in a series of views* , , . H. Adlard, engraver after an illustration by W. H. Bartlett. Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/scotlandillustr01beat/page/n278/mode/1up

Visions of Honolulu back before a lot of things. Photographs in the collections of the University of California of the old Honolulu YWCA which is now officially named the Laniākea. Designed by Julia Morgan, it opened in 1927.

Swimming pool, Honolulu Young Womens Christian Association (YWCA), 1040 Richards Street, Honolulu, Hawaii, Image ca. 1950-1959. American. Photographer not given. Sara Holmes Boutelle Papers, California Polytechnic State University, San Luis Obispo. via Calisphere https://calisphere.org/item/b6818d7e92ebacedf0e2e93ab6b52d89/

Lobby, the Residence, Fernhurst. Possibly the Young Womens Christian Association in Honolulu, Hawaii. Undated image ca. 1950-1959. American. Photographer not given. Sara Holmes Boutelle Papers, California Polytechnic State University, San Luis Obispo. via Calisphere the archives of the University of California. https://calisphere.org/item/d8c0ff5a870fa0a886d773e9b2f577fb/

Library and sitting room. Honolulu Young Womens Christian Association (YWCA), 1040 Richards Street, Honolulu, Hawaii, Image ca. 1950-1959. American. Photographer not given. Sara Holmes Boutelle Papers, California Polytechnic State University, San Luis Obispo. via Calisphere the archives of the University of California. https://calisphere.org/item/b2c54641d06921845aa664ae77b6295d/

Loggia and courtyard. Honolulu Young Womens Christian Association (YWCA), 1040 Richards Street, Honolulu, Hawaii, Image ca. 1950-1959. American. Photographer not given. Sara Holmes Boutelle Papers, California Polytechnic State University, San Luis Obispo. via Calisphere the archives of the University of California. https://calisphere.org/item/7fc8de65b37454ed964138f028d74f66/

Exterior, grounds and entrance driveway, the Residence, Fernhurst. Honolulu Young Womens Christian Association (YWCA), 1040 Richards Street, Honolulu, Hawaii, Image ca. 1950-1959. American. Photographer not given. Sara Holmes Boutelle Papers, California Polytechnic State University, San Luis Obispo. via Calisphere the archives of the University of California. https://calisphere.org/item/7f04c0570a3d682e893c21e61b138fa9/

Cafeteria, the Residence, Fernhurst. Honolulu Young Womens Christian Association (YWCA), 1040 Richards Street, Honolulu, Hawaii, Image ca. 1950-1959. American. Photographer not given. Sara Holmes Boutelle Papers, California Polytechnic State University, San Luis Obispo. via Calisphere the archives of the University of California. https://calisphere.org/item/9360c4a96b224b03fb77e38a28dd3ccc/

Main lobby Honolulu Young Womens Christian Association (YWCA), 1040 Richards Street, Honolulu, Hawaii, Image ca. 1930-1939. American. Photographer not given. Sara Holmes Boutelle Papers, California Polytechnic State University, San Luis Obispo. via Calisphere the archives of the University of California. https://calisphere.org/item/6e8abc84fc7ac471d7380d5aeb446f59/

Exterior and view of the loggia. Honolulu Young Womens Christian Association (YWCA), 1040 Richards Street, Honolulu, Hawaii, Image ca. 1930-1939. American. Photographer not given. Sara Holmes Boutelle Papers, California Polytechnic State University, San Luis Obispo. via Calisphere the archives of the University of California. https://calisphere.org/item/f5d6d878960068e90a7bba45bb2e9bf8/

Upper loggia. Honolulu Young Womens Christian Association (YWCA), 1040 Richards Street, Honolulu, Hawaii, Image ca. 1930-1939. American. Photographer not given. Sara Holmes Boutelle Papers, California Polytechnic State University, San Luis Obispo. via Calisphere the archives of the University of California. https://calisphere.org/item/26fca228c6e13841dc2542a6856db5a2/

Library and sitting room, Honolulu Young Womens Christian Association (YWCA), 1040 Richards Street, Honolulu, Hawaii, Image ca. 1930-1939. American. Photographer not given. Sara Holmes Boutelle Papers, California Polytechnic State University, San Luis Obispo. via Calisphere the archives of the University of California. https://calisphere.org/item/e1561779621a4af167603ad414fb6964/

These photographs are archived in California, not Hawaii, because they are part of the papers of Californian Sara Holmes Boutelle who was an architectural historian and wrote a biography of Julia Morgan who designed the YWCA seen here. I am sorry the resolution on these is not higher.