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Family portraits by American painter Eastman Johnson. Living from 1824 to 1906 he studied art in Düsseldorf, The Hague and Paris. One of the founders of the Metropolitan Museum of Art.

Portrait of the Brown family. Based on a Matthew Brady photograph.  1869.
Portrait of the Brown family. Based on a Matthew Brady photograph. 1869. Collection of the de Young Museum, San Francisco. Cc0 license 1.0. via https://commons.wikimedia.org/wiki/File:Portraits_(The_Brown_Family)_by_Eastman_Johnson,_1869,_oil_on_canvas,_based_on_a_Mathew_Brady_photograph_-_De_Young_Museum_-_DSC00950.JPG
Christmas Time: The Blodgett Family. 1864.
Christmas Time: The Blodgett Family. 1864. Collection of the Metropolitan Museum of Art. In the public domain due to age. via https://www.metmuseum.org/art/collection/search/11258
Alfrederick Hatch Family. 1870-1871.
Alfrederick Hatch Family. 1870-1871. Collection of the Metropolitan Museum of Art. In the public domain. via https://www.metmuseum.org/art/collection/search/11263

American landscapes in shades of green so wonderful you’ll want to hide in them until summer comes back. Frank Vincent Dumond, artist (1865-1951).

"His Studio." No date.
“His Studio.” No date. Image © 2010 – 2019 John Pototschnik. Fair use license. via http://www.pototschnik.com/frank-vincent-dumond/
"Salmon Fishing in the Margaree River Cape Breton Nova Scotia." ca. 1920.
“Salmon Fishing in the Margaree River Cape Breton Nova Scotia.” ca. 1920. Image © 2019 Walmart. Fair use license. via https://www.walmart.com/ip/Salmon-Fishing-Margaree-River-Cape-Breton-Nova-Scotia-circa-1920-Frank-Vincent-Dumond-accomplished-artist-leader-Impressionist-Tonalist-enclave-Old-L/896383473
"Field in Spring." No date.
“Field in Spring.” No date. Signed on the lower left. Image © 2002-2019 LiveAuctioneers. Fair use license. via https://www.liveauctioneers.com/item/72786924_frank-vincent-dumond-american-1865-1951-field-in
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Out into the countryside with French artist Jules-Émile Zingg (1882-1942). Studied at the École des Beaux-Arts in Paris but raised in the countryside as you can see from his art.

"La place du Russey." ca. 1936.
“La place du Russey.” ca. 1936. Oil on panel. Signed on the lower left, Image © Drouot, Paris. Fair use license. via https://www.drouot.com/lot/publicShow?id=8975118&controller=lot&&action=publicShow&lang=en
jules-emile-zingg-paysage-de-neige
“Paysage de neige.” No date. Image ©2019 Artnet Worldwide Corporation. Fair use license. via http://www.artnet.com/artists/jules-emile-zingg/paysage-de-neige-JbomEFBzhGu4i1DQYUdzbA2
Winter scene with loggers arriving in a village. No exact date.
Winter scene with loggers arriving in a village. No exact date. Oil on canvas. Signed on the lower right with old labels on the back. Image © Proantic. Fair use license. via https://www.proantic.com/en/display.php?mode=obj&id=472478

Postcards with artwork likely to be been done by the so very gifted Kolomon Moser blowing our way from the Collection of Alastair Mason. Copyright the Collection of Alastair Mason but picked up from the website theviennasecession.com which is filled with treasures. This being the second look-

Postcard.
Postcard. No monogram but likely by Kolomon Moser (1868-1919). Philipp & Kramer, printers, Vienna. Series IV/6. © Collection of Alastair Mason. Fair use license. via https://www.theviennasecession.com/recently-added/#jp-carousel-8699
Postcard.
Postcard. No monogram but probably with artwork by Koloman Moser and Josef Hoffmann. Philipp & Kramer, printers, Vienna. Series III/5. Image © Collection of Alastair Mason. Fair use license. via https://www.theviennasecession.com/recently-added/#jp-carousel-8697
Postcard.
Postcard. No monogram but the artwork likely to have been done Koloman Moser. Philipp & Kramer, printers, Vienna. Series I/6. © Collection of Alastair Mason. Fair use license. via https://www.theviennasecession.com/recently-added/#jp-carousel-8694

New public (free) post just gone live on my Patreon page. Egyptian Revival Part I think II. Link below:

https://www.patreon.com/posts/29989052

Five images, not just one. Some 19th century, several from the 1920’s and one new. Began as just 19th century but now covering trending since. Egyptian Revival having I think the most.

Should you be interested in supporting my work and can do so please check out what’s available at the various levels.

Follow me if you like on Facebook @ Sarah B Guest Perry for my fall series “Very Eerie Pre Halloween Art” featuring all things goblin and gargoyle all with an arted up twist. A new issue each day until October 31st.

Brooch. ca. 1900. Egyptian Revival in style.
Brooch. ca. 1900. Egyptian Revival in style. American. Gold, with a design composed of a kneeling figure clad in Egyptian headdress, arm bands, and loincloth playing a falcon-headed harp set with an oval amethyst carved as a scarab. The figure and harp rest on a plinth supported by two coiled snakes. Green, blue, and red enamel accent the harp, figure, and snakes, with a demantoid garnet for the falcon’s eye. Theodore B. Starr, designer. Collection of the Metropolitan Museum of Art, New York. In the public domain. via https://www.metmuseum.org/art/collection/search/21686

Watercolors of city images with colors wandering off into the mist. If we are lucky they’ll be back. American. Todros Geller, artist (1889-1949). Also taught art and made prints.

"Street Scene with Man." 1942.
“Street Scene with Man.” 1942. Watercolor. Signed. Image © MutualArt. Fair use license. via https://www.mutualart.com/Artwork/Street-Scene-with-Man/D760C7A059B76D25
Untitled (factory). ca. 1930's.
Untitled (factory). ca. 1930’s. Private collection. In the public domain in the United States due to age. via https://observer.com/2015/02/seeing-red-nyus-grey-art-gallery-revisits-americas-socialist-moment-in-full/
"Industrial Scene." 1938.
“Industrial Scene.” 1938. Collaboration of Geller and his students. Todros Geller with students, Courtesy Spertus Institute, Image © 2019 WWCI. Fair use license. via https://news.wttw.com/2018/09/13/strange-worlds-first-solo-show-late-chicago-artist-todros-geller
Untitled street scene. 1927.
Untitled (Street scene). 1927. Oil on canvas on panel. Signed and dated Todros Geller ‘27, lower left. Image ©2019 Richard Norton Gallery LLC. Fair use license. via https://richardnortongallery.com/artists/todros-geller/artworks/6709-untitled-street

Wandering around amongst the trees somewhere deep in an ancient forest. Russian. Ivan Shishkin, landscape painter (1832-1898). Closely associated with the Peredvizhniki movement.

"Morning in a Pine Forest." 1886.
“Morning in a Pine Forest.” 1886. Oil on canvas. Collection of the Tretyakov Gallery, Moscow. In the public domain in the United States because the artist has been dead over 70 years. via https://commons.wikimedia.org/wiki/File:Utro_v_sosnovom_lesu.jpg
"Promenading in the Forest." 1869.
“Promenading in the Forest.” 1869. Oil on canvas. Collection of the Russian Museum, Saint Petersburg. In the public domain due to age. via https://www.freeart.com/gallery/s/shishkin/shishkin6.html
"Forest Cemetery." 19th c.
“Forest Cemetery.” 19th c. In the public domain due to age. via https://painting-planet.com/forest-cemetery-by-ivan-shishkin/
Wood-in-the-Evening-1869-Ivan-Shishkin-FB
“Wood in the Evening.” 1869. Image © Dan Harlow 2012-2019. Artwork itself in the public domain in the United States because the artist has been dead over 70 years. via https://slowlander.com/2014/08/08/wood-in-the-evening-1869-ivan-shishkin/

A Russia that isn’t coming back. Plates from albums that were mostly in Romanov palace libraries, and sold abroad in the 1930’s by the new regime. All of these images from the New York Public Library.

"A Present from Rival Sweden." 19th c.
“A Present from Rival Sweden,” from Fedor Grigorevich Solntsev’s “Drevnosti rossiiskago gosudarstva” [Antiquities of the Russian State] ca. 1849-1875. Collection of the Slavic and Baltic Division, New York Public Library. Image © 2003-2004 The New York Public Library. Fair use license. via http://web-static.nypl.org/exhibitions/russia/history2/full9.html
"Obrazok i krest." Plate 22.1849-1853.
“Obrazok i krest.” Plate 22. 1849-1853. Chromolithograph. Attributed to Dimitri Samozvants. F. Dreger, lithographer. Fedor Grigorevich Solntsev, author. Image © The New York Public Library, 2019. Fair use license. via https://digitalcollections.nypl.org/items/510d47de-131f-a3d9-e040-e00a18064a99
"Zolotoe kadilo, sdelannoe po poveleniiu tsaria Feodora Alekseevicha." (Golden incense censer of Tsar Feodor Alekseevich).
“Zolotoe kadilo, sdelannoe po poveleniiu tsaria Feodora Alekseevicha” (Golden incense censer of Tsar Feodor Alekseevich). Nakhod. In the Arkhangelsk Cathedral of Moscow. 1849-1853. Chromolithograph. Fedor Grigorevich Solntsev, artist. F. Dregera, lithographer. Image © The New York Public Library, 2019. Fair use license. via https://digitalcollections.nypl.org/items/510d47de-12f8-a3d9-e040-e00a18064a99
"Tsarskaia miropomazannitsa." Plate 42.
“Tsarskaia miropomazannitsa.” Plate 42. 1849-53. Chromolithograph. F. Dregera, lithographer. Image © The New York Public Library, 2019. Fair use license. via https://digitalcollections.nypl.org/items/510d47de-12fc-a3d9-e040-e00a18064a99