Very Eerie Pre Halloween Art for the 27th of October in the 2026 fall show . . .

sparking on air as in somewhere in rural Europe a broomstick rises into the air . . . an old coven it was that met by the stone circle where the land meets the sky . . . or so said grandmother and she was always right . . . troubled they must be or else they would not rise . . . something brewing somewhere . . . but no . . . the broomstick turned and sweeping away . . . . first to the left and then ahead . . . time to run but here comes another . . .

my series post for today published to my Substack at the link if you’d like to see it. Thanks! https://sarahbguestperry.substack.com/p/very-eerie-pre-halloween-art-for-56b

Sphinxes who guard the entrance to the Elizabeth Street Garden in New York City. Image ca. 2025. Photographer not given but under copyright. @elizabethstreetgarden on Instagram. via Instagram.

Very Eerie Pre Halloween Art for Monday October 26th in the Year of Our Lord MMXXVI

sparking on air on the last whine of a werewolf’s screech as the winds pick up and the old cries begin to rise . . . people not listening to the new gods and the ancient ones starting to inch back . . . swirls of sand and dust with the outline of something or someone in silvery robes, a thing that looks like a spear merged with a Victorian pickle fork and a golden crown that sparks off the stars up in the heavens . . . the lord of the mountains and the moon making his return . . . lightning bolts bouncing off up into the clouds and then down making the earth where they hit bounce . . . be careful . . . very careful

my series post for today published to my Substack at the link. https://sarahbguestperry.substack.com/p/very-eerie-pre-halloween-art-for-8bf

Winslow family mausoleum, Bellevue Cemetery, Lawrence, Massachusetts USA. Byzantine Revival so built in the mid 1920s. American. 2022 image via sipseyheadstonecleaning on Instagram. via Instagram.

What do you think is the future of AI? I hope nothing. I am admin of a Facebook history page that is social history and photograph based, mostly. I am spending increased amounts of time doing my best to weed out any with AI images, using mostly images from trusted sources/official archives that I have been accessing for over 10 years. In terms of writing, I have a substack and write elsewhere and like the other am doing my best to weed AI out whenever I think I’ve found it. In terms of digital art, there have been various trends before that blew over and I’m hoping AI is one of them.

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Very Eerie Pre Halloween Art for October 24th in the 2026 fall show . . .

sky a buzzing and then a spark . . . bees it is but of a different kind . . . rising in a ball to blot out the sun and then starting to grow . . . sideways in an endlessly circling ribbon and then beginning to tilt as they head out towards the land . . . tips of their wings shooting off things that look like sparklers stuck in a baked alaska but not of the celebratory kind . . . just what they are for even the bees cannot say . . . oh no . . . a ship sunk with a shock from one . . . time to hide . . . the cave down on the beach . . . a climb down the cliff and into the water . . .just needing the tide a little up . . . that would work

my series post for today published to my Substack if you’d to see the rest. Thank you!

https://sarahbguestperry.substack.com/p/very-eerie-pre-halloween-art-for-2f6

Cover art for the album “The Memory of Trees”. Recorded by Enya in 1995. via soundcloud.com.

Very Eerie Pre Halloween Art for the 23rd of October in the MMXXVI fall show . . .

hissing on air as in the inner depths of an archeological dig far from anywhere the golden serpents in their nest amongst the dead king’s burial goods wiggle their way out, flashing their emerald eyes and gnashing their diamonded up fangs . . . the assistant with his trowel and then the head man with his charts and maps . . . no . . . the archeologist’s girlfriend surrounded and entwined and gone in a golden mist . . . the volcano at the other end of the island next . . . an eruption to cause . . . that’ll enliven up the afternoon . . .

My series post for today published to my Substack at the link if you’d like to see it. https://sarahbguestperry.substack.com/p/very-eerie-pre-halloween-art-for-4ea

Dennison Hallowe’en Jack-o-Lanterns seals. 1920s. American. Dennison Manufacturing Company Archives. dennisonarchivist on Instagram. From their Instagram.

Visions of the world outside your front door seen through an 1837 haze. Imagery from “Peter Parley’s Wonders of the Earth, Sea and Sky.” Edited by the Reverend Thomas Wilson. Published in London by Darton and Clark, Holborn Hill, and entered at Stationer’s Hall. Peter Parley (pen name of Samuel G. Goodrich), author. Lithographs, some hand-colored.

Aurora Borealis. Frontispiece, Image 5 of Peter Parley’s Wonders of the Earth, Sea, and Sky. Peter Parley, author. Thomas Wilson, editor. Published in 1837 by Darton and Clark, Holborn Hill, London, England. Thomas Fisher Biodiversity Library, University of Toronto. In the public domain due to age. https://archive.org/details/peterparleyswond00good/page/n5/mode/1up
Extinct Animals. Image 26 of Peter Parley’s Wonders of the Earth, Sea, and Sky. Peter Parley, author. Thomas Wilson, editor. Published in 1837 by Darton and Clark, Holborn Hill, London, England. Thomas Fisher Biodiversity Library, University of Toronto. In the public domain due to age. https://archive.org/details/peterparleyswond00good/page/n26/mode/1up
Vesuvius Number 2. Image 98 of Peter Parley’s Wonders of the Earth, Sea, and Sky. Peter Parley, author. Thomas Wilson, editor. Published in 1837 by Darton and Clark, Holborn Hill, London, England. Thomas Fisher Biodiversity Library, University of Toronto. In the public domain due to age. https://archive.org/details/peterparleyswond00good/page/n98/mode/1up
Geysers of Iceland. Image 112 of Peter Parley’s Wonders of the Earth, Sea, and Sky. Peter Parley, author. Thomas Wilson, editor. Published in 1837 by Darton and Clark, Holborn Hill, London, England. Thomas Fisher Biodiversity Library, University of Toronto. In the public domain due to age. https://archive.org/details/peterparleyswond00good/page/n112/mode/1up
Falls of Niagara. Image 117 of Peter Parley’s Wonders of the Earth, Sea, and Sky. Peter Parley, author. Thomas Wilson, editor. Published in 1837 by Darton and Clark, Holborn Hill, London, England. Thomas Fisher Biodiversity Library, University of Toronto. In the public domain due to age. https://archive.org/details/peterparleyswond00good/page/n177/mode/1up
Escape on the Ice. Image 201 of “Peter Parley’s Wonders of the Earth, Sea, and Sky.” Peter Parley, author. Thomas Wilson, editor. Published in 1837 by Darton and Clark, Holborn Hill, London, England. Thomas Fisher Biodiversity Library, University of Toronto. In the public domain due to age. https://archive.org/details/peterparleyswond00good/page/n201/mode/1up

No caption but I think it is an Esquimaux family watching the Aurora Borealis. Image 255 of “Peter Parley’s Wonders of the Earth, Sea, and Sky.” Peter Parley, author. Thomas Wilson, editor. Published in 1837 by Darton and Clark, Holborn Hill, London, England. Thomas Fisher Biodiversity Library, University of Toronto. In the public domain due to age. https://archive.org/details/peterparleyswond00good/page/255/mode/1up

The author was American but at the time this book was published the great printers and publishers were in London as they had been for 100 years at least by then so printed/published in London and entered at the Stationers Hall there. Except for the art books. Those were printed in Paris.

Very Eerie Pre Halloween Art for the 21st of October in the 2026 fall show . . .

whispering on air as the children walk by the old abandoned house and the trees start to sway . . . the wind or isn’t it . . . supposed to haunted with someone who grew up there crashing in a glider in a far distant place in the skies over France . . . making things sway for it was the wind he flew on and the dying of it that took him . . . who can tell . . . back that way after school and maybe gone . . . maybe not . . .

my series post for today published to my Substack at the link. Enjoy!

https://sarahbguestperry.substack.com/p/very-eerie-pre-halloween-art-for-aaf

Embroidered beetle in stump work. ca. 2012. British. Michelle Carragher, artist. Embroideress for The Game of Thrones. via michelecarragherembroidery.com.

Very Eerie Pre Halloween Art for October 19th in the 2026 fall show . . .

effervescing on the breath of a grandfather lion as his daughter’s cubs leap on his tail as somewhere in South America in an abandoned pet shop something starts to happen . . . the animals taking over . . . perhaps two legged ones to turn into pets for pythons . . . perhaps not . . . maybe to be kept to dance for the giraffes over at the zoo instead . . . hmmm . . .

my series post for today published to my Substack at the link if you would like to see it –

https://sarahbguestperry.substack.com/p/very-eerie-pre-halloween-art-for-0e3

Mourning ring in memory of French king Louis XVI ca. 1815. Reeded tortoiseshell set with a central gold band engraved with a memorial inscription. Maker not known. Royal Collection Trust.

The house needing a redo for husband number four and sparkling it up with silver gilt all over the place. Maybe the fourth time’s the charm. If not it’s back to Meissen little people for the next one. Edwardian silver gilt accent touches, various auction houses.

Silver-gilt inkstand. Tripod shaped and with three dolphin supports, the body reeded and with foliage and milled bands and the hinged domed cover chased with scalloped medallions with husks on a textured ground, with a reeded baluster finial Glass liner. Victorian, made in 1883. British. Edward James Watherston, London, maker. Maker’s marks: Mark of Edward James Watherston, London. The stand and body marked underneath, the cover marked inside. Image © Christie’s 2026. Fair use license. https://www.christies.com/en/lot/lot-5565241
Silver-gilt vase of elegant rounded campagna form and replete with intricate applied decoration from the lip to the foot with the partly fluted flower body and the base decorated with alternating chased acanthus and palm leaves with an applied ropework border connecting the upper and lower body. The upper body is applied with further acanthus and palmette scrolls and rosette foliage with four identical monograms separating the scrolled foliage, each surmounted by marquess coronets and likely being the initials of the individual for whom the vase was made. Surmounting the sides of the vase are twin silver-gilt serpent handles, each formed of two intertwined snakes, the snakes being etched with scales. Copper liner. mid 19th c. Made in Belgium. Maker’s marks: various marks engraved into the rim and side of the base, including a Belgian fineness mark, an unidentified maker’s park PI, and a French Weevil import mark. Image © 2026 Mayfair Gallery Limited. Fair use license. https://www.mayfairgallery.com/large-antique-belgian-silver-gilt-vase-snake-handles
Pair of sterling silver-gilt furnishing vases of ginger jar form, the bodies entirely chased with foliage on a matte ground and the detachable domed covers with cascading acanthus leaves and palmettes above cylindrical necks. Edwardian, made in 1906. British. Made in Chester by George Nathan and Ridley Hayes. Image © Bonhams 2001-2026. Fair use license. https://www.bonhams.com/auction/31949/lot/16/a-pair-of-edwardian-sterling-silver-gilt-furnishing-vases-george-nathan-and-ridley-hayes-chester-1906/
Silver-gilt inkstand with applied, engraved, and chased work with a prominent acorn leaf motif. The inkwell, pounce pot, and quill pot are formed to resemble covered urns with the addition of floral garlands and quatrefoil accents. All three vessels rest atop their base which is distinguished by gadrooned handles and scrolling feet centered by lion makes and paws. William IV period, Hallmarked London 1832. English. William Bateman II, maker. Maker’s marks: Stamped WB and hallmarked 1832 to the base. Image © 2026 M.S. Rau. Fair use license. https://rauantiques.com/products/silver-gilt-inkstand-by-william-bateman-ii?utm_term=&utm_campaign=PLA_Standard_All-Products&utm_source=adwords&utm_medium=ppc&hsa_acc=4254617837&hsa_cam=19982553761&hsa_grp=148565502173&hsa_ad=657295298876&hsa_src=g&hsa_tgt=pla-2443610679816&hsa_kw=&hsa_mt=&hsa_net=adwords&hsa_ver=3&gad_source=1&gad_campaignid=19982553761&gbraid=0AAAAAD9DBtqt-xn500EKqBJRvOnoua0zT&gclid=CjwKCAjw3NHWBhANEiwAtpwId4GoYq2bhE2spov11941qMbNVheb7peJxZqAQ9YOJUb22Dc7y4WqpBoCgGoQAvD_BwE#product-desc

Picnicing with a Coracle wicker picnic basket with the plates and all that. One with a cane wrapped flask for the lemonade. Mostly from the 1920s and looking like something Vita Sackville-West and Harold Nicolson could put hard boiled eggs and a spot of marmalade in along with a flask filled with whiskey and sneak off to the back gardens of Sissinghurst for tea.

A four piece picnic set by Coracle. The black leather cloth covered case with nickeled brightwork, lid and fall-front opening to reveal wicker cage interior fully fitted with accessories including provisions boxes, twin vacuum flasks, wicker covered bottles, glasses, butter and preserves jars, enamel plates, ceramic cups and saucers, the lid housing cutlery. 1920s. British. Coracle by G. W. Scott and Son, maker. Image © Bonhams 2001-2026. Fair use license. https://www.bonhams.com/auction/31949/lot/76/a-four-person-picnic-set-by-coracle-1920s/
Picnic basket for six people in wicker with handles and the lock and clasp in brass, the lid opening on an interior lined with canvas, containing three thermoses, four boxes, cups, and cutlery for six people including silver metal forks. ca. 1930. British. Coracle by G. W. Scott and Son, maker. Image © 1stDibs.com, Inc. 2026, Fair use license https://www.1stdibs.com/furniture/decorative-objects/bowls-baskets/decorative-baskets/picnic-basket-6-people-coracle-g-w-scott-son-circa-1930/id-f_29922602/
Picnic basket with green dishes. Cups and saucers, plates, boxes, a bottle and a few thermoses. ca. 1950s. British. Coracle by G. W. Scott and Son, maker. Image ©1870-2026 Bukowski Auktioner AB. Fair use license. https://www.bukowskis.com/en/lots/806444-picnic-basket-coracle-england-1950th
Detail of a 1920s Coracle picnic basket, showing the spirit lamp to boil water for tea in. The cane wrapping the handle is so you won’t burn your hand. 1920s. British. Coracle by G. W. Scott and Son, maker. Image ©1870-2026 Hemswell Antiques. Fair use license. https://www.hemswell-antiques.com/antiques/antique-collectables/1920%25E2%2580%2599s-%25E2%2580%2598coracle%25E2%2580%2599-four-person-picnic-basket-132108.html

Coracle specialized in “motoring” tea and luncheon sets designed specifically for early twentieth-century automobile travel. These are some of them.