Sick and tired of counting up the money in the vault at the bank. Off for a week to shovel in the cotton candy and dance to the music at the Trans-Mississippi and International Exposition, which was held in Omaha, Nebraska, June 1st to November 1st, 1898.

Bandstand, Trans-Mississippi Exposition of 1898 in Omaha, Nebraska USA. Postcard. John Ross Key, artist. L. Prang and Company, publishers. Louis Prang and Company Collection, Boston Public Library. In the public domain due to age. via https://www.digitalcommonwealth.org/search/commonwealth:w66347128
North from Administration Arch. Trans-Mississippi Exposition of 1898, Omaha, Nebraska USA. Image © 1898 F. A. Rinehart, Omaha. Collections of the Nebraska State Historical Society. https://nebraska.access.preservica.com/uncategorized/IO_5421bb8a-8fb7-4529-9ebf-9d1cf844e691/
Crowd in bleachers: Sitting in the bleachers waiting for the next thing to start: Black and white photograph of people sitting in bleachers as part of the Congress of the American Indian in conjunction with the Trans-Mississippi International Exposition. The photograph is labeled “Crowd in bleachers”. 1898 photograph. Under © CC BY-NC 4.0. via the Nebraska State Historical Society Crowd in bleachers: Sitting in the bleachers waiting for the next thing to start: Black and white photograph of people sitting in bleachers as part of the Congress of the American Indian in conjunction with the Trans-Mississippi International Exposition. The photograph is labeled “Crowd in bleachers”. 1898 photograph. Under © CC BY-NC 4.0. via the Nebraska State Historical Society https://nebraska.access.preservica.com/uncategorized/IO_9bbf0d59-7de8-4015-a547-6e3e78cb4476/
Indian (sic) Day Parade, August 4, 1898: People participating in a parade for the Congress of the American Indian in conjunction with the Trans-Mississippi International Exposition held in Omaha Nebraska USA. August 4 1898 image. 1898 photograph. Under © CC BY-NC 4.0. via the Nebraska State Historical Society https://nebraska.access.preservica.com/uncategorized/IO_4369dfdf-e58c-404f-9def-09ae76a541fd/
Western Electrical Company’s display of electric light fixtures at the the Trans-Mississippi Exposition held in Omaha Nebraska USA. 1898 image. F. A. Rinehart, Photos, Omaha photographer. Under ©. via the Nebraska State Historical Society https://nebraska.access.preservica.com/uncategorized/IO_22a46e90-e89d-4570-bb71-203d905a5a2d/
Group of People in the “Streets of Cairo” Exhibit at the Trans-Mississippi Exposition. held in Omaha Nebraska USA. 1898 glass plate negative. F. A. Rinehart, Photos, Omaha photographer. Under ©. via the Nebraska State Historical Society https://nebraska.access.preservica.com/uncategorized/IO_a4782874-d52f-496b-8ff1-adf42c897c8d/

Visions of a California that isn’t coming back, including photographs of the Hotel Coronado where Mrs. Simpson is supposed to have met the future Duke of Windsor while going through a receiving line with her United States Navy officer first husband. ca. 1900-1910. From an album for sale by rare book dealer James Arsenault.

Tent City on Coronado Beach. San Diego, California USA. Image ca. 1900-1910. American. From a photo album that was probably kept by professional portrait and landscape photographer Bradford “Dan” Jackson with several of the photographs inscribed ‘B. D. Jackson, Landscape photographer, 880 Ortega Street, Los Angeles, California’ on the back. Image © 2026 James E. Arsenault & Company. Fair use license. https://www.jamesarsenault.com/pages/books/8941/bradford-d-jackson-comp-photog/album-of-sixty-six-photographs-of-southern-california-subjects
Camping scene on Mount Wilson (picturing a woman cooking and a girl reading in a hammock). San Gabriel Mountains, California USA. Image ca. 1900-1910. American. From a photo album that was probably kept by professional portrait and landscape photographer Bradford “Dan” Jackson with several of the photographs inscribed ‘B. D. Jackson, Landscape photographer, 880 Ortega Street, Los Angeles, California’ on the back. Image © 2026 James E. Arsenault & Company. Fair use license. https://www.jamesarsenault.com/pages/books/8941/bradford-d-jackson-comp-photog/album-of-sixty-six-photographs-of-southern-california-subjects
Tent City, Coronado Beach. San Diego, California USA. Image ca. 1900-1910. American. From a photo album that was probably kept by professional portrait and landscape photographer Bradford “Dan” Jackson with several of the photographs inscribed ‘B. D. Jackson, Landscape photographer, 880 Ortega Street, Los Angeles, California’ on the back. Image © 2026 James E. Arsenault & Company. Fair use license. https://www.jamesarsenault.com/pages/books/8941/bradford-d-jackson-comp-photog/album-of-sixty-six-photographs-of-southern-california-subjects
1318: Scene in Tropical Court, Hotel Coronado, San Diego, California USA. Image ca. 1900-1910. American. From a photo album that was probably kept by professional portrait and landscape photographer Bradford “Dan” Jackson with several of the photographs inscribed ‘B. D. Jackson, Landscape photographer, 880 Ortega Street, Los Angeles, California’ on the back. Image © 2026 James E. Arsenault & Company. Fair use license. https://www.jamesarsenault.com/pages/books/8941/bradford-d-jackson-comp-photog/album-of-sixty-six-photographs-of-southern-california-subjects
Scene showing tourists riding on a camel. Venice Beach, California USA. Image ca. 1900-1910. American. From a photo album that was probably kept by professional portrait and landscape photographer Bradford “Dan” Jackson with several of the photographs inscribed ‘B. D. Jackson, Landscape photographer, 880 Ortega Street, Los Angeles, California’ on the back. Image © 2026 James E. Arsenault & Company. Fair use license. https://www.jamesarsenault.com/pages/books/8941/bradford-d-jackson-comp-photog/album-of-sixty-six-photographs-of-southern-california-subjects
278: Westlake Park, Los Angeles, California USA. Image ca. 1900-1910. American. From a photo album that was probably kept by professional portrait and landscape photographer Bradford “Dan” Jackson with several of the photographs inscribed ‘B. D. Jackson, Landscape photographer, 880 Ortega Street, Los Angeles, California’ on the back. Image © 2026 James E. Arsenault & Company. Fair use license. https://www.jamesarsenault.com/pages/books/8941/bradford-d-jackson-comp-photog/album-of-sixty-six-photographs-of-southern-california-subjects
771 Twin palms near Pasadena, California USA. Image ca. 1900-1910. American. From a photo album that was probably kept by professional portrait and landscape photographer Bradford “Dan” Jackson with several of the photographs inscribed ‘B. D. Jackson, Landscape photographer, 880 Ortega Street, Los Angeles, California’ on the back. Image © 2026 James E. Arsenault & Company. Fair use license. https://www.jamesarsenault.com/pages/books/8941/bradford-d-jackson-comp-photog/album-of-sixty-six-photographs-of-southern-california-subjects
249 Avalon Catalina Island. California USA. Image ca. 1900-1910. American. From a photo album that was probably kept by professional portrait and landscape photographer Bradford “Dan” Jackson with several of the photographs inscribed ‘B. D. Jackson, Landscape photographer, 880 Ortega Street, Los Angeles, California’ on the back. Image © 2026 James E. Arsenault & Company. Fair use license. https://www.jamesarsenault.com/pages/books/8941/bradford-d-jackson-comp-photog/album-of-sixty-six-photographs-of-southern-california-subjects
267 New bath house, Long Beach, California USA. Image ca. 1900-1910. American. From a photo album that was probably kept by professional portrait and landscape photographer Bradford “Dan” Jackson with several of the photographs inscribed ‘B. D. Jackson, Landscape photographer, 880 Ortega Street, Los Angeles, California’ on the back. Image © 2026 James E. Arsenault & Company. Fair use license. https://www.jamesarsenault.com/pages/books/8941/bradford-d-jackson-comp-photog/album-of-sixty-six-photographs-of-southern-california-subjects

An envisioning. 2022 and March inching into April, with the crocus coming up blush pink at the house on Bluebird Lane.

Oh to be here.

The Cascades and a mountain peak to hike up, if one should feel so inclined, being visible from each corner of the yard. Flowers starting to leap right out of their beds. The occasional bunny rabbit mother sneaking out from her burrow looking for lunch for her little ones, but not competing with the red robin mother in her nest outside the dining room window, what with rabbits not being that fond of earthworms and robins not caring for baby asparagus with the occasional pale pink radish on the side.

my new short fiction piece published to my Substack at the link if you’d like to read the rest,

https://sarahbguestperry.substack.com/p/an-envisioning-2022-and-march-inching

The image is

Front cover of Diana Stobo’s Get Naked Fast! A guide to stripping away the foods that weigh you down. Published in 2010. It’s on the subject of a raw food diet. This version of the cover is from the author’s website and is copyright Diana Stobo LLC © 2021, but I found it here https://archive.org/details/dianastobosgetna0000stob/mode/2up

Perk up your afternoon by learning to square dance. Imagery from various California archives. Admittedly I can’t remember how to square dance because where I grew up it was an elementary school gym class thing. Love the big gingham skirted dresses, though.

Los Angeles Sports Arena, Los Angeles, California USA (Associated Square Dancers). September 20, 1959 image. American. Felix Paegel, photographer for the Los Angeles Examiner Newspaper. Under © for other than personal use. Fair use license. University of Southern California Special Collections. https://digitallibrary.usc.edu/asset-management/2A3BF1OPRIQ2X?&WS=SearchResults&Flat=FP
Booked for April 7 Dance Festival: Photograph caption dated March 28, 1962 reads, “The famous North Hollywood dancing group that calls itself the Hollywood Square Dancers are busy rehearsing for their April 7 appearance at the Philharmonic Auditorium. Here, director homer Garrett, rear, does the calling as, from left, Shirley Green and Carl Hakkila and Sharon Garrett and Frisco Estes do just one of the ‘steps’ they’ll display in the International Folk Dance Festival. On that Saturday, actress Greer Garson will be the commentator as more than 300 dancers, singers and musicians from 20 nations present the 15th annual folk festival.” North Hollywood, California, USA. March 28, 1962 image. American. Jeff Goldwater, photographer for the Valley Times newspaper. Under © for other than personal use. Fair use license. Valley Times Collection, TESSA, Digital Collections of the Los Angeles Public Library. https://tessa2.lapl.org/digital/collection/photos/id/49137

New ‘A Square D’ directors.” Caption dated July 18, 1960 reads, Mr. and Mrs. George Burton of Van Nuys, new directors of ‘A Square D’ sample punch at square dance ‘graduation’ party. They will direct activities of more than 70 valley square dance clubs in first district during the coming year.” They are wearing gingham square dancing outfits made from the same gingham fabric and the dolls in front of Mrs. Burton are costumed in the same gingham. California USA. July 18, 1960 image. American. Photographer not given but shot for the Valley Times Newspaper. Under © for other than personal use. Fair use license. Valley Times Collection, TESSA, Digital Collections of the Los Angeles Public Library. https://tessa2.lapl.org/digital/collection/photos/id/57023

Twirl your honey: Photograph caption dated August 17, 1960 reads, “Square dance caller Clyde Drivere and wife, Joyce, of Chatsworth, left, show Mr. and Mrs. Bob Pothier of Northridge square dance steps atop old chuck wagon near Peterson’s Barn in Thousand Oaks. Drivere teaches class, known as Pi R Squares at 8 p.m. every Tuesday in barn, located at end of James road Thousand Oaks.” Thousand Oaks, California, USA. August 17, 1960 image. American. Photographer not given but shot for the Valley Times Newspaper. Under © for other than personal use. Fair use license. Valley Times Collection, TESSA, Digital Collections of the Los Angeles Public Library. https://tessa2.lapl.org/digital/collection/photos/id/49100
Y-Knots will twirl at dance: Photograph caption dated June 7, 1960 reads, “No wings – Y-Knot Twirlers, Jeanette Ronser, Reseda, left, and Sharon Garrett, North Hollywood, fly through air with ease, guided by Ralph Garrett, North Hollywood, back to camera, and Frisco Estes, Van Nuys.” California, USA. June 7, 1960 image. American. Photographer not given but shot for the Valley Times Newspaper. Under © for other than personal use. Fair use license. Valley Times Collection, TESSA, Digital Collections of the Los Angeles Public Library. https://tessa2.lapl.org/digital/collection/photos/id/49099

Off to college soon and looking for a place where the students like having fun. Plenty of time to study later. Imagery from the “Maid of Athens” 1923 yearbook of what was then Athens College for Young Women (now Athens State University) in Athens, Alabama in the United States.

Joining the sisters of Sigma Delta for dinner, a few of the girls being very fashion forward with the ribbons that you wore tied across the middle of your forehead. As opposed to a headband kind of thing. Very chic in the 1920s. At least one young lady has an Art Deco era feather fan. Athens College for Young Women, Athens, Alabama. Page 74 of the 1923 edition of the “Maid of Athens,” yearbook (annual) of the Athens College for Young Women (now Athens State University), Athens, Alabama. Collections of Athens State University. via the Internet Archive. https://archive.org/details/maidofathens1923athe/page/74/mode/1up
Processing under an arch of ribbons with the sisters of Phi Sigma. Athens College for Young Women, Athens, Alabama. Page 75 of the 1923 edition of the “Maid of Athens,” yearbook (annual) of the Athens College for Young Women (now Athens State University), Athens, Alabama. Collections of Athens State University. via the Internet Archive. https://archive.org/details/maidofathens1923athe/page/75/mode/1up
Singing in the Club or drumming in the Orchestra. Athens College for Young Women, Athens, Alabama. Page 95 of the 1923 edition of the “Maid of Athens,” yearbook (annual) of the Athens College for Young Women (now Athens State University), Athens, Alabama. Collections of Athens State University. via the Internet Archive. https://archive.org/details/maidofathens1923athe/page/83/mode/1up

An envisioning. 1976 and Estes Park, the sun blazing away merrily while the mountain goats scramble with ease up and down the peaks.

Oh to be here.

Colorado in August, and even more tourists than last time. Paying more rent than they had wanted for last summer’s A-frame, what with the new place having a bigger yard. People turning out to want to look at nature more than they want to linger over taco lunches, though. Having to sit out on the back porch staring at boulders so big that someone going for a hike can’t fit between them to get any peace and quiet, what with an endless parade of day-tripper hikers meandering down the lane out front.

my new short fiction piece published to my Substack at the link if you’d like to read the rest. The image is a 1960s Dole Pineapple advertisement.

https://sarahbguestperry.substack.com/p/an-envisioning-1976-and-estes-park

Birds that Audubon skipped over or maybe forgot about so not in “Birds of America.” Plates from John Cassin’s “Illustrations of the Birds of California, Texas, Oregon, British, and Russian America: (Forming a Supplement to Audubon’s Birds of America) . . . “Published in 1856. Russian America being what became Seward’s Folly and then the State of Alaska.

The Californian Woodpecker – Melanerpes formicivorus (Swains). George G. White, artist. Drawn on stone by W. E. Hitchcock. Lithograph, printed and colored by J. T. Bowen, Philadelphia. Plate 2, Image 24 of John Cassin’s Illustrations of the Birds of California, Texas, Oregon, British, and Russian America: (Forming a Supplement to Audubon’s Birds of America) . . . American. Published in Philadelphia by J. P. Lippincott in 1856. In the public domain due to age. via https://archive.org/details/10231219bsb/page/n23/mode/1up
The Massena Partridge – Cyrtonyx massena (Lesson). George G. White, artist. Drawn on stone by W. E. Hitchcock. Lithograph, printed and colored by J. T. Bowen, Philadelphia. Plate 4, Image 45 of John Cassin’s Illustrations of the Birds of California, Texas, Oregon, British, and Russian America: (Forming a Supplement to Audubon’s Birds of America) . . . American. Published in Philadelphia by J. P. Lippincott in 1856. In the public domain due to age. via https://archive.org/details/10231219bsb/page/n45/mode/1up
The White Headed Gull – Larus heermanni (Lesson). George G. White, artist. Drawn on stone by W. E. Hitchcock. Lithograph, printed and colored by J. T. Bowen, Philadelphia. Plate 5, Image 58 of John Cassin’s Illustrations of the Birds of California, Texas, Oregon, British, and Russian America: (Forming a Supplement to Audubon’s Birds of America) . . . American. Published in Philadelphia by J. P. Lippincott in 1856. In the public domain due to age. via https://archive.org/details/10231219bsb/page/n58/mode/1up
Gambels Partridge. Callipepla gambelii (Nutt). . George G. White, artist. Drawn on stone by W. E. Hitchcock. Lithograph, printed and colored by J. T. Bowen, Philadelphia. Plate 9, Image 88 of John Cassin’s Illustrations of the Birds of California, Texas, Oregon, British, and Russian America: (Forming a Supplement to Audubon’s Birds of America) . . . American. Published in Philadelphia by J. P. Lippincott in 1856. In the public domain due to age. via https://archive.org/details/10231219bsb/page/n89/mode/1up
The Crowned Flycatcher – Pyrocephalus rubineus (Budd). Drawn on stone by W. E. Hitchcock. Lithograph, printed and colored by J. T. Bowen, Philadelphia. Plate 18, Image 88 of John Cassin’s Illustrations of the Birds of California, Texas, Oregon, British, and Russian America: (Forming a Supplement to Audubon’s Birds of America) . . . American. Published in Philadelphia by J. P. Lippincott in 1856. In the public domain due to age. via https://archive.org/details/10231219bsb/page/n205/mode/1up
The purple throated Humming Bird – Trochulus Alexandri (Bourcier). Drawn on stone by W. E. Hitchcock. Lithograph, printed and colored by J. T. Bowen, Philadelphia. Plate 22, Image 235 of John Cassin’s Illustrations of the Birds of California, Texas, Oregon, British, and Russian America: (Forming a Supplement to Audubon’s Birds of America) . . . American. Published in Philadelphia by J. P. Lippincott in 1856. In the public domain due to age. via https://archive.org/details/10231219bsb/page/n235/mode/1up
The black throated Finch – Emberiza bilineala (Cassin). Drawn on stone by W. E. Hitchcock. Lithograph, printed and colored by J. T. Bowen, Philadelphia. Plate 23, Image 250 of John Cassin’s Illustrations of the Birds of California, Texas, Oregon, British, and Russian America: (Forming a Supplement to Audubon’s Birds of America) . . . American. Published in Philadelphia by J. P. Lippincott in 1856. In the public domain due to age. via https://archive.org/details/10231219bsb/page/n250/mode/1up
The Prince Maximilian’s Jay – Gymuokitta cyanocephala (De Wied). Drawn on stone by W. E. Hitchcock. Lithograph, printed and colored by J. T. Bowen, Philadelphia. Plate 28, Image 283 of John Cassin’s Illustrations of the Birds of California, Texas, Oregon, British, and Russian America: (Forming a Supplement to Audubon’s Birds of America) . . . American. Published in Philadelphia by J. P. Lippincott in 1856. In the public domain due to age. via https://archive.org/details/10231219bsb/page/n283/mode/1up
The American Stonechat – Saxicola aenanthoides (Vigors). Drawn on stone by W. E. Hitchcock. Lithograph, printed and colored by J. T. Bowen, Philadelphia. Plate 34, Image 347 of John Cassin’s Illustrations of the Birds of California, Texas, Oregon, British, and Russian America: (Forming a Supplement to Audubon’s Birds of America) . . . American. Published in Philadelphia by J. P. Lippincott in 1856. In the public domain due to age. via https://archive.org/details/10231219bsb/page/n347/mode/1up
The Vermillion Flycatcher – Cardellina rubra (Swainson). Drawn on stone by W. E. Hitchcock. Lithograph, printed and colored by J. T. Bowen, Philadelphia. Plate 43, Image 441 of John Cassin’s Illustrations of the Birds of California, Texas, Oregon, British, and Russian America: (Forming a Supplement to Audubon’s Birds of America) . . . American. Published in Philadelphia by J. P. Lippincott in 1856. In the public domain due to age. via https://archive.org/details/10231219bsb/page/n441/mode/1up
The short tailed Albatross – Diomedea albatrus (Temm). Drawn on stone by W. E. Hitchcock. Lithograph, printed and colored by J. T. Bowen, Philadelphia. Plate 50, Image 491 of John Cassin’s Illustrations of the Birds of California, Texas, Oregon, British, and Russian America: (Forming a Supplement to Audubon’s Birds of America) . . . American. Published in Philadelphia by J. P. Lippincott in 1856. In the public domain due to age. via https://archive.org/details/10231219bsb/page/n491/mode/1up

2012 and a mid-morning in April, the rain starting up as the crocus push up their purple heads at the house on Riverton Sands.

Oh to be here.

Halfway up Lake Champlain. The best place on earth to be, down by the water and its singing muskrats, their feet stuck in clay.

my new short fiction piece over on my Substack if you’d like to read the rest.

https://sarahbguestperry.substack.com/p/2012-and-a-mid-morning-in-march-the

“Alice Ronchetti with students: A photograph of Alice Rochetti with 11 school children of various ages standing around a table. The table holds projects presumably made by the students: a paper man figure, a model of the Massachusetts Pike, a crocheted pot holder, an elephant out of cardboard, and more.” Cambridge, Massachusetts. 1973. American. Ed Pacheco, Cambridge, Massachusetts, photographer. © the photographer. Alice M. Ronchetti Papers (1935-1973, Cambridge Public Library Archives and Special Collections. Via Digital Commonwealth https://www.digitalcommonwealth.org/search/commonwealth:6395zt16q

Exploring the globe with a Victorian eye. Imagery from George French Angas’s 1849 work “The Kafirs illustrated in a series of drawings taken among the Amazulu, Amaponda, and Amakosa tribes: also, portraits of the … other races inhabiting southern Africa.” He also did illustrated books along the same lines for New Zealand and Australia which are the subjects of earlier posts here.

Cape Town from the Camps Bay Road. Cape Colony (South Africa). George French Argas, artist (and author). Page 6, Image 36 of The Kafirs illustrated in a series of drawings taken among the Amazulu, Amaponda, and Amakosa tribes : also, portraits of the … other races inhabiting southern Africa. Published in 1847 by J. Hogarth, Haymarket, London. Collections of the National History Museum Library, London. In the public domain due to age. via https://archive.org/details/kafirsillustrat00anga/page/6/mode/1up
Karel, a Malay priest, at prayer: his wife Nazea. George French Argas, artist (and author).Plate 2, Image 25 of The Kafirs illustrated in a series of drawings taken among the Amazulu, Amaponda, and Amakosa tribes : also, portraits of the … other races inhabiting southern Africa. Published in 1847 by J. Hogarth, Haymarket, London. Collections of the National History Museum Library, London. In the public domain due to age. via https://archive.org/details/kafirsillustrat00anga/page/n24/mode/1up
Bavian’s Kloof (The Glen of Baboons, Genadendal. George French Argas, artist (and author).Image 48 of The Kafirs illustrated in a series of drawings taken among the Amazulu, Amaponda, and Amakosa tribes : also, portraits of the … other races inhabiting southern Africa. Published in 1847 by J. Hogarth, Haymarket, London. Collections of the National History Museum Library, London. In the public domain due to age. via https://archive.org/details/kafirsillustrat00anga/page/n48/mode/1up
Umpanda, the King of the Amazulu. George French Argas, artist (and author).Image 59 of The Kafirs illustrated in a series of drawings taken among the Amazulu, Amaponda, and Amakosa tribes : also, portraits of the … other races inhabiting southern Africa. Published in 1847 by J. Hogarth, Haymarket, London. Collections of the National History Museum Library, London. In the public domain due to age. via https://archive.org/details/kafirsillustrat00anga/page/n59/mode/1up
Panda Reviewing his Soldiers at Nonduengu. George French Argas, artist (and author).Image 63 of The Kafirs illustrated in a series of drawings taken among the Amazulu, Amaponda, and Amakosa tribes : also, portraits of the … other races inhabiting southern Africa. Published in 1847 by J. Hogarth, Haymarket, London. Collections of the National History Museum Library, London. In the public domain due to age. via https://archive.org/details/kafirsillustrat00anga/page/n63/mode/1up

Zulu Kraal on the Umgani, with Cattle and Sheep. George French Argas, artist (and author).Image 77 of The Kafirs illustrated in a series of drawings taken among the Amazulu, Amaponda, and Amakosa tribes : also, portraits of the … other races inhabiting southern Africa. Published in 1847 by J. Hogarth, Haymarket, London. Collections of the National History Museum Library, London. In the public domain due to age. via https://archive.org/details/kafirsillustrat00anga/page/16/mode/1up
Mouth of the Umvoti River, on the Indian Ocean, Natal. George French Argas, artist (and author). Image 81 of The Kafirs illustrated in a series of drawings taken among the Amazulu, Amaponda, and Amakosa tribes : also, portraits of the … other races inhabiting southern Africa. Published in 1847 by J. Hogarth, Haymarket, London. Collections of the National History Museum Library, London. In the public domain due to age. via https://archive.org/details/kafirsillustrat00anga/page/n81/mode/1up
Soldiers of King Panda’s Army. George French Argas, artist (and author). Image 88 of The Kafirs illustrated in a series of drawings taken among the Amazulu, Amaponda, and Amakosa tribes : also, portraits of the … other races inhabiting southern Africa. Published in 1847 by J. Hogarth, Haymarket, London. Collections of the National History Museum Library, London. In the public domain due to age. via https://archive.org/details/kafirsillustrat00anga/page/n88/mode/1up
Scene in a Zulu Kraal, with Huts and Screens. George French Argas, artist (and author). Image 91 of The Kafirs illustrated in a series of drawings taken among the Amazulu, Amaponda, and Amakosa tribes : also, portraits of the … other races inhabiting southern Africa. Published in 1847 by J. Hogarth, Haymarket, London. Collections of the National History Museum Library, London. In the public domain due to age. via https://archive.org/details/kafirsillustrat00anga/page/n91/mode/1up
Evening Scene on the Umnonoti River. George French Argas, artist (and author). Image 94 of The Kafirs illustrated in a series of drawings taken among the Amazulu, Amaponda, and Amakosa tribes : also, portraits of the … other races inhabiting southern Africa. Published in 1847 by J. Hogarth, Haymarket, London. Collections of the National History Museum Library, London. In the public domain due to age. via https://archive.org/details/kafirsillustrat00anga/page/n94/mode/1up
The New Antelope from Saint Lucia Bay. George French Argas, artist (and author). Image 117 of The Kafirs illustrated in a series of drawings taken among the Amazulu, Amaponda, and Amakosa tribes : also, portraits of the … other races inhabiting southern Africa. Published in 1847 by J. Hogarth, Haymarket, London. Collections of the National History Museum Library, London. In the public domain due to age. via https://archive.org/details/kafirsillustrat00anga/page/n117/mode/1up
New and Remarkable Species of Lepidoptera, from Natal and the Zulu Country.George French Argas, artist (and author). Image 120 of The Kafirs illustrated in a series of drawings taken among the Amazulu, Amaponda, and Amakosa tribes : also, portraits of the … other races inhabiting southern Africa. Published in 1847 by J. Hogarth, Haymarket, London. Collections of the National History Museum Library, London. In the public domain due to age. via https://archive.org/details/kafirsillustrat00anga/page/n120/mode/1up

George French Argas was an English explorer, naturalist, painter and poet. In 1846 he went to what is now South Africa, where he spent two years in Natal and the Cape. I don’t think he was one of those artists who accompanied explorers because the book these are taken is dedicated to Major-General Sir Harry Smith, Bart. G.C.B. who was Her Majesty’s High Commissioner for the Cape of Good Hope.

Also, this is more faded out than many of these and I can’t make out the names of the lithographers for the various plates. Often the lithographer (s) is listed on the title page but not here.