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Portrait of the Brown family. Based on a Matthew Brady photograph. 1869. Collection of the de Young Museum, San Francisco. Cc0 license 1.0. via https://commons.wikimedia.org/wiki/File:Portraits_(The_Brown_Family)_by_Eastman_Johnson,_1869,_oil_on_canvas,_based_on_a_Mathew_Brady_photograph_-_De_Young_Museum_-_DSC00950.JPG Christmas Time: The Blodgett Family. 1864. Collection of the Metropolitan Museum of Art. In the public domain due to age. via https://www.metmuseum.org/art/collection/search/11258 Alfrederick Hatch Family. 1870-1871. Collection of the Metropolitan Museum of Art. In the public domain. via https://www.metmuseum.org/art/collection/search/11263
Hand-fan with a silk chiffon and lace leaf that is embroidered with sequins. Wooden sticks and guards. Image © Fans d’Eventail. Fair use license. via https://www.fandeventails.fr/en/19th-century-fans/2993-chiffon-fan-late-19th-century.html Large balloon hand fan. Tortoiseshell sticks and guards with a leaf made from needle and bobbin lace applied on black tulle with the lace in an iris and fuschia motif. Art Nouveau.. Image © Fans d’Eventail. Fair use license. via https://www.fandeventails.fr/en/art-nouveau-fans/2988-iris-and-fuchsias-art-nouveau-fan.html Hand-fan with a silk chiffon leaf with lace appliqué and metal sequins. Incised and stained mother-of-pearl sticks and guards. 1900-1910. American. Maker not known. Image © 2021 Philadelphia Museum of Art. Fair use license. via https://www.philamuseum.org/collection/object/208541
“Cotopaxi.” 1855. American. Oil on canvas. Collections of the The Museum of Fine Arts, Houston. Image © 2021 Terra Foundation for American Art. Fair use license. via https://picturingtheamericas.org/painting/cotopaxi/ “View of Cotopaxi.” 1867. American. Oil on canvas. Collections of the Yale University Art Gallery. Artwork itself in the public domain due to age. via https://interactive.britishart.yale.edu/critique-of-reason/389/view-of-cotopaxi “Cotopaxi.” 1853. American. Brush and oil paint, graphite on paperboard. Collections of the Detroit Institute of Arts. In the public domain in the United States because the artist died over 100 years ago. via https://commons.wikimedia.org/wiki/File:Cotopaxi_church.jpg
“The Artist’s Studio.” 1845. Belgian. Oil on panel. Signed and dated “David de Noter, 1845,” on the lower right. Image source: Bonhams. In the public domain in the United States because the artist has been dead over 100 years. via https://commons.wikimedia.org/wiki/File:David_de_Noter_-_The_artist%27s_studio.jpg “Taking Tea.” 19th c. Oil on canvas. Signed “David de Noter”. Image © 2021 Mark Murray Fine Painting s. Fair use license. via https://www.markmurray.com/de-noter-david-taking-tea “Preparing the Banquet.” 19th c. Signed on the lower right. Image © 1st-art-gallery.com. Artwork itself in the pubic domain due to age. via https://www.1st-art-gallery.com/David-Emil-Joseph-De-Noter/Preparing-The-Banquet.html
“Waiting for the Herring Boats.” Undated. British. Oil on canvas. Signed on the lower right. Image © 2020 Dreweatts 1759 Ltd. Fair use license. via https://auctions.dreweatts.com/auctions/7820/drewea1-10227/lot-details/ef7f07ec-b4b2-4a3e-85d7-ad180124abe6 “A Gypsy Encampment by a Track.” One of a pair. 19th c. British. Oil on panel. Signed on the lower left. Image © 2020 Dreweatts 1759 Ltd. Fair use license. via https://auctions.dreweatts.com/auctions/7820/drewea1-10227/lot-details/eb679c8b-b103-46f6-be15-ad180124b73d “A Gypsy Encampment by a Dead Oak Tree.” One of a pair. 19th c. British. Oil on panel. Signed on the lower left. Image © 2020 Dreweatts 1759 Ltd. Fair use license. via https://auctions.dreweatts.com/auctions/7820/drewea1-10227/lot-details/eb679c8b-b103-46f6-be15-ad180124b73d
“Ruins of the fort at Juanpore on the River Goomtee,” taken from “Twenty Four Views in Saint Helena, the Cape, India, Ceylon, the Red Sea, Abyssinia and Egypt.” Published in 1809. Image source bl.uk. In the public domain in the United States because the artist has been dead over 100 years. via https://commons.wikimedia.org/wiki/File:Henry_Salt-05.jpg “View near Point de Galle, Ceylon” from “Twenty Four Views in Saint Helena, the Cape, India, Ceylon, the Red Sea, Abyssinia and Egypt.” Published in 1809. Image source: bl.uk. In the public domain in the United States because the artist died over 100 years agovia https://commons.wikimedia.org/wiki/File:Henry_Salt-08.jpg “Riacotta in the Baramahal,” Plate 12 of Henry Salt’s “Twenty Four Views in Saint Helena, the Cape, India, Ceylon, the Red Sea, Abyssinia and Egypt.” Published in 1809. Image source: europeana.eu. In the public domain due to age. via https://commons.wikimedia.org/wiki/File:Riacotta_in_the_Baramahal.jpg
“Commission from Venerio, doge of Venice, In dark red leather, Venetian, A.D. 1554. Plate XIV, Page 30. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/remarkablebindin00whea/page/30/mode/1up “English and Italian songs, English binding, with Arms of Queen Anne.” Plate XXII. Page 46. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/remarkablebindin00whea/page/46/mode/1up “Description de Toute la terre saincte. Embroidered binding from the Library of Henry VIII.” Plate XXIII. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/remarkablebindin00whea/page/n114/mode/1up “H. Petrarcha, Embroidered binding belonging to Queen Katharine Parr.” Plate XXIV, page 52. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/remarkablebindin00whea/page/52/mode/1up
Wooden 18th century Florentine church candlestick with fossil agate coral and an agate base added in 2019. Italian. Agate elements added by Interi. Image © 1stDibs.com, Inc. 2021. Fair use license. via https://www.1stdibs.com/furniture/decorative-objects/sculptures/abstract-sculptures/18th-century-italian-candlestick-fossil-agate-coral-on-agate-base/id-f_20203252/ Pair of 18th century hand-carved Tuscan silver leaf candlestick tops that stand on the candlesticks’ original metal drip pan trays with agate coral and baroque pearls added by Interi in 2020. Image © 1stDibs.com, Inc. 2021. Fair use license. via https://www.1stdibs.com/furniture/decorative-objects/sculptures/mounted-objects/pair-of-18th-century-italian-candlestick-tops-agate-coral-baroque-pearl/id-f_20639612/
“The Pink Cloud.” 1896. French. Signed on the lower left. Image © 2021 Etsy, Inc. Artwork itself in the public domain due to age. via https://www.etsy.com/listing/935621619/henri-edmond-cross-the-pink-cloud-1896?gpla=1&gao=1&&utm_source=google&utm_medium=cpc&utm_campaign=shopping_us_ps-a-art_and_collectibles-prints-giclee&utm_custom1= k_Cj0KCQjwyZmEBhCpARIsALIzmnIfqTJ4jFMtYLmmmldF-5ES1pNrJRfeq_8czErwZfi55qewluIGta4aAlq6EALw_wcB_k &utm_content=go_12565614185_119519594637_507283729856_pla-354814757658_c__935621619_113769537&utm_custom2=12565614185&gclid=Cj0KCQjwyZmEBhCpARIsALIzmnIfqTJ4jFMtYLmmmldF-5ES1pNrJRfeq “Étude pour La baie de Cavalière.” Undated. French. oil on paper laid down on canvas. Image © Christie’s 2021. Fair use license. via https://www.christies.com/en/lot/lot-6185917 “Paysage avec le Cap Nègre.” Painted in June to November of 1906. French. Oil on canvas. Signed “Henri Edmond Cros” on the lower right. Image ©Duhamel Fine Art 2021. Fair use license. via https://www.duhamelart.com/henri-edmond-cross-paysage-avec-le-cap-n%C3%A8gre/
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