Ciala Kavak. Page 34 of Luigi Mayer’s Interesting Views in Turkey, selected from the original drawings, taken for Sir Robert Ainslie. Printed in London in 1819 by Robert Bowyer by Bensley and Son, Bolt Court, Fleet Street. Collections of the George Washington University Libraries. via the Internet Archive https://archive.org/details/39020024846001-interestingview/page/n34/mode/1up
Piccolo Bent. Page 48 of Luigi Mayer’s Interesting Views in Turkey, selected from the original drawings, taken for Sir Robert Ainslie. Printed in London in 1819 by Robert Bowyer by Bensley and Son, Bolt Court, Fleet Street. Collections of the George Washington University Libraries. via the Internet Archive https://archive.org/details/39020024846001-interestingview/page/n47/mode/1up
Kaskerat. Page 65 of Luigi Mayer’s Interesting Views in Turkey, selected from the original drawings, taken for Sir Robert Ainslie. Printed in London in 1819 by Robert Bowyer by Bensley and Son, Bolt Court, Fleet Street. Collections of the George Washington University Libraries. via the Internet Archive https://archive.org/details/39020024846001-interestingview/page/n65/mode/1upMosque in Latachia. Page 83 of Luigi Mayer’s Interesting Views in Turkey, selected from the original drawings, taken for Sir Robert Ainslie. Printed in London in 1819 by Robert Bowyer by Bensley and Son, Bolt Court, Fleet Street. Collections of the George Washington University Libraries. via the Internet Archive https://archive.org/details/39020024846001-interestingview/page/n83/mode/1up
Luigi Mayer did other illustrated books about places in the Ottoman Empire including one with plates of places in Palestine which I have blogged about here before. Just search on “Luigi Mayer” and it’ll pull them up. Mayer was a German artist. There were of course many very talented Ottoman artists but most of their work was for the Ottoman market not the Western one Mayer’s work was aimed at.
Squirrels clip. 2015. White opal, yellow sapphires, spessartites garnet, black spinels, and diamonds. Van Cleef and Arpels, maker. via Facebook and Christian de Bor.
Cast picture, “The Chimes of Normandy.” Page 71 of the 1920 edition of “Le Flambeau,” the yearbook of Saint-Genevieve-of-the-Pines School, Asheville, North Carolina. North Carolina Digital Heritage Center via the Internet Archive. https://archive.org/details/leflambeau192004stge/page/n70/mode/1upCast picture, “Esther.” Page 72 of the 1920 edition of “Le Flambeau,” the yearbook of Saint-Genevieve-of-the-Pines School, Asheville, North Carolina. North Carolina Digital Heritage Center via the Internet Archive. https://archive.org/details/leflambeau192004stge/page/n72/mode/1upCast picture, “Princess Chrysanthemum.” Page 74 of the 1920 edition of “Le Flambeau,” the yearbook of Saint-Genevieve-of-the-Pines School, Asheville, North Carolina. North Carolina Digital Heritage Center via the Internet Archive. https://archive.org/details/leflambeau192004stge/page/n74/mode/1upThe Hallowe’en Masquerade. Page 69 of the 1917 edition of “Le Flambeau,” the yearbook of Saint-Genevieve-of-the-Pines School, Asheville, North Carolina. North Carolina Digital Heritage Center via the Internet Archive. https://archive.org/details/leflambeauserial01stge/page/n69/mode/1up
Summer in the Winter from a series of dioramas inside vintage ring boxes. 2015. Canadian Trinidadian. Curtis Talwst Santiago, artist. curtissantiago.art. via thevintagenews.com.
Performance space seating, Institute of Contemporary Art, Seaport District, Boston, Massachusetts USA. 2022 image. Faux miniature. From the Instagram of the Echelon Seaport Hotel.
Empire Diner. Paper sculpture. ca. 2012. Australian. Cardboard and glue. Daniel Agdag, maker. Photo credit Daniel Agdag and Melanie Etchell. via notesontheroad.com.