Only two more weeks and its off to Camp Quinibeck to have fun until school starts. Camp Quinibeck was on Lake Fairlee in Vermont; one of these images is from a local historical society, the others are from a 1912 photograph album that must have belonged to a camper or maybe a counselor.

Campers presenting a classical tableau. Performances of this type were prepared for camp and public audiences. Camp Quinibeck, Lake Fairlee, Vermont. Photograph, ca. 1915. American. Photographer not given. Collections of the Fairlee Historical Society. Photograph itself in the public domain due to age. via https://larrycoffin.blogspot.com/2010/07/going-to-summer-camp.html
Tableau with two campers and two counselors. Must have been wrapped around the Alaska Gold Rush as the young woman on the left is holding a mining tin pan and the box the young woman on the right is holding says “Fairbanks Gold Dust Washing Powder.” 1912. From a black paper photo album of photographs of Camp Quinibeck, Lake Fairlee, Vermont with the first photograph labeled “Camp Quinibeck 1912.” Image © 2026 Caroliniana Rare Books. Fair use license with the photograph itself being in the public domain due to age. https://www.carolinianararebooks.com/pages/books/12487/photo-album-of-camp-quinibeck-in-vermont
Camp Quinibeck 1912. Cabins and dining hall/main building, Camp Quinibeck, Lake Fairlee, Vermont. 1912. From a black paper photo album of photographs of Camp Quinibeck, Lake Fairlee, Vermont with the first photograph labeled “Camp Quinibeck 1912.” Image © 2026 Caroliniana Rare Books. Fair use license with the photograph itself being in the public domain due to age. https://www.carolinianararebooks.com/pages/books/12487/photo-album-of-camp-quinibeck-in-vermont
Tableau/pageant/play with campers in various costumes including a sailor, a clown and a Chinaman sitting in the middle of the front row. Camp Quinibeck, Lake Fairlee, Vermont. 1912. From a black paper photo album of photographs of Camp Quinibeck, Lake Fairlee, Vermont with the first photograph labeled “Camp Quinibeck 1912.” Image © 2026 Caroliniana Rare Books. Fair use license with the photograph itself being in the public domain due to age. https://www.carolinianararebooks.com/pages/books/12487/photo-album-of-camp-quinibeck-in-vermont

Campers wearing their middy tops and gym skirts. Camp Quinibeck, Lake Fairlee, Vermont. 1912. From a black paper photo album of photographs of Camp Quinibeck, Lake Fairlee, Vermont with the first photograph labeled “Camp Quinibeck 1912.” Image © 2026 Caroliniana Rare Books. Fair use license with the photograph itself being in the public domain due to age. https://www.carolinianararebooks.com/pages/books/12487/photo-album-of-camp-quinibeck-in-vermont
Exercise? Maybe a competition with a neighboring camp? Camp Quinibeck, Lake Fairlee, Vermont. 1912. From a black paper photo album of photographs of Camp Quinibeck, Lake Fairlee, Vermont with the first photograph labeled “Camp Quinibeck 1912.” Image © 2026 Caroliniana Rare Books. Fair use license with the photograph itself being in the public domain due to age. https://www.carolinianararebooks.com/pages/books/12487/photo-album-of-camp-quinibeck-in-vermont
Waterfront with a row boat in the foreground and campers swimming, boating and canoeing. Camp Quinibeck, Lake Fairlee, Vermont. 1912. From a black paper photo album of photographs of Camp Quinibeck, Lake Fairlee, Vermont with the first photograph labeled “Camp Quinibeck 1912.” Image © 2026 Caroliniana Rare Books. Fair use license with the photograph itself being in the public domain due to age. https://www.carolinianararebooks.com/pages/books/12487/photo-album-of-camp-quinibeck-in-vermont

This was only Camp Quinibeck’s second summer from what I am finding. It would have been one of the earliest camps for girls. They closed decades later so there is a Facebook page with 1960s images but nothing this old. There are probably more in the historical society collections but other than the first image here which is from someone else’s blog post none of the other pictures appear to have been scanned and available online.

Also, counselors in black face and a camper in costume as a Chinaman was perfectly fine in 1912 Vermont.

Pretending to be a Native American in the “Pageant at Cooperstown.” From a set of postcards put out by Brown Brothers; it is likely that the photographs are from Cooperstown’s James Fenimore Cooper Sesquicentennial Celebration in August and September of 1940. These are from Auger Down Books but Abe Books has a set too.

Actors dressed as leather- and fur-clad pioneers, and others in war bonnets and loincloths being Indians/Native Americans. Part of the “Pageant at Cooperstown” which was part of the Cooperstown’s James Fenimore Cooper Sesquicentennial Celebration in August and September of 1940. American. Brown Brothers, publishers. Image © 2026 Auger Down Books. Fair use license. https://www.augerdownbooks.com/pages/books/List2819/american-authors-upstate-new-york-brown-brothers/eight-real-photo-postcards-likely-from-the-james-fenimore-cooper-sesquicentennial-celebration
Scene with three actors, a riverboat and a birchbark canoe. Hard to tell. Part of the “Pageant at Cooperstown” which was part of the Cooperstown’s James Fenimore Cooper Sesquicentennial Celebration in August and September of 1940. American. Brown Brothers, publishers. Image © 2026 Auger Down Books. Fair use license. https://www.augerdownbooks.com/pages/books/List2819/american-authors-upstate-new-york-brown-brothers/eight-real-photo-postcards-likely-from-the-james-fenimore-cooper-sesquicentennial-celebration
Actors who might be portraying the parents of James Fenimore Cooper. Maybe not. Hard to tell. Part of the “Pageant at Cooperstown” which was part of the Cooperstown’s James Fenimore Cooper Sesquicentennial Celebration in August and September of 1940. American. Brown Brothers, publishers. Image © 2026 Auger Down Books. Fair use license. https://www.augerdownbooks.com/pages/books/List2819/american-authors-upstate-new-york-brown-brothers/eight-real-photo-postcards-likely-from-the-james-fenimore-cooper-sesquicentennial-celebration

James Fenimore Cooper wrote “The Last of the Mohicans” and other novels. Also, I’ve been to Cooperstown but a long time ago. After summer camp ended, my grandparents would take two grandchildren at a time (there were five of us altogether) and we would take week long trips going to various places in upstate New York. One year they took myself and my sister to Cooperstown.

Learn more about the pageant here https://jfcoopersociety.org/content/04-crit/articles/nyhistory/1941nyhistory-sesquicentennial.htm

Looking for a few up to the minute decor ideas before the Empress Eugenie comes to stay. Imagery from “The illustrated catalogue of the Universal Exhibition” which was held in Paris in 1867. The catalogue appeared in print as a supplement to the publication “The Art-journal” in 1868.

Clock – Greek in character, contributed to the 1867 Paris Universal Exposition by Paris Bronze Manufacturer M. Henri Houdebine. Page 47 of The illustrated catalogue of the Universal Exhibition of 1867 published with Art Journal which was published in London and New York in 1868 by Virtue and Company. Cc0 License 3.0. https://archive.org/details/hartley52087804/page/n47/mode/1up

From the many and varied contributions of Mr. J. W. Benson – Goldsmith and Jeweller, of London – we select, for engraving, the CASKET in which was presented to Prince Alfred (Duke of Edinburgh) the freedom of the City of London. It is carved in oak by Mr. W. G. Rogers. Minute tracery of carved work and fine gold in high relief. Page 28 of The illustrated catalogue of the Universal Exhibition of 1867 published with Art Journal which was published in London and New York in 1868 by Virtue and Company. Cc0 License 3.0. https://archive.org/details/hartley52087804/page/n28/mode/1up

Messrs. Winfield and Company, of Birmingham, who have long-established repute for the production of works in Brass and Or-molu, more especially Bedsteads and Chandeliers, contribute several works of a high order, with reference to design as well as execution. of the CHANDELIERS we give two admirable examples; they are of considerable merit, and confer honour on the great capital of the metal district. We add one of the suspending pillars. Those who call to mind the collection exhibited by this eminent firm in 1862, will readily believe that these contributions manifest exceeding and invaluable perfection of finish. Page 81 of The illustrated catalogue of the Universal Exhibition of 1867 published with Art Journal which was published in London and New York in 1868 by Virtue and Company. Cc0 License 3.0. https://archive.org/details/hartley52087804/page/n81/mode/1up

The Paper-hangings (PAPIERS-PEINTS) of Paris maintain their high position; they have an excellence which the artists and artisans of other countries vainly strive to reach. We engrave on this page the decoration of the side of a room, and part of another, the manufacture of M. HOOUK, the successor of the long-renowned firm of DELICOURT, to which firm France was largely indebted for its supremacy in this art. The designs are applied by an eminent artist, M. VICTOR DUMONT. We can give no idea of the brilliancy and harmony of the colours employed. Page 266 of The illustrated catalogue of the Universal Exhibition of 1867 published with Art Journal which was published in London and New York in 1868 by Virtue and Company. Cc0 License 3.0. https://archive.org/details/hartley52087804/page/n266/mode/1up
Front cover. Collections of the Hartley Institution Southampton Reference Library. Image 1 of The illustrated catalogue of the Universal Exhibition of 1867 published with Art Journal which was published in London and New York in 1868 by Virtue and Company. Cc0 License 3.0. https://archive.org/details/hartley52087804/mode/1up

“Dollhouses and other Miniature Worlds” for May 29th in the 2026 spring show . . .

my series post for today published to my Substack at the link if you’d like to see it

https://sarahbguestperry.substack.com/p/dollhouses-and-other-miniature-worlds-36f

View of a house in Los Angeles, California looking past the courtyard towards the living room. June 2025 image. Faux miniature. Derek Swalwell, photographer. Rob Kennon Architects. via @newfielddesign on Instagram. From their Instagram.

Sticking down the last felt letter on the parade banner and off to be a druid lady at the Fêtes des druides au Mont Gildas in Brittany. Doesn’t look like they have these anymore but judging by the pictures it was lots of fun. Collections of Gallica BnF the Bibliothèque nationale de France.

Procession, Fêtes des druides au Mont Gildas (les druides). 1911.  Bretagne, France. Press photograph, photo credit Agence Rol. Collections of the Bibliothèque nationale de France, département Estampes et photographie. In the public domain due to age. https://gallica.bnf.fr/ark:/12148/btv1b53111545x?rk=21459;2
Procession, one man with a harp. Fêtes des druides au Mont Gildas (les druides). 1911.  Bretagne, France. Press photograph, photo credit Agence Rol. Collections of the Bibliothèque nationale de France, département Estampes et photographie. In the public domain due to age. https://gallica.bnf.fr/ark:/12148/btv1b53111529w?rk=42918;4
Processing with banners with the four men in the lead in civilian dress not druid costumes. Fêtes des druides au Mont Gildas (les druides). 1911.  Bretagne, France. Press photograph, photo credit Agence Rol. Collections of the Bibliothèque nationale de France, département Estampes et photographie. In the public domain due to age. https://gallica.bnf.fr/ark:/12148/btv1b531115399?rk=107296;4#
General view of the crowd and the druids. Fêtes des druides au Mont Gildas (les druides). 1911.  Bretagne, France. Press photograph, photo credit Agence Rol. Collections of the Bibliothèque nationale de France, département Estampes et photographie. In the public domain due to age. https://gallica.bnf.fr/ark:/12148/btv1b53111528f?rk=193134;0#
Man in Vendéen Costume. Fêtes des druides au Mont Gildas (les druides). 1911.  Bretagne, France. Press photograph, photo credit Agence Rol. Collections of the Bibliothèque nationale de France, département Estampes et photographie. In the public domain due to age. https://gallica.bnf.fr/ark:/12148/btv1b53111547t?rk=257512;0

Lithograph pages from a ca. 1860s-1880s trade catalogue put out by Stabilimento Salviati and Company of Venezia, Italy. In the collections of the Rakow Research Library at the Corning Museum of Glass in Corning, New York. The Cooper Hewitt has some of the lithographs from the same catalogue.

Lampadaro. Number 1. Giorgio Corradini, (Litografia Corradini), Venezia, lithographer. Lithographic page from a trade catalogue put out by Stabilimento Salviati and Company Glass of Venezia, Italy. Collections of the Rakow Research Library, Corning, New York. Artwork in the public domain due to age https://cmog.primo.exlibrisgroup.com/view/UniversalViewer/01CORNING_INST/1261562240004126?c=&m=&s=&cv=&xywh=-4056,-298,12125,5955&r=0
Lampadaro. Numbers 4 and 3. Giorgio Corradini, (Litografia Corradini), Venezia, lithographer. Lithographic page from a ca. 1860s-1880s trade catalogue put out by Stabilimento Salviati and Company Glass of Venezia, Italy. Collections of the Rakow Research Library, Corning, New York. Artwork in the public domain due to age https://cmog.primo.exlibrisgroup.com/view/UniversalViewer/01CORNING_INST/1261562240004126?c=&m=&s=&cv=1&xywh=-1397,-1,7620,3743&r=0
Lampadaro. Numbers 5 and 9. Giorgio Corradini, (Litografia Corradini), Venezia, lithographer. Tavola Number 12. Lithographic page from a ca. 1860s-1880s trade catalogue put out by Stabilimento Salviati and Company Glass of Venezia, Italy. Collections of the Rakow Research Library, Corning, New York. Artwork in the public domain due to age. https://cmog.primo.exlibrisgroup.com/view/UniversalViewer/01CORNING_INST/1261562240004126?c=&m=&s=&cv=4&xywh=-1589,-1,10324,5071&r=0
Mirrors. Numbers 1-5. Giorgio Corradini, (Litografia Corradini), Venezia, lithographer. Tavola Number 14. Lithographic page from a ca. 1860s-1880s trade catalogue put out by Stabilimento Salviati and Company Glass of Venezia, Italy. Collections of the Rakow Research Library, Corning, New York. Artwork in the public domain due to age. https://cmog.primo.exlibrisgroup.com/view/UniversalViewer/01CORNING_INST/1261562240004126?c=&m=&s=&cv=9&xywh=-1564,0,10358,5087&r=0
Mirrors. Numbers 8-10. Giorgio Corradini, (Litografia Corradini), Venezia, lithographer. Tavola Number 9. Lithographic page from a ca. 1860s-1880s trade catalogue put out by Stabilimento Salviati and Company Glass of Venezia, Italy. Collections of the Rakow Research Library, Corning, New York. Artwork in the public domain due to age. https://cmog.primo.exlibrisgroup.com/view/UniversalViewer/01CORNING_INST/1261562240004126?c=&m=&s=&cv=9&xywh=-1564,0,10358,5087&r=0
Mirrors. Number 13. Giorgio Corradini, (Litografia Corradini), Venezia, lithographer. Tavola Number 20. Lithographic page from a ca. 1860s-1880s trade catalogue put out by Stabilimento Salviati and Company Glass of Venezia, Italy. Collections of the Rakow Research Library, Corning, New York. Artwork in the public domain due to age. https://cmog.primo.exlibrisgroup.com/view/UniversalViewer/01CORNING_INST/1261562240004126?c=&m=&s=&cv=9&xywh=-1564,0,10358,5087&r=0
Glassware. Corradini, (Litografia Corradini), Venezia, lithographer. Tavola Number 20. Lithographic page from a ca. 1860s-1880s trade catalogue put out by Stabilimento Salviati and Company Glass of Venezia, Italy. Collections of the Rakow Research Library, Corning, New York. Artwork in the public domain due to age. https://cmog.primo.exlibrisgroup.com/view/UniversalViewer/01CORNING_INST/1261562240004126?c=&m=&s=&cv=9&xywh=-1564,0,10358,5087&r=0
Glass bottles, some being decanters. Giorgio Corradini, (Litografia Corradini), Venezia, lithographer. Tavola Number 18. Lithographic page from a ca. 1860s-1880s trade catalogue put out by Stabilimento Salviati and Company Glass of Venezia, Italy. Collections of the Rakow Research Library, Corning, New York. Artwork in the public domain due to age. https://cmog.primo.exlibrisgroup.com/view/UniversalViewer/01CORNING_INST/1261562240004126?c=&m=&s=&cv=16&xywh=-1538,0,10185,5002&r=0
Number 711. Coppa da frutta ondulata; Number 712. Coppa da frutta; Number 713. Pezzo di Centro per tavola in Filigrana; Number 714. Pezzo di Centro per tavola in Filigrana; Number 728. Number 729. Candelabro per tavola a 3 lumi; Number 730. Candelabro per tavola a 6 lumi. Giorgio Corradini, (Litografia Corradini), Venezia, lithographer.Lithographic page from a ca. 1860s-1880s trade catalogue put out by Stabilimento Salviati and Company Glass of Venezia, Italy. Collections of the Rakow Research Library, Corning, New York. Artwork in the public domain due to age. https://cmog.primo.exlibrisgroup.com/view/UniversalViewer/01CORNING_INST/1261562240004126?c=&m=&s=&cv=9&xywh=-1564,0,10358,5087&r=0
Specimens of Tinted Glassware. Giorgio Corradini, (Litografia Corradini), Venezia, lithographer. Tavola Number 17. Lithographic page from a ca. 1860s-1880s trade catalogue put out by Stabilimento Salviati and Company Glass of Venezia, Italy. Collections of the Rakow Research Library, Corning, New York. Artwork in the public domain due to age. https://cmog.primo.exlibrisgroup.com/view/UniversalViewer/01CORNING_INST/1261562240004126?c=&m=&s=&cv=9&xywh=-1564,0,10358,5087&r=0

Visions of mid century luxuriousness by Albert Van Luit who dressed up Hollywood. Born in Cleveland Ohio, Albert Van Luit relocated himself to southern California at a youthful age. His wallcoverings defined mid century luxury interior design from the 1950s to the 1970s. These images are in the Huntington Library and were shot by Maynard Parker.

Dining room and wallpaper: Wallpaper setups in the Robertson store decorated by Mary Jane Carson, and at a decorator show. In an envelope labeled “Robertson window by Mary Jane Carson/Booths at Sports arena”. Los Angeles, California, where the Albert Van Luit and Company Complex was located. June 1964 image. American. Maynard Parker, photographer with this image being part of a photo shoot for Albert Van Luit which is archived at the Huntington. Originally under copyright. Fair use license. via https://hdl.huntington.org/digital/collection/p15150coll5/id/17906/rec/24
Wallpaper Setups. Presumably photographed at the Albert Van Luit and Company Complex in Los Angeles as a different location is not given. California, USA. March 28, 1961 image. American. Color transparency. Maynard Parker, photographer with this image being part of a collection of photographs and color transparencies shot for Albert Van Luit that is archived at the Huntington. Originally under copyright. Fair use license. via https://hdl.huntington.org/digital/collection/p15150coll5/id/17869/rec/25
Cannell and Chaffin. Display booth and Wallpaper: Wallpaper setups at decorator’s show at Hollywood Palladium. Hollywood, California USA. June 24, 1962 image. American. Photographed by Maynard Parker for Albert Van Luit and Company. Part of a Van Luit and Maynard Parker archive at the Huntington Library. Originally under copyright. Fair use license. https://hdl.huntington.org/digital/collection/p15150coll5/id/17913/rec/28
Ruth Brand: Display booth and Wallpaper: Wallpaper setups at decorator’s show at the Hollywood Palladium. Hollywood, California USA. June 24, 1962 image. American. Photographed by Maynard Parker for Albert Van Luit and Company. Part of a Van Luit and Maynard Parker archive at the Huntington Library. Originally under copyright. Fair use license. https://hdl.huntington.org/digital/collection/p15150coll5/id/17911/rec/30
Newport Bluffs Model Apartments (Living Room). Newport Beach, California USA. June 1965 image. American. Photographed by Maynard Parker for Albert Van Luit and Company. Part of a Van Luit and Maynard Parker archive at the Huntington Library. Originally under copyright. Fair use license. https://hdl.huntington.org/digital/collection/p15150coll5/id/20089/rec/60

Learn a bit more about Albert Van Luit, the business he created and the people who worked for him here https://www.lapl.org/collections-resources/blogs/lapl/discover-lgbtqia-los-angeles-albert-van-luit-complex