Dressing room? leading into the bedroom past the fabric draped doorway with various potted plants and a framed photograph of two women dressed in white standing on top of the desk. One of those fun child motif statuettes, too. 1895-1900. Location not given but presumably in Sweden because it is in Arkivkopia, the Archive of Swedish cultural commons/Stockholm Digital Museum. via the Internet Archive https://archive.org/details/arkivkopia.se-digstad-SSMC003289S-0Dining room, the chairs having caned backs. Also a clock and marble or ceramic busts on wooden stands on either side of the fireplace with ots mantle covered with various ornaments including? an animal horn with silver mounts. 1895-1900. Location not given but presumably in Sweden because it is in Arkivkopia, the Archive of Swedish cultural commons/Stockholm Digital Museum. via the Internet Archive https://dn710704.ca.archive.org/0/items/arkivkopia.se-digmus-olm-OLM-2008-1-326/032wYWVnnWcU.jpgParlor/living room, the sofa, table and chairs with their striped upholstery being antiques along with the paintings. The rug looks later, maybe. So published in 1950 but with the furnishings being much older. Location not given but presumably in Sweden as the photograph is in the collections of the Örebro County Museum and because it is in Arkivkopia, the Archive of Swedish cultural commons. via the Internet Archive https://archive.org/details/arkivkopia.se-digmus-olm-OLM-91-102-3964Sitting room with the table set for a party with a large potted hyacinth? over on the right. 1909 image. Location not given but presumably in Sweden as the photograph is in the collections of the Örebro County Museum and because it is in Arkivkopia, the Archive of Swedish cultural commons. via the Internet Archive https://archive.org/details/arkivkopia.se-digmus-olm-OLM-92.149.764-1Parlor with potted palms, at least one ceramic or marble statuette and a few lamps with ruffled silk lampshades. Also a three piece upholstered parlor set, a settee and two armchairs. 1890-1920 image. Location not given but presumably in Sweden as the photograph is in it is in Arkivkopia, the Archive of Swedish cultural commons. via the Internet Archive https://archive.org/details/arkivkopia.se-digstad-SSMC003274S-0Rumsinteriör. Fru Åqvist.Lady’s dressing room, the vanity with an organdy? skirt and three lamps with ruffled silk shades. 1957 image. Swedish, exact location not given. Arkivkopia, the Archive of Swedish cultural commons. via the Internet Archive https://archive.org/details/arkivkopia.se-digmus-olm-OLM-91-102-12550Svartå Herrgård, rumsinteriör. Bedroom. Degerfors Municipality, Örebro County, Sweden. Image published in 1968 with the bed, portraits and the furniture being older. Collections of the Örebro County Museum via the Internet Archive https://archive.org/details/arkivkopia.se-digmus-olm-OLM-91-102-16876
Marin County. Lunch over, and a couple of hours to do something with ahead of the poodle needing to be picked up from the groomer’s. A work apron needed, then, what with the dog always shedding the minute something comes along that she doesn’t want to do.
Title page. Image 11 of Designs for ornamental plate, many of which have been executed in silver from original drawings. Charles Heathcote Tatham Architect; member of the Academy of Saint Luke at Rome, and of the Institute at Bologna, publisher. Printed in London in 1806 for Thomas Gardner, Cavendish Square by John Barfield, Printer to his Royal Highness the Prince of Wales. Collections of the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125012243503/page/n10/mode/1upThe Cup: A Piece of Plate designed and executed for the Earl of Carlisle, in the year 1801 – weight 500 ounces. Charles Heathcote Tatham, invenit. G. Cooper, engraver (I think). Image 23 of Designs for ornamental plate, many of which have been executed in silver from original drawings. Charles Heathcote Tatham Architect; member of the Academy of Saint Luke at Rome, and of the Institute at Bologna, publisher. Printed in London in 1806 for Thomas Gardner, Cavendish Square by John Barfield, Printer to his Royal Highness the Prince of Wales. Collections of the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125012243503/page/n20/mode/1upA Waiter designed and executed in Silver and Gilt, for the Right Honourable Earl Camden, in the Year 1803: Section of the Waiter, 28 Inches Diameter. Charles Heathcote Tatham, invenit. G. Cooper, engraver (I think). Image 18 of Designs for ornamental plate, many of which have been executed in silver from original drawings. Charles Heathcote Tatham Architect; member of the Academy of Saint Luke at Rome, and of the Institute at Bologna, publisher. Printed in London in 1806 for Thomas Gardner, Cavendish Square by John Barfield, Printer to his Royal Highness the Prince of Wales. Collections of the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125012243503/page/n18/mode/1upA Lamp and Column designed and executed in the Year 1800, the base being two feet wide.Charles Heathcote Tatham, invenit. G. Cooper, engraver (I think). Image 28 of Designs for ornamental plate, many of which have been executed in silver from original drawings. Charles Heathcote Tatham Architect; member of the Academy of Saint Luke at Rome, and of the Institute at Bologna, publisher. Printed in London in 1806 for Thomas Gardner, Cavendish Square by John Barfield, Printer to his Royal Highness the Prince of Wales. Collections of the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125012243503/page/n28/mode/1upDesigns for Lights to burn oil, after the manner of Italian Lamps. A is the Representation of the Lamp which was used by the Author, at Rome. Charles Heathcote Tatham, invenit. G. Cooper, engraver (I think). Image 32 of Designs for ornamental plate, many of which have been executed in silver from original drawings. Charles Heathcote Tatham Architect; member of the Academy of Saint Luke at Rome, and of the Institute at Bologna, publisher. Printed in London in 1806 for Thomas Gardner, Cavendish Square by John Barfield, Printer to his Royal Highness the Prince of Wales. Collections of the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125012243503/page/n32/mode/1upA Design for a Branch Light to be Executed in Silver: The End of the Base. Charles Heathcote Tatham, invenit. G. Cooper, engraver (I think). Image 56 of Designs for ornamental plate, many of which have been executed in silver from original drawings. Charles Heathcote Tatham Architect; member of the Academy of Saint Luke at Rome, and of the Institute at Bologna, publisher. Printed in London in 1806 for Thomas Gardner, Cavendish Square by John Barfield, Printer to his Royal Highness the Prince of Wales. Collections of the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125012243503/page/n56/mode/1upA Design for the Centre of a Table, Ornament for the proposed to be executed in Silver. Charles Heathcote Tatham, invenit. G. Cooper, engraver (I think). Image 71 of Designs for ornamental plate, many of which have been executed in silver from original drawings. Charles Heathcote Tatham Architect; member of the Academy of Saint Luke at Rome, and of the Institute at Bologna, publisher. Printed in London in 1806 for Thomas Gardner, Cavendish Square by John Barfield, Printer to his Royal Highness the Prince of Wales. Collections of the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125012243503/page/14/mode/1upThe Component parts to a larger Scale of the preceding Plate. Charles Heathcote Tatham, invenit. G. Cooper, engraver (I think). Image 81 of Designs for ornamental plate, many of which have been executed in silver from original drawings. Charles Heathcote Tatham Architect; member of the Academy of Saint Luke at Rome, and of the Institute at Bologna, publisher. Printed in London in 1806 for Thomas Gardner, Cavendish Square by John Barfield, Printer to his Royal Highness the Prince of Wales. Collections of the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125012243503/page/24/mode/1upA Design for a Tureen proposed to be executed in Silver. Charles Heathcote Tatham, invenit. G. Cooper, engraver (I think). Image 85 of Designs for ornamental plate, many of which have been executed in silver from original drawings. Charles Heathcote Tatham Architect; member of the Academy of Saint Luke at Rome, and of the Institute at Bologna, publisher. Printed in London in 1806 for Thomas Gardner, Cavendish Square by John Barfield, Printer to his Royal Highness the Prince of Wales. Collections of the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125012243503/page/28/mode/1upOutlines of Etruscan Vases now in England. Charles Heathcote Tatham, invenit. G. Cooper, engraver (I think). Image 95 of Designs for ornamental plate, many of which have been executed in silver from original drawings. Charles Heathcote Tatham Architect; member of the Academy of Saint Luke at Rome, and of the Institute at Bologna, publisher. Printed in London in 1806 for Thomas Gardner, Cavendish Square by John Barfield, Printer to his Royal Highness the Prince of Wales. Collections of the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125012243503/page/n94/mode/1up
A tiny bit of ice left up at the top of the elm across the way, so high up the branches are like twigs. Only the tiniest birds having a nest that high up lest their babies tumble to the ground.
my new short fiction piece published to my Substack at the link if you’d like to read the rest
Down for Christmas. All the fancy places taken and a tourist court instead. Better than the Comfort Inn, though. One of those 1930s places with built-in seashell arch-topped niches flanking the living room fireplace, the shelves deep enough for a cat to sleep away two lives if her nap goes on long enough without a grandchild yanking her tail.
my new short fiction piece published to my Substack at the link if you’d like to read the rest. The image is from a 1968 Frigidaire ad campaign –
Vor dem Affenhause. Gemälde von Jean Loves (1879). Image 8 of Zoo Berlin 1841-1929. Zur Geschichte des Zoologischen Gartens zu Berlin. Text by Dr. Adolph Heilborn. Published by the Board of Directors of the Berlin Zoological Gardens. Jacob Brothers Printing House, Berlin, printers. Uploaded by the Polish Public Domain Repository. Via the Internet Archive. https://archive.org/details/dlibra.bibliotekaelblaska.pl.KD.2932_300.151876295/page/n7/mode/1upBärenbrube. Zeichnung (1858) von H. Leutemann. Image 9 of Zoo Berlin 1841-1929. Zur Geschichte des Zoologischen Gartens zu Berlin. Text by Dr. Adolph Heilborn. Published by the Board of Directors of the Berlin Zoological Gardens. Jacob Brothers Printing House, Berlin, printers. Uploaded by the Polish Public Domain Repository. Via the Internet Archive. https://archive.org/details/dlibra.bibliotekaelblaska.pl.KD.2932_300.151876295/page/n9/mode/1upRestauration. Zeichnung (1863) von Baudouin. Image 11 of Zoo Berlin 1841-1929. Zur Geschichte des Zoologischen Gartens zu Berlin. Text by Dr. Adolph Heilborn. Published by the Board of Directors of the Berlin Zoological Gardens. Jacob Brothers Printing House, Berlin, printers. Uploaded by the Polish Public Domain Repository. Via the Internet Archive. https://archive.org/details/dlibra.bibliotekaelblaska.pl.KD.2932_300.151876295/page/11/mode/1upDas Antilopenhaus im zoologischen Garten in Berlin. Farbige lithographie (Guckkaasten bild 1872). Page 23 of Zoo Berlin 1841-1929. Zur Geschichte des Zoologischen Gartens zu Berlin. Text by Dr. Adolph Heilborn. Published by the Board of Directors of the Berlin Zoological Gardens. Jacob Brothers Printing House, Berlin, printers. Uploaded by the Polish Public Domain Repository. Via the Internet Archive. https://archive.org/details/dlibra.bibliotekaelblaska.pl.KD.2932_300.151876295/page/23/mode/1up Feuerwerk zu Ehren des Berliner Kongresses. Zeichnung (1878) von Knut Ekwall. Page 29 of Zoo Berlin 1841-1929. Zur Geschichte des Zoologischen Gartens zu Berlin. Text by Dr. Adolph Heilborn. Published by the Board of Directors of the Berlin Zoological Gardens. Jacob Brothers Printing House, Berlin, printers. Uploaded by the Polish Public Domain Repository. Via the Internet Archive. https://archive.org/details/dlibra.bibliotekaelblaska.pl.KD.2932_300.151876295/page/29/mode/1upDas junge Reitpferd im Zoologischen Garten zu Berlin. Rad der Ratur gezeidnut von Paul Menerheim. Page 32 of Zoo Berlin 1841-1929. Zur Geschichte des Zoologischen Gartens zu Berlin. Text by Dr. Adolph Heilborn. Published by the Board of Directors of the Berlin Zoological Gardens. Jacob Brothers Printing House, Berlin, printers. Uploaded by the Polish Public Domain Repository. Via the Internet Archive. https://archive.org/details/dlibra.bibliotekaelblaska.pl.KD.2932_300.151876295/page/32/mode/1upKinderkarawane. Zeichnung (1879) von Knut Ekwall. Page 35 of Zoo Berlin 1841-1929. Zur Geschichte des Zoologischen Gartens zu Berlin. Text by Dr. Adolph Heilborn. Published by the Board of Directors of the Berlin Zoological Gardens. Jacob Brothers Printing House, Berlin, printers. Uploaded by the Polish Public Domain Repository. Via the Internet Archive. https://archive.org/details/dlibra.bibliotekaelblaska.pl.KD.2932_300.151876295/page/35/mode/1upElefantenhaus. Zeichnung (1882) von H. Müuzel. Page 39 of Zoo Berlin 1841-1929. Zur Geschichte des Zoologischen Gartens zu Berlin. Text by Dr. Adolph Heilborn. Published by the Board of Directors of the Berlin Zoological Gardens. Jacob Brothers Printing House, Berlin, printers. Uploaded by the Polish Public Domain Repository. Via the Internet Archive. https://archive.org/details/dlibra.bibliotekaelblaska.pl.KD.2932_300.151876295/page/39/mode/1upElefantenportal – Photograph A. Rupp. Page 51 of Zoo Berlin 1841-1929. Zur Geschichte des Zoologischen Gartens zu Berlin. Text by Dr. Adolph Heilborn. Published by the Board of Directors of the Berlin Zoological Gardens. Jacob Brothers Printing House, Berlin, printers. Uploaded by the Polish Public Domain Repository. Via the Internet Archive. https://archive.org/details/dlibra.bibliotekaelblaska.pl.KD.2932_300.151876295/page/51/mode/1upVogelgang im alten Berliner Aquarium. Farbige Lithographie (Guckkastenbild). Um 1870. Page 59 of Zoo Berlin 1841-1929. Zur Geschichte des Zoologischen Gartens zu Berlin. Text by Dr. Adolph Heilborn. Published by the Board of Directors of the Berlin Zoological Gardens. Jacob Brothers Printing House, Berlin, printers. Uploaded by the Polish Public Domain Repository. Via the Internet Archive. https://archive.org/details/dlibra.bibliotekaelblaska.pl.KD.2932_300.151876295/page/59/mode/1upBlick in die Krokodilhalle des Aquariums. Photograph A. Rupp. Page 61 of Zoo Berlin 1841-1929. Zur Geschichte des Zoologischen Gartens zu Berlin. Text by Dr. Adolph Heilborn. Published by the Board of Directors of the Berlin Zoological Gardens. Jacob Brothers Printing House, Berlin, printers. Uploaded by the Polish Public Domain Repository. Via the Internet Archive. https://archive.org/details/dlibra.bibliotekaelblaska.pl.KD.2932_300.151876295/page/61/mode/1up
Minnesota, and not being that far from anywhere, if you measure it by how fast a Canada goose can head south for the winter. Teenage children who play trumpet in the band. Saturdays spent ferrying them around. Sitting and waiting in the back of some dusty auditorium, reading a novel while trying to appear to pay rapt attention to whatever the band leader says in case they ask about it on the drive back home. Not needing to find out about a band rehearsal on the other side of the county on the morning of, either.
my new short fiction piece published to my Substack at the link if you’d like to read the rest. The image is an advertisement from 1949 issue of PROM which was a magazine targeted to Saint Louis Missouri teenagers.
Cookbooks (including “How to Cook and Eat in Russian,” published in 1947 and “La Bonne Cuisine de Madame E. Saint-Ange” which came out in 1927. Not spotting anything by Julia Child, however). 5 Tucker Street, Marblehead, Massachusetts.1965 (I think) photograph. American. Samuel Chamberlain, photographer. Samuel Chamberlain Photographs Negative Collection, Phillips Library at the Peabody Essex Museum. Copyright undetermined but the photographer died in 1975 so his estate, presumably. via https://www.digitalcommonwealth.org/search/commonwealth:9g5513628
Library with contemporary magazines in the magazine rack just past the sofa. 5 Tucker Street, Marblehead, Massachusetts. Image ca. 1965. American. Samuel Chamberlain, photographer. Samuel Chamberlain Photographs Negative Collection, Phillips Library at the Peabody Essex Museum. Copyright undetermined but the photographer died in 1975 so his estate, presumably. via https://www.digitalcommonwealth.org/search/commonwealth:cr56qk11w
Dining room with the cookbooks seen in image one appearing here. 5 Tucker Street, Marblehead, Massachusetts. Image ca. 1965. American. Samuel Chamberlain, photographer. Samuel Chamberlain Photographs Negative Collection, Phillips Library at the Peabody Essex Museum. Copyright undetermined but the photographer died in 1975 so his estate, presumably. via https://www.digitalcommonwealth.org/search/commonwealth:1r66mj23qFront Hall. 5 Tucker Street, Marblehead, Massachusetts. Image ca. 1965. American. Samuel Chamberlain, photographer. Samuel Chamberlain Photographs Negative Collection, Phillips Library at the Peabody Essex Museum. Copyright undetermined but the photographer died in 1975 so his estate, presumably. via https://www.digitalcommonwealth.org/search/commonwealth:sx61h456pMaster bedroom. 5 Tucker Street, Marblehead, Massachusetts. Image ca. 1965. American. Samuel Chamberlain, photographer. Samuel Chamberlain Photographs Negative Collection, Phillips Library at the Peabody Essex Museum. Copyright undetermined but the photographer died in 1975 so his estate, presumably. via https://www.digitalcommonwealth.org/search/commonwealth:3j335m80fAnother view of the Master bedroom with a telephone that is considerably earlier than 1965 sitting on the bedside table. 5 Tucker Street, Marblehead, Massachusetts. Image ca. 1965. American. Samuel Chamberlain, photographer. Samuel Chamberlain Photographs Negative Collection, Phillips Library at the Peabody Essex Museum. Copyright undetermined but the photographer died in 1975 so his estate, presumably. via https://www.digitalcommonwealth.org/search/commonwealth:7w62hs77w
I don’t know why these photographs were taken as it doesn’t say nor does it say whether 5 Tucker Street was a house museum or a home inhabited by the owners as opposed to docents dressed like 1690 people though I know little of house museums as in my entire life I’ve only been in one and that was a long time ago. But there is very little put out that looks modern ish; I’ve been in a fair number of old houses packed with antiques because of my micro crafts business and even in homes furnished in real Chippendale there is a laptop sitting on the sideboard and a plastic bottle of Schweppes ginger ale out on the coffee table. But a fun set – I hope you like them too.