Featured

Landscapes by American painter Dwight William Tryon (1849-1925). Various collections. Mostly with trees, one with just water.

"Morning." Undated.
“Morning.” Undated. Image courtesy Peabody Institute. In the public domain due to age. via http://www.urbanartantiques.com/2009/dwight-william-tryon-and-his-early-spring/
"After Sunset looking East." 1915. Painting.
“After Sunset looking East.” 1915. Painting. In the public domain in the United States because the artist has been dead over 70 years. via https://commons.wikimedia.org/wiki/File:After_sunset_looking_east_dwight_william_tryon.jpeg
"Apple Blossoms." ca. 1895.
“Apple Blossoms.” ca. 1895. Painting. Signed D W Tryon 1805″ on the bottom right. Uploaded by and collection of the Brooklyn Museum. In the public domain in the United States because it was published before January 1, 1924. via https://commons.wikimedia.org/wiki/File:Brooklyn_Museum_-_Apple_Blossoms_-_Dwight_William_Tryon_-_overall.jpg
"Before Sunrise, June 1905." 1905.
“Before Sunrise, June.” 1905. Oil on canvas. Image © 2019 Detroit Institute of Arts. Fair use license. via https://www.dia.org/art/collection/object/sunrise-june-63762
Featured

Family portraits by American painter Eastman Johnson. Living from 1824 to 1906 he studied art in Düsseldorf, The Hague and Paris. One of the founders of the Metropolitan Museum of Art.

Portrait of the Brown family. Based on a Matthew Brady photograph.  1869.
Portrait of the Brown family. Based on a Matthew Brady photograph. 1869. Collection of the de Young Museum, San Francisco. Cc0 license 1.0. via https://commons.wikimedia.org/wiki/File:Portraits_(The_Brown_Family)_by_Eastman_Johnson,_1869,_oil_on_canvas,_based_on_a_Mathew_Brady_photograph_-_De_Young_Museum_-_DSC00950.JPG
Christmas Time: The Blodgett Family. 1864.
Christmas Time: The Blodgett Family. 1864. Collection of the Metropolitan Museum of Art. In the public domain due to age. via https://www.metmuseum.org/art/collection/search/11258
Alfrederick Hatch Family. 1870-1871.
Alfrederick Hatch Family. 1870-1871. Collection of the Metropolitan Museum of Art. In the public domain. via https://www.metmuseum.org/art/collection/search/11263

Dollhouses and other miniature worlds for today. My spring art series over on Substack and free to see.

smouldering on air on the tip of a scuba diver’s fin as in a far away neighborhood under a golden sun the children who live down the street sneak away and inch in through an unlocked door into the closed up art studios up on the corner . . . .no children it says but no one there now. . . .paint to spill in puddles to roller skate through and someone to climb up and open the net filled with feathery things .. . . supposed to pack things in it but not today . . .no a shower in light pink to run through and pretend it’s snowing .. . . life’s for fun . . .if you can’t have fun . . .well . . .who wouldn’t want to have fun . . . someone somewhere but them no one wants to be friends with.

https://sarahbguestperry.substack.com/p/dollhouses-and-other-miniature-worlds-b9c

50 or so images including this one

50 or so images including this one

Neo-Renaissance hand-fans decorated by French artist Edouard Moreau. Living from 1825 to 1878, he designed and decorated fans for Maison Alexandre and their competitors. Not just the leaves, he decorated up the sticks and guards, too.

Skating Party folding fan, the guards richly carved with Neo-Renaissance ornaments, the sticks partly fretted and painted en grisaille with groups of figures representing Love and Marriage. The leaf is painted on the recto with three winter-themed, scenes, the principal one being a 16th century skating party. The surrounding parts of the leaf are painted gold and further enhanced with stylized borders and Classical grotesques. 1865. French. Ivory and gouache on paper. Edouard Moreau, artist and decorator (1825-1878). Image credit and © Rhian Cox / The Fan Museum. Artwork itself in the public domain due to age. via https://artuk.org/discover/artists/moreau-edouard-18251878
Fan. 1860. French. Ivory, paint and silk ribbon. Edouard Moreau, artist and decorator (1825-1878). Maker’s marks: Edouard Moreau. Paper label inscribed Number 30 in ink. Collections of the Metropolitan Museum of Art New York. In the public domain due to age. via https://www.metmuseum.org/art/collection/search/195073
Hand painted fan with carved mother-of-pearl guards and painted sticks, the leaf painted with 17th and 18th century love scenes. Signed Moreau in a panel of a couple dancing at a military camp at right and dated Edouard Moreau Pinx 1866 at center. Chateau in a wooded landscape painted on the verso (back). Signed Allonge on the left side. French. 1866. Edouard Moreau, artist and decorator (1825-1878). Image © 1986-2024 Invaluable, LLC and Willow Auction House. Fair use license. via https://www.invaluable.com/auction-lot/edouard-moreau-allonge-painted-19th-century-fan-92-c-6204c1a88f
Fan, the skin leaf delicately painted on a gold Hand-fan in the style of Edouard Moreau, the skin leaf delicately painted on a a gold background with four scenes of gallantry from the 15th to the 18th century. From left to right: a gallant dressed in Renaissance fashion tries to entertain two beauties by showing his skills at the ball and ball table; two 16th century gentlemen test their courage by challenging each other to a sword duel on a full moon evening; a hunter in Molière’s time shows his fidelity and loyalty to his family by hunting game for them; finally a gallant from the Age of Enlightenment enchants his companion by playing her music. The scenes are separated by caryatids with the effigy of the god Pan painted in silver and support medallions in shades of blue depicting cherubs playing and warring. One of the scenes is signed G. Le Doux whose work was strongly influenced by that of Édouard Moreau. Mother-of-pearl frame, finely carved, pierced, engraved, and applied with gold and silver leaves and burgau decorated with dancing nymphs, putti, doves, flaming hearts and medallions decorated with figures of women wearing crown of flowers and men with feathered turbans. ca. 1860. French. Image © Fan d’Eventails Paris. Fair use license. via https://www.fandeventails.fr/fr/eventails-xixeme/3738-la-galanterie-a-travers-les-siecles-eventail-dans-le-gout-d-edouard-moreau-vers-1860.html

Off to see the sights at the World’s Fair. The 1939–40 New York World’s Fair opened on April 30th, 1939 in Flushing Meadow, Queens and closed on October 26, 1940. Imagery from a photo album up for sale from rare book dealer James E. Arsenault.

New York World’s Fair 1940: Manmade Lightning. Taken from a photo album kept by an unidentified young couple documenting their vacations between 1936 and 1940, including a substantial number of photos of the 1939–40 New York World’s Fair. American. Image © 2024 James E. Arsenault & Company. Fair use license. via https://www.jamesarsenault.com/pages/books/5494/photo-album-including-1939-40-world-s-fair-content-photographs

Castle and volcano? New York World’s Fair 1939-1940. Taken from a photo album kept by an unidentified young couple documenting their vacations between 1936 and 1940, including a substantial number of photos of the 1939–40 New York World’s Fair. American. Image © 2024 James E. Arsenault & Company. Fair use license. via https://www.jamesarsenault.com/pages/books/5494/photo-album-including-1939-40-world-s-fair-content-photographs
1939 World’s Fair. Labor Day Trains on Parade. Taken from a photo album kept by an unidentified young couple documenting their vacations between 1936 and 1940, including a substantial number of photos of the 1939–40 New York World’s Fair. American. Image © 2024 James E. Arsenault & Company. Fair use license. via https://www.jamesarsenault.com/pages/books/5494/photo-album-including-1939-40-world-s-fair-content-photographs
World’s Fair 1940. Taken from a photo album kept by an unidentified young couple documenting their vacations between 1936 and 1940, including a substantial number of photos of the 1939–40 New York World’s Fair. American. Image © 2024 James E. Arsenault & Company. Fair use license. via https://www.jamesarsenault.com/pages/books/5494/photo-album-including-1939-40-world-s-fair-content-photographs
Attendees at the World’s Fair. Taken from a photo album kept by an unidentified young couple documenting their vacations between 1936 and 1940, including a substantial number of photos of the 1939–40 New York World’s Fair. American. Image © 2024 James E. Arsenault & Company. Fair use license. via https://www.jamesarsenault.com/pages/books/5494/photo-album-including-1939-40-world-s-fair-content-photographs
1939 World’s Fair, Labor Day” Russia (left) and Italia (right) pavilions. Taken from a photo album kept by an unidentified young couple documenting their vacations between 1936 and 1940, including a substantial number of photos of the 1939–40 New York World’s Fair. American. Image © 2024 James E. Arsenault & Company. Fair use license. via https://www.jamesarsenault.com/pages/books/5494/photo-album-including-1939-40-world-s-fair-content-photographs
The City of Light presented by Consolidated Edison. Taken from a photo album kept by an unidentified young couple documenting their vacations between 1936 and 1940, including a substantial number of photos of the 1939–40 New York World’s Fair. American. Image © 2024 James E. Arsenault & Company. Fair use license. via https://www.jamesarsenault.com/pages/books/5494/photo-album-including-1939-40-world-s-fair-content-photographs
United States pavilion. Taken from a photo album kept by an unidentified young couple documenting their vacations between 1936 and 1940, including a substantial number of photos of the 1939–40 New York World’s Fair. American. Image © 2024 James E. Arsenault & Company. Fair use license. via https://www.jamesarsenault.com/pages/books/5494/photo-album-including-1939-40-world-s-fair-content-photographs
World’s Fair 1940. Corning Glass (left) and United States Steel (right) pavilions. Taken from a photo album kept by an unidentified young couple documenting their vacations between 1936 and 1940, including a substantial number of photos of the 1939–40 New York World’s Fair. American. Image © 2024 James E. Arsenault & Company. Fair use license. via https://www.jamesarsenault.com/pages/books/5494/photo-album-including-1939-40-world-s-fair-content-photographs
League of Nations pavilion. Taken from a photo album kept by an unidentified young couple documenting their vacations between 1936 and 1940, including a substantial number of photos of the 1939–40 New York World’s Fair. American. Image © 2024 James E. Arsenault & Company. Fair use license. via https://www.jamesarsenault.com/pages/books/5494/photo-album-including-1939-40-world-s-fair-content-photographs

The 1939–40 New York World’s Fair opened on April 30th, 1939 in Flushing Meadow, Queens. The first exposition to have a futuristic theme (“World of Tomorrow”), it hosted exhibits by sixty countries, the League of Nations, thirty-three U.S. states, several federal agencies, and the City of New York. By the time the fair closed on October 26th, 1940, over forty-four million people had visited the fair. 

More about the 1939-1940 Worlds Fair here, a post from my fellow WordPress blogger who blogs on transporation.

Life lived large and not so large. Aquatints by Joseph Constantine Stadler (1755-1828) of British people and places. 1800-1815 ish.

The Procession at Freemasons’ Hall, Great Queen Street, on the occasion of the Annual Dinner for young girls assisted by the Order. Published in London on October 1, 1808 in R. Ackermann’s Repository of the Arts/Microcosm of London. After Pugin and Rowlandson. British. Aquatint. Joseph Constantine Stadler, engraver (1755-1828). Collections of the Yale Center for British Art. CC0 License 1.0. via https://commons.wikimedia.org/wiki/File:Joseph_Constantine_Stadler_-_Freemasons_Hall,_Great_Queen_Street_-_B1975.6.65_-_Yale_Center_for_British_Art.jpg The exact title was found here https://fineartamerica.com/featured/the-procession-at-freemasons-hall-joseph-constantine-stadler.html
Hafod House. Taken from “Tour to Hafod”, a fine collection of plates depicting the mansion and its surrounding landscape engraved by Stadler after drawings by Smith. 1810. British. Hand-colored aquatint engraving. Joseph Constantine Stadler, engraver (1755-1828). Published by White and Company. Image © 2024 Donald A. Heald Rare Books.  Fair use license. via https://www.donaldheald.com/pages/books/13579/joseph-constantine-stadler-after-john-warwick-smith/hafod-house

Great Fall of the Fynach. 1809. British. Colored aquatint. Joseph Constantine Stadler, engraver (1755-1828) after J. Smith. Yale Center for British Art, Paul Mellon Collection. Artwork itself in the public domain due to age. via https://collections.britishart.yale.edu/catalog/tms:42060
Kitchen of Trinity College. Published in London September 1, 1815 in R. Ackermann’s History of Cambridge. 1815. British. Colored aquatint. Joseph Constantine Stadler (1855-1828) engraver after William Henry Pyne, 1769–1843. Yale Center for British Art; Gift of Herman W. Liebert. Artwork itself in the public domain due to age. via https://collections.britishart.yale.edu/catalog/tms:52922
Wobourn Sheepshearing, dedicated by permysion to his grace the Duke of Bedford. 1811. British.
Hand-colored aquatint with stipple and etching on chine colle. M. N. Bate and Joseph Constantine Stadler after George Garrard. Yale Center for British Art, Paul Mellon Collection. Artwork itself in the public domain due to age. via https://collections.britishart.yale.edu/catalog/tms:23509
Hospital, Middlesex. Published in London November 1 1808 in R. Ackermann’s Repository of the Arts. British. Colored aquatint. Joseph Constantine Stadler, engraver, after Augustus Charles Pugin and Thomas Rowlandson. Yale Center for British Art, Gift of Chauncey Brewster Tinker. Artwork itself in the public domain due to age via. https://collections.britishart.yale.edu/catalog/tms:22847
Lloyd’s Subscription Room. Published in London January 1, 1800 in R. Ackermann’s Repository of the Arts. British. Colored aquatint. Joseph Constantine Stadler, engraver, after Augustus Charles Pugin and Thomas Rowlandson. Yale Center for British Art, Gift of Chauncey Brewster Tinker. Artwork itself in the public domain due to age via https://collections.britishart.yale.edu/catalog/tms:22845
To the King’s Most Excellent Majesty under the patronage of his Royal Highness the Prince of Wales, this view of the Pavilion and Steyne at Brighton with the promenade is humbly Dedicated by his Majesty’s most Dutiful Servant, Charles Richards. 1806. British. Colored aquatint. James Mitan and Joseph Constantine Stadler, engraver after Charles Cracklow (Craig and Cracklow). Yale Center for British Art, Paul Mellon Collection. Artwork itself in the public domain due to age via https://collections.britishart.yale.edu/catalog/tms:30859

Imagery by John Ross Key of various expositions that were held in the United States between around 1892 and 1905. Living from 1832 to 1920, he studied art in Boston and New York before relocating west. Grandson of the author of the “Star Spangled Banner.”

World’s Columbian Exposition, Chicago, 1892. American. Oil on artist board. Signed John R. Key on the lower left. Titled on a gallery label affixed to the frame’s cardboard backing. John Ross Key, painter (1837-1920). Image © 2024 John Moran Auctioneers. Fair use license. via https://www.johnmoran.com/auction-lot/john-ross-key-1837-1920-world-s-columbian-exp_A274B93910
Triumphal Bridge from the Pan American Exposition – Buffalo, 1901. American. Oil on paper. Signed John R. Key on the lower left. John Ross Key, painter (1837-1920). Private collection. Image © 2024 Shannon’s Fine Art Auctioneers. Fair use license. via https://www.shannons.com/auction-lot/john-ross-key-american-1837-1920-triumphal-br_4CA4179ADA

Saint Louis World’s Fair, Saint Louis, Missouri 1904. American. John Ross Key, painter (1837-1920). Collections of the Missouri History Museum. Image © the museum. The artwork itself is in the public domain due to age. via the Missouri History Museum on X (Twitter). via https://twitter.com/mohistorymuseum/status/1172972295142412288/photo/1
Saint Louis World’s Fair, Saint Louis, Missouri 1904. American. John Ross Key, painter (1837-1920). Collections of the Missouri History Museum. Image © the museum. The artwork itself is in the public domain due to age. via the Missouri History Museum on X (Twitter). via https://twitter.com/mohistorymuseum/status/1172972295142412288/photo/1
The Temple of Music and Electric Tower from the Pan-American Exposition in Buffalo, New York in 1901. American. Signed John R. Key on the lower left. John Ross Key, painter (1837-1920). In the public domain due to age. via http://www.mountolivethistory.com/stories-in-stone-blog/a-star-spangled-artist

Fans with animals to make your own breeze while sitting on the bench on your next visit to the zoo downtown. From Fan d’Eventails, Paris.


Cat and dog motif hand-fan. Wooden sticks and guards, the silk or satin leaf painted with a cat watching birds on one side and a dog carrying a basket of flowers on the other. ca. 1880-1890. Signed R de Q. Image © 2024 Fan d’Eventails, Paris. Fair use license. via https://www.fandeventails.fr/en/19th-century-fans/3853-cat-and-dog-fan-circa-1880-90.html
Hand-fan with mother of pearl sticks and guards, the skin leaf painted with a scene of Diana, goddess of the hunt and wild animals along with her dogs and nymphs. ca. 1890. Signed L Mairy. Image © 2024 Fan d’Eventails, Paris. Fair use license. via https://www.fandeventails.fr/en/19th-century-fans/3835-diana-s-dogs-fan-circa-1875.htm
Rooster hand-fan with a painted paper leaf and wooden sticks and guards. early 20th c. Corsi, Maker. Signed G Corsi. Image © 2024 Fan d’Eventails, Paris. Fair use license. via https://www.fandeventails.fr/en/art-nouveau-fans/3852-rooster-by-corsi-early-20th-century-fan.html
Bird-of-paradise hand-fan. Synthetic sticks and guards with a gauze leaf applied with painted silk that is embroidered with color threads and sequins. ca. 1900-1910. Image © 2024 Fan d’Eventails, Paris. Fair use license. via https://www.fandeventails.fr/en/art-nouveau-fans/3850-scintillating-bird-of-paradise-fan-circa-1900-10.html
Four kittens hand-fan, the silk or satin leaf painted with four kittens intrigued by a fly emerging from a rose stem. Late 19th c. Image © 2024 Fan d’Eventails, Paris. Fair use license. via https://www.fandeventails.fr/en/19th-century-fans/3836-the-four-kitten-late-19th-century-fan.html
The seagull hand-fan. Painted wooden brisé fan. ca. 1900-1910. Painted by the painter F. Lucot for Buissot. Signed by the painter F. Lucot (Félix Lucot 1854-1935) and on the back by the fan maker Buissot. Paris. Image © 2024 Fan d’Eventails, Paris. Fair use license. via https://www.fandeventails.fr/en/art-nouveau-fans/3829-the-seagull-fan-by-lucot-for-buissot-circa-1900-1910.html

Feathery hand-fans to tickle your beaux with and make them sneeze. The better to flirt with, my dear. From Fan d’Eventails, Paris.

Feather marquetry hand-fan with small cream colored feathers. Tortoiseshell sticks and guards. Late 19th c. Image © Fan d’Eventails Paris. Fair use license. via https://www.fandeventails.fr/en/feather-fans/3857-feather-marquetry-fan-late-19th-century.html
Peacock feather hand-fan. Tinted mother of pearl sticks and guards, applied with green peafowl peacock feathers. ca. 1900. Image © Fan d’Eventails Paris. Fair use license. via https://www.fandeventails.fr/en/feather-fans/3854-happy-peacock-fan-circa-1900.html
Large asymmetrical pelican feather hand-fan with tortoiseshell sticks and guards. The top of the guard is inlaid with marcasite initials. ca. 1900-1930. Faucon, maker. Image © Fan d’Eventails Paris. Fair use license. via https://www.fandeventails.fr/en/feather-fans/3856-pelican-fan-by-faucon-circa-1900-1930.html

Looking medieval when you are actually Victorian. Philip Hermogenes Calderon, British artist. Living from 1833 to 1898, he initially worked in the Pre-Raphaelite style before moving towards historical genre painting. Keeper of the Royal Academy in London.

Her Most High, Noble and Puissant Grace. 1865. British. Philip Hermogenes Calderon, painter (1833-1898). Collections of the Leeds Museums and Galleries. Artwork itself in the public domain due to age. via http://www.artuk.org/artworks/her-most-high-noble-and-puissant-grace-37499

The Young Lord Hamlet. 1868. British. Oil on canvas. Philip Hermogenes Calderon, painter(1833-1898). Private collection. In the public domain in the United States because the artist died over 100 years ago. via https://en.m.wikipedia.org/wiki/File:The_Young_Lord_Hamlet.jpg
The Queen of the Tournament. 1874. British. Oil on canvas. Philip Hermogenes Calderon, painter (1833-1898). Collections of and image credit Salford Museum and Art Gallery. Artwork itself in the public domain due to age. via http://www.artuk.org/artworks/the-queen-of-the-tournament-164961
Home after Victory. 1867. British. Oil on canvas. Philip Hermogenes Calderon, painter (1833-1898). Signed P. H. Calderon, 1867 on the lower right, and inscribed Number 1 Home after Victory/Philip H. Calderon. Exhibited at the Royal Academy in 1867 and at the Royal Jubilee Exhibition in Manchester in 1887. Image source: Christie’s. Artwork itself in the public domain because the artist died over 100 years ago. via https://commons.wikimedia.org/wiki/File:Philip_Hermogenes_Calderon_-_Home_after_Victory.jpg

Imagery from “Modern Design for Jewellry and Fans.” Edited by Charles Holme and published in 1902 in London, Paris, and New York. Art Nouveau. These all being from the French chapter.

Design for a fan by Georges de Feure. French. 1902. Plate 1, image 22 of Modern Design for Jewellry and Fans edited by Charles Holme. Collections of the Robarts Library, University of Toronto. In the public domain due to age. via https://archive.org/details/moderndesigninje00holmuoft/page/n22/mode/1up

Parure de Corsage, in Gold and emeralds: Mucha and G. Fouquet. 1902. Plate 7. Image 29 of Modern Design for Jewellry and Fans edited by Charles Holme. Collections of the Robarts Library, University of Toronto. In the public domain due to age. via https://archive.org/details/moderndesigninje00holmuoft/page/n29/mode/1upa
Left: Comb in Enamel, Shell, and Precious stones. Designed by Paul Follot. Executed by La Maison Moderne; Center: Design for a Comb in Enamel, Shell, and incrusted gold. From an original drawing by Henri Vever; Right: Comb in Enamel, Gold, Shell, and Precious Stones. Designed by Paul Follot. Executed by La Maison Moderne. 1902. Plate 19. Image 45 of Modern Design for Jewellry and Fans edited by Charles Holme. Collections of the Robarts Library, University of Toronto. In the public domain due to age. via https://archive.org/details/moderndesigninje00holmuoft/page/n44/mode/1up