Smaller group shot of ‘Procession of the Sacred Cat.’ A group of Capital Bicycle Club members are dressed in costume in front of a wall with paintings. In the background, one member is holding a bicycle with a parasol over it. A few other members are seated or kneeling in front holding various objects. February 22, 1887 cyanotype. American. Probably photographed by Max Hansmann who was the primary photographer for the Capital Bicycle Club. Collections of the Washington DC Public Library. Cyanotype itself in the public domain due to age via https://digdc.dclibrary.org/islandora/object/dcplislandora%3A337879?solr_nav%5Bid%5D=77a5a28acd4f5a56b2e2&solr_nav%5Bpage%5D=0&solr_nav%5Boffset%5D=0Large group ‘Procession of the Sacred Cat.’ A group of Capital Bicycle Club members are dressed in costume in front of a wall with paintings. At center, a few members are holding a bicycle with a hand puppet mounted on the handlebars. A few other members are holding up a small canopy above the bicycle and the puppet. Many other costumed members are gathered around holding various objects including baskets and tambourines. February 22, 1887 cyanotype. American. Probably photographed by Max Hansmann who was the primary photographer for the Capital Bicycle Club. Collections of the Washington DC Public Library. Cyanotype itself in the public domain due to age via https://digdc.dclibrary.org/islandora/object/dcplislandora%3A337880?solr_nav%5Bid%5D=77a5a28acd4f5a56b2e2&solr_nav%5Bpage%5D=0&solr_nav%5Boffset%5D=1Small group shot of ‘Procession of the Sacred Cat.’ A group of Capital Bicycle Club members are dressed in costume in front of a wall with paintings. At center, a few members are holding a bicycle with a hand puppet mounted on the handlebars. A few other members are holding up a small canopy above the bicycle and the puppet. February 22, 1887 cyanotype. American. Probably photographed by Max Hansmann who was the primary photographer for the Capital Bicycle Club. Collections of the Washington DC Public Library. Cyanotype itself in the public domain due to age via https://digdc.dclibrary.org/islandora/object/dcplislandora%3A337882?solr_nav%5Bid%5D=77a5a28acd4f5a56b2e2&solr_nav%5Bpage%5D=0&solr_nav%5Boffset%5D=3
Sun. Design for a Saint Martin’s Day paper lantern. ca. 1880s. Chromolithograph. Taken from a sales catalogue put out by the C. Riethmüller Company and published in Baden-Württemberg. Collections of the Metropolitan Museum of Art, New York. In the public domain due to age. https://publicdomainreview.org/collection/paper-lantern-catalogue/?utm_source=newsletterCrescent moon and stars. Design for a Saint Martin’s Day paper lantern. ca. 1880s. Chromolithograph. Taken from a sales catalogue put out by the C. Riethmüller Company and published in Baden-Württemberg. Collections of the Metropolitan Museum of Art, New York. In the public domain due to age. https://publicdomainreview.org/collection/paper-lantern-catalogue/?utm_source=newsletterSun and moon. Design for a Saint Martin’s Day paper lantern. ca. 1880s. Chromolithograph. Taken from a sales catalogue put out by the C. Riethmüller Company and published in Baden-Württemberg. Collections of the Metropolitan Museum of Art, New York. In the public domain due to age. https://publicdomainreview.org/collection/paper-lantern-catalogue/?utm_source=newsletterMoons. Design for a Saint Martin’s Day paper lantern. ca. 1880s. Chromolithograph. Taken from a sales catalogue put out by the C. Riethmüller Company and published in Baden-Württemberg. Collections of the Metropolitan Museum of Art, New York. In the public domain due to age. https://publicdomainreview.org/collection/paper-lantern-catalogue/?utm_source=newsletter
Fumeterre Bulbeuse. Plate 491 of Flora Parisiensis ou Description et figures des plantes qui croissent aux environs de Paris, Pierre Bulliard author. Published in 1779. Source: gallica.bnf.fr/ Bibliothèque nationale de France (BnF). Artwork in the public domain due to age. via https://gallica.bnf.fr/ark:/12148/btv1b8626124q/f11.itemGenet rampant. View 23 from Flora Parisiensis ou Description et figures des plantes qui croissent aux environs de Paris, Pierre Bulliard author. Published in 1779. Source: gallica.bnf.fr/ Bibliothèque nationale de France (BnF). Artwork in the public domain due to age. via https://gallica.bnf.fr/ark:/12148/btv1b8626124q/f23.itemArrête–Beuf. View 31 from Flora Parisiensis ou Description et figures des plantes qui croissent aux environs de Paris, Pierre Bulliard author. Published in 1779. Source: gallica.bnf.fr/ Bibliothèque nationale de France (BnF). Artwork in the public domain due to age. via https://gallica.bnf.fr/ark:/12148/btv1b8626124q/f31.item#Ononisgras. View 35 from Flora Parisiensis ou Description et figures des plantes qui croissent aux environs de Paris, Pierre Bulliard author. Published in 1779. Source: gallica.bnf.fr/ Bibliothèque nationale de France (BnF). Artwork in the public domain due to age. via https://gallica.bnf.fr/ark:/12148/btv1b8626124q/f35.item#Pois de santeur. View 63 from Flora Parisiensis ou Description et figures des plantes qui croissent aux environs de Paris, Pierre Bulliard author. Published in 1779. Source: gallica.bnf.fr/ Bibliothèque nationale de France (BnF). Artwork in the public domain due to age. via https://gallica.bnf.fr/ark:/12148/btv1b8626124q/f63.item#
Loggia. Richard Riemerschmid-Pasing (architect). Page 56 of 320 Abbildungen moderner Landhäuser aus Deutschland, Österreich, England, und Finnland, mit Grundrissen und Innenräumen. 1905. Published in Münich by F. Bruckmann A.-G with an introductory text by Hermann Muthesius. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/dasmodernelandha00muth/page/56/mode/1upDiele. Max Hans Kühne, Dresden, architect. Page 61 of 320 Abbildungen moderner Landhäuser aus Deutschland, Österreich, England, und Finnland, mit Grundrissen und Innenräumen. 1905. Published in Münich by F. Bruckmann A.-G with an introductory text by Hermann Muthesius. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/dasmodernelandha00muth/page/61/mode/1upHalle (Vgl Grundrisz Seite 52). Meier and Bredow – Berlin, architects. Page 66 of 320 Abbildungen moderner Landhäuser aus Deutschland, Österreich, England, und Finnland, mit Grundrissen und Innenräumen. 1905. Published in Münich by F. Bruckmann A.-G with an introductory text by Hermann Muthesius. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/dasmodernelandha00muth/page/66/mode/1upHerrenzimmer. Bruno Paul, Münich. Page 79 of of 320 Abbildungen moderner Landhäuser aus Deutschland, Österreich, England, und Finnland, mit Grundrissen und Innenräumen. 1905. Published in Münich by F. Bruckmann A.-G with an introductory text by Hermann Muthesius. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/dasmodernelandha00muth/page/79/mode/1upKaminecke im herrenzimmer (Vol. seite 81). Carl und A. Bembé-Mainz. Page 80 of 320 Abbildungen moderner Landhäuser aus Deutschland, Österreich, England, und Finnland, mit Grundrissen und Innenräumen. 1905. Published in Münich by F. Bruckmann A.-G with an introductory text by Hermann Muthesius. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/dasmodernelandha00muth/page/80/mode/1upEcke einer Halle. Leopold Bauer – Wien. Page 131 of 320 Abbildungen moderner Landhäuser aus Deutschland, Österreich, England, und Finnland, mit Grundrissen und Innenräumen. 1905. Published in Münich by F. Bruckmann A.-G with an introductory text by Hermann Muthesius. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/dasmodernelandha00muth/page/131/mode/1upSchlafzimmer. Hans Vollmer – Wien. Page 138 of 320 Abbildungen moderner Landhäuser aus Deutschland, Österreich, England, und Finnland, mit Grundrissen und Innenräumen. 1905. Published in Münich by F. Bruckmann A.-G with an introductory text by Hermann Muthesius. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/dasmodernelandha00muth/page/138/mode/1upKaminecke eines billardzimmers. Gesellius, Lindren and Saarinen – Helsingfors. Page 213 of 320 Abbildungen moderner Landhäuser aus Deutschland, Österreich, England, und Finnland, mit Grundrissen und Innenräumen. 1905. Published in Münich by F. Bruckmann A.-G with an introductory text by Hermann Muthesius. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/dasmodernelandha00muth/page/213/mode/1up
Granada: Alhambra – Detalles.Style Mauresque. 1888. German. Page 7 of architect Max Junghändel’s Die Baukunst Spaniens.F. F. Fliegel und Company, Dresden, chromolithographers. Published in Dresden, Germany. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t4wh8wx9c&seq=7Granada – Alhambra – Plaford de la salle des Abengerrages (La salle des Abencerrajes). Style Mauresque. 1888. German. Page 5 of architect Max Junghändel’s Die Baukunst Spaniens.Römmler and Jonas, K. S, photographers, Dresden. Published in Dresden, Germany. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t4wh8wx9c&seq=5Granada – Alhambra – Salle de repos des bains. Style Mauresque.1888. German. Page 5 of architect Max Junghändel’s Die Baukunst Spaniens. Color collotype print by Martin Rommel and Company, Stuttgart. Published in Dresden, Germany. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t4wh8wx9c&seq=13Granada – Alhambra – Tour de la Captive. Style Mauresque.1888. German. Page 5 of architect Max Junghändel’s Die Baukunst Spaniens. Chromolithography by C. C. Meinhold and Sons, Dresden. Published in Dresden. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t4wh8wx9c&seq=15Seville – Alcazar – Arcade dans la cour Principale.Style Mauresque et Mudéjare. 1888. German. Page 29 of architect Max Junghändel’s Die Baukunst Spaniens.Römmler and Jonas, K. S, photographers, Dresden. Published in Dresden, Germany. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t4wh8wx9c&seq=29
_by_Eastman_Johnson,_1869,_oil_on_canvas,_based_on_a_Mathew_Brady_photograph_-_De_Young_Museum_-_DSC00950.JPG){kind=link}
