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“Still life with Fruit, Fennel, Artichoke and Corn.” 20th c. French. Oil on canvas. Signed “Renard” on the lower right. © Estate of the artist. Image © 2002-2021 LiveAuctioneers and Doyle Auctions. Fair use license. via https://www.liveauctioneers.com/item/104410051_fernand-renard-french-1912-1990-still-with-fruit
Still life with apricots. 20th c. French. Oil on canvas. Signed “Renard” on the lower right. Image © Christie’s 2021. Fair use license. via https://www.christies.com/en/lot/lot-4198698
“Pears on a Tabletop.” 20th c. French. Oil on canvas. Signed “Renard” on the ;lower right. Image © 2021 – WorthPoint Corporation. Fair use license. via https://www.worthpoint.com/worthopedia/fernand-renard-french-1802596998
“The Blue Cottage.” Undated. Oil on canvas. Signed “Aston Knight Paris” on the lower right. Private collection. Image source: the-athenaeum.org . In the public domain in the United States because the artist died over 70 years ago. via https://commons.wikimedia.org/wiki/File:The_Blue_Cottage._Louis_Aston_Knight.jpg
“Beaumontel.” Undated. Oil on canvas. Signed “Aston Knight Paris” on the lower left. Private collection. Image source: the-athenaeum.org . In the public domain in the United States because the artist died over 70 years ago. via https://commons.wikimedia.org/wiki/File:Beaumontel._Louis_Aston_Knight.jpg
“By the River.” Undated. Oil on canvas. Signed “Aston Knight Paris” on the lower right. Image © 2021 Grogan & Company, Inc. Artwork itself in the public domain due to age. via https://www.groganco.com/auction-lot/louis-aston-knight-american-1873-1948-by-the-rive_1734D5E9C6
“Répétition du Joueur de flûte et de La Femme de Diomède chez le prince Napoléon dans l’atrium de sa maison pompéienne.” 1861. French. Oil on canvas. Collections of the Musée d’Orsay , Paris. Image source: histoire-image.org. In the public domain in the United States because the artist has been dead over 100 years. via https://histoire-image.org/
“Theatrical Rehearsal in the House of an Ancient Rome Poet.” 1855. French. Oil on canvas. Collections of the Hermitage, Saint Petersburg. Image source: Web Gallery of Art . In the public domain in the United States because the artist died over 100 years ago. via https://commons.wikimedia.org/wiki/File:Gustave_Boulanger_- Theatrical_Rehearsal_in_the_House_of_an_Ancient_Rome_Poet -_WGA2930.jpg
Silver-gilt shaped salt throne in shaped circular form with a double hinged cover enameled with a geometric pattern in red, white, blue and green. The sided applied with rectangular plaques, enameled with gryphons and an openwork centerpiece decorated with a gryphon on both sides on a red ground. Raised on four bracket feet. 1877. Made in Moscow, Russia. A. M. Postnikov partnership. Maker’s marks: The hinged covers and underside struck with the maker’s mark, 91 standard. Image © 2021 Sotheby’s. Fair use license. via https://www.sothebys.com/en/buy/auction/2021/russian-works-of-art-faberge-icons/a-silver-gilt-and-champleve-enamel-salt-throne-a-m
Silver and champlevé enamel salt throne, the seat with opaque and translucent polychrome enamel geometric motifs. The front inscribed “Without salt and bread, it is half a dinner,” and the lid with the arms of Ekaterinoslav and Kharkov. The back inscribed with the arms of Voronezh and Rostov flanked by roosters and the interior of the lid inscribed “To His Excellence Samuel Solomonovich Polyakov from the grateful members of the Kozlovo-Voronezhsko-Rostovskaya and Kursko-Kharkovo-Azovskaya railways .” 1879. Russian. Marked Khlebnikov with the Imperial Warrant, Moscow. 88 standard. Image © 2021 Sotheby’s. Fair use license. via https://www.sothebys.com/en/buy/auction/2021/russian-works-of-art-faberge-icons/a-rare-silver-and-champleve-enamel-salt-throne
Silver-gilt and champlevé enamel salt throne of traditional form on four bun feet, the trapezoidal body cast and chased with geometric and pan-Slavic design. The hinged cover draped with a trompe l’oeil napkin with the border finely cast and chased in the form of a traditional izba with pan-Slavic design enameled in red, blue, and turquoise and centering a vacant escutcheon within a cast and chased ribbon-tied laurel wreath. Maker’s marks: Cyrillic “MA” Moscow, 1891. Marked throughout, also with a Soviet mark. Inage © Christie’s 2021. Fair use license. via https://www.christies.com/en/lot/lot-5783527
Vesta case in silver with geometric enamel decoration in red, white, green, dark blue, and turquoise. Engraved with Cyrillic initials on the disc-shaped reverse. ca. 1880. Russian. Andrei Bragin, silverworker. Maker’s marks: mark of Andrei Bragin, Saint Petersburg. Image © Christie’s 2021. Fair use license. via https://www.christies.com/en/lot/lot-a-russian-silver-and-champleve-enamel-vesta-5341785/
Rectangular jeweled two color gold presentation cigarette case with rounded corners and a cabochon sapphire thumbpiece. The cover centering an Imperial double-headed eagle. The interior being engraved “From H.I.M. The Czar of Russia August 1909” an with a later inscription “Presented to Captain H. G. Adams-Connor, Chief Constable, Isle of Wight, and left by him to his grandson, Lionel Eldred Peter Smith-Gordon./1939.” , Fitted brown leather case stamped in Russian and French “A. D. Ivanov in Saint Petersburg.” 1909. Russian. Andrei Bragin, silverworker. Maker’s marks for Andrei Bragin, Saint Petersburg. Marked inside the cover and base. Image © Christie’s 2021, Fair use license. via https://www.christies.com/en/lot/lot-a-jewelled-two-colour-gold-presentation-cigarette-case-5630483/
Silver gilt and enamel cigar case. 1890s. Russian. Andrei Bragin, silverworker. Maker’s marks: Cyrillic initials A. B. of Andrei Bragin. Assay mark of Saint Petersburg. before 1899. Silver standard: 88 zolotnik. Image © 2021 Ruzhnikov. Fair use license. via https://www.ruzhnikov.com/russian-european-silver/russian-silver-gilt-enamel-cigar-case-2/
“Couronne Imperiale.” Plate 16. Page 35. Collections of the Smithsonian Libraries. Biodiversity Heritage Library, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/planteetsesappl00Gras/page/n35/mode/1up
“Geranium Sauvage.” Plate 19, page 41. Collections of the Smithsonian Libraries. Biodiversity Heritage Library, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/planteetsesappl00Gras/page/n41/mode/1up
‘Cyclamen.” Plate 22. Page 45. Collections of the Smithsonian Libraries. Biodiversity Heritage Library, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/planteetsesappl00Gras/page/n45/mode/1up
Page 2. Collections of and digitalized by the Boston Public Library. In the public domain due to age. via https://archive.org/details/contedetsarsalta00push/page/n2/mode/1up
Page 3. Collections of and digitalized by the Boston Public Library. In the public domain due to age. via https://archive.org/details/contedetsarsalta00push/page/n3/mode/1up
Page 5. Collections of and digitalized by the Boston Public Library. In the public domain due to age. via https://archive.org/details/contedetsarsalta00push/page/n5/mode/1up
Title page. Page 7. Collections of and digitalized by the Boston Public Library. In the public domain due to age. via https://archive.org/details/studiesofornamen00rich/page/n7/mode/2up
Page 9. Page 7. Collections of and digitalized by the Boston Public Library. In the public domain due to age. via https://archive.org/details/studiesofornamen00rich/page/n9/mode/2up
Page 34. Collections of and digitalized by the Boston Public Library. In the public domain due to age. via https://archive.org/details/studiesofornamen00rich/page/n34/mode/1up
“Jewel Embroidery.” Page 36. Collections of and digitalized by the Boston Public Library. In the public domain due to age. via https://archive.org/details/studiesofornamen00rich/page/n36/mode/1up
Page 40. Collections of and digitalized by the Boston Public Library. In the public domain due to age. via https://archive.org/details/studiesofornamen00rich/page/n40/mode/1up
“Ceiling of the Sala di Cambio, Perugia. Painted in 1500 by Pietro Perugino and his pupils.” Page 46. Collections of and digitalized by the Boston Public Library. In the public domain due to age. via https://archive.org/details/studiesofornamen00rich/page/n46/mode/1up
“Chalice from the church of San Dominico at Perugia.” Page 48, Collections of and digitalized by the Boston Public Library. In the public domain due to age. via https://archive.org/details/studiesofornamen00rich/page/n48/mode/1up
“Ancient German applique, embroidery. Page 50. Collections of and digitalized by the Boston Public Library. In the public domain due to age. via https://archive.org/details/studiesofornamen00rich/page/n50/mode/1up
“Pattern for applique embroidery.” Page 52. Collections of and digitalized by the Boston Public Library. In the public domain due to age. via https://archive.org/details/studiesofornamen00rich/page/n52/mode/1up
“Still Life with Antiques,.” Undated. Austrian. Oil on panel. Signed “L. Reinhart.” © Estate of the artist. Image © 2021 Dorotheum GmbH & Co KG. Fair use license. via https://www.dorotheum.com/en/l/580154/
“Still Life with Antiquities and Strawberries.” Undated. Austrian. Oil on panel. Signed “L. Reinhart.” © Estate of the artist. Fair use license. via https://www.tuttartpitturasculturapoesiamusica.com/2017/03/Lea-Reinhart.html and dorotheum.com.
Still life. Undated. Austrian. Oil on panel. Signed “L. REINHART” on the upper left. © Estate of the artist. © Bonhams 2001-2021. Fair use license. via https://www.bonhams.com/auctions/22689/lot/309/
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