Domestic scenes all with flowers from a Britain that’s just a little way back. Jessica Hayllar, artist (1858-1940).Taught by her father who was an artist himself, she often painted domestic scenes and family gatherings.

"Arranging Flowers." 1908. Oil on canvas.
“Arranging Flowers.” 1908. Oil on canvas. Image ©2019 Artnet Worldwide Corporation. Fair use license. via http://www.artnet.com/artists/jessica-hayllar/arranging-flowers-hR0eX4tlRip5rg0jLI80_w2
"Teaching." 1895.
“Teaching.” 1895. In the public domain due to age. via http://figurationfeminine.blogspot.com/2014/04/jessica-hayllar-1858-1940-edith-hayllar.html
"All Better Now." 1896.
“All Better Now.” 1896. Signed and dated ‘Jessica Hayllar/1896’ on the lower left. Private collection. In the public domain due to age. via https://www.facebook.com/female.artists.in.history/photos/a.1388240488127503/1506544729630411/?type=1&theater
"Rhododendrons." No exact date.
“Rhododendrons.” No exact date. In the public domain due to age. via https://www.oceansbridge.com/shop/artists/h/has-hed/jessica-hayllar/rhododendrons-2
"Oriental Poppy and Coleus in a Cloisonné vase, with a fan on a faux bamboo table."
“Oriental Poppy and Coleus in a Cloisonné vase, with a fan on a faux bamboo table.” Inscribed as title on the reverse. Oil on panel. Image © CHRISTIE’S 2019. Fair use license. via https://www.christies.com/lotfinder/Lot/jessica-hayllar-1858-1940-oriental-poppy-and-5318398-details.aspx
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Décor to impress Dolley Madison when she comes to visit. Much more stylish than what they have in New York. All from 1814 and 1815. Ackermann’s Repository.

Bedroom Chairs. Plate 8. 1814.
“Bedroom Chairs.” Plate 8. 1814. In the public domain due to age. via archive.org and http://www.ekduncan.com/2012/01/regency-furniture-1809-1815-ackermanns.html
"Design for an ottoman couch."  Plate 2. 1814.
“Design for an ottomane couch.” Plate 2. 1814. In the public domain due to age. via archive.org and http://www.ekduncan.com/2012/01/regency-furniture-1809-1815-ackermanns.html
Table and chair from Carlton House. Plate 23. 1814.
“Table and chair from Carlton House.” Plate 23. 1814. In the public domain due to age. via archive.org and http://www.ekduncan.com/2012/01/regency-furniture-1809-1815-ackermanns.html
French sofa, tables and lamp with globe for argand gas light.
“French sofa, tables and lamp with globe for argand gas light.” Argand being very new in 1815. Plate 17. 1815. In the public domain due to age. via archive.org and http://www.ekduncan.com/2012/01/regency-furniture-1809-1815-ackermanns.html
Furniture for a music room. Plate 7. 1815.
“Furniture for a music room.” Plate 7. 1815. In the public domain due to age. via archive.org and http://www.ekduncan.com/2012/01/regency-furniture-1809-1815-ackermanns.html
Firescreens. Plate 32. 1815.
“Firescreens.” Plate 32. 1815. In the public domain due to age. via archive.org and http://www.ekduncan.com/2012/01/regency-furniture-1809-1815-ackermanns.html
French bed chamber. Plate 23. 1815.
“French bed chamber.” Plate 23. 1815. In the public domain due to age. via archive.org and http://www.ekduncan.com/2012/01/regency-furniture-1809-1815-ackermanns.html

Watercolors of an older India that isn’t coming back. 1810-1822. Sita Ram, watercolorist, who flourished from 1810-1822 and left some wonderful art.

"The Mughal Shalimar Gardens north of Delhi," from "Views by Seeta Ram from Gheen to Delhi' Volume VI. 1815. Watercolor.
“The Mughal Shalimar Gardens north of Delhi,” from “Views by Seeta Ram from Gheen to Delhi'” Volume VI. 1815. Watercolor. Image © The British Library Board. Fair use license. via http://www.bl.uk/onlinegallery/onlineex/apac/addorimss/t/019addor0004807u00000000.html
Hurdwar from the East
“Haridwar and the Beginnings of the Ganges” (Hurdwar from the East) from “Views by Seeta Ram from Mohumdy to Gheen Vol. V.” 1814-15. Watercolor. Image © The British Library Board. Fair use license. via http://www.bl.uk/onlinegallery/onlineex/apac/addorimss/h/019addor0004780u00000000.html
"Illuminations and fireworks round Mr. Donnithorne's park, Fatehgarh," from "Views by Seeta Ram from Agra to Barrackpore." 1815.
“Illuminations and fireworks round Mr. Donnithorne’s park, Fatehgarh,” from “Views by Seeta Ram from Agra to Barrackpore.” 1815. Watercolor. Image © The British Library Board. Fair use license. via http://explore.bl.uk/primo_library/libweb/action/display.do?tabs=moreTab&ct=display&fn=search&doc=MBogi55273&indx=28&recIds=MBogi55273&recIdxs=7&elementId=7&renderMode=poppedOut&displayMode=full&frbrVersion=&vl(2084770706UI0)=any

Garden designs to make your home be like endless summer. British. Humphry Repton, designer (1752-1818). These are sketches from the Red Books made for clients that he used as sales devices.

"Rosarium," from the Red Book created for the Earl of Bridgewater at Ashridge Park. 1813.
“Rosarium,” from the Red Book created for the Earl of Bridgewater at Ashridge Park. 1813. Image © 2019 · American Gardening. Fair use license. via http://americangardening.net/in-1813-english-landscape-gardener-humphry-repton-proposed-a-flower-garden-of-roses/
Repton and Nash article image
“General View from the Pavilion, ” from the volume that outlined designs for the Prince Regent’s Brighton Pavilion. 1808. Collection of the British Library. Cc0 License 4.0. via https://www.bl.uk/picturing-places/articles/humphry-repton-and-john-nash
Drawing from the Red Book made for Sheringham Hall. 1812.
Drawing from the Red Book made for Sheringham Hall. 1812. In the public domain due to age. via https://fineartamerica.com/featured/1-red-book-for-sheringham-hall-c1812-humphry-repton.html

Paintings of Victorian horses working by British artist James Pollard (1792–1867).

"The Wokingham Stakes." 19th c. Oil on canvas. Signed.
“The Wokingham Stakes.” 19th c. Oil on canvas. Signed. Image © 2015 – 2019 BIDTOART. Fair use license. via https://bidtoart.com/en/fine-art/the-wokingham-stakes/191543
"Coursers Taking the Field at Hatfield Park, Hertfordshire, the Seat of the Marquess of Salisbury." Exhibited in 1824.
“Coursers Taking the Field at Hatfield Park, Hertfordshire, the Seat of the Marquess of Salisbury.” Exhibited in 1824. Collection of the Tate Gallery, London. Cc0 License 3.0. via https://www.tate.org.uk/art/artworks/pollard-coursers-taking-the-field-at-hatfield-park-hertfordshire-the-seat-of-the-marquess-t03434
"Epsom Races - The Betting Post." 19th c.
“Epsom Races – The Betting Post.” 19th c. In the public domain. via https://pixels.com/featured/epsom-races–the-betting-post-james-pollard.html

Table fountains in silver and gilt to impress your future in-laws when they come to lunch. Taking care of making sure the wine is mixed with water, you will never be rude. Or you could fill it with cologne.

Table fountain. 1638–1641. Partly gilded silver.
Table fountain. 1638–1641. Partly gilded silver. Made in Augsburg, Bavaria (Germany). Melchior Gelb, silverworker. Image © MAK – Museum of Applied Arts, Vienna. Fair use license. via https://www.mak.at/en/metal_study_collection?media_id=1342703966017&menu-id=1343388632778
"The Alhambra" table fountain. 1852-53.
“The Alhambra” table fountain, in the motif of a domed Moorish temple sheltering a fountain, with three Arab horses led by two Moors sitting on a hummock covered in small palm trees and figures of animals. Commissioned by Queen Victoria and Prince Albert in 1851. English. Silver, parcel gilt and enamel. Modeled by Edward Lorenzo Percy and Edmund Cotterill. Image © Royal Collection Trust. Fair use license. via https://www.rct.uk/collection/1569/the-alhambra-table-fountain
Table fountain. ca. 1320-40. Made in Paris, France.
Table fountain. ca. 1320-40. Made in Paris, France. Gilt-silver and translucent enamels. Artist not known. Collection of the Cleveland Museum of Art. Cc0 License 1.0. via https://www.clevelandart.org/art/1924.859

Paintings that are mostly landscapes with far more drama and atmospheric things going on than your average work. Thomas Cole, artist (1801-1848). Founder of the Hudson River School, he was born in England but mostly worked in America.

"A View of the Mountain Pass Called the Notch of the White Mountains," 1839.
“A View of the Mountain Pass Called the Notch of the White Mountains,” 1839. Oil on canvas. Image © 2019 National Gallery of Art. Fair use license. via https://www.vqronline.org/thomas-cole-and-decorative-arts
"Expulsion from the Garden of Eden." 1827-28.
“Expulsion from the Garden of Eden.” 1827-28. Oil on canvas. Collection of Museum of Fine Arts, Boston. Public domain due to age. via https://www.theartstory.org/artist/cole-thomas/
"The Voyage of Life: Youth."
“The Voyage of Life: Youth.” Second in a series of four paintings that depict the various stage of man’s allegorical journey through life. 1840. Oil on canvas. Collection of the Munson-Williams-Proctor Institute, Utica, New York. In the public domain due to age. via https://www.theartstory.org/artist/cole-thomas/artworks/#pnt_5