Time to fix up the living room before your future mother in law stops by for a drink. A few little somethings found in a 1920s trade catalogue titled “East Meets West” Luxury Lampshades and Pillows” published by the luxury department store Harvey Nichols & Company Ltd, London.

East has met West, with what happy results! Harvey Nichols and Company Ltd. Knightsbridge S.W.1. (London). Taken from a 1920s Harvey Nichols and Company Ltd. trade catalog titled East Meets West” Luxury Lampshades and Pillows.” Image © 2025 Eclectibles. Fair use license. Artwork itself in the public domain due to age. via https://www.eclectibles.com/pages/books/26001298/1920s-harvey-nichols-trade-catalogue-east-meets-west-luxury-lampshades-and-pillows
Reading and table lamps with lampshades and a large cushion in the same colors, the company logo for Harvey Nichols and Company Ltd. Knightsbridge S.W.1., London, England on the lower left. Taken from a 1920s Harvey Nichols and Company Ltd. trade catalog titled East Meets West” Luxury Lampshades and Pillows.” Image © 2025 Eclectibles. Fair use license. Artwork itself in the public domain due to age. via https://www.eclectibles.com/pages/books/26001298/1920s-harvey-nichols-trade-catalogue-east-meets-west-luxury-lampshades-and-pillows

Wide spaces need the warm hand of colour to make them beautiful. Harvey Nichols and Company, Ltd. Knightsbridge S.W.1. (London). Taken from a 1920s Harvey Nichols and Company Ltd. trade catalog titled East Meets West” Luxury Lampshades and Pillows.” Image © 2025 Eclectibles. Fair use license. Artwork itself in the public domain due to age. via https://www.eclectibles.com/pages/books/26001298/1920s-harvey-nichols-trade-catalogue-east-meets-west-luxury-lampshades-and-pillows
The aesthetic mood need not be hard (left); Sunset colours for sunset rooms (right). Harvey Nichols and Company Ltd, Knightsbridge S.W.1. (London). aken from a 1920s Harvey Nichols and Company Ltd. trade catalog titled East Meets West” Luxury Lampshades and Pillows.”. Image © 2025 Eclectibles. Fair use license. Artwork itself in the public domain due to age. via https://www.eclectibles.com/pages/books/26001298/1920s-harvey-nichols-trade-catalogue-east-meets-west-luxury-lampshades-and-pillows
The dignity of graceful simplicity; There is rest for mind and body amid such colour harmony. Harvey Nichols and Company Ltd, Knightsbridge S.W.1. (London). aken from a 1920s Harvey Nichols and Company Ltd. trade catalog titled East Meets West” Luxury Lampshades and Pillows.”. Image © 2025 Eclectibles. Fair use license. Artwork itself in the public domain due to age. via https://www.eclectibles.com/pages/books/26001298/1920s-harvey-nichols-trade-catalogue-east-meets-west-luxury-lampshades-and-pillows
What more beautiful for boudoir or bathroom? Harvey Nichols and Company Ltd, Knightsbridge S.W.1. (London). aken from a 1920s Harvey Nichols and Company Ltd. trade catalog titled East Meets West” Luxury Lampshades and Pillows.”. Image © 2025 Eclectibles. Fair use license. Artwork itself in the public domain due to age. via https://www.eclectibles.com/pages/books/26001298/1920s-harvey-nichols-trade-catalogue-east-meets-west-luxury-lampshades-and-pillows

Harvey Nichols and Company Ltd. still has a store in Knightsbridge. They also have stores in Edinburgh, Birmingham, Leeds and Manchester, Bristol and Dublin. or shop online harveynichols.com.

Silver salts in fun designs from Hunt & Roskell, a British jewelry and silversmithing firm that operated from 1843 to 1897. Queen Victoria shopped there a lot.

A pair of Victorian silver figural salt cellars. Made in 1892. British. Made by Hunt and Roskell, Bond Street, London. Image ©2024 Artnet Worldwide Corporation. Fair use license. via https://www.artnet.de/k%C3%BCnstler/hunt-roskell/a-pair-of-victorian-silver-figural-salt-cellars-MfAGfrgDr6G9rCllhvuYzg2
Set of four Victorian silver and parcel-gilt figural salts, modelled as four children in 18th century dress, all holding gilt lined baskets to sell their wares, on grass-effect pedestal bases, inscribed with the monogram ‘MTU’, with wood inserts. 1854. British. John Samuel Hunt, maker. Maker’s marks: stamped Hunt & Roskell Late Storr & Mortimer 7219. Image © Bonhams 2001-2025. Fair use license. via https://www.bonhams.com/auction/28067/lot/749/a-set-of-four-victorian-silver-and-parcel-gilt-figural-salts-john-samuel-hunt-london-1854-incuse-stamped-hunt-and-roskell-late-storr-and-mortimer-7219-4/
Silver salts modeled as kangaroos. The cast and chased seated kangaroos sitting on rocky bases, with shell form dishes with later silver gilt spoons. Victorian, made in 854 and 1856. British, made in London, England by Hunt and Roskell. Maker’s marks: The shell salts stamped with initials for John Samuel Hunt. Each salt stamped on the reverse Hunt & Roskell Late Storr & Mortimer 7879. The bases  hallmarked London 1854 and 1856. Image © Catherine Southon. Fair use license. https://www.catherinesouthon.co.uk/news-blogs/the-rare-hunt-roskell-silver-roos-pulled-from-a-pouch-antiques-trade-gazette/

Imagery from “Illuminated ornaments : selected from manuscripts and early printed books, from the sixth to the seventeenth centuries.” Mostly medieval, all lovely and in wonderful colors. Published in 1833 so very early. Drawn and engraved by Henry Shaw with descriptions by Sir Frederick Madden who was Assistant Keeper of manuscripts at the British Museum.

From the British Museum, Cottonian Library Nero D. 4. Drawn and Etched by Henry Shaw; Published in London by William Pickering, Chancery Lane, April 1, 1831. Image 36 from Illuminated ornaments: selected from manuscripts and early printed books, from the sixth to the seventeenth centuries. Collections of the Getty Research Institute. In the public domain due to age. via https://archive.org/details/illuminatedornam00shaw/page/n35/mode/1up
From Illuminated Drawings of the 11th Century. In the Possession of William Young Ouley, Esquire, F.S.A. Published in London by William Pickering, Chancery Lane, April 1, 1831. Image 43 from Illuminated ornaments: selected from manuscripts and early printed books, from the sixth to the seventeenth centuries. Collections of the Getty Research Institute. In the public domain due to age. via https://archive.org/details/illuminatedornam00shaw/page/n43/mode/1up
Column capitals from a folio volume written on thick vellum, in the mid 12th century, containing the books of Joshua, Judges, Ruth and Kings. From the British Museum, Royal M.S. I, C VII. Published in London by William Pickering, Chancery Lane, June 1, 1832. Image 52 from Illuminated ornaments: selected from manuscripts and early printed books, from the sixth to the seventeenth centuries. Collections of the Getty Research Institute. In the public domain due to age. via https://archive.org/details/illuminatedornam00shaw/page/n52/mode/1up
From a Missal in the possession of the Right Honourable Lord Braybrooke. London. Published by W. Pickering, Chancery Lane. Image 87 from Illuminated ornaments: selected from manuscripts and early printed books, from the sixth to the seventeenth centuries. Collections of the Getty Research Institute. In the public domain due to age. via https://archive.org/details/illuminatedornam00shaw/page/n87/mode/1up
From a Missal in the possession of the Right Honourable Lord Braybrooke. London. Published by W. Pickering, Chancery Lane. Image 89 from Illuminated ornaments: selected from manuscripts and early printed books, from the sixth to the seventeenth centuries. Collections of the Getty Research Institute. In the public domain due to age. via https://archive.org/details/illuminatedornam00shaw/page/n89/mode/1up
Ornaments from a Manuscript formerly in the Vatican executed for Pope Innocent 8th between the years 1454 and 1492. In the Possession of William Young Ouley, Esquire, F.S.A. Published by W. Pickering, Chancery Lane. Image 185 from Illuminated ornaments: selected from manuscripts and early printed books, from the sixth to the seventeenth centuries. Collections of the Getty Research Institute. In the public domain due to age. via https://archive.org/details/illuminatedornam00shaw/page/n185/mode/1up
From the Sforziada printed at Milan by Zaratto in 1490. From the Collections of Philp Augustus Hanrott Esquire. Published by W. Pickering, Chancery Lane. Image 203 from Illuminated ornaments: selected from manuscripts and early printed books, from the sixth to the seventeenth centuries. Collections of the Getty Research Institute. In the public domain due to age. via https://archive.org/details/illuminatedornam00shaw/page/n203/mode/1up
From a Manuscript in the Ashmolean Museum, Oxford. Published by W. Pickering, Chancery Lane. Image 213 from Illuminated ornaments: selected from manuscripts and early printed books, from the sixth to the seventeenth centuries. Collections of the Getty Research Institute. In the public domain due to age. via https://archive.org/details/illuminatedornam00shaw/page/n213/mode/1up

Learning to draw and write the pretty way. Imagery from the 1750 alphabet book “Writing and drawing made easy, amusing and instructive : containing the whole alphabet in all the characters now us’d . . .” Printed for and sold by T. Bellamy bookseller at Kingston upon Thames.

The ant: Diligence, frugality. J. Hulott, sculp. Image 16 from Writing and drawing made easy, amusing and instructive : containing the whole alphabet in all the characters now us’d . . . 1750. English, printed in London. Printed for and sold by T. Bellamy bookseller, located at Kingston upon Thames. Collections of the Getty Research Institute. Digitalized by the Internet Archive. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t7qn6h64w&seq=17&view=1up
The crocodile: Dissimulation and infidelity, J. Hulott, sculp. Image 24 from Writing and drawing made easy, amusing and instructive : containing the whole alphabet in all the characters now us’d . . . 1750. English, printed in London. Printed for and sold by T. Bellamy bookseller, located at Kingston upon Thames. Collections of the Getty Research Institute. Digitalized by the Internet Archive. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t7qn6h64w&seq=24&view=1up
The dog: vigilance and fidelity: J. Hulott, sculp. Image 28 from Writing and drawing made easy, amusing and instructive : containing the whole alphabet in all the characters now us’d . . . 1750. English, printed in London. Printed for and sold by T. Bellamy bookseller, located at Kingston upon Thames. Collections of the Getty Research Institute. Digitalized by the Internet Archive. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t7qn6h64w&seq=28&view=1up
The eagle: honour and ambition. J. Hulott, sculp. Image 32 from Writing and drawing made easy, amusing and instructive : containing the whole alphabet in all the characters now us’d . . . 1750. English, printed in London. Printed for and sold by T. Bellamy bookseller, located at Kingston upon Thames. Collections of the Getty Research Institute. Digitalized by the Internet Archive. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t7qn6h64w&seq=32&view=1up
The fox: hypocrisy and prophaness. J. Hulott, sculp. Image 36 from Writing and drawing made easy, amusing and instructive : containing the whole alphabet in all the characters now us’d . . . 1750. English, printed in London. Printed for and sold by T. Bellamy bookseller, located at Kingston upon Thames. Collections of the Getty Research Institute. Digitalized by the Internet Archive. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t7qn6h64w&seq=36&view=1up
The grass hopper: indolence and inactivity. J. Hulott, sculp. Image 40 from Writing and drawing made easy, amusing and instructive : containing the whole alphabet in all the characters now us’d . . . 1750. English, printed in London. Printed for and sold by T. Bellamy bookseller, located at Kingston upon Thames. Collections of the Getty Research Institute. Digitalized by the Internet Archive. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t7qn6h64w&seq=40&view=1up

Will be back to pick up more of the letters later.

Silver locomotives. A new centerpiece or to dress up the mantlepiece. Also a presentation railroad carriage in sterling silver running on its own track made in 1860 that I just found over on 1st Dibs.


Parcel-gilt silver filigree locomotive form spice box with rose-gilt caps, the front with later Hebrew inscription with a dedication to a synagogue, presumably the one it was given to in Bucharest. 1850-1900. Not sure where it was made but it was given to a synagogue in Bucharest, Romania. From the style and ornamentation it looks like it was made in Eastern Europe, not Britain.  Judaica. Image @ 2024 Sothebys. Fair use license. via https://www.sothebys.com/en/buy/auction/2022/the-halpern-judaica-collection-tradition-and-treasure-part-i/a-parcel-gilt-silver-filigree-locomotive-form
Silver gilt novelty steam engine pulling an open car. Victorian. English. marked London 1889. Alfred Benson and Henry Hugh Webb, makers. Image  © 2016 Seidenberg Antiques. Fair use license. https://www.seidenbergantiques.com/shop/objects-d-art/english/rare-victorian-silver-gilt-novelty-locomotive.html

Sterling silver locomotive Christmas tree ornament. ca. 1970s. American. Gorham, maker. © 1stDibs.com, Inc. 2024
Fair use license. https://www.1stdibs.com/furniture/dining-entertaining/sterling-silver/sterling-silver-christmas-tree-locomotive-ornament-gorham/id-f_820765/?crlt.pid=camp.uMYGBFXO5fHb&epik=dj0yJnU9Nks0aVlHVy02T0xjQXFYcEpmTUwyWV9Hb1FNX2hiTEsmcD0wJm49Y0lhZG1ISGY3UWgzSkI1SWxHanFEZyZ0PUFBQUFBR1hvOWZ3
Sterling silver presentation railway carriage/centerpiece sitting on a bespoke oak wood presentation plinth, ornamented with a wooden railway track, realistically modelled with rails, fasteners, and railroad ties. The body of the carriage having a rectangular form with an elevated hallmarked gallery border, realistically modeled in the form of the carriage’s struts and graces. Either side of this gallery features an exceptional contemporary engraved coat of arms, one pertains to the Borough of Morpeth / County Northumberland and features the Latin motto Inter sylvas et flumina habitans – Living among woods and streams. The other coat of arms pertains to the Trevelyan family; it incorporates the crest of two arms in armor embowed, the hands supporting a bezant, thereon a parrot statant, all above the Old English motto Tyme tryeth troth – Time tests faith. The ends feature cast sterling silver buffer stops flanking the contemporary engraved initials ‘RW‘ to one end, and ‘JT‘ to the other. The surface of the body bears the contemporary engraved inscription Presented to Pauline Lady Trevelyan on the Occasion of opening the first section of the Wansbeck Railway, April 21 1862. The railway carriage is supported by a hallmarked sterling silver chassis framework, complete with the wheelset including functional wheels and ornamental axle boxes bearing the numeral ‘7’. 1860-1862. Made in London England by Edward and John Barnard. Maker’s marks: hallmarks to the chassis. Image © 1stDibs.com, Inc. 2024. Fair use license. https://www.1stdibs.com/furniture/decorative-objects/desk-accessories/more-desk-accessories/antique-victorian-sterling-silver-presentation-railway-carriage-centerpiece/id-f_26282692/


Make your home look like you have never been to IKEA with pictures of these at least in your mind. More from Percy MacQuoid’s work “History of English Furniture: Age of Satinwood.” Published in Edinburgh by T. and A. Constable, printers to His Majesty (Edward VII). Collections of the Society of the Four Arts.

Figure 162: Inlaid and painted satin wood commode. Figure 163: Top of same. Page 226. Collections of the Society of the Four Arts. Scanned by the Internet Archive. Cc0 License 1.0. via https://archive.org/details/HistoryOfEnglishFurnitureAgeOfSatinwood/page/n226/mode/1up
Painted sideboard-commode. Property of Frank Partridge, Esquire. Signed Shirley Slocombe artist, 1907. Plate XI, page 232. Collections of the Society of the Four Arts. Scanned by the Internet Archive. Cc0 License 1.0. via https://archive.org/details/HistoryOfEnglishFurnitureAgeOfSatinwood/page/n232/mode/1up
Figure 167: Mahogany chair (left). Figure 168: Mahogany chair, property of Alfred Davis, Esquire (right). Page 236. Collections of the Society of the Four Arts. Scanned by the Internet Archive. Cc0 License 1.0. via https://archive.org/details/HistoryOfEnglishFurnitureAgeOfSatinwood/page/n236/mode/1up
Painted satin-wood writing cabinet. Property of Messrs. D. L. Isaacs. Plate XII, page 245. Signed Shirley Slocombe artist, 1908. Collections of the Society of the Four Arts. Scanned by the Internet Archive. Cc0 License 1.0. via https://archive.org/details/HistoryOfEnglishFurnitureAgeOfSatinwood/page/n245/mode/1up
Figure 179: Mahogany chair-back settee. Property of Messrs. J. Mallett and Son. Page 250. Collections of the Society of the Four Arts. Scanned by the Internet Archive. Cc0 License 1.0. via https://archive.org/details/HistoryOfEnglishFurnitureAgeOfSatinwood/page/n250/mode/1up
(a) Inlaid satinwood tea caddy; (b) Circular knife case; (c) Painted satinwood chair; (d) Painted chair. Page 270 from Percy MacQuoid’s 1907 work History of English Furniture: Age of Satinwood. Public domain mark 1.0. via https://archive.org/details/HistoryOfEnglishFurnitureAgeOfSatinwood/page/n270/mode/1up

More from Percy MacQuoid’s work “History of English Furniture: Age of Satinwood.” Published in Edinburgh by T. and A. Constable, printers to His Majesty (Edward VII). Collections of the Society of the Four Arts.

Amboyna-wood writing cabinet (left); inlaid mahogany pole-screen (right). Both pieces being the property of Alfred Littleton, Esquire. Plate VIII, page 170. Signed Shirley Slocombe artist, 1908. Collections of the Society of the Four Arts. Scanned by the Internet Archive. Cc0 License 1.0. via https://archive.org/details/HistoryOfEnglishFurnitureAgeOfSatinwood/page/n170/mode/1up

Figure 124 – Painted wood pedestal; Figure 125 – Carved wood lantern. Both pieces being the property of the Earl of Harewood. Page 173. Collections of the Society of the Four Arts. Scanned by the Internet Archive. Cc0 License 1.0. via https://archive.org/details/HistoryOfEnglishFurnitureAgeOfSatinwood/page/n173/mode/1up
Figure 131 – Robert Adam’s design for bed. Page 180. Collections of the Society of the Four Arts. Scanned by the Internet Archive. Cc0 License 1.0. via https://archive.org/details/HistoryOfEnglishFurnitureAgeOfSatinwood/page/n180/mode/1up
Satin-wood commode. Property of Alfred Littleton, Esquire. Plate X, page 224. Signed Shirley Slocombe artist, 1908. Collections of the Society of the Four Arts. Scanned by the Internet Archive. Cc0 License 1.0. via https://archive.org/details/HistoryOfEnglishFurnitureAgeOfSatinwood/page/n224/mode/1up

More cards from “Astronomia,” a deck of educational astronomy cards pertaining to the solar system. 1829-31. Published by F. G. Moon, Threadneedle Street, London. Collections of the Yale University Library, New Haven.

“Ceres: diameter 1024 miles.” Image 2. Cary Collection of Playing Cards, Yale University Library. Artwork itself in the public domain due to age. via https://collections.library.yale.edu/catalog/10995117
“Juno: diameter 1,425 miles.” Image 3. Cary Collection of Playing Cards, Yale University Library. Artwork itself in the public domain due to age. via https://collections.library.yale.edu/catalog/10995117
“Pallas: diameter 2,099 miles,” Image 4. Cary Collection of Playing Cards, Yale University Library. Artwork itself in the public domain due to age. via https://collections.library.yale.edu/catalog/10995117
Saturn. Card from Astronomia, a deck of educational astronomy cards pertaining to the solar system. 1829-31. Published by F. G. Moon, Threadneedle Street, London. Image 19. Beinecke Rare Book and Manuscript Library Collections, Yale University. https://collections.library.yale.edu/catalog/33253871

Up into the Arctic and down to the Antarctic with English watercolorist Charles Hamilton Smith who was also a Lieutenant-Colonel in the Royal Artillery. Living from 1776 to 1859, he painted what he saw as he traveled around the world during his military career.

“Spitzbergen, Bearing South,” from the collection of 75 watercolors entitled “Views of Polar Regions”. 19th c. English. Watercolor and graphite. Collections of the Yale Center for British Arts, New Haven. Image © Yale Center for British Arts. Artwork itself in the public domain due to age. via https://wanderingvertexes.blogspot.com/2021/08/newtontoppen-spitzbergen-by-charles.html
“Remarkable Iceberg seen in July, 1818.” ca. 1818. English. Watercolor and graphite on moderately thick, moderately textured wove paper. Collections of the Collections of the Yale Center for British Arts, New Haven. Image © Yale Center for British Arts, Paul Mellon Collection. Artwork itself in the public domain due to age. via https://artsandculture.google.com/asset/remarkable-iceberg-charles-hamilton-smith-1776%E2%80%931859-belgian/kwFvKsdBrhN6Xw
“Victoria lands, South Polar Regions: Mont Erebus, Ross Island, Antarctica,” from the collection of 75 watercolors entitled “Views of Polar Regions”. 19th c. English. Watercolor and graphite. Collections of the Yale Center for British Arts, New Haven. Image © Yale Center for British Arts. Artwork itself in the public domain due to age. via https://wanderingvertexes.blogspot.com/2019/10/erebus-seen-by-charles-hamilton-smith.html
“Mount Sabine, Victoria Land,  Antarctica, discovered in 1841,” from the collection of 75 watercolors entitled “Views of Polar Regions”. ca. 1841. English. Watercolor. Collections of the Yale Center for British Arts, New Haven. Image © Yale Center for British Arts. Artwork itself in the public domain due to age. via https://wanderingvertexes.blogspot.com/2019/11/mount-sabine-by-charles-hamilton-smith.html
Petoowack Arctic Highlands Formation Antarctica. Undated, by 1858. British. Watercolor and graphite on cream wove paper. Charles Hamilton Smith, watercolorist (1776-1859). Collections of the Yale Center for British Art. Artwork in the public domain due to age. via Francis Rousseau @mountainpaintingsandmore on Instagram. via Instagram. https://www.instagram.com/p/CpdQ2xGM_zy/
Icebergs and Aurora Borealis in the Arctic Regions. Undated, by 1858. British. Watercolor and graphite on cream wove paper. Charles Hamilton Smith, watercolorist (1776-1859). Collections of the Yale Center for British Art. Artwork in the public domain due to age. via https://collections.britishart.yale.edu/catalog/tms:18924
Halo with Three Parhelia, Winter Harbour Melville Island. Undated, by 1858. British. Watercolor and graphite on cream wove paper. Charles Hamilton Smith, watercolorist (1776-1859). Collections of the Yale Center for British Art. Artwork in the public domain due to age. via https://collections.britishart.yale.edu/catalog/tms:18924 and a slightly cropped version on Stephen Ellcock @stephenellcock ‘s Instagram https://www.instagram.com/stephenellcock/p/DD-sh1pN8t3/?hl=en

Snug Corner Cove Prince William’s Sound. Undated, by 1858. British. Watercolor and graphite on cream wove paper. Charles Hamilton Smith, watercolorist (1776-1859). Collections of the Yale Center for British Art. Artwork in the public domain due to age. via https://collections.britishart.yale.edu/catalog/tms:18924
Remarkable Iceberg. Undated, by 1858. British. Watercolor and graphite on cream wove paper. Charles Hamilton Smith, watercolorist (1776-1859). Collections of the Yale Center for British Art. Artwork in the public domain due to age. via https://collections.britishart.yale.edu/catalog/tms:18924

Aquatints (watercolors) of bed treatments but not any old bed treatments. No, these are by watercolorist J. Barlow after designs by Thomas Sheraton. Done between 1803 and 1807. British. Taken from a current Dreweatts’s auction catalogue.

Bedcoverings in blue with black netted fringe trim. 1803-1807. British. Aquatint. J. Barlow after Thomas Sheraton. Image © COPYRIGHT 2020 DREWEATTS 1759 LTD. ALL RIGHTS RESERVED. Fair use license. via https://auctions.dreweatts.com/auctions/7875/drewea1-10237/lot-details/396eb6e1-020e-4abb-b597-ad4f00711f3b
Bedcoverings in red and gold. 1803-1807. British. Aquatint. J. Barlow after Thomas Sheraton. Image © COPYRIGHT 2020 DREWEATTS 1759 LTD. ALL RIGHTS RESERVED. Fair use license. via https://auctions.dreweatts.com/auctions/7875/drewea1-10237/lot-details/396eb6e1-020e-4abb-b597-ad4f00711f3b
Bedcoverings in pale blue and pink. 1803-1807. British. Aquatint. J. Barlow after Thomas Sheraton. Image © COPYRIGHT 2020 DREWEATTS 1759 LTD. ALL RIGHTS RESERVED. Fair use license. via https://auctions.dreweatts.com/auctions/7875/drewea1-10237/lot-details/396eb6e1-020e-4abb-b597-ad4f00711f3b
Bedcoverings in red and green. 1803-1807. British. Aquatint. J. Barlow after Thomas Sheraton. Image © COPYRIGHT 2020 DREWEATTS 1759 LTD. ALL RIGHTS RESERVED. Fair use license. via https://auctions.dreweatts.com/auctions/7875/drewea1-10237/lot-details/396eb6e1-020e-4abb-b597-ad4f00711f3b
Bedcoverings in blue and pinkish red. 1803-1807. British. Aquatint. J. Barlow after Thomas Sheraton. Image © COPYRIGHT 2020 DREWEATTS 1759 LTD. ALL RIGHTS RESERVED. Fair use license. via https://auctions.dreweatts.com/auctions/7875/drewea1-10237/lot-details/396eb6e1-020e-4abb-b597-ad4f00711f3b
Bedcoverings in blue and dark green with netted fringe trim. 1803-1807. British. Aquatint. J. Barlow after Thomas Sheraton. Image © COPYRIGHT 2020 DREWEATTS 1759 LTD. ALL RIGHTS RESERVED. Fair use license. via https://auctions.dreweatts.com/auctions/7875/drewea1-10237/lot-details/396eb6e1-020e-4abb-b597-ad4f00711f3b
Bedcoverings in blue and red with a blue canopy. 1803-1807. British. Aquatint. J. Barlow after Thomas Sheraton. Image © COPYRIGHT 2020 DREWEATTS 1759 LTD. ALL RIGHTS RESERVED. Fair use license. via https://auctions.dreweatts.com/auctions/7875/drewea1-10237/lot-details/396eb6e1-020e-4abb-b597-ad4f00711f3b
Bedcoverings in blue, dark green and pink with gilded birds, probably eagles. 1803-1807. British. Aquatint. J. Barlow after Thomas Sheraton. Image © COPYRIGHT 2020 DREWEATTS 1759 LTD. ALL RIGHTS RESERVED. Fair use license. via https://auctions.dreweatts.com/auctions/7875/drewea1-10237/lot-details/396eb6e1-020e-4abb-b597-ad4f00711f3b
Bedcoverings in various colors shown with a bed in gilded wood and matching set of bed stairs. 1803-1807. British. Aquatint. J. Barlow after Thomas Sheraton. Image © COPYRIGHT 2020 DREWEATTS 1759 LTD. ALL RIGHTS RESERVED. Fair use license. via https://auctions.dreweatts.com/auctions/7875/drewea1-10237/lot-details/396eb6e1-020e-4abb-b597-ad4f00711f3b