Fanchon and Marco’s Sunkist Beauties photographed between dances and songs, presumably in Hollywood, California where they were based. Fanchon and Marco were sister and brother vaudeville performers and producers of vaudeville acts and vaudeville-style prologues to motion pictures in the United States.

Dancers from Fanchon and Marco’s Sunkist Beauties performance group from the Fanchon and Marco Vaud-Film Production Company. Undated photograph, 1920s-1940s. American. Promotional photograph. Photographer not given. Source:  Source material provided by Museum of Performance + Design. Managed by California Revealed where it is archived with the Vincent Silk papers. Copyright status not known. Image via https://archive.org/details/csfpal_000439/mode/2up
Fanchon and Marco’s Sunkist Beauties. The label stuck to the back of the photograph reads These Sunkists in Fanchon and Marco’s “Sunshine” idea reminds one of fields of waving sunflowers as they sway back and forth in their dance. Image shot in 1940 maybe. American. Promotional photograph. Harry Wenger, photographer. © Museum of Performance + Design. Managed by California Revealed where it is archived with the Vincent Silk papers. Fair use license. via https://archive.org/details/csfpal_000539 and https://californiarevealed.org/do/0deeee85-9f87-4422-8b2f-99c66631698b
The assembled cast of Fanchon and Marco’s “Sunshine” idea playing at the ______ Theatre. Unknown date, 1920s-1940s? American. Harry Wenger, photographer.  Source material provided by Museum of Performance + Design. Managed by California Revealed where it is archived with the Vincent Silk papers. Copyright status not known. Image via https://californiarevealed.org/do/62a5c157-ef2f-499a-8a79-492a372b2a01 and https://archive.org/details/csfpal_000559
Fanchon and Marco’s Sunkist Beauties. Image shot in 1940 maybe. American. Promotional photograph. Archers Studios, Hollywood, California photographers. © Museum of Performance + Design. Managed by California Revealed where it is archived with the Vincent Silk papers. Fair use license. via https://archive.org/details/csfpal_000518 and https://californiarevealed.org/do/efb2e4e9-6858-4fe6-a7c5-9643ecd1b509#page/1
Fanchon and Marco’s Sunkist Beauties. The label stuck to the back of the photograph reads Ruffles, lace and beautiful girls always make a pleasing ensemble as evidenced in this line-up of Sunkist Beauties in Fanchon and Marco’s “Sunshine” idea at ________________ theatre. Probably shot in 1940. American. Photographer not given. © Museum of Performance + Design. Managed by California Revealed where it is archived with the Vincent Silk papers. Fair use license. via https://californiarevealed.org/do/5f9c1f88-6a4e-462d-8bc4-4d81cef1aedb and https://archive.org/details/csfpal_000562

Fanchon and Marco’s Sunkist Beauties were a performance group from the Fanchon & Marco Vaud-Film Production Company. Fanchon and Marco were a sister and brother partnership (who used their first names only) of vaudeville performers and producers of vaudeville acts and vaudeville-style prologues to motion pictures in the United States. They began producing revues in 1919 with Fanchon and Marco Revue, and began producing prologues with their own company in 1922, the Fanchon & Marco Vaud-Film Production Company. They variously operated under the name of Fanchon and Marco Stageshows, Inc., and the Fanchon and Marco Service Corporation; Fanchon and Marco also operated the Fanchon and Marco Costume Company in Los Angeles. These images are archived in California as part of the papers of Vincent Silk who performed with the Sunkist Beauties. Learn more about Fanchon and Marco here. https://fanchonandmarco.com/

Wanting to run away to the circus but not getting far if it is in your grandfather’s backyard. Imagery from the Oklahoma Historical Society of the Campbell Brothers Circus which was headquartered at the Campbell family farm near Enid.

Campbell Brothers Circus side show: Campbell Brothers Circus troupe and side show banners. A band and other performers, DeBarcsy family, Little Nick. Count Nicu DeBarscy, who traveled with his mother, Madam DeBarcsy, the bearded lady, and his stepfather, the Indian Medicine Man. Near Enid, Oklahoma USA. Image ca. 1913-1920. American. Photographer not given. The Gateway to Oklahoma History Collection, Oklahoma Historical Society. via https://gateway.okhistory.org/ark:/67531/metadc963351/?q=Campbell%20%20Brothers
Campbell Brothers Circus: Campbell Bros. Circus- side show banners, band, performers, DeBarcsy family, Little Nick. Near Enid, Oklahoma USA. Image ca. 1913-1920. American. Photographer not given. The Gateway to Oklahoma History Collection, Oklahoma Historical Society. via https://gateway.okhistory.org/ark:/67531/metadc963230/?q=Campbell%20%20Brothers
F. E. Campbell with chimps – Campbell Brothers Circus. Near Enid, Oklahoma USA. Image ca. 1913-1920. American. Photographer not given. The Gateway to Oklahoma History Collection, Oklahoma Historical Society. via https://gateway.okhistory.org/ark:/67531/metadc963337/?q=Campbell%20%20Brothers
Campbell Brothers Circus Band, H. W. Wingert, Conducter. Successful and extensive tour of the United States in 1910. Equipped with Buescher grand trombones, Epoch true-tone cornets, monster basses, clarinets, drums, etc. Made by Buescher Band Instrument Company, Elkhart, Indiana. 1910 image. American. Photographer not given. The Gateway to Oklahoma History Collection, Oklahoma Historical Society. via https://gateway.okhistory.org/ark:/67531/metadc963355/?q=Campbell%20%20Brothers

According to the website circusandsideshows.com:

“The original Campbell Brothers Circus was owned by brothers Virgil, Al, Charlie and Ed Campbell and began in Galesburg, Il. The Circus started with 30 horse drawn wagons and more than 100 personnel. The Circus grew to a 40 car railroad show and was advertised as the second largest circus in America. The circus began wintering in Fairbury Nebraska in 1885. The 1912 season was a disastrous one for the show; bad weather, fires and a train wreck plagued the circus. The following year banks foreclosed on outstanding loans and the show was forced into bankruptcy.

The brothers grandfather, Elisha Campbell and his four sons Bill, Fred, Bert and Ed., bought bankrupt circus and moved it’s headquarters to the family farm near Enid, Oklahoma. The circus continued for seven more seasons.”

Visions of Polynesia at least if you were in Los Angeles in 1939. No cruise to Hawaii required. Photographs of the Clifton Cafeteria after it was transformed into the Pacific Seas. The restaurant closed in 1960 and was later razed. Imagery from TESSA the digital collections of the Los Angeles Public Library.


Clifton’s “Pacific Seas” Cafeteria: Diners have filled one of the rooms of the popular eatery, Clifton’s “Pacific Seas” Cafeteria, located at 618 S. Olive Street. The cafeteria’s decor, intended to evoke a Polynesian setting, includes floral wallpaper, fake flowers and palm trees, baskets, and the Rain Hut, visible in the background, where, according to the posted signs, it “rains approx. every 20 min.”
Hats and baskets hanging from a grid of bamboo attached to the ceiling along with other tropical touches. The silverware over on the far right must be for the buffet. Has your standard American 1930s-1940s linoleum floor, too. Image ca. 1945. American, Los Angeles, California. Ralph Morris, photographer. Ralph Morris Collection, Los Angeles Photographers Collection. via TESSA the digital collections of the Los Angeles Public Library. via https://tessa2.lapl.org/digital/collection/photos/id/122818
Having a meal at Pacific Seas: Four women enjoy themselves at Clifton’s Pacific Seas Cafeteria, having lunch in front of a crepe paper palm tree. Late 1940s-1950s image. American, Los Angeles, California. Photographer not given. Security Pacific National Bank Photo Collection. via TESSA the digital collections of the Los Angeles Public Library. via https://tessa2.lapl.org/digital/collection/photos/id/103441/rec/11
Dining area of Clifton’s “Pacific Seas” Cafeteria. A postcard with the caption on the back reading “A fantastic neon palm by Polynesian grass hut. Only one of the many fantastic features. Guests pay what they wish and dine free unless delighted. 618 South Olive Street, Los Angeles.” Vintage postcard, ca. 1940s-1950s. Late 1940s-1950s image. American, Los Angeles, California. Security Pacific National Bank Photo Collection. via TESSA the digital collections of the Los Angeles Public Library. via https://tessa2.lapl.org/digital/collection/photos/id/87434/rec/13

Interior view of the Pacific Seas cafeteria, located at 618 South Olive Street, showing a decorative neon light. In the background is the reflection of that very same light. Image ca. 1945. American, Los Angeles, California. Lucille Stewart, photographer. Lucille Stewart Collection, Los Angeles Photographers Collection. via TESSA the digital collections of the Los Angeles Public Library. via https://tessa2.lapl.org/digital/collection/photos/id/123419/rec/20

Interior view of the Pacific Seas cafeteria, located at 618 South Olive Street, showing a decorative neon light designed to look like a palm tree with decorative bamboo ladders leading to a balcony in the rear. Image ca. 1945. American, Los Angeles, California. Lucille Stewart, photographer. Lucille Stewart Collection, Los Angeles Photographers Collection. via TESSA the digital collections of the Los Angeles Public Library. via https://tessa2.lapl.org/digital/collection/photos/id/123420/rec/21
Interior view of the Pacific Seas cafeteria, located at 618 South Olive Street, showing a decorative neon light designed to look like a palm tree. Image ca. 1945. American, Los Angeles, California. Lucille Stewart, photographer. Lucille Stewart Collection, Los Angeles Photographers Collection. via TESSA the digital collections of the Los Angeles Public Library. via https://tessa2.lapl.org/digital/collection/photos/id/123425/rec/23
Clifton’s String Ensemble at “Pacific Seas:” Pianist Julius K. Johnson, violinist Caroline Hermann, harpist Grace Curey, and string bass player Nathan Harrison, who make up the Clifton’s String Ensemble, play inside the raised Aloha Entertainment Platform at Clifton’s “Pacific Seas” Cafeteria. Diners surround the performance area. Image ca. 1945. American, Los Angeles, California. Lucille Stewart, photographer. Lucille Stewart Collection, Los Angeles Photographers Collection. via TESSA the digital collections of the Los Angeles Public Library. via https://tessa2.lapl.org/digital/collection/photos/search/searchterm/%20Clifton’s%20%22Pacific%20Seas%22%20Cafeteria


Having a good old time at the Chesapeake Bay Workout Races. 1920s images so there must have been a few hip flasks buried under those sails.

Eastern Shore men (and women) watching the Chesapeake Bay Workout races from beneath some unfurled sails. Image ca. 1927. American. Aubrey Bodine, photographer. via @annapolis_collection on Instagram. via Instagram. https://www.instagram.com/p/Bw8BnemBls5/?igsh=bGpndWR5NXc3dHM5
Day at the Races. A group of lady spectators from Annapolis enjoy watching the sailboat races from aboard the Maryland Conservation Commission boat “Kent”. 1927 image. Annapolis, Maryland, USA. Aubrey Bodine, photographer. via @annapolis_collection on Instagram. via Instagram. https://www.instagram.com/p/CJcHppXLfQU/?igsh=ZTl2cHVrMGkwbzZr
Chesapeake Workboat Race. H.M. Rowe crashes into the Ella Cripps just before crossing the line in the schooner race. ca. 1929. Annapolis, Maryland, USA. via @annapolis_collection on Instagram. via Instagram. https://www.instagram.com/p/CRAYFPhreo1/?igsh=MTI0dWhiNWxsdjB4NA%3D%3D
Young lady spectators sitting aboard the Miss Tylerton to watch the 9th annual Chesapeake Bay Workboat Races. 1929 image. Annapolis, Maryland USA. via @annapolis_collection on Instagram. via Instagram. https://www.instagram.com/p/CUEFvTkLNs7/?igsh=MTFseG10ZG5hM2JiYQ%3D%3D

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Almost as good as being at Mardi Gras in real time. No cocktails but they are all from a 1913 photograph album documenting a New Orleans Mardi Gras parade. Taken from the website of rare book dealer James Arsenault.

Street Characters of New Orleans theme parade, part of the 1913 Mardi Gras celebration in New Orleans, Louisiana. Silver print. American. Photographer not given. Taken from a photograph album documenting a 1913 New Orleans Mardi Gras parade and celebration. Image © 2024 James E. Arsenault & Company. Fair use license. via https://www.jamesarsenault.com/pages/books/9067/photograph-album-documenting-a-new-orleans-mardi-gras-parade
Every balcony was packed. Silver print. American. Photographer not given. Taken from a photograph album documenting a 1913 New Orleans Mardi Gras parade and celebration. Image © 2024 James E. Arsenault & Company. Fair use license. via https://www.jamesarsenault.com/pages/books/9067/photograph-album-documenting-a-new-orleans-mardi-gras-parade

All persons on floats were men. Silver print. American. Photographer not given. Taken from a photograph album documenting a 1913 New Orleans Mardi Gras parade and celebration. Image © 2024 James E. Arsenault & Company. Fair use license. via https://www.jamesarsenault.com/pages/books/9067/photograph-album-documenting-a-new-orleans-mardi-gras-parade
Was all very spectacular in this brilliant ? (word not legible). Silver print. American. Photographer not given. Taken from a photograph album documenting a 1913 New Orleans Mardi Gras parade and celebration. Image © 2024 James E. Arsenault & Company. Fair use license. via https://www.jamesarsenault.com/pages/books/9067/photograph-album-documenting-a-new-orleans-mardi-gras-parade

The police dog reporting a street fight. Silver print. American. Photographer not given. Taken from a photograph album documenting a 1913 New Orleans Mardi Gras parade and celebration. Image © 2024 James E. Arsenault & Company. Fair use license. via https://www.jamesarsenault.com/pages/books/9067/photograph-album-documenting-a-new-orleans-mardi-gras-parade
You may name them (left) and Side View of This Impersonator (right). Silver print. American. Photographer not given. Taken from a photograph album documenting a 1913 New Orleans Mardi Gras parade and celebration. Image © 2024 James E. Arsenault & Company. Fair use license. via https://www.jamesarsenault.com/pages/books/9067/photograph-album-documenting-a-new-orleans-mardi-gras-parade
Hideous party – part of a ? (word not legible). Silver print. American. Photographer not given. Taken from a photograph album documenting a 1913 New Orleans Mardi Gras parade and celebration. Image © 2024 James E. Arsenault & Company. Fair use license. via https://www.jamesarsenault.com/pages/books/9067/photograph-album-documenting-a-new-orleans-mardi-gras-parade
Mr. Benedict Grunewald. New Orleans Symphony Orchestra. Silver print. American. Photographer not given. Taken from a photograph album documenting a 1913 New Orleans Mardi Gras parade and celebration. Image © 2024 James E. Arsenault & Company. Fair use license. via https://www.jamesarsenault.com/pages/books/9067/photograph-album-documenting-a-new-orleans-mardi-gras-parade

Off to see the sights at the World’s Fair. The 1939–40 New York World’s Fair opened on April 30th, 1939 in Flushing Meadow, Queens and closed on October 26, 1940. Imagery from a photo album up for sale from rare book dealer James E. Arsenault.

New York World’s Fair 1940: Manmade Lightning. Taken from a photo album kept by an unidentified young couple documenting their vacations between 1936 and 1940, including a substantial number of photos of the 1939–40 New York World’s Fair. American. Image © 2024 James E. Arsenault & Company. Fair use license. via https://www.jamesarsenault.com/pages/books/5494/photo-album-including-1939-40-world-s-fair-content-photographs

Castle and volcano? New York World’s Fair 1939-1940. Taken from a photo album kept by an unidentified young couple documenting their vacations between 1936 and 1940, including a substantial number of photos of the 1939–40 New York World’s Fair. American. Image © 2024 James E. Arsenault & Company. Fair use license. via https://www.jamesarsenault.com/pages/books/5494/photo-album-including-1939-40-world-s-fair-content-photographs
1939 World’s Fair. Labor Day Trains on Parade. Taken from a photo album kept by an unidentified young couple documenting their vacations between 1936 and 1940, including a substantial number of photos of the 1939–40 New York World’s Fair. American. Image © 2024 James E. Arsenault & Company. Fair use license. via https://www.jamesarsenault.com/pages/books/5494/photo-album-including-1939-40-world-s-fair-content-photographs
World’s Fair 1940. Taken from a photo album kept by an unidentified young couple documenting their vacations between 1936 and 1940, including a substantial number of photos of the 1939–40 New York World’s Fair. American. Image © 2024 James E. Arsenault & Company. Fair use license. via https://www.jamesarsenault.com/pages/books/5494/photo-album-including-1939-40-world-s-fair-content-photographs
Attendees at the World’s Fair. Taken from a photo album kept by an unidentified young couple documenting their vacations between 1936 and 1940, including a substantial number of photos of the 1939–40 New York World’s Fair. American. Image © 2024 James E. Arsenault & Company. Fair use license. via https://www.jamesarsenault.com/pages/books/5494/photo-album-including-1939-40-world-s-fair-content-photographs
1939 World’s Fair, Labor Day” Russia (left) and Italia (right) pavilions. Taken from a photo album kept by an unidentified young couple documenting their vacations between 1936 and 1940, including a substantial number of photos of the 1939–40 New York World’s Fair. American. Image © 2024 James E. Arsenault & Company. Fair use license. via https://www.jamesarsenault.com/pages/books/5494/photo-album-including-1939-40-world-s-fair-content-photographs
The City of Light presented by Consolidated Edison. Taken from a photo album kept by an unidentified young couple documenting their vacations between 1936 and 1940, including a substantial number of photos of the 1939–40 New York World’s Fair. American. Image © 2024 James E. Arsenault & Company. Fair use license. via https://www.jamesarsenault.com/pages/books/5494/photo-album-including-1939-40-world-s-fair-content-photographs
United States pavilion. Taken from a photo album kept by an unidentified young couple documenting their vacations between 1936 and 1940, including a substantial number of photos of the 1939–40 New York World’s Fair. American. Image © 2024 James E. Arsenault & Company. Fair use license. via https://www.jamesarsenault.com/pages/books/5494/photo-album-including-1939-40-world-s-fair-content-photographs
World’s Fair 1940. Corning Glass (left) and United States Steel (right) pavilions. Taken from a photo album kept by an unidentified young couple documenting their vacations between 1936 and 1940, including a substantial number of photos of the 1939–40 New York World’s Fair. American. Image © 2024 James E. Arsenault & Company. Fair use license. via https://www.jamesarsenault.com/pages/books/5494/photo-album-including-1939-40-world-s-fair-content-photographs
League of Nations pavilion. Taken from a photo album kept by an unidentified young couple documenting their vacations between 1936 and 1940, including a substantial number of photos of the 1939–40 New York World’s Fair. American. Image © 2024 James E. Arsenault & Company. Fair use license. via https://www.jamesarsenault.com/pages/books/5494/photo-album-including-1939-40-world-s-fair-content-photographs

The 1939–40 New York World’s Fair opened on April 30th, 1939 in Flushing Meadow, Queens. The first exposition to have a futuristic theme (“World of Tomorrow”), it hosted exhibits by sixty countries, the League of Nations, thirty-three U.S. states, several federal agencies, and the City of New York. By the time the fair closed on October 26th, 1940, over forty-four million people had visited the fair. 

More about the 1939-1940 Worlds Fair here, a post from my fellow WordPress blogger who blogs on transporation.

All dressed up and just waiting for the music to start. Living it up at the Jeanie Ball which was held in for several years in the mid 20th century at the Stephen Foster Memorial Center in White Springs Florida.

1954 “Jeanie Ball” Queen, Barbara Foster, being crowned at the Stephen Foster State Memorial Center – White Springs, Florida USA. January 1954 image. Department of Commerce Collection, Florida Memory the State Library and Archives of Florida. https://www.floridamemory.com/items/show/71795
1956 Jeanie Ball contest winner Ann Bower being crowned by Stephen Foster’s grandaughter Mrs. Evelyn Foster Morneweck – White Springs, Florida USA. April 1956 image. Karl E. Holland, photographer. Department of Commerce Collection, Florida Memory the State Library and Archives of Florida. https://www.floridamemory.com/items/show/73573
1959 Jeanie Ball contest winner Veronica McCormick standing in front of museum for portrait at the Stephen Foster Memorial – White Springs, Florida USA. February 1959 image. Karl E. Holland, photographer. Department of Commerce Collection, Florida Memory the State Library and Archives of Florida. https://www.floridamemory.com/items/show/76036
1960 Jeanie Ball “Queen” Joyce Marie Garland singing at the Stephen Foster Memorial – White Springs, Florida USA. February 1960 image. Karl E. Holland, photographer. Department of Commerce Collection, Florida Memory the State Library and Archives of Florida. https://www.floridamemory.com/items/show/77116
A couple of Jeanie Ball contest participants posing for a portrait at the Stephen Foster State Memorial – White Springs, Florida USA. September 1970 image. Murphy, photographer. Karl E. Holland, photographer. Department of Commerce Collection, Florida Memory the State Library and Archives of Florida. https://www.floridamemory.com/items/show/85936

The Jeanie Ball commemorated Stephen Foster’s song “Jeanie with the Light Brown Hair”, leaving out the fact that Stephen Foster died a drunk in the back hall of a New York City flophouse in 1864. But his songs are wonderful.

Having fun putting on a more impressive Senior Play. Imagery from the Central High School’s December 8, 1957 production of George Bernard Shaw’s “Caesar and Cleopatra” that ran in the local Springfield, Missouri newspaper the News & Leader. Springfield Missouri USA.

Central High School students preparing for their production of George Bernard Shaw’s “Caesar and Cleopatra.” Pictured are Charles Armstrong, Scott Patterson, David Holstein and Tom Stribling. Published in the Springfield Missouri News and Leader newspaper on December 8, 1957. Betty Love, photographer for the News and Leader newspaper. Image © Springfield News-Leader.
Springfield News-Leader Collection via Missouri Digital Heritage. Fair use license. via https://mdh.contentdm.oclc.org/digital/collection/p16795coll19/id/11254/rec/13
Central High School students preparing for their production of George Bernard Shaw’s “Caesar and Cleopatra.” Pictured are Harold Davidson, Harry Moore, Nicki Sloan, Peggy Turman, and David Holstein. Published in the Springfield Missouri News and Leader newspaper on December 8, 1957. Betty Love, photographer for the News and Leader newspaper. Image © Springfield News-Leader.
Springfield News-Leader Collection via Missouri Digital Heritage. Fair use license. via https://mdh.contentdm.oclc.org/digital/collection/p16795coll19/id/11260/rec/14
Central High School students preparing for their production of George Bernard Shaw’s “Caesar and Cleopatra.” Pictured are Tom Stribling and Nicki Sloan. Published in the Springfield Missouri News and Leader newspaper on December 8, 1957. Betty Love, photographer for the News and Leader newspaper. Image © Springfield News-Leader.
Springfield News-Leader Collection via Missouri Digital Heritage. Fair use license. via https://mdh.contentdm.oclc.org/digital/collection/p16795coll19/id/11261/rec/15
Central High School students preparing for their production of George Bernard Shaw’s “Caesar and Cleopatra.” Pictured are Wava Lee Morris, Ann Nimmo, Joyce Fry, Billie Doyle, Beverly Brooks, Beth Hunsucker, Beverly Hoffman, Sharon Warren, Nicki Sloan, Beverly Baldwin, and Peggy Turman. Published in the Springfield Missouri News and Leader newspaper on December 8, 1957. Betty Love, photographer for the News and Leader newspaper. Image © Springfield News-Leader.
Springfield News-Leader Collection via Missouri Digital Heritage. Fair use license. via https://mdh.contentdm.oclc.org/digital/collection/p16795coll19/id/11262/rec/16
Central High School students preparing for their production of George Bernard Shaw’s “Caesar and Cleopatra.” Pictured are Nancy Weeks, Carol Campbell, Beverly Cochran, Judy Hampton, Harold Davidson, Eddie Brake, Charles Armstrong, Tom Stribling, Marjorie Jeffryes, and Brenda Prater. Published in the Springfield Missouri News and Leader newspaper on December 8, 1957. Betty Love, photographer for the News and Leader newspaper. Image © Springfield News-Leader.
Springfield News-Leader Collection via Missouri Digital Heritage. Fair use license. via https://mdh.contentdm.oclc.org/digital/collection/p16795coll19/id/11263/rec/17

Photographs of Lina Basquette (1907-1994) in her Ziegfeld Follies girl and movie star prime. In her later years she took to breeding Great Danes and dog show judging.

Lina Basquette, well known dancer and musical comedy star, rehearsing new steps for a coming production on a ledge of the roof of the Hotel Commodore. Twenty eight stories below is 42nd Street, whose hurrying throngs are unaware of the dancer balanced far above their heads. 1920s photograph. American. George Rinhart, photographer. Corbis via Getty Images and @vintagemoviestars
on Instagram. via Instagram. https://www.instagram.com/p/C2x_bzaviFa/
Lina Basquette photographed in a publicity still for the 1928 part-talkie sound drama film Show Folks which was directed by Paul L. Stein. https://silenceisplatinum.blogspot.com/2011/09/miss-lina-basquette.html
Lina Basquette (1907 – 1994) the American child star and dancer who was a leading lady of the 20s and during her life had seven husbands. She is pictured in her drawing room at home in Hollywood, looking at press cuttings. Image ca. 1929-1931. Photograph that seems to be from the same session as a photograph of Lina Basquette with a woodcut portrait of herself that was published in the July 1929 issue of Picture Play magazine. Photo by Hulton Archive/Getty Images. via @vitaphonezone on Instagram. via Instagram. Getty link here https://www.gettyimages.dk/detail/news-photo/lina-basquette-the-american-child-star-and-dancer-who-was-a-news-photo/3252265
Lina Basquette and Tom Keene in the 1928 film The Godless Girl, an American sound part-talkie dramatic directed by Cecil B. DeMille. Image via https://m.imdb.com/name/nm0060012/mediaviewer/rm3283305728/

Saturday and off to see the sights at the Rubin and Cherry Exposition, held during the 23rd annual Southeastern Fair in Lakewood Park, Atlanta, Georgia, in October of 1937.

Joe Dobish in front of his Lion Motordrome, called the Wall of Death, at the Rubin and Cherry Exposition, held during the 23rd annual Southeastern Fair, in Lakewood Park, Atlanta, Georgia, October 7, 1937. October 7, 1937 image. American. Lane Brothers Commercial Photographers. Lane Brothers Commercial Photographers Photographic Collection, 1920-1976. Special Collections and Archives, Georgia State University Library. Under copyright. Fair use license. https://digitalcollections.library.gsu.edu/digital/collection/lane/id/13825/rec/1
Tightrope performers at the Rubin and Cherry Exposition, held during the 23rd annual Southeastern Fair, in Lakewood Park, Atlanta, Georgia, October 7, 1937. October 7, 1937 image. American. Lane Brothers Commercial Photographers. Lane Brothers Commercial Photographers Photographic Collection, 1920-1976. Special Collections and Archives, Georgia State University Library. Under copyright. Fair use license. https://digitalcollections.library.gsu.edu/digital/collection/lane/id/13927/rec/69?fbclid=IwAR3XRo_0XxUjsmFxQmFcaNC44TEJGJJwuq85TFBC2YK9gVFFhKJ_3zaJtrQ
Midway with the ferris wheel on the left. Rubin and Cherry Exposition, held during the 23rd annual Southeastern Fair, in Lakewood Park, Atlanta, Georgia, October 7, 1937. October 7, 1937 image. American. Lane Brothers Commercial Photographers. Lane Brothers Commercial Photographers Photographic Collection, 1920-1976. Special Collections and Archives, Georgia State University Library. Under copyright. Fair use license. https://digitalcollections.library.gsu.edu/digital/collection/lane/id/13870/rec/7
Señorita Rosita, a Castilian dancer, among other performers at the Rubin and Cherry Exposition, held during the 23rd annual Southeastern Fair, in Lakewood Park, Atlanta, Georgia, October 7, 1937. October 7, 1937 image. American. Lane Brothers Commercial Photographers. Lane Brothers Commercial Photographers Photographic Collection, 1920-1976. Special Collections and Archives, Georgia State University Library. Under copyright. Fair use license. https://digitalcollections.library.gsu.edu/digital/collection/lane/id/13953/rec/21
Pony show at the Rubin and Cherry Exposition, held during the 23rd annual Southeastern Fair, in Lakewood Park, Atlanta, Georgia, October 7, 1937. October 7, 1937 image. American. Lane Brothers Commercial Photographers. Lane Brothers Commercial Photographers Photographic Collection, 1920-1976. Special Collections and Archives, Georgia State University Library. Under copyright. Fair use license. https://digitalcollections.library.gsu.edu/digital/collection/lane/id/13970/rec/25


Three children enjoying their “candy floss” and novelty items at the Rubin and Cherry Exposition, held during the 23rd annual Southeastern Fair, in Lakewood Park, Atlanta, Georgia, October 7, 1937. October 7, 1937 image. American. Lane Brothers Commercial Photographers. Lane Brothers Commercial Photographers Photographic Collection, 1920-1976. Special Collections and Archives, Georgia State University Library. Under copyright. Fair use license. https://digitalcollections.library.gsu.edu/digital/collection/lane/id/13972/rec/26