Visions of a China that isn’t coming back, illustrations from “China, in a series of views: displaying the scenery, architecture, and social habits of that ancient empire.” Published in London in 1843, it was written by Thomas Allom.

“Chinese cemetery.” Frontispiece. Page 5. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/chinainseriesofv3to4allo/page/n5/mode/1up
“The Woo Tang Mountains.” Page 12. Drawn by T. Allom. T. A. Prior, engraver. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/chinainseriesofv3to4allo/page/n12/mode/1up
“Hall of Audience, Palace of Yuen min Yuen, Peking.” Page 17. Drawn by T. Allom. E. Brandard, engraver. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/chinainseriesofv3to4allo/page/n17/mode/1up
“Landing Place and Entrance to the Temple of Honan, Canton.” Page 10. From a sketch on the spot by T. Varnham, Esquire and drawn by T. Allom. C. T. Dixon, engraver. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/chinainseriesofv3to4allo/page/10/mode/1up
“The Proof-sword Rock, Hoo-kew-Shan.” Page 12. Drawn by T. Allom. J. Sands, engraver. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/chinainseriesofv3to4allo/page/12/mode/1up
Ladies of a Mandarin’s Family at Cards. Page 39 of Thomas Allom’s “China, in a series of views: displaying the scenery, architecture, and social habits of that ancient empire. ” J. Sanders, engraver after a drawing by T. Allom. Published in London in 1843. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/chinainseriesofv3to4allo/page/n38/mode/1up
Dying and Winding Silk. Page 51 of Thomas Allom’s “China, in a series of views: displaying the scenery, architecture, and social habits of that ancient empire. ” J. Sanders, engraver after a drawing by T. Allom. Published in London in 1843. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/chinainseriesofv3to4allo/page/n51/mode/1up
Cap Vendor’s Shop, Canton. Page 94 of Thomas Allom’s “China, in a series of views: displaying the scenery, architecture, and social habits of that ancient empire. ” J. Sanders, engraver after a drawing by T. Allom. Published in London in 1843. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. https://archive.org/details/chinainseriesofv3to4allo/page/n94/mode/1up
Great Temple at Honan, Canton. Page 132 of Thomas Allom’s “China, in a series of views: displaying the scenery, architecture, and social habits of that ancient empire. ” J. Sanders, engraver after a drawing by T. Allom. Published in London in 1843. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. https://archive.org/details/chinainseriesofv3to4allo/page/n132/mode/1up
Kite Flying at Hae-kwan, on the Ninth Day of Ninth Month. Page 149 of Thomas Allom’s “China, in a series of views: displaying the scenery, architecture, and social habits of that ancient empire. ” J. Sanders, engraver after a drawing by T. Allom. Published in London in 1843. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. https://archive.org/details/chinainseriesofv3to4allo/page/n132/mode/1up
Arrival of Marriage Presents at the Bridal Residence. Page 190 of Thomas Allom’s “China, in a series of views: displaying the scenery, architecture, and social habits of that ancient empire. ” J. Sanders, engraver after a drawing by T. Allom. Published in London in 1843. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. https://archive.org/details/chinainseriesofv3to4allo/page/n190/mode/1up

Thomas Allom was a an English architect, artist and topographical illustrator who lived from 1804 to 1872. He Illustrated a great many travel books, including this one.

Make your back hall look like Queen Victoria’s conservatory. Pochoir prints from Eugène Grasset’s 1896 portfolio “La Plante et ses Applications Ornementales sous la Direction.”

“Couronne Imperiale.” Plate 16. Page 35. Collections of the Smithsonian Libraries. Biodiversity Heritage Library, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/planteetsesappl00Gras/page/n35/mode/1up
“Geranium Sauvage.” Plate 19, page 41. Collections of the Smithsonian Libraries. Biodiversity Heritage Library, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/planteetsesappl00Gras/page/n41/mode/1up
‘Cyclamen.” Plate 22. Page 45. Collections of the Smithsonian Libraries. Biodiversity Heritage Library, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/planteetsesappl00Gras/page/n45/mode/1up

More imagery from a 1921 edition of Aleksandr Pushkin’s fairy tale “Conte de tsar Saltan et de son fils: le glorieux et puissant prince Gvidon Saltanovitch, et de sa belle princesse Cygne” . Published in Paris by Éditions De La Sirène, it was illustrated by Natalia Goncharova.

Page 2. Collections of and digitalized by the Boston Public Library. In the public domain due to age. via https://archive.org/details/contedetsarsalta00push/page/n2/mode/1up
Page 3. Collections of and digitalized by the Boston Public Library. In the public domain due to age. via https://archive.org/details/contedetsarsalta00push/page/n3/mode/1up
Page 5. Collections of and digitalized by the Boston Public Library. In the public domain due to age. via https://archive.org/details/contedetsarsalta00push/page/n5/mode/1up

What you need to show the wallpaper people when they come over and want to see designs you like. Lithographs from C. J. Richardson’s 1851 work “Studies of ornamental design.” F. Bedford and Day & Son, lithographers. Published in London by John Weale.

Title page. Page 7. Collections of and digitalized by the Boston Public Library. In the public domain due to age. via https://archive.org/details/studiesofornamen00rich/page/n7/mode/2up
Page 9. Page 7. Collections of and digitalized by the Boston Public Library. In the public domain due to age. via https://archive.org/details/studiesofornamen00rich/page/n9/mode/2up
Page 34. Collections of and digitalized by the Boston Public Library. In the public domain due to age. via https://archive.org/details/studiesofornamen00rich/page/n34/mode/1up
“Jewel Embroidery.” Page 36. Collections of and digitalized by the Boston Public Library. In the public domain due to age. via https://archive.org/details/studiesofornamen00rich/page/n36/mode/1up
Page 40. Collections of and digitalized by the Boston Public Library. In the public domain due to age. via https://archive.org/details/studiesofornamen00rich/page/n40/mode/1up
“Ceiling of the Sala di Cambio, Perugia. Painted in 1500 by Pietro Perugino and his pupils.” Page 46. Collections of and digitalized by the Boston Public Library. In the public domain due to age. via https://archive.org/details/studiesofornamen00rich/page/n46/mode/1up
“Chalice from the church of San Dominico at Perugia.” Page 48, Collections of and digitalized by the Boston Public Library. In the public domain due to age. via https://archive.org/details/studiesofornamen00rich/page/n48/mode/1up
“Ancient German applique, embroidery. Page 50. Collections of and digitalized by the Boston Public Library. In the public domain due to age. via https://archive.org/details/studiesofornamen00rich/page/n50/mode/1up
“Pattern for applique embroidery.” Page 52. Collections of and digitalized by the Boston Public Library. In the public domain due to age. via https://archive.org/details/studiesofornamen00rich/page/n52/mode/1up

Flower pictures, these from 1878. Illustrations taken from “Vick’s Flower and Vegetable Garden” Published by James Vick in Rochester, New York.

“Annuals.” Page 74. Collections of the Smithsonian Libraries. In the public domain due to age. via https://www.biodiversitylibrary.org/page/46834115?utm_medium=social_media&utm_source=blog&utm_campaign=Collections%20Highlight&utm_content=Smithsonian%20Libraries#page/74/mode/1up
“Perennials.” Page 120. Collections of the Smithsonian Libraries. In the public domain due to age. via https://www.biodiversitylibrary.org/page/46834115?utm_medium=social_media&utm_source=blog&utm_campaign=Collections%20Highlight&utm_content=Smithsonian%20Libraries#page/120/mode/1up
“Lillies.” Page 144. Collections of the Smithsonian Libraries. In the public domain due to age. via https://www.biodiversitylibrary.org/page/46834115?utm_medium=social_media&utm_source=blog&utm_campaign=Collections%20Highlight&utm_content=Smithsonian%20Libraries#page/144/mode/1up
“Hardy bulbs.” Page 154. Collections of the Smithsonian Libraries. In the public domain due to age. via https://www.biodiversitylibrary.org/page/46834115?utm_medium=social_media&utm_source=blog&utm_campaign=Collections%20Highlight&utm_content=Smithsonian%20Libraries#page/154/mode/1up

Plates from F. B. Spilsbury’s 1823 work “Picturesque scenery in the Holy Land and Syria : delineated during the campaigns of 1799 and 1800” .

“A market in Acre.” Page 50. Drawn and engraved by W. Stack after a drawing by F. B. Spilsbury. Collectjons of the Beirut Heritage Society. In the public domain due to age. via https://archive.org/details/picturesque-scenery-in-the-holy-land-and-syria/page/n50/mode/1up
“A burial place at Beirut.” Page 53. Page 50. Drawn and engraved by W. Stack after a drawing by F. B. Spilsbury. Collectjons of the Beirut Heritage Society. In the public domain due to age. via https://archive.org/details/picturesque-scenery-in-the-holy-land-and-syria/page/n53/mode/1up
“Zeta near Jaffa in Syria.” Page 63. Drawn and engraved by W. Stack after a drawing by F. B. Spilsbury. Collectjons of the Beirut Heritage Society. In the public domain due to age. via https://archive.org/details/picturesque-scenery-in-the-holy-land-and-syria/page/n63/mode/1up
“Arab Huts at Zeta.” 1823. Page 66. Drawn and engraved by W. Stack after a drawing by F. B. Spilsbury. Collectjons of the Beirut Heritage Society. In the public domain due to age. via https://archive.org/details/picturesque-scenery-in-the-holy-land-and-syria/page/n66/mode/1up
Joseph’s Pit and Well. Page 81. 1823. Drawn and engraved by W. Stack after a drawing by F. B. Spilsbury. Collectjons of the Beirut Heritage Society. In the public domain due to age. via https://archive.org/details/picturesque-scenery-in-the-holy-land-and-syria/page/n81/mode/1up
Tripoli. Page 93. 1823. Drawn and engraved by W. Stack after a drawing by F. B. Spilsbury. Collectjons of the Beirut Heritage Society. In the public domain due to age. via https://archive.org/details/picturesque-scenery-in-the-holy-land-and-syria/page/n93/mode/1up
The Pilgrim’s Castle. Page 104. 1823. Drawn and engraved by W. Stack after a drawing by F. B. Spilsbury. Collectjons of the Beirut Heritage Society. In the public domain due to age. via https://archive.org/details/picturesque-scenery-in-the-holy-land-and-syria/page/n104/mode/1up

F. B. Spilsbury was a surgeon with the British army so these are engravings made from drawings he did while in Syria and the Holy Land when it was part of the Ottoman Empire and ruled from Constantinople (Istanbul). At that time the Holy Land (now Israel, the west bank and Gaza) which was the Palestinian eyelet of province along with Jordan, Lebanon and Syria made up the Ottoman province of Syria which was governed from Beirut.

Plates from the 1888 work “P. T. Barnum’s Menagerie: text and illustrations arranged for little people” by P. T. Barnum and Sarah J. Burke.

Lions and lion tamer. Page 8. Collections of the San Francisco Public Library. California State Library Califa/LSTA Grant, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/ptbarnumsmenager00barn/page/n8/mode/1up
Bears. Page 11. Collections of the San Francisco Public Library. California State Library Califa/LSTA Grant, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/ptbarnumsmenager00barn/page/n11/mode/1up
Monkeys, birds and prairie dogs. Page 15. Collections of the San Francisco Public Library. California State Library Califa/LSTA Grant, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/ptbarnumsmenager00barn/page/n15/mode/1up
Cats and rabbits. Page 16. Collections of the San Francisco Public Library. California State Library Califa/LSTA Grant, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/ptbarnumsmenager00barn/page/n16/mode/1up
Page 19 from P. T. Barnum and Sarah J. Burke’s P.T. Barnum’s Menagerie. Published in 1888 in New York by White and Allen. Collections of the San Francisco Public Library. California State Library Califa/LSTA Grant, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/ptbarnumsmenager00barn/page/n19/mode/1up
Page 20 from P. T. Barnum and Sarah J. Burke’s P.T. Barnum’s Menagerie. Published in 1888 in New York by White and Allen. Collections of the San Francisco Public Library. California State Library Califa/LSTA Grant, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/ptbarnumsmenager00barn/page/n20/mode/1up

Page 23 from P. T. Barnum and Sarah J. Burke’s P.T. Barnum’s Menagerie. Published in 1888 in New York by White and Allen. Collections of the San Francisco Public Library. California State Library Califa/LSTA Grant, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/ptbarnumsmenager00barn/page/n23/mode/1up

Visions of an India that isn’t coming back. One of Ceylon (Sri Lanka). English. Henry Salt, artist. Living from 1780 to 1827, he was also a diplomat and collector of antiquities.

“Ruins of the fort at Juanpore on the River Goomtee,” taken from “Twenty Four Views in Saint Helena, the Cape, India, Ceylon, the Red Sea, Abyssinia and Egypt.” Published in 1809. Image source bl.uk. In the public domain in the United States because the artist has been dead over 100 years. via https://commons.wikimedia.org/wiki/File:Henry_Salt-05.jpg
“View near Point de Galle, Ceylon” from “Twenty Four Views in Saint Helena, the Cape, India, Ceylon, the Red Sea, Abyssinia and Egypt.” Published in 1809. Image source: bl.uk. In the public domain in the United States because the artist died over 100 years agovia https://commons.wikimedia.org/wiki/File:Henry_Salt-08.jpg
“Riacotta in the Baramahal,” Plate 12 of Henry Salt’s “Twenty Four Views in Saint Helena, the Cape, India, Ceylon, the Red Sea, Abyssinia and Egypt.” Published in 1809. Image source: europeana.eu. In the public domain due to age. via https://commons.wikimedia.org/wiki/File:Riacotta_in_the_Baramahal.jpg

Depictions of very old book bindings that were in the British Museum in 1889. Taken from Henry B. Wheatley’s “Remarkable bindings in the British Museum, selected for their beauty or historic interest.”

“Commission from Venerio, doge of Venice, In dark red leather, Venetian, A.D. 1554. Plate XIV, Page 30. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/remarkablebindin00whea/page/30/mode/1up
“English and Italian songs, English binding, with Arms of Queen Anne.” Plate XXII. Page 46. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/remarkablebindin00whea/page/46/mode/1up
“Description de Toute la terre saincte. Embroidered binding from the Library of Henry VIII.” Plate XXIII. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/remarkablebindin00whea/page/n114/mode/1up
“H. Petrarcha, Embroidered binding belonging to Queen Katharine Parr.” Plate XXIV, page 52. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/remarkablebindin00whea/page/52/mode/1up

Plates taken from an 1883 edition of “Histoire des quatre fils Aymon” illustrated by Eugène Grasset and printed in the “Gillotage” color method.

Page 6 (flora detal). Image 19. Digitalized by Google. Public domain, Cc0 License 1.0. via https://archive.org/details/HistoireDesQuatreFilsAymon1883/page/n18/mode/1up
Page 9, Image 21. Digitalized by Google. Public domain, Cc0 License 1.0. via https://archive.org/details/HistoireDesQuatreFilsAymon1883/page/n21/mode/1up
Page 14, image 26. Digitalized by Google. Public domain, Cc0 License 1.0. via https://archive.org/details/HistoireDesQuatreFilsAymon1883/page/n26/mode/1up
Page 75, image 88 from an 1883 edition of “Histoire des quatre fils Aymon” illustrated by Eugène Grasset. Digitalized by Google. Public domain, Cc0 License 1.0. via https://archive.org/details/HistoireDesQuatreFilsAymon1883/page/n88/mode/1up
Page 81, image 96 from an 1883 edition of “Histoire des quatre fils Aymon” illustrated by Eugène Grasset. Digitalized by Google. Public domain, Cc0 License 1.0. via https://archive.org/details/HistoireDesQuatreFilsAymon1883/page/n94/mode/1up
Page 150, image 163 from an 1883 edition of “Histoire des quatre fils Aymon” illustrated by Eugène Grasset. Digitalized by Google. Public domain, Cc0 License 1.0. via https://archive.org/details/HistoireDesQuatreFilsAymon1883/page/n163/mode/1up
Notes. Image 239 from an 1883 edition of “Histoire des quatre fils Aymon” illustrated by Eugène Grasset. Digitalized by Google. Public domain, Cc0 License 1.0. via https://archive.org/details/HistoireDesQuatreFilsAymon1883/page/n238/mode/1up