More depictions of animals, these being paintings in oil on panel. Mostly sheep, ducks and chickens but some cattle too. Belgian. Franz van Severdonck, artist (1809-1889).

Sheep and Chickens at Pasture. 1864. Belgian. Oil on panel. Franz van Severdonck, artist (1809-1889). Signed and dated F van Severdonck 1864 on the lower left. Illegibly inscribed on the back. Image © 1999 – 2020 SKINNER, INC, Fair use license. via https://live.skinnerinc.com/lots/view/4-5CI3F1/franz-van-severdonck-belgian-1809-1889

Cattle, sheep and poultry in a landscape. 1873. Belgian. Oil on panel. Franz van Severdonck, artist (1809-1889). Signed and dated F. Van Severdonck f1873 on the lower right. Inscribed Je soussigné déclare que le tableau ci-contre représentant vaches, taureaux, moutons est peint par moi – Francois Van Severdonck on the back. Image © Bonhams 2001-2022. Fair use license. via https://www.bonhams.com/auctions/19571/lot/27/?category=list

Untitled work with sheep and poultry. Undated, by 1889. Belgian. Oil on panel. Franz van Severdonck, artist (1809-1889). Image © 2022 Catawiki. Fair use license. via https://www.catawiki.com/en/l/1523781-franz-van-severdonck-1809-1889

Weite Frühlingslandschaft mit Schafen, Undated, by 1889. Belgian. Oil on panel. Franz van Severdonck, artist (1809-1889). Image source; Hampel Auctions. Artwork in the public domain in the United States because the artist has been dead over 100 years. via https://commons.wikimedia.org/wiki/File:Franz_van_Severdonck_Weite_Fr%C3%BChlingslandschaft_mit_Schafen.jpg

Women wandering in an Art Nouveau sea. Posters by Belgian artist Henri Privat-Livemont (1861–1936).

"La Vague" (The Wave). 1897. — “La Vague” (The Wave). 1897. Lithograph. Collection of the Zimmerli Art Museum at Rutgers University, New Brunswick. In the public domain in the United States because it was published before January 1, 1924. via https://commons.wikimedia.org/wiki/File:Henri_Privat_Livemont_-_La_Vague_(The_Wave)_-_Google_Art_Project.jpg

"Casino de Cabourg," part of the 1896 series "Les Maîtres de l'affiche." — “Casino de Cabourg,” part of the 1896 series “Les Maîtres de l’affiche.” 19th c. In the public domain in the United States because it was published before January 1, 1924. via https://printmasterpieces.com/products/cabourg-henri-privat-livemont-les-maitres-de-l-affiche

Landscapes with rainbow colored skies by Belgian painter Georges Lemmen (1865-1916). Pointillist school.

"Plage a Heist." 1891-92. — “Plage a Heist.” 1891-92. Collection of the Musée d’Orsay, Paris. In the public domain in the United States because the artist has been dead over 70 years. via http://www.artcyclopedia.com/artists/lemmen_georges.html

"View of the Thames." 1892. — “View of the Thames.” 1892. Collection of the Rhode Island School of Design Museum, Providence. In the public domain. via https://www.wikiart.org/en/georges-lemmen/view-of-the-thames-1892

"Factories on the Thames." 1892-1894. — “Factories on the Thames.” 1892-1894. In the public domain. via https://www.houzz.com/product/125074943-georges-lemmen-factories-on-the-thames-18×27-wall-decal-contemporary-wall-decals

Lovely Art Nouveau jewels from the turn of the last century. All wondrous. Collection of the Morse Museum, Winter Park, Florida. Images courtesy of the museum.

Brooch in the motif of a winged figure. ca. 1900. — Brooch in the motif of a winged figure. ca. 1900. French. Gold and enamel. Eugène Feuillâtre, maker (1870-1916). Fair use license. via http://www.morsemuseum.org/collection-highlights/jewelry-enamels-and-metalwork/winged-brooch

Swan brooch. ca. 1900. — Swan brooch. ca. 1900. Probably Belgian. Gold, enamel, pearl, and diamond. Attributed to Philippe Wolfers (1858-1929). Fair use license. via http://www.morsemuseum.org/collection-highlights/jewelry-enamels-and-metalwork/swan-brooch

Pendant in an autumn design. ca. 1900. — Pendant in an autumn design. ca. 1900. French. Gold and enamel. René Jules Lalique, designer (1860-1945). Fair use license. via http://www.morsemuseum.org/collection-highlights/jewelry-enamels-and-metalwork/autumn-pendant1

Nymphs and other ladies in a sea of blues and golds . . . . .somewhere to linger . .. at least for the afternoon. Constant Montald, Belgian Symbolist painter (1862-1944).

"Ophelia." 1893. — “Ophelia.” 1893. Oil on panel. Artwork in the public domain because the artist has been dead over 70 years. via https://curiator.com/art/constant-montald/ophelia.

"Nymphes Dansant."1898. — “Nymphes Dansant.” 1898. Oil, tempera and canvas. Collection of the Fin-de-Siècle Museum, Brussels. Cc license 4.0. via https://commons.wikimedia.org/wiki/File:Constant_Montald-Nymphes_dansant.jpg.

"Fountain of Inspiration." 1907. — “Fountain of Inspiration.” 1907. Collection of the Royal Museums of Fine Arts, Brussels. Cc license 3.0. via https://commons.wikimedia.org/wiki/File:Constant_montald,_la_fontana_dell%27ispirazione,_1907.jpg.

Émile Claus, Belgian painter(1849-1924). Mostly a painter of outdoor scenes, of which I love these four.

Untitled work. Early 20th c. — Untitled. Early 20th century. via curiator.com. In the public domain.

"Zonnegloed". 1905. — “Zonnegloed”. 1905. Collection of the Museum Dhondt-Dhaenens and Deurle. via hu.wikipedia.org. In the public domain.

"End of August". 1909. — “End of August”. 1909. via allposters.com. In the public domain.

"Capucines (Nasturtiums)." 1901. — “Capucines (Nasturtiums).”. 1901. via aboutartnouveau.wordpress.com. In the public domain.

Henri Meunier (1873-1922). Belgian. Art Nouveau. Illustrator and poster designer.

Poster for the Concerts Ysaye. 1895. — Poster for the Concerts Ysaye. 1895. via pinterest.com. In the public domain.

"L 'Heure Du Silence". 1897. — “L’Heure du Silence”. 1897. via magnoliabox.com. In the public domain.

Carte postale with a lobster theme. ca. 1895-1900. — Carte postale with a lobster theme. ca. 1895-1900. via pinterest.com. In the public domain.

Jeu de Cartes Estétique. (Playing cards). — Jeu de Cartes Estétique Nº1 (playing cards) Henri Meunier, designer. Ernotte Michaux, publisher. via pinterest.com and wopc.co.uk. In the public domain.

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