California landscapes from a bit back in time. Imagery from “California and its resources: A work for the merchant, the capitalist, and the emigrant.” Published and printed in 1858 in London. Ernest Seyd, author (1833-1881). Mr. Seyd was a banker. He appears to have become interested in California and its resources because of the California Gold Rush judging by his introductory remarks, pages 1-11.

THE YO-HAMITE FALLS: the highest Waterfall in the world, First leap, 2100 feet, total height 3100 feet. Edward Lewis and G. Böhm, 18, Coleman Street, London, printers. Lithograph. Frontispiece. Page 6 of Ernest Seyd’s 1858 work California and its resources: A work for the merchant, the capitalist, and the emigrant. Published and printed in London. Collections of the San Francisco Public Library. In the public domain due to age. via https://archive.org/details/californiaitsres00seyd/page/n5/mode/1up

VIEW ON CLEAR LAKE. Edward Lewis and G. Böhm, 18, Coleman Street, London, printers. Lithograph. Page 155 of Ernest Seyd’s 1858 work California and its resources: A work for the merchant, the capitalist, and the emigrant. Published and printed in London. Collections of the San Francisco Public Library. In the public domain due to age. via https://archive.org/details/californiaitsres00seyd/page/155/mode/1up
THE YOSEMITE VALLEY: Height of perpendicular rocks from three to 4000 feet. Edward Lewis and G. Böhm, 18, Coleman Street, London, printers. Lithograph. Page 165 of Ernest Seyd’s 1858 work California and its resources: A work for the merchant, the capitalist, and the emigrant. Published and printed in London. Collections of the San Francisco Public Library. In the public domain due to age. via https://archive.org/details/californiaitsres00seyd/page/165/mode/1up
THE ‘MOTHER OF THE FOREST:’ The bark removed up to the height of 116 feet is on exhibition at the Crystal Palace. Wood engraving. Page 177 of Ernest Seyd’s 1858 work California and its resources: A work for the merchant, the capitalist, and the emigrant. Published and printed in London. Collections of the San Francisco Public Library. In the public domain due to age. via https://archive.org/details/californiaitsres00seyd/page/177/mode/1up
FARMING SCENE IN NAPA VALLEY. Edward Lewis and G. Böhm, 18, Coleman Street, London, printers. Lithograph. Page 201 of Ernest Seyd’s 1858 work California and its resources: A work for the merchant, the capitalist, and the emigrant. Published and printed in London. Collections of the San Francisco Public Library. In the public domain due to age. via https://archive.org/details/californiaitsres00seyd/page/201/mode/1up

Chromolithographs came along a bit later. These would have hand-colored by women working in their homes, or at least that was the usual thing.

This post is made up of scans in the Internet Archive that are made from a copy of this book that is in the collections of the San Francisco Public Library but I found out about it in a current auction email from Bonhams here. https://www.bonhams.com/auction/30826/lot/67/seyd-ernest-california-and-its-resources-a-work-for-the-merchant-the-capitalist-and-the-emigrant-london-truebner-and-co-1858/

Botanical studies, all apparently of native California plants. Hand-colored silver prints. Lena Scott Harris, maker (1873-1956). All part of one lot and from a recent Swann catalogue. They are labeled on the back but that information was not provided.

Hand-colored silver print of a native California floral specimen, one of a group of 65 hand-colored botanical studies, all apparently California native plants. ca. 1930s. American. Lena Scott Harris, maker (1873-1956). Signed on the lower right. © Estate of the Artist. Image © Swann Auction Galleries. via https://live.swanngalleries.com/lots/view/4-8QARTF/lena-scott-harris-1873-1956-group-of-approximately-65-hand-colored-botanical-studies-all-apparently-california-native-plants

Hand-colored silver print of a native California floral specimen, one of a group of 65 hand-colored botanical studies, all apparently California native plants. ca. 1930s. American. Lena Scott Harris, maker (1873-1956). Signed on the lower right. © Estate of the Artist. Image © Swann Auction Galleries. via https://live.swanngalleries.com/lots/view/4-8QARTF/lena-scott-harris-1873-1956-group-of-approximately-65-hand-colored-botanical-studies-all-apparently-california-native-plants
Hand-colored silver print of a native California floral specimen, one of a group of 65 hand-colored botanical studies, all apparently California native plants. ca. 1930s. American. Lena Scott Harris, maker (1873-1956). © Estate of the Artist. Image © Swann Auction Galleries. via https://live.swanngalleries.com/lots/view/4-8QARTF/lena-scott-harris-1873-1956-group-of-approximately-65-hand-colored-botanical-studies-all-apparently-california-native-plants
Hand-colored silver print of a native California floral specimen, one of a group of 65 hand-colored botanical studies, all apparently California native plants. ca. 1930s. American. Lena Scott Harris, maker (1873-1956). © Estate of the Artist. Image © Swann Auction Galleries. via https://live.swanngalleries.com/lots/view/4-8QARTF/lena-scott-harris-1873-1956-group-of-approximately-65-hand-colored-botanical-studies-all-apparently-california-native-plants
Hand-colored silver print of a native California floral specimen, one of a group of 65 hand-colored botanical studies, all apparently California native plants. ca. 1930s. American. Lena Scott Harris, maker (1873-1956). © Estate of the Artist. Image © Swann Auction Galleries. via https://live.swanngalleries.com/lots/view/4-8QARTF/lena-scott-harris-1873-1956-group-of-approximately-65-hand-colored-botanical-studies-all-apparently-california-native-plants
Hand-colored silver print of a native California floral specimen, one of a group of 65 hand-colored botanical studies, all apparently California native plants. ca. 1930s. American. Lena Scott Harris, maker (1873-1956). Signed on the lower right. © Estate of the Artist. Image © Swann Auction Galleries. via https://live.swanngalleries.com/lots/view/4-8QARTF/lena-scott-harris-1873-1956-group-of-approximately-65-hand-colored-botanical-studies-all-apparently-california-native-plants

Landscapes of a California that isn’t there anymore. One in Oregon but it fits right in. American. Julian Rix, artist (1850-1903).

"Sunset." No date.
“Sunset.” No date. Image © Christopher Queen Galleries. Fair use license. via http://christopherqueengallery.com/sunset/

290N09330_83V49
“Sunset in Yosemite.” No date. Oil on canvas. Signed “Julian Rix” on the lower left. Image © 2019 Sotheby’s. Fair use license. via https://www.lotsearch.de/lot/julian-walbridge-rix-21206006

"Encampment below Mount Hood, Oregon." No date.
“Encampment below Mount Hood, Oregon.” No date. Oil on canvas. Signed “J.W. Rix” on the lower left. Image © Bonhams. Fair use license. via https://www.lotsearch.de/lot/julian-walbridge-rix-1850-1903-39802717

sacramento-river-at-sunset
“Sacramento River at Sunset.” No date. In the public domain due to age. via https://americangallery.wordpress.com/2012/08/18/julian-rix-1850-1903/

"La Barranca Honda, Carmel Valley, Monterey." No date.
“La Barranca Honda, Carmel Valley, Monterey.” No date. In the public domain due.to age. via https://americangallery.wordpress.com/2012/08/18/julian-rix-1850-1903/

California in an earlier time. American. Edgar Alwin Payne, landscape painter (1883-1947).

"The Rendezvous (Santa Cruz Island, CA)." 1915.
“The Rendezvous (Santa Cruz Island, CA).” 1915. Image © 2019 Reddit, Inc. Fair use license. via https://www.reddit.com/r/museum/comments/1eq6zn/edgar_alwin_payne_the_rendezvous_santa_cruz/

"Big Pine Peaks, Inyo County California."
“Big Pine Peaks, Inyo County California.” No date. Image © Copyright 2019 Del Monte Fine Art. Fair use license. via http://www.delmontefineart.com/artists/details/?inv=1664&at=EDGARALWINPAYNE

"Eucalyptus Landscape." Painted before 1947.
“Eucalyptus Landscape.” Painted before 1947. In the public domain in the United States because the artist died over 70 years ago. via https://commons.wikimedia.org/wiki/File:Edgar_Payne_Eucalyptus_Landscape.jpg

An envisioning . . .1970, the bungalow in Santa Monica on a Saturday morning and the noon sun almost come.

Oh to be here.

California and life with a smile. Three roommates and college only a few years behind. Well, the university campus more exciting but more work, too. Too many term papers and half the classes such a bore.

But finished. A job at the library and a hope for a better one. But all right now, endless books to borrow and some to buy when they have a book sale. A spot in the back yard for a planter filled with flowers and the beach down the street.

San Francisco more exciting but no. Used to one place and not wanting to change. Enough changes already and only one place to be in San Francisco and that with a lot of stairs. Everything one could afford two flights up. Better somewhere without much excitement but no stairs.

All right all week. Enough saved up for a ticket to something every other month and the occasional drink. Tons of gentlemen and a date with a new one every other weekend. What else could a girl want? Well, a husband and children, yes, but that for later.

Church on Sundays at the parish on the corner and dinner at Grandmother’s with all the little cousins cantering around the palm trees in the back. Everything saved. Old the house is from the beginning of the city and no one having moved since. Fun to look through, it is. Far more fun than moving what with having to throw things out.

The little cousins getting tired and a bit of time to sit on the glider and poke through the old photographs from the last shelf in the library. Pot luck they are, with no one bothering to write much of anything on the back.

But a nice one at the bottom of the pile. The hospital that great grandfather ran, it must be. Cars that have that carriage look form when cars were new and the thing as bright as a new penny without a ripped awning or smudge mark anywhere.

Not like that for long . . .no . . .down in one of the earthquakes and Grandmother ending up marrying and moving away . . . .but no one knew that then . . .no . . . .a new job, a new hospital, and a new beginning . . . if you knew how it all ended up, you’d never start.

Good Samaritan Hospital, Los Angeles, California. ca. 1904.
Good Samaritan Hospital, on Seventh Street west of Figueroa Street, Los Angeles, California. ca. 1904. Mission in style. In the public domain due to age. via https://waterandpower.org/museum/Early_LA_Buildings%20(1900%20-%201925)_Page_1.html

Oranges and lemons, Say the bells of Saint Clement’s . . . . . vintage orange and lemon labels from sunny California USA.

Oranges. High Ball Brand.
Oranges. High Ball Brand. via http://poulwebb.blogspot.com/2014/02/citrus-fruit-crate-labels-part-3.html.

Lofty Brand. Fallbrook Citrus Association.
Lofty Brand. Fallbrook Citrus Association. UC Riverside, Library, Special Collections and University Archives . via https://calisphere.org/item/ark:/86086/n2319v74/.

Redlands best oranges. 1930's.
Redlands best oranges. 1930’s. via http://poulwebb.blogspot.com/2014/02/citrus-fruit-crate-labels-part-3.html

Desert Dream lemons. ca. 1900-1940.
Desert Dream Lemons. 1900-1940. Collection of UC Riverside, Library, Special Collections and University Archives. via https://calisphere.org/item/ark:/86086/n2tm79g8/

Sunkist oranges. Arlington Heights Brand. ca. 1940-70.
Sunkist oranges. Arlington Heights Brand. ca. 1940-70. Schmidt Lithography, maker. Collection of Institution UC Riverside, Library, Special Collections and University Archives. via https://calisphere.org/item/ark:/86086/n2dn44ds/.

Sunset brand lemons. 1900-1940.
Sunset brand lemons. 1900-1940. Collection of UC Riverside, Library, Special Collections and University Archives. via https://calisphere.org/item/ark:/86086/n2n29w9r/

Red Circle oranges. ca. 1900-1940.
Red Circle oranges. ca. 1900-1940. Western Lithography, maker. Collection of UC Riverside, Library, Special Collections and University Archives. via https://calisphere.org/item/ark:/86086/n2571bcc/

Copyright on all images not known. Fair use license.