Pavilions and other oddments done up in the best of Art Deco style at the “A Century of Progress” exposition in 1930’s Chicago. Designed by Joseph Urban who also glammed up Broadway. Almost as good as being there.

Federal building.
Federal building. © American Asphalt Paint Company. Artwork in the public domain due to age. via https://chicagology.com/centuryprogress/1933fair05/
Circular Court of the electrical building, Communications' garden of the electrical group and The children's theatre - Enchanted island.
Circular Court of the electrical building, Communications’ garden of the electrical group and The children’s theatre – Enchanted island. © American Asphalt Paint Company. Artwork in the public domain due to age. via https://chicagology.com/centuryprogress/1933fair05/
Travel and transport building.
Travel and transport building. © American Asphalt Paint Company. Artwork in the public domain due to age. via https://chicagology.com/centuryprogress/1933fair05/
Sky ride.
Sky ride. © American Asphalt Paint Company. Artwork in the public domain due to age. via https://chicagology.com/centuryprogress/1933fair05/
General exhibits group.
General exhibits group. © American Asphalt Paint Company. Artwork in the public domain due to age. via https://chicagology.com/centuryprogress/1933fair05/

More of these to look at if you want to check out the link. Enjoy!

Bits and pieces from projects by the father of the skycraper, Louis Sullivan (1856-1924).

Section of a frieze. 1916.
Section of a frieze. 1916. Made for the Security State Bank, Hector, Minnesota. Polychromed glazed terracota. George Grant Elmslie designer for Louis Sullivan. American Terra Cotta and Ceramic Company, manufacturer. Collection of the Minneapolis Institute of Art, Minneapolis. In the public domain due to age. via https://collections.artsmia.org/art/1965/section-of-a-frieze-george-grant-elmslie
Stencil. ca. 1893.
Stencil. ca. 1893. Made for the Chicago Stock Exchange Building. Canvas and pigment. Louis J. Millet, designer for Adler and Sullivan. Healy and Millet, maker. Collection of the Minneapolis Institute of art. In the public domain due to age. via https://collections.artsmia.org/art/55590/stencil-louis-henri-sullivan
Ornamental relief for the Schiller building. 1891-1892.
Ornamental relief for the Schiller building. 1891-1892. Gilt and painted plaster. Adler and Sullivan. Collection of the Minneapolis Institute of Art, Minneapolis. In the public domain due to age. via https://collections.artsmia.org/art/5697/ornamental-relief-louis-henri-sullivan
Lunette and decorative panel, one of twelve. 1884-1885.
Lunette and decorative panel, one of twelve made for the Scoville building in Chicago. 1884-1885. Terra cotta. Louis Henri Sullivan, designer. Northwestern Terra Cotta Works (Norweta), maker. Collection of the Minneapolis Institute of Art, Minneapolis. In the public domain due to age. via https://collections.artsmia.org/art/97838/lunette-and-decorative-panel-one-of-twelve-louis-henri-sullivan
Pair of elevator grilles, frieze and overgrille (frieze detail). ca. 1893-1894.
Pair of elevator grilles, frieze and overgrille (frieze detail). Made for the Chicago Stock Exchange Building. ca. 1893-1894. Copper-coated wrought iron. Louis Henri Sullivan. Collection of the Minneapolis Institute of Art, Minneapolis. In the public domain due to age. via https://collections.artsmia.org/art/4441/pair-of-elevator-grilles-frieze-and-overgrille-louis-henri-sullivan

Art Nouveau silver with an American twist from Bolt and Company of Chicago, Illinois, USA.

Bonbon Spoon. ca. 1910-1920.
Bonbon Spoon. ca. 1910-1920. Collection of the Rhode Island School of Design, Providence. Cc0 license 1.0. via https://risdmuseum.org/art-design/collection/bonbon-spoon-201511127?return=%2Fart-design%2Fcollection%3Fsearch_api_fulltext%3DLebolt%26has_images%3D1
Water Pitcher, ca. 1910-1920.
Water Pitcher, ca. 1910-1920. Collection of the Rhode Island School of Design, Providence. Cc0 license 1.0. via https://risdmuseum.org/art-design/collection/water-pitcher-201511125?return=%2Fart-design%2Fcollection%3Fsearch_api_fulltext%3DLebolt%26has_
Bowl and a Franklin Porter serving fork and spoon. 20th c.
Bowl and a Franklin Porter serving fork and spoon. 20th c. Image © Skinner Auctions Inc. Fair use license. via https://www.skinnerinc.com/auctions/2737B/lots/111

Gold painted decor from Adler and Sullivan of Chicago, Illinois. Mostly from theatres and as bright if not brighter than the limelight that bounced off. Turn of the last century.

Banquet room frieze panel, Schiller Theatre building. 1891.
Banquet room frieze panel, Schiller Theatre building. 1891. Gold, silver, and bronze paint on reconstructed plaster. Collection of the Art Institute of Chicago. In the public domain. via https://www.artic.edu/artworks/151991/schiller-theatre-building-chicago-illinois-banquet-room-frieze-panel-restored
Recast of an 1884 residential light fixture made for the Louis Frank residence.
Recast of an residential light fixture made for the Louis Frank residence. Contemporary recast of an 1884 fixture. Cast plaster ceiling medallion. Urban Remains Company, Chicago. Fair use license. via https://www.urbanremainschicago.com/all-original-and-largely-intact-museum-quality-1884-sullivan-designed-interior-louis-frank-residence-light-fixture-cast-plaster-ceiling-medallion-26552.html
Panel from the proscenium arch of the Schiller Theater. 1892.
Panel from the proscenium arch of the Schiller Theater. 1892. Cast plaster with gold paint. Image © Architectural Artifacts. Fair use license. via https://www.architecturalartifacts.com/product-p/0316027.htm

An envisioning. . . .a windy Chicago afternoon in March of 1972 and a bench in the little park by the lake. . .

An envisioning. . . windy Chicago afternoon in March of 1972 and a bench in the park.

Oh to be here.

Outing to the city to go shopping and have dinner. Nothing fun to buy and time to kill. A cab over to Lake Shore Drive and the hotel where great uncle worked.

Mother spending entire months with them. Twelve brothers and sisters and not living close to the fancy high school. Hard to get into but two hours each way. The other easier and home on weekends.

But the same park and hours spent. Great uncle having worked there doing something. No one being able to remember what, but there for decades and months and years spent sitting on the bench with her auntie waiting for him to finish. Better than sitting in the apartment but still. Watching people go in and out the front door and the chauffeurs opening and shutting the doors of their cars for what seemed like an eternity.

A long time ago and a car of her own long since. No chauffeur but only people way up on the North Shore having them anyway. But a good place to work it was. Fancy and the beach to go to.

Not supposed to but the manageress liking Mother’s aunt and letting her have her own cabana. Supposed to be only for guests but one down at the end where no one went. The big lady’s room with all its marble in the lobby to change in and out of one’s bathing suit and ice-cold sodas from the machine in the Housekeeping lounge. Books to sit in the sand and read and lunch out of a picnic basket.

Cannoli from the little bakery near the apartment and sand between one’s toes . . . .perfect . . . . a lifetime of Saturdays to come but none as wonderful as that one . . .

"The Drake, Lake Shore Drive and upper Michigan Avenue, Chicago." 1935.
“The Drake, Lake Shore Drive and upper Michigan Avenue, Chicago.” 1935. Vintage tinted postcard. via https://chuckmanchicagonostalgia.wordpress.com/2018/12/06/postcard-chicago-drake-hotel-lake-shore-drive-and-upper-michigan-aerial-slightly-surrealistic-looking-s-e-tinted-1935/.

This is not my story. Rather it is the story of my good friend John S. who has entrusted me with it to share with you. It is the story of a gentleman who immigrated to America from Italy around the time of the first World War and made a life in Chicago for himself and his wife and family, working for years in a grand hotel with a little park opposite where they sat and waited for him.

An envisioning . . . Winter of 1910 and tea in the finest women’s club in the city of Boston.

Oh to be here

Four in the afternoon and the waitresses laying out the tablecloths at the Chilton Club. Fruitcake and whatever else.

Not as interesting as what they had back in Baltimore when Mother was a girl but what can one do. No work after the war and a need to move north. Odd accents and Irish girls for help instead of auntie’s mammy and her daughters.

Children playing in the park across the street. That the same even if there was more snow.

A husband who made money electrifying places and that a good thing what with everywhere wanting it. So more up to date than gasoliers and all that. Different things to use it for in the houses, though. Motors for punkah fans in Maryland and things that make furnaces get hotter for Yankees.

Children happy in either place. Enough money for a nurse or the other there. School much the same and the ladies just as fascinated by their forefathers.

Hard. A need not to say anything. Just as much as any of them and blood just as blue that went even further back in time. But the war come and gone and not much left.

A husband in trade. Good that Grandmother had died when that shell hit her what with those ideas of hers. But no. Better a husband who can make money instead of a minister husband who has nothing but a free house that belongs to his church.

What’s left from papa’s money after the merchant house collapsed when the cotton went someplace else. Diamonds, rubies and sapphires, and silver as glorious as anything in New York. But the war lost and just the trappings, not the real thing anymore.

A house but not like Grandfather’s house in Annapolis with its three ballrooms. No, just one ballroom and that with only a big enough alcove for a tiny orchestra and not even the best. Third best instead. . . the other something to dream of . . . . .but now for Earl Gray and a scone or two while the children ice skate and the husband dreams over his bourbon in the bar . . . . . .the rest for later and maybe never. . .

Ladies' tea room. South Shore Country Club, Chicago, Illinois. 1910's.
Ladies’ tea room. South Shore Country Club, Chicago, Illinois. 1910’s. Vintage postcard. via chuckmanchicagonostalgia.wordpress.com/2018/10/21/postcard-chicago-south-shore-country-club-ladies-tea-room-tinted-1910s/