Gardens to dream your way into whenever you want. Color plates from “Fragments on the theory and practice of landscape gardening: including some remarks on Grecian and Gothic architecture.” Published in London in 1816, it was written by H. Repton with the help of his son J. Adey Repton. Collections of the University of Wisconsin.

General view of Sherringham Bower, Norfolk: Abbot Upcher, Esquire. Page 305 of H. Repton and J. Adey Repton’s 1816 work Fragments on the theory and practice of landscape gardening: including some remarks on Grecian and Gothic architecture. Published in London by J. Taylor. Collections of the University of Wisconsin. Image
© Board of Regents of the University of Wisconsin System
. Artwork itself in the public domain due to age. via https://search.library.wisc.edu/digital/ARNROAEXKQQ7R38Y/pages/ARTXV3M5KE2V7R8F
General view of Sherringham Bower, Norfolk – Abbot Upcher, Esquire. Page 306 of H. Repton and J. Adey Repton’s 1816 work Fragments on the theory and practice of landscape gardening: including some remarks on Grecian and Gothic architecture. Published in London by J. Taylor. Collections of the University of Wisconsin. Image
© Board of Regents of the University of Wisconsin System
. Artwork itself in the public domain due to age. via https://search.library.wisc.edu/digital/ARNROAEXKQQ7R38Y/pages/ARTXV3M5KE2V7R8F
General view from the south and east fronts of the cottage at Endsleigh, Devonshire – Dutchess of Bedford. Page 330 of H. Repton and J. Adey Repton’s 1816 work Fragments on the theory and practice of landscape gardening: including some remarks on Grecian and Gothic architecture. Published in London by J. Taylor. Collections of the University of Wisconsin. Image
© Board of Regents of the University of Wisconsin System
. Artwork itself in the public domain due to age. via https://search.library.wisc.edu/digital/ARNROAEXKQQ7R38Y/pages/ARTXV3M5KE2V7R8F
General view from the south and east fronts of the cottage at Endsleigh, Devonshire – Dutchess of Bedford. Page 330 of H. Repton and J. Adey Repton’s 1816 work Fragments on the theory and practice of landscape gardening: including some remarks on Grecian and Gothic architecture. Published in London by J. Taylor. Collections of the University of Wisconsin. Image
© Board of Regents of the University of Wisconsin System
. Artwork itself in the public domain due to age. via https://search.library.wisc.edu/digital/ARNROAEXKQQ7R38Y/pages/ARTXV3M5KE2V7R8F
View from my own cottage, in Essex. Page 358 of H. Repton and J. Adey Repton’s 1816 work Fragments on the theory and practice of landscape gardening: including some remarks on Grecian and Gothic architecture. Published in London by J. Taylor. Collections of the University of Wisconsin. Image
© Board of Regents of the University of Wisconsin System
. Artwork itself in the public domain due to age. via https://search.library.wisc.edu/digital/ARNROAEXKQQ7R38Y/pages/ARTXV3M5KE2V7R8F

Fix up your home the Gothic Revival way before the Prince Regent comes for the weekend. Ideas from “Fragments on the theory and practice of landscape gardening: including some remarks on Grecian and Gothic architecture,” which was published in London in 1816 and was written by H. Repton with the help of his son J. Adey Repton. Collections of the University of Wisconsin.

“Luxury of Gardens.” Page 289. Published in London by J. Taylor on February 1, 1816. Collections of the University of Wisconsin. Image
© Board of Regents of the University of Wisconsin System
. Artwork itself in the public domain due to age. via https://search.library.wisc.edu/digital/ARNROAEXKQQ7R38Y/pages/ARTXV3M5KE2V7R8F
“Park Keeper’s Lodge, Cobham.” Page 291, Collections of the University of Wisconsin. Image
© Board of Regents of the University of Wisconsin System
. Artwork itself in the public domain due to age. via https://search.library.wisc.edu/digital/ARNROAEXKQQ7R38Y/pages/AMXKD4SDYKMZAD8M
“The School House at Longnor, Shropshire.” Page 293. Published in London by J. Taylor on February 1, 1816. Collections of the University of Wisconsin. Image
© Board of Regents of the University of Wisconsin System
. Artwork itself in the public domain due to age. via https://search.library.wisc.edu/digital/ARNROAEXKQQ7R38Y/pages/AL2VWEKJZWD5RV83
Improvements. Page 302 of H. Repton and J Adey Repton’s Fragments on the theory and practice of landscape gardening: including some remarks on Grecian and Gothic architecture. Published in London by J. Taylor on February 1, 1816. Collections of the University of Wisconsin. Image
© Board of Regents of the University of Wisconsin System
. Artwork itself in the public domain due to age. via https://search.library.wisc.edu/digital/ARNROAEXKQQ7R38Y/pages/AG2CXA4HPCWTYD8J
Water fences. Page 294 of H. Repton and J Adey Repton’s Fragments on the theory and practice of landscape gardening: including some remarks on Grecian and Gothic architecture. Published in London by J. Taylor on February 1, 1816. Collections of the University of Wisconsin. Image
© Board of Regents of the University of Wisconsin System
. Artwork itself in the public domain due to age. via https://search.library.wisc.edu/digital/ARNROAEXKQQ7R38Y/pages/AG2CXA4HPCWTYD8J

Endsleigh Cottage, on the Tamar .Page 341 of H. Repton and J Adey Repton’s Fragments on the theory and practice of landscape gardening: including some remarks on Grecian and Gothic architecture. Published in London by J. Taylor on February 1, 1816. Collections of the University of Wisconsin. Image
© Board of Regents of the University of Wisconsin System
. Artwork itself in the public domain due to age. via https://search.library.wisc.edu/digital/ARNROAEXKQQ7R38Y/pages/AG2CXA4HPCWTYD8J

This book has several more plates that are hand colored. I am creating a separate post with those tomorrow.