Tag: George IV

Give the old homestead a redo and live as large as King George IV. Image from the February 1823 issue of Ackermann’s Repository.

Entrance Front of His Majesty’s Cottage, Windsor Great Park. Page 12 of the February 1823 issue of Ackermann’s Repository. Published in London, England. Collections of the Philadelphia Museum of Art. In the public domain due to age. via https://archive.org/details/repositoryofarts123acke/page/n11/mode/1up
His Majesty’s Cottage, as seen from the lawn. Page 15 of the February 1823 issue of Ackermann’s Repository. Published in London, England. Collections of the Philadelphia Museum of Art. In the public domain due to age. via https://archive.org/details/repositoryofarts123acke/page/n14/mode/1up
Front View of Frogmore House. Page 163 of the February 1823 issue of Ackermann’s Repository. Published in London, England. Collections of the Philadelphia Museum of Art. In the public domain due to age. via https://archive.org/details/repositoryofarts123acke/page/n163/mode/1up
The Ruins. Frogmore. Page 167 of the February 1823 issue of Ackermann’s Repository. Published in London, England. Collections of the Philadelphia Museum of Art. In the public domain due to age. via https://archive.org/details/repositoryofarts123acke/page/n167/mode/1up
The Hermitage, Frogmore. Page 170 of the February 1823 issue of Ackermann’s Repository. Published in London, England. Collections of the Philadelphia Museum of Art. In the public domain due to age. via https://archive.org/details/repositoryofarts123acke/page/n170/mode/1up
The Park Entrance, Sion House. Page 323 of the February 1823 issue of Ackermann’s Repository. Published in London, England. Collections of the Philadelphia Museum of Art. In the public domain due to age. via https://archive.org/details/repositoryofarts123acke/page/n322/mode/1up
Deepdene, the Seat of I. Hope Esquire. Page 393 of the February 1823 issue of Ackermann’s Repository. Published in London, England. Collections of the Philadelphia Museum of Art. In the public domain due to age. via https://archive.org/details/repositoryofarts123acke/page/n393/mode/1up

The Brighton Pavilion looking its glorious best. 1826. Plates from John Sloan’s “Views of the Royal Pavilion”. Granted George IV overspent slightly but then we have it to enjoy here and in real time.

The Banqueting Room, Royal Pavilion, Brighton, 2 April 1820. 1826. British. Hand-colored etching with aquatint. Drawing attributed to Augustus Charles Pugin. Taken from John Nash’s The Royal Pavilion at Brighton which was published in London in 1826. Image © Royal Academy of Arts, London. Artwork itself in the public domain due to age. via https://www.royalacademy.org.uk/art-artists/work-of-art/the-banquetting-room-royal-pavilion-brighton
The Corridor, Royal Pavilion, Brighton, 2 April 1820. 1826. British. Hand-colored etching with aquatint. Drawing attributed to Augustus Charles Pugin. Taken from John Nash’s The Royal Pavilion at Brighton which was published in London in 1826. Image © Royal Academy of Arts, London. Artwork itself in the public domain due to age. via https://www.royalacademy.org.uk/art-artists/work-of-art/the-corridor-royal-pavilion-brighton-c-1820
"Banqueting Gallery."
“Banqueting Gallery.” In the public domain in the United States because the artist died over 70 years ago. via http://artpictures.club/shans-january-22-16.html
"Grand Saloon."
“Grand Saloon.” In the public domain in the United States because the artist has been dead over 70 years. via http://a-l-ancien-regime.tumblr.com/post/27894502159/royal-pavilion-watercolor-by-john-nash-the
great-kitchen-nash-view
“Great Kitchen.” In the public domain in the United States because the artist has been dead over 70 years. via https://brightonmuseums.org.uk/royalpavilion/whattosee/servant-stories/