Tag: Thomas Allom

Visions of a Scotland that isn’t coming back. Taken from the 1838 work “Scotland illustrated in a series of views.” Written by William Beattie, MD with artwork by Thomas Allom, W. H. Bartlett, and Horatio MacCulloch. Published in London by George Virtue.

Edinburgh from the Calton Hill (with Dugald Stewart’s Monument). 1838. British. Frontispiece, Page 7 of William Beattie’s Scotland illustrated in a series of views , , . Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/scotlandillustr01beat/page/n7/mode/1up
Coldstream, from the English side (Berwickshire). 1838. British. Page 38 of William Beattie’s Scotland illustrated in a series of views , , . H. Griffiths, engraver after an illustration by Thomas Allom. Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/scotlandillustr01beat/page/n38/mode/1up
Dryburghe Abbey, Roxburghshire (the burial place of Sir Walter Scott). 1838. British. Page 62 of William Beattie’s Scotland illustrated in a series of views , , . J. C, Varrall, engraver after an illustration by Thomas Allom. Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/scotlandillustr01beat/page/n62/mode/1up
Fast Castle Berwickshire; The Royal squadron conveying His Majesty King George IV towards Edinburgh. 1838. British. Page 68 of William Beattie’s Scotland illustrated in a series of views , , . S. Fisher, engraver after an illustration by Thomas Allom. Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/scotlandillustr01beat/page/n68/mode/1up
Dunbar Castle (Lothian). 1838. British. Page 79 of William Beattie’s Scotland illustrated in a series of views , , . W. R. Smith, engraver after an illustration by Thomas Allom. Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/scotlandillustr01beat/page/n79/mode/1up
Tamtallan Castle (East Lothian). 1838. British. Page 89 of William Beattie’s Scotland illustrated in a series of views , , . R Sands, engraver after an illustration by Thomas Allom. Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/scotlandillustr01beat/page/n89/mode/1up
Interior of Roslyn Chapel (Mid Lothian). 1838. British. Page 112 of William Beattie’s Scotland illustrated in a series of views , , . J. Cleghorn, engraver after an illustration by Thomas Allom. Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/scotlandillustr01beat/page/n112/mode/1up
The Royal Institution, Edinburgh. 1838. British. Page 112 of William Beattie’s Scotland illustrated in a series of views , , . W. Deeble, engraver after an illustration by G. M. Kemp. Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/scotlandillustr01beat/page/n112/mode/1up
Holyrood Chapel, Edinburgh. 1838. British. Page 159 of William Beattie’s Scotland illustrated in a series of views , , . H. Adlard, engraver after an illustration by Thomas Allom. Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/scotlandillustr01beat/page/n159/mode/1up
The Canongate during the procession of His Majesty George IV (Edinburgh, August 22nd, 1822). 1838. British. Page 182 of William Beattie’s Scotland illustrated in a series of views , , . J. Conson, engraver after an illustration by Thomas Allom. Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/scotlandillustr01beat/page/n182/mode/1up
Stirling Castle. 1838. British. Page 219 of William Beattie’s Scotland illustrated in a series of views , , . W. Wallis, engraver after an illustration by Thomas Allom. Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/scotlandillustr01beat/page/n219/mode/1up
Bridge of Doune (tam-o-shanter); Dedicated to Allan Cunningham, Esq. (biographer of Burns). 1838. British. Page 243 of William Beattie’s Scotland illustrated in a series of views , , . G. K. Richardson, engraver after an illustration by W. H. Bartlett. Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/scotlandillustr01beat/page/n243/mode/1up
Isle of Arran from Greenan Castle (Ayrshire). 1838. British. Page 253 of William Beattie’s Scotland illustrated in a series of views , , . H. Adlard, engraver after an illustration by W. H. Bartlett. Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/scotlandillustr01beat/page/n253/mode/1up
Banks of the Water of Ayr (near Ballochmyle). 1838. British. Page 265 of William Beattie’s Scotland illustrated in a series of views , , . S. Fisher, engraver after an illustration by W. H. Bartlett. Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/scotlandillustr01beat/page/n265/mode/1up
Drumlanrig Castle (Dumfries-shire). 1838. British. Page 278 of William Beattie’s Scotland illustrated in a series of views , , . H. Adlard, engraver after an illustration by W. H. Bartlett. Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/scotlandillustr01beat/page/n278/mode/1up

Visions of a China that isn’t coming back, illustrations from “China, in a series of views: displaying the scenery, architecture, and social habits of that ancient empire.” Published in London in 1843, it was written by Thomas Allom.

“Chinese cemetery.” Frontispiece. Page 5. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/chinainseriesofv3to4allo/page/n5/mode/1up
“The Woo Tang Mountains.” Page 12. Drawn by T. Allom. T. A. Prior, engraver. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/chinainseriesofv3to4allo/page/n12/mode/1up
“Hall of Audience, Palace of Yuen min Yuen, Peking.” Page 17. Drawn by T. Allom. E. Brandard, engraver. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/chinainseriesofv3to4allo/page/n17/mode/1up
“Landing Place and Entrance to the Temple of Honan, Canton.” Page 10. From a sketch on the spot by T. Varnham, Esquire and drawn by T. Allom. C. T. Dixon, engraver. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/chinainseriesofv3to4allo/page/10/mode/1up
“The Proof-sword Rock, Hoo-kew-Shan.” Page 12. Drawn by T. Allom. J. Sands, engraver. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/chinainseriesofv3to4allo/page/12/mode/1up

Thomas Allom was a an English architect, artist and topographical illustrator who lived from 1804 to 1872. He Illustrated a great many travel books, including this one.