Edinburgh from the Calton Hill (with Dugald Stewart’s Monument). 1838. British. Frontispiece, Page 7 of William Beattie’s Scotland illustrated in a series of views , , . Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/scotlandillustr01beat/page/n7/mode/1upColdstream, from the English side (Berwickshire). 1838. British. Page 38 of William Beattie’s Scotland illustrated in a series of views , , . H. Griffiths, engraver after an illustration by Thomas Allom. Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/scotlandillustr01beat/page/n38/mode/1upDryburghe Abbey, Roxburghshire (the burial place of Sir Walter Scott). 1838. British. Page 62 of William Beattie’s Scotland illustrated in a series of views , , . J. C, Varrall, engraver after an illustration by Thomas Allom. Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/scotlandillustr01beat/page/n62/mode/1upFast Castle Berwickshire; The Royal squadron conveying His Majesty King George IV towards Edinburgh. 1838. British. Page 68 of William Beattie’s Scotland illustrated in a series of views , , . S. Fisher, engraver after an illustration by Thomas Allom. Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/scotlandillustr01beat/page/n68/mode/1upDunbar Castle (Lothian). 1838. British. Page 79 of William Beattie’s Scotland illustrated in a series of views , , . W. R. Smith, engraver after an illustration by Thomas Allom. Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/scotlandillustr01beat/page/n79/mode/1upTamtallan Castle (East Lothian). 1838. British. Page 89 of William Beattie’s Scotland illustrated in a series of views , , . R Sands, engraver after an illustration by Thomas Allom. Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/scotlandillustr01beat/page/n89/mode/1upInterior of Roslyn Chapel (Mid Lothian). 1838. British. Page 112 of William Beattie’s Scotland illustrated in a series of views , , . J. Cleghorn, engraver after an illustration by Thomas Allom. Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/scotlandillustr01beat/page/n112/mode/1upThe Royal Institution, Edinburgh. 1838. British. Page 112 of William Beattie’s Scotland illustrated in a series of views , , . W. Deeble, engraver after an illustration by G. M. Kemp. Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/scotlandillustr01beat/page/n112/mode/1upHolyrood Chapel, Edinburgh. 1838. British. Page 159 of William Beattie’s Scotland illustrated in a series of views , , . H. Adlard, engraver after an illustration by Thomas Allom. Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/scotlandillustr01beat/page/n159/mode/1upThe Canongate during the procession of His Majesty George IV (Edinburgh, August 22nd, 1822). 1838. British. Page 182 of William Beattie’s Scotland illustrated in a series of views , , . J. Conson, engraver after an illustration by Thomas Allom. Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/scotlandillustr01beat/page/n182/mode/1upStirling Castle. 1838. British. Page 219 of William Beattie’s Scotland illustrated in a series of views , , . W. Wallis, engraver after an illustration by Thomas Allom. Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/scotlandillustr01beat/page/n219/mode/1upBridge of Doune (tam-o-shanter); Dedicated to Allan Cunningham, Esq. (biographer of Burns). 1838. British. Page 243 of William Beattie’s Scotland illustrated in a series of views , , . G. K. Richardson, engraver after an illustration by W. H. Bartlett. Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/scotlandillustr01beat/page/n243/mode/1upIsle of Arran from Greenan Castle (Ayrshire). 1838. British. Page 253 of William Beattie’s Scotland illustrated in a series of views , , . H. Adlard, engraver after an illustration by W. H. Bartlett. Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/scotlandillustr01beat/page/n253/mode/1upBanks of the Water of Ayr (near Ballochmyle). 1838. British. Page 265 of William Beattie’s Scotland illustrated in a series of views , , . S. Fisher, engraver after an illustration by W. H. Bartlett. Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/scotlandillustr01beat/page/n265/mode/1upDrumlanrig Castle (Dumfries-shire). 1838. British. Page 278 of William Beattie’s Scotland illustrated in a series of views , , . H. Adlard, engraver after an illustration by W. H. Bartlett. Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/scotlandillustr01beat/page/n278/mode/1up
“Chinese cemetery.” Frontispiece. Page 5. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/chinainseriesofv3to4allo/page/n5/mode/1up“The Woo Tang Mountains.” Page 12. Drawn by T. Allom. T. A. Prior, engraver. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/chinainseriesofv3to4allo/page/n12/mode/1up“Hall of Audience, Palace of Yuen min Yuen, Peking.” Page 17. Drawn by T. Allom. E. Brandard, engraver. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/chinainseriesofv3to4allo/page/n17/mode/1up“Landing Place and Entrance to the Temple of Honan, Canton.” Page 10. From a sketch on the spot by T. Varnham, Esquire and drawn by T. Allom. C. T. Dixon, engraver. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/chinainseriesofv3to4allo/page/10/mode/1up“The Proof-sword Rock, Hoo-kew-Shan.” Page 12. Drawn by T. Allom. J. Sands, engraver. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/chinainseriesofv3to4allo/page/12/mode/1upLadies of a Mandarin’s Family at Cards. Page 39 of Thomas Allom’s “China, in a series of views: displaying the scenery, architecture, and social habits of that ancient empire. ” J. Sanders, engraver after a drawing by T. Allom. Published in London in 1843. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/chinainseriesofv3to4allo/page/n38/mode/1upDying and Winding Silk. Page 51 of Thomas Allom’s “China, in a series of views: displaying the scenery, architecture, and social habits of that ancient empire. ” J. Sanders, engraver after a drawing by T. Allom. Published in London in 1843. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/chinainseriesofv3to4allo/page/n51/mode/1upCap Vendor’s Shop, Canton. Page 94 of Thomas Allom’s “China, in a series of views: displaying the scenery, architecture, and social habits of that ancient empire. ” J. Sanders, engraver after a drawing by T. Allom. Published in London in 1843. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. https://archive.org/details/chinainseriesofv3to4allo/page/n94/mode/1upGreat Temple at Honan, Canton.Page 132 of Thomas Allom’s “China, in a series of views: displaying the scenery, architecture, and social habits of that ancient empire. ” J. Sanders, engraver after a drawing by T. Allom. Published in London in 1843. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. https://archive.org/details/chinainseriesofv3to4allo/page/n132/mode/1upKite Flying at Hae-kwan, on the Ninth Day of Ninth Month. Page 149 of Thomas Allom’s “China, in a series of views: displaying the scenery, architecture, and social habits of that ancient empire. ” J. Sanders, engraver after a drawing by T. Allom. Published in London in 1843. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. https://archive.org/details/chinainseriesofv3to4allo/page/n132/mode/1upArrival of Marriage Presents at the Bridal Residence. Page 190 of Thomas Allom’s “China, in a series of views: displaying the scenery, architecture, and social habits of that ancient empire. ” J. Sanders, engraver after a drawing by T. Allom. Published in London in 1843. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. https://archive.org/details/chinainseriesofv3to4allo/page/n190/mode/1up
Thomas Allom was a an English architect, artist and topographical illustrator who lived from 1804 to 1872. He Illustrated a great many travel books, including this one.
