Imagery of an India that isn’t coming back, taken from Thomas Daniell’s “Oriental Scenery. Twenty Four Views In Hindoostan” which came out between 1795 and 1807. Collections of the Royal Academy, London.

“The Baolee, at Ramnagur.” 1801. British. Hand-colored aquatint. Drawn by Thomas Daniell and engraved by him and his brother William. Image © Royal Academy of Arts, London. Artwork itself in the public domain due to age. via https://www.royalacademy.org.uk/art-artists/work-of-art/the-baolee-at-ramnagur
“View from the ruins of the fort of Currah, on the river Ganges.” 1801. British. Hand-colored aquatint. Drawn by Thomas Daniell and engraved by him and his brother William. Image © Royal Academy of Arts, London. Artwork itself in the public domain due to age. via https://www.royalacademy.org.uk/art-artists/work-of-art/view-from-the-ruins-of-the-fort-of-currah-on-the-river-ganges


“View of Mutura, on the river Jumna.” 1801. British. Hand-colored aquatint. Drawn by Thomas Daniell and engraved by him and his brother William. Image © Royal Academy of Arts, London. Artwork itself in the public domain due to age. via https://www.royalacademy.org.uk/art-artists/work-of-art/view-of-mutura-on-the-river-jumna