More Art Déco but these being the actual pieces, not sketches. Love the colors. Charles Catteau, designer (1880-1966).

Screenshot (294) — Vase with blue, green, yellow and white decoration. Designed between 1920 and 1928. Made in 1928. Belgian. Earthenware. Charles Catteau, designer for Boch Frères. Attribution mark on the bottom. Image © 2020 Pamono GmbH. Fair use license. via https://www.pamono.com/vase-by-charles-catteau-for-boch-freres-1928

an-art-deco-crackle-glazed-vase-charles-catteau-for-boch-keramis-1st-half-20th-c-1 (1) — Vase with a crackle glaze with blue, aqua, yellow and white decoration. Art Deco. No date. Signed with attribution marks on the underside. Designed by Charles Catteau for Boch Kéramis. Image ROB MICHIELS AUCTIONS © 2020, Bruge. Fair use license. via https://www.rm-auctions.com/en/european–islamic-arts/14033-an-art-deco-crackle-glazed-vase-charles-catteau-for-boch-keramis-1st-half-20th-c?

a-set-of-3-charles-catteau-vases-inc-one-in-iznik-style-for-boch-keramis-1st-half-20th-c-1 — Three vases, one in Iznik style. No date but probably 1920s-1930s. All with attribution marks on the underside. Designed by Charles Catteau for Boch Kéramis. Image ROB MICHIELS AUCTIONS © 2020, Bruges. Fair use license. via https://www.rm-auctions.com/en/european-ceramics/3820-a-set-of-3-charles-catteau-vases-inc-one-in-iznik-style-for-boch-keramis-1st-half-20th-c

Sketches of designs for china and earthenware dinner and tea wares from around 1930. All designed by Reginald G. Haggar for Minton and part of the Minton Archive, Stoke-on-Trent, England. Archive finding number #SD 1705/MS1949.

Design for an Alpha line dinner service. ca. 1930. — Design for an Alpha line dinner service. ca. 1930. British. Reginald G. Haggar, designer for Minton. Image © The Minton Archive. Fair use license. via http://www.themintonarchive.org.uk/collections/getrecord/GB1857_G272_1_5_12_1_3_35

Screenshot (291) — Stylized floral design. ca. 1930. British. Reginald G. Haggar, designer for Minton. Image © The Minton Archive. Fair use license. via http://www.themintonarchive.org.uk/collections/getrecord/GB1857_G272_1_5_12_1_3_35

Screenshot (289) — Tea cup and saucer with floral pattern with an aqua border. ca. 1930. British. Reginald G. Haggar, designer for Minton. Image © The Minton Archive. Fair use license. via http://www.themintonarchive.org.uk/collections/getrecord/GB1857_G272_1_5_12_1_3_35

Neo-Impressionism heading for pointillism but with rather more people than the last post, these by French artist Albert Dubois-Pillet (1846-1890). He was an army officer too which probably accounts for the varied locations.

1280px-Albert_Dubois-Pillet_-_Little_Circus_Camp_-_Google_Art_Project — “Little Circus Camp.” No date. Oil on canvas. The Phillips Collection, Washington, DC. In the public domain in the United States because the artist has been dead over 70 years. via https://commons.wikimedia.org/wiki/File:Albert_Dubois-Pillet_-_Little_Circus_Camp_-_Google_Art_Project.jpg

vue-de-paris-1885.jpg!Large — “Vue de Paris.” 1885. In the public domain due to age. via https://www.wikiart.org/en/albert-dubois-pillet/vue-de-paris-1885

Dubois-pillet-021 — “Le Quai de Bercy.” ca. 1885. In the public domain due to age. via https://commons.wikimedia.org/wiki/File:Dubois-pillet-021.jpg

Neo-Impressionist landscapes by French painter Achille Laugé. Living from 1861 to 1944, he studied at the École Nationale Supérieure des Beaux-Arts in Paris.

Achille-Lauge-LAlouette-maison-de-lartiste-a-Cailhau — “The Alouette, the house of the artist at Cailhau.” No date. Oil on panel. Signed on the lower right. Image © Galerie Ary Jan, Paris. Fair use license. via https://www.galeriearyjan.com/en/lauge-achille.htm

2017_CSK_13581_0151_000(achille_lauge_route_aux_environs_de_cailhau) — “Route aux environs de Cailhau.” 1908. French. Signed and dated on the lower right. Image © CHRISTIE’S 2020. Fair use license. via https://www.christies.com/lotfinder/Lot/achille-lauge-1861-1944-route-aux-environs-de-6056360-details.aspx

Beaux-Arts de Carcassonne - Le relais 1909 - Achille Laugé 50.8x71.12 — “Le relais.” 1909. French. Oil on canvas. Collection of the Musée des Beaux-Arts de Carcassonne. Photo credit: Didier Descouens. Cc0 Licence 4.0. via https://commons.wikimedia.org/wiki/File:Beaux-Arts_de_Carcassonne_-_Le_relais_1909_-_Achille_Laug%C3%A9_50.8×71.12.jpg

Scenes of Egypt with people and camels, painted by French artist Louis Amable Crapelet 1822-1867) who studied under Corot. Visiting Egypt in 1852 he returned to France in 1854.

"Campement en Nubie." 1853. — “Campement en Nubie.” 1853. Oil on canvas. Image © lotsearch.net. Fair use license. via https://www.lotsearch.net/lot/louis-amable-crapelet-1822-1867-campement-36291484

LOUIS-AMABLE-CRAPELET-(1822-1867)-LA-MOSQUEE-DU-SULTAN-BARCKOUK-AU-CAIRE.-AQUARELLE&HELLIP- (1) — “La Mosquée du Sultan Barckouk au Caire.” No date. Watercolor and gouache. Aquarelle et gouache. Signature and title on the bottom left. Image © lotsearch.net and LECLERE – Auction Houses. Fair use license. via https://www.lotsearch.net/lot/louis-amable-crapelet-1822-1867-la-mosquee-du-sultan-barckouk-au-caire-9867219

louis-amable-crapelet-at-the-“nile”-banks — “At the Nile Banks.” 1863. Watercolor over pencil on paper. Image ©2020 Artnet Worldwide Corporation. Fair use license. via http://www.artnet.com/artists/louis-amable-crapelet/at-the-nile-banks-v30HT7O8r7vpPiXKu4pKJg2

Animals in Brazil from a long way back from that long forgotten time when part of it belonged to the Netherlands. 17th century. Painted by Dutch artist Frans Post (1612-1680). Collections of the Noord-Hollands Archief, Haarlem and exhibited together at the Rijksmuseum a few years ago.

Jaguar-Frans-Post-1612–1680-ca.-1638-1643.-Noord-Hollands-Archief-Haarlem-12-1 — “Jaguar.” 17th c. Dutch. Watercolor and gouache. Image © Noord-Hollands Archief, Haarlem. Fair use license. via https://www.apollo-magazine.com/tastes-like-chicken-brazilian-animal-art-amsterdam/?utm_medium=email&utm_campaign=APMU%20%2020200324%20%20AL&utm_content=APMU%20%2020200324%20%20AL+CID_8d3db4dddd700e0819d6b2e8463c8537&utm_source=CampaignMonitor_Apollo&utm_term=Tastes%20like%20chicken

148046444782451742 — “Capiebare” (capybara). 17th c. Dutch. Watercolor and gouache. Image © Noord-Hollands Archief, Haarlem. Fair use license. via https://www.codart.nl/art-works/newly-discovered-brazilian-animal-drawings-by-frans-post-to-be-presented-at-the-rijksmuseum/

miereneter_Frans_Post_570x285 — “Giant Anteater.” 17th c. Dutch. Watercolor and gouache. Image © Noord-Hollands Archief, Haarlem. Fair use license. via https://dearkitty1.wordpress.com/2016/09/30/dutch-seventeenth-century-art-about-brazilian-animals/

148046444767387841 — “Tatu Peba” (six banded armadillo). 17th c. 17th c. Dutch. Watercolor and gouache. Image © Noord-Hollands Archief, Haarlem. Fair use license. via https://www.codart.nl/art-works/newly-discovered-brazilian-animal-drawings-by-frans-post-to-be-presented-at-the-rijksmuseum/

“Neon flying squid with its tentacles. 17th c. Dutch. Watercolor and gouache. Image © Noord-Hollands Archief, Haarlem. Fair use license. via https://www.ft.com/content/d0466dd6-99cb-11e8-9702-5946bae86e6d

Slingeraap-Frans-Post-1612–1680-ca.-1638-1644.-Noord-Hollands-Archief-Haarlem-10 — “Spider Monkey.” 17th c. Dutch. Watercolor and gouache. Image © Noord-Hollands Archief, Haarlem. Fair use license. via https://www.apollo-magazine.com/tastes-like-chicken-brazilian-animal-art-amsterdam/?utm_medium=email&utm_campaign=APMU%20%2020200324%20%20AL&utm_content=APMU%20%2020200324%20%20AL+CID_8d3db4dddd700e0819d6b2e8463c8537&utm_source=CampaignMonitor_Apollo&utm_term=Tastes%20like%20chicken

Frans Post also did some nice landscapes of early Brazil which are the subject of an earlier post here.

Still lifes with parrots. 17th and 18th century, Continental painters.

kmssp207 — “Fruit Still Life with Two Parrots.” 17th c. Dutch. Oil on canvas. Balthasar van der Ast, artist (1593-94 to 1657). Collection of the Statens Museum for Kunst. Cc0 License 1.0. via https://www.europeana.eu/en/item/2020903/KMSsp207

Lempertz-1076-1109-Alte-Kunst-Gabriello-Salci-Fruit-Still-Life-with-a-P — “Fruit Still Life with a Parrot.” ca. 1681-1720. Oil on canvas. Private collection. Monogrammed “G.S.” on the tablecloth. Gabriello Salci, artist. Image © Lempertz Auctions. Fair use license. via https://www.lempertz.com/en/catalogues/lot/1076-1/1109-gabriello-salci.html

66595 — “Still-life with Fruits, Parrots and White Cockatoo.” 1710s. Hungarian. Jakab Bogdány, artist (1660-1724). Image Szépművészeti Múzeum © 2020. Fair use license. via https://www.mfab.hu/artworks/still-life-with-fruits-parrots-and-white-cockatoo/

Portraits of women by British artist Louis Ginnett who was part of the Arts and Crafts Ditchling community. Living from 1875 to 1946, he exhibited at the Royal Academy.

_Louis-Ginnett-Portrait-of-Mary — “Portrait of Mary.” ca. 1925. Photo credit: Barbara Taylor. Image © Ditchling Museum of Art and Craft.. Fair use license. via http://arts.brighton.ac.uk/faculty-of-arts-brighton/alumni-and-associates/the-history-of-arts-education-in-brighton/arts-and-crafts-ditchling

Ginnett, Louis, 1875-1946; Mary — “Mary.” No date. Oil on canvas. Photo credit and image © Ditchling Museum of Art and Craft. Fair use license. via https://artuk.org/discover/artworks/mary-74140/search/actor:ginnett-louis-18751946/page/2/view_as/grid

Ginnett, Louis, 1875-1946; The Coat of Many Colours — “The Coat of Many Colours.” ca. 1926. Oil on canvas. Photo credit and collection of the Brighton and Hove Museums and Art Galleries. In the public domain. via https://artuk.org/discover/artworks/the-coat-of-many-colours-74779/search/actor:ginnett-louis-18751946/page/1/view_as/grid

Ginnett, Louis, 1875-1946; Jacinta — “Jacinta.” 1925. Oil on canvas. Photo credit and image © The Mercer Art Gallery, Harrogate. Fair use licence. via https://artuk.org/discover/artworks/jacinta-9047/search/actor:ginnett-louis-18751946/page/1/view_as/grid

What you got to see if you went to the celebration when King Charles IX came into Paris with his wife Elisabeth, archduchess of Austria for her coronation in 1571. Digital collections of the British Library.

British Library- C.33.m.1 c1731_13_0028+025 — Triumphal arch. Page 25. Collection of the British Library. In the public domain due to age. via https://www.bl.uk/treasures/festivalbooks/pageview.aspx?strFest=0028&strPage=25

British Library- C.33.m.1 c1742_10_0028+066 — Temple with putti and the fleur de lis coat of arms of the Kings of France. Page 66. Collection of the British Library. In the public domain due to age. via https://www.bl.uk/treasures/festivalbooks/pageview.aspx?strFest=0028&strPage=66

British Library- C.33.m.1 c1742_10_0028+066 — Temple with putti and the fleur de lis coat of arms of the Kings of France. Page 66. Collection of the British Library. In the public domain due to age. via https://www.bl.uk/treasures/festivalbooks/pageview.aspx?strFest=0028&strPage=66

British Library- C.33.m.1 c1732_12_0028+055 — Triumphal statue. Page 55 (detail). Collection of the British Library. In the public domain due to age. via https://www.bl.uk/treasures/festivalbooks/pageview.aspx?strFest=0028&strPage=55

British Library- C.33.m.1 c1732_02_0028+035 — Fountain that probably poured wine. Page 35. Collection of the British Library. In the public domain due to age. via https://www.bl.uk/treasures/festivalbooks/pageview.aspx?strFest=0028&strPage=35

What to put in the living room if you just struck it rich on the stock market. Plates from the 1926 second edition of “Interiors Deluxe: Illustrated with Twenty Original Designs by Leaders in the Art of Home Decoration.” These taken from the Facebook page of Thomas Hastings who also blogs on 1920s American mansions at https://halfpuddinghalfsauce.blogspot.com/

90548101_2725627734331507_534210562012217344_o — “California Living Room. Designed in Spanish-Italian influence it is informal and very livable. The walls are rough plaster in soft color tones. The rug is a hand-tufted carpet and also soft in tone. Hangings are copper-colored mohair damask. This shade is picked up in the mohair upholstered davenport and again in the table scarf. A contrasting and cooler color, “blue,” has been introduced to balance the warmer copper tones. ” John Breuner Company, San Francisco designer and maker. Plate in the public domain due to age. via https://scontent.fphl1-1.fna.fbcdn.net/v/t1.0-9/s960x960/90548101_2725627734331507_534210562012217344_o.jpg?_nc_cat=105&_nc_sid=8024bb&_nc_ohc=xAiPIrfc3SsAX-g1sFg&_nc_ht=scontent.fphl1-1.fna&_nc_tp=7&oh=8e82f98db86a8447839531272d65d5b2&oe=5E9D141A

90449510_2723805567847057_7795137669670895616_o — “A Massing of color tone values. A room showing how period furnishings may be correct in detail and still thoroughly comfortable to live with, when care is taken to harmonize present day needs with old ideas of architecture and design. Note the subdued and restrained elegance of the one-toned mohair velvet on the furniture.”California Furniture Company, Los Angeles, designer and maker. In the public domain due to age. via https://scontent.fphl1-1.fna.fbcdn.net/v/t1.0-9/s960x960/90449510_2723805567847057_7795137669670895616_o.jpg?_nc_cat=100&_nc_sid=8024bb&_nc_ohc=cZRWGmqgtvUAX-nTJ3E&_nc_ht=scontent.fphl1-1.fna&_nc_tp=7&oh=bbc14bdab0c3313c174f448fbb314d6e&oe=5EA01A00

90391670_2721996351361312_8250736809609265152_o — “A pretentious living room – Graced with a touch of Spanish renaissance, this room embodies all the elements of comfort and dignified elegance. Note the elaboration of the cornice and the imposing dignity of the sculptured fireplace. Draperies are of antique brocade and the coverings on the furniture are mohair velvet in patterns and colors which harmonize with the air of medieval ornateness.” Plate in the public domain due to age. J. L. Strassel Company, Louisville, Kentucky, designer and maker. In the public domain due to age. via https://scontent.fphl1-1.fna.fbcdn.net/v/t1.0-9/s960x960/90391670_2721996351361312_8250736809609265152_o.jpg?_nc_cat=108&_nc_sid=8024bb&_nc_ohc=Mr2CeSJoSxkAX8yiPfG&_nc_ht=scontent.fphl1-1.fna&_nc_tp=7&oh=69f672d07b22b2eabfdce8509a609e35&oe=5E9C5458

89981533_2721180938109520_7208650629747572736_o (1) — “Living hall in country house – Tudor with Elizabethan influence. The eight-foot oak paneling with pierced gallery, the tapestry richness at the back, makes a good background to show the fine carving. The stone mantel is of Tudor design and the furniture, covered with mohair velvet, is of a modern adaptation for comfort with the exception of the table which is Elizabethan. The oriental rug is of later date. (and the garden view).”Stanton Studios, New York, designer and renderer. Plate in the public domain. via https://scontent.fphl1-1.fna.fbcdn.net/v/t1.0-9/s960x960/89981533_2721180938109520_7208650629747572736_o.jpg?_nc_cat=103&_nc_sid=8024bb&_nc_ohc=7SUoWBTERmUAX_T_XuO&_nc_ht=scontent.fphl1-1.fna&_nc_tp=7&oh=c2b26c98aba60f68938b96e59999727c&oe=5E9F382B

84057196_2720320638195550_6866330728255193088_o — “Italian Renaissance Living Room – The walls of this room are intended to be paneled in walnut, finished in soft grey brown tones and the ornamental cornice treated in the effect of wood with the addition of color and gold. The pilasters are in marble effect, the caps harmonizing with the coloring of the cornice. The mantel is stone after an antique model. The curtains are in green velvet. The furniture is carved walnut, harmonizing with the woodwork, and the upholstery is mohair velvet.” Theo. Hofstatter and Company, New York, designer and maker. Plate in the public domain due to age. via https://scontent.fphl1-1.fna.fbcdn.net/v/t1.0-9/s960x960/84057196_2720320638195550_6866330728255193088_o.jpg?_nc_cat=100&_nc_sid=8024bb&_nc_ohc=esonlQYBMcYAX9huz7f&_nc_ht=scontent.fphl1-1.fna&_nc_tp=7&oh=0297047d6a9391aae00151e43e4037a1&oe=5E9CBA9B

90442463_2722914257936188_1141395577615941632_o — “Adaptable Spanish interior.This interior represents the livable Spanish type, with wood ceiling, rough plastered walls, furniture of dull walnut, upholstered with plain and figured mohair; window draperies of casement cloth and light mohair. Wrought iron lighting fixtures and accessories, with selected rugs of harmonious colors, should produce an artistic and enduring room at a reasonable cost.” Harry L. Moses, New Orleans, Louisiana designer and maker. via https://scontent.fphl1-1.fna.fbcdn.net/v/t1.0-9/s960x960/90442463_2722914257936188_1141395577615941632_o.jpg?_nc_cat=108&_nc_sid=8024bb&_nc_ohc=9oNg7CNSjWgAX9Mv6_D&_nc_ht=scontent.fphl1-1.fna&_nc_tp=7&oh=6c481338900b2ec3fbed93c1c7139c2b&oe=5EA01DC4

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