Design folio/album of Gibitz Mariska of which little is known except that the experts at White Fox Rare Books whose website this is taken from can pinpoint the origin of this album to Hungary and Budapest because the paper was made by a Budapest firm. ca. 1890-1910.

Stylized leaves and berries design with a black background. ca. 1890-1910. Made in Budapest, Hungary. Watercolor. Design folio/album of Gibitz Mariska. Image © 2023 White Fox Rare Books And Antiques. Fair use license. via https://www.whitefoxrarebooks.com/product/1841/Design-Book-of-Gibitz-Mariska

Stylized leaves and berries design with a forest green background. ca. 1890-1910. Made in Budapest, Hungary. Watercolor. Design folio/album of Gibitz Mariska. Image © 2023 White Fox Rare Books And Antiques. Fair use license. via https://www.whitefoxrarebooks.com/product/1841/Design-Book-of-Gibitz-Mariska

Stylized leaves and berries design in ombre tones with a black background. ca. 1890-1910. Made in Budapest, Hungary. Watercolor. Design folio/album of Gibitz Mariska. Image © 2023 White Fox Rare Books And Antiques. Fair use license. via https://www.whitefoxrarebooks.com/product/1841/Design-Book-of-Gibitz-Mariska

Design with acorns and oak leaves. ca. 1890-1910. Made in Budapest, Hungary. Watercolor. Design folio/album of Gibitz Mariska. Image © 2023 White Fox Rare Books And Antiques. Fair use license. via https://www.whitefoxrarebooks.com/product/1841/Design-Book-of-Gibitz-Mariska

Design in pink and blue. ca. 1890-1910. Made in Budapest, Hungary. Watercolor. Design folio/album of Gibitz Mariska. Image © 2023 White Fox Rare Books And Antiques. Fair use license. via https://www.whitefoxrarebooks.com/product/1841/Design-Book-of-Gibitz-Mariska

Design in black, pink and red. ca. 1890-1910. Made in Budapest, Hungary. Watercolor. Design folio/album of Gibitz Mariska. Image © 2023 White Fox Rare Books And Antiques. Fair use license. via https://www.whitefoxrarebooks.com/product/1841/Design-Book-of-Gibitz-Mariska

Design with ivy leaves. ca. 1890-1910. Made in Budapest, Hungary. Watercolor. Design folio/album of Gibitz Mariska. Image © 2023 White Fox Rare Books And Antiques. Fair use license. via https://www.whitefoxrarebooks.com/product/1841/Design-Book-of-Gibitz-Mariska

Details of the Alhambra taken from “Plans, elevations, sections, and details of the Alhambra from drawings taken on the spot in 1834 by Jules Goury, and in 1834 and 1837 by Owen Jones.” Volume II. Published in London 1845 by Owen Jones.

*Ornament in panels on the walls, Hall of the Ambassadors.* *Plans, elevations, sections, and details of the Alhambra . ..* Plate I, View 17. Published in London in 1845 by Owen Jones. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t0wq7h436&view=1up&seq=17

*Cornice over columns, Court of the Lions* (upper image). *Frieze over columns, Court of the Lions* (lower image). *Plans, elevations, sections, and details of the Alhambra . ..* Plate II, View 21. Published in London in 1845 by Owen Jones. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t0wq7h436&view=1up&seq=21

*Soffit of an arch, Court of the Fishpond.* *Plans, elevations, sections, and details of the Alhambra . ..* Number 22, half size. Plate XI, View 57. Published in London in 1845 by Owen Jones. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t0wq7h436&view=1up&seq=57

Number 26 (left): Ornaments in spandrils of arches, Hall of the Two Sisters. Vide plate 21, volume I. Number 27 (right): Ornaments in spandrils of arches, Hall of the Abencerrages. Plans, elevations, sections, and details of the Alhambra . .. Plate XV, View 73. Published in London in 1845 by Owen Jones. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t0wq7h436&view=1up&seq=73

*Spandril of the arch of window, Hall of the Ambassadors. Plans, elevations, sections, and details of the Alhambra . ..* Plate XXIII, View 105. Published in London in 1845 by Owen Jones. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t0wq7h436&view=1up&seq=105

*Small panel in jamb of a window, Hall of the Two Sisters. Vide Plate 15, volume I.* *Plans, elevations, sections, and details of the Alhambra . ..* Plate XXVII, View 121. Published in London in 1845 by Owen Jones. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t0wq7h436&view=1up&seq=121

*52, 53, 54, 55. Rafters of a doorway, now destroyed, beneath the Tocador de la Reyna. Plans, elevations, sections, and details of the Alhambra . ..* Plate XXXV, View 153. Published in London in 1845 by Owen Jones. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t0wq7h436&view=1up&seq=153

*58. 59, 60, 61, 62. Borders of arches. Vide Plates 6 and 19, volume I*. *Plans, elevations, sections, and details of the Alhambra . ..* Plate XXXVIII, View 166. Published in London in 1845 by Owen Jones. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t0wq7h436&view=1up&seq=166

*64, 65. Capitals of columns, Court of the Lions. Plans, elevations, sections, and details of the Alhambra . ..* Plate XL, View 173. Published in London in 1845 by Owen Jones. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t0wq7h436&view=1up&seq=173

*85. Mosaic on the Divan, Court of the Fishpond.* *Plans, elevations, sections, and details of the Alhambra . ..* Plate XLIX, View 210. Published in London in 1845 by Owen Jones. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t0wq7h436&view=1up&seq=210

Imagery up in New York State’s Adirondack Mountains. Pencil drawings mostly done between 1921 and 1923. The artist is not known. Up for sale as one lot on the website of James Cummins Bookseller who I learned about at the antiquarian book fair in my city last fall.

*DeGrasse River, Adirondacks. October 1923.* American. Pencil drawing. Artist not known. Image © 2023 James Cummins Bookseller. Fair use license. via https://www.jamescumminsbookseller.com/pages/books/242968/adirondacks/thirteen-amateur-pencil-drawings-on-paper-of-scenes-of-mills-in-adirondacks-rochester-genessee

*Adirondacks October 1922. Ten degrees below zero.* American. Pencil drawing. Artist not known. Image © 2023 James Cummins Bookseller. Fair use license. via https://www.jamescumminsbookseller.com/pages/books/242968/adirondacks/thirteen-amateur-pencil-drawings-on-paper-of-scenes-of-mills-in-adirondacks-rochester-genessee

*Adirondacks September 1922.* American. Pencil drawing. Artist not known. Image © 2023 James Cummins Bookseller. Fair use license. via https://www.jamescumminsbookseller.com/pages/books/242968/adirondacks/thirteen-amateur-pencil-drawings-on-paper-of-scenes-of-mills-in-adirondacks-rochester-genessee

*Genesee Lower Falls, Rochester, New York 1892.* American. Pencil drawing. Artist not known. Image © 2023 James Cummins Bookseller. Fair use license. via https://www.jamescumminsbookseller.com/pages/books/242968/adirondacks/thirteen-amateur-pencil-drawings-on-paper-of-scenes-of-mills-in-adirondacks-rochester-genessee

*Part of Rand Power Mills, Monroe County, New York. Erected Civil War 1860.* American. Pencil drawing. Artist not known. Image © 2023 James Cummins Bookseller. Fair use license. via https://www.jamescumminsbookseller.com/pages/books/242968/adirondacks/thirteen-amateur-pencil-drawings-on-paper-of-scenes-of-mills-in-adirondacks-rochester-genessee

*Rand Power Mill July 16 1921.* American. Pencil drawing. Artist not known. Image © 2023 James Cummins Bookseller. Fair use license. via https://www.jamescumminsbookseller.com/pages/books/242968/adirondacks/thirteen-amateur-pencil-drawings-on-paper-of-scenes-of-mills-in-adirondacks-rochester-genessee

Architectural designs for work at Burlington House Piccadilly, Westminster, London from 1817. Samuel Ware, architect. Living from 1781 to 1860, he designed the Regency Burlington Arcade. Collections of the Royal Academy.

Designs for two bronze and steel fireplaces for Burlington House, Piccadilly, Westminster, London: plans, elevations and part-sections; The part tinted green to be bronze – the remainder polished steel – the base ground iron. An egg and tongue moulding with full relief to be cast on the edge of the hobs, and on the back of the grate. The bronze egg and tongue also to have full relief according to pattern. All the stoves to have registers to be wound up in the cheeks. Bottoms moveable supported on iron knobs. ca. 1817. British. Pencil, pen and black ink and grey and green washes on wove paper. Samuel Ware, architect and maker (1781-1860). Collections of the Royal Academy of Art, London. Creative Commons License. via https://www.royalacademy.org.uk/art-artists/work-of-art/designs-for-two-bronze-and-steel-fireplaces-for-burlington-house-piccadilly

*Design, as executed, for iron panel decoration of great staircase, Burlington House, Piccadilly, Westminster, London: full-size detail*, ca. 1817. British. Pencil, pen and black ink with grey wash. Samuel Ware, architect and maker (1781-1860). Collections of the Royal Academy of Art, London. © Photo: Royal Academy of Arts, London. Photographer: Prudence Cuming Associates Limited. Fair use license. via https://www.royalacademy.org.uk/art-artists/work-of-art/design-as-executed-for-iron-panel-decoration-of-great-staircase-burlington

Design for iron support of great staircase, Burlington House, Piccadilly, Westminster, London: elevation looking west. ca. 1816. British. Pencil, pen and black ink with grey, yellow and orange washes. Samuel Ware, architect and maker (1781-1860). Collections of the Royal Academy of Art, London. © Photo: Royal Academy of Arts, London. Photographer: Prudence Cuming Associates Limited. Creative Commons license. via https://www.royalacademy.org.uk/art-artists/work-of-art/design-for-iron-support-of-great-staircase-burlington-house-piccadilly

Please note that there are quite a few more at the link, too.

Sketches by the architect V. A. Kosyakov, done for the Naval Cathedral in Kronstadt near Saint Petersburg which was built 1903-1913. Signed on the sketches by the civil engineer.

Detail of the first tier choir. Sketch for the Naval Cathedral, Kronstadt, Kotlin Island. ca. 1903. Russian. Pencil, pen and ink, watercolor and wash on paper. Vasily A. Kosyakov, architect. Alexander Viksel, civil engineer. Watermark for PRO. Fair use license. Artwork itself in the public domain due to age. via http://www.rospissten.pro/articles/eskizy-kosyakova.html

Stucco ornament. Sketch for the Naval Cathedral, Kronstadt, Kotlin Island. ca. 1903. Russian. Pencil, pen and ink, watercolor and wash on paper. Vasily A. Kosyakov, architect. Alexander Viksel, civil engineer. Watermark for PRO. Fair use license. Artwork itself in the public domain due to age. via http://www.rospissten.pro/articles/eskizy-kosyakova.html

Ornamental details for the apse. Sketch for the Naval Cathedral, Kronstadt, Kotlin Island. ca. 1903. Russian. Pencil, pen and ink, watercolor and wash on paper. Vasily A. Kosyakov, architect. Alexander Viksel, civil engineer. Watermark for PRO. Fair use license. Artwork in the public domain due to age. via http://www.rospissten.pro/articles/eskizy-kosyakova.html

Sketch for the Naval Cathedral, Kronstadt, Kotlin Island. ca. 1903. Russian. Pencil, pen and ink, watercolor and wash on paper. Vasily A. Kosyakov, architect. Alexander Viksel, civil engineer. Watermark for PRO. Fair use license. Artwork itself in the public domain due to age. via http://www.rospissten.pro/articles/eskizy-kosyakova.html

Bronze comb for the cornice of the iconostasis. Sketch for the Naval Cathedral, Kronstadt, Kotlin Island. ca. 1903. Russian. Pencil, pen and ink, watercolor and wash on paper. Vasily A. Kosyakov, architect. Alexander Viksel, civil engineer. Watermark for PRO. Fair use license. Artwork itself in the public domain due to age. via http://www.rospissten.pro/articles/eskizy-kosyakova.html

Marble candlesticks and icon lamps. Sketch for the Naval Cathedral, Kronstadt, Kotlin Island. ca. 1903. Russian. Pencil, pen and ink, watercolor and wash on paper. Vasily A. Kosyakov, architect. Alexander Viksel, civil engineer. Watermark for PRO. Fair use license. Artwork itself in the public domain due to age. via http://www.rospissten.pro/articles/eskizy-kosyakova.html

Doors for the northern and southern entrances with marine motifs. Sketch for the Naval Cathedral, Kronstadt, Kotlin Island. ca. 1903. Russian. Pencil, pen and ink, watercolor and wash on paper. Vasily A. Kosyakov, architect. Alexander Viksel, civil engineer. Watermark for PRO. Fair use license. Artwork itself in the public domain due to age. via http://www.rospissten.pro/articles/eskizy-kosyakova.html

Sketch for lanterns for the square near the Naval Cathedral, Kronstadt, Kotlin Island. ca. 1903. Russian. Pencil, pen and ink, watercolor and wash on paper. Vasily A. Kosyakov, architect. Alexander Viksel, civil engineer. Watermark for PRO. Fair use license. Artwork itself in the public domain due to age. via http://www.rospissten.pro/articles/eskizy-kosyakova.html

Cast lattice for a fence. Sketch for the Naval Cathedral, Kronstadt, Kotlin Island. ca. 1903. Russian. Pencil, pen and ink, watercolor and wash on paper. Vasily A. Kosyakov, architect. Alexander Viksel, civil engineer. Watermark for PRO. Fair use license. Artwork itself in the public domain due to age. via http://www.rospissten.pro/articles/eskizy-kosyakova.html

Part of the fence. Sketch for the Naval Cathedral, Kronstadt, Kotlin Island. ca. 1903. Russian. Pencil, pen and ink, watercolor and wash on paper. Vasily A. Kosyakov, architect. Alexander Viksel, civil engineer. Watermark for PRO. Fair use license. Artwork itself in the public domain due to age. via http://www.rospissten.pro/articles/eskizy-kosyakova.html

Fence. Sketch for the Naval Cathedral, Kronstadt, Kotlin Island. ca. 1903. Russian. Pencil, pen and ink, watercolor and wash on paper. Vasily A. Kosyakov, architect. Alexander Viksel, civil engineer. Watermark for PRO. Fair use license. Artwork itself in the public domain due to age. via http://www.rospissten.pro/articles/eskizy-kosyakova.html

I am not sure what collection these are in but they are fantastic. I found them all at the post in the link.

Flower imagery from a 1902 edition of Elizabeth Barrett Browning’s “Sonnets from the Portuguese.” Artwork by Helen Maitland Armstrong and Margaret Armstrong. Published in New York City.

A famished pilgrim saved by miracle. Page 5 of a 1902 edition of Elizabeth Barrett Browning’s Sonnet’s from the Portuguese. Helen Maitland Armstrong, illustrator. Collections of the Library of Congress. Sloan Foundation, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/sonnetsfromportu00brow/page/n5/mode/1up

To EDL these illustrations are dedicated. Page 8 of a 1902 edition of Elizabeth Barrett Browning’s Sonnet’s from the Portuguese. Helen Maitland Armstrong, illustrator. Collections of the Library of Congress. Sloan Foundation, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/sonnetsfromportu00brow/page/n8/mode/1up

Love is strong as death. Page 12 of a 1902 edition of Elizabeth Barrett Browning’s Sonnet’s from the Portuguese. Helen Maitland Armstrong, illustrator. Collections of the Library of Congress. Sloan Foundation, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/sonnetsfromportu00brow/page/n11/mode/1up

My spirit is thine, the better part of me. Page 21 of a 1902 edition of Elizabeth Barrett Browning’s Sonnet’s from the Portuguese. Helen Maitland Armstrong, illustrator. Collections of the Library of Congress. Sloan Foundation, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/sonnetsfromportu00brow/page/n21/mode/1up

Keep violets for the spring and love for youth. Page 26 of a 1902 edition of Elizabeth Barrett Browning’s Sonnet’s from the Portuguese. Helen Maitland Armstrong, illustrator. Collections of the Library of Congress. Sloan Foundation, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/sonnetsfromportu00brow/page/n25/mode/1up