Set design for a production of L’arbre de Noël : féerie en trois actes staged at the Théâtre de la Porte Saint-Martin, Paris on May 10, 1880. Henri Robecchi and Jean-Louis Chéret, set designers. 1880. French. Sketch of a set design. Jean-Louis Chéret, artist (1820-1888). Collections of the Bibliothèque nationale de France gallica.bnf.fr. Artwork in the public domain due to age. via https://gallica.bnf.fr/ark:/12148/btv1b7000039r.r=Jean-Louis%20Cheret?rk=21459;2Set design for the Interior of the l’Excentric-Club à Londres scene in Act I, Scene I of a production of Le Tour du Monde en 80 Jours, a French production in translation of Around the World in 80 Days that was staged at the Théâtre de la Porte Saint-Martin in Paris on July 11, 1874. French. Sketch of a set design. Jean-Louis Chéret, artist and set designer (1820-1888). Collections of the Bibliothèque nationale de France gallica.bnf.fr. Artwork in the public domain due to age. via https://gallica.bnf.fr/ark:/12148/btv1b70012976.r=Jean-Louis%20Cheret?rk=85837;2Set design for an unknown production that looks like it was set in Ancient Greek or Roman times. 1879. French. Set design sketch in pen and ink with watercolor. Jean-Louis Chéret, artist and set designer (1820-1888). Collections of the Bibliothèque nationale de France gallica.bnf.fr. Artwork in the public domain due to age. via https://gallica.bnf.fr/ark:/12148/btv1b7000382s.r=Jean-Louis%20Cheret?rk=128756;0Set design for the Interior of the Palace scene in Act IV, Scene 10 of Théodoros for an unknown theatre. 1868. French. Charcoal heightened with white on paper. Jean-Louis Chéret, designer and artist (1820-1888). Collections of the Bibliothèque nationale de France gallica.bnf.fr. Artwork in the public domain due to age. via https://gallica.bnf.fr/ark:/12148/btv1b7001296s.r=Jean-Louis%20Cheret?rk=193134;0Set design for the deux entrées au Louvre in Act II, Scene 4 of a production of La dame de Monsoreau. 1879. French. Pencil with white highlights on paper. Jean-Louis Chéret, designer and artist (1820-1888). Collections of the Bibliothèque nationale de France gallica.bnf.fr. Artwork in the public domain due to age. via https://gallica.bnf.fr/ark:/12148/btv1b7000124n.r=Jean-Louis%20Cheret?rk=214593;2
The intention of Samson et Cie. was to reproduce ceramics from museums and private collections, and they claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. The range of wares included copies of 18th-century porcelain from such factories as Sèvres, Chelsea, Meissen and Derby, Chinese export-wares, especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern, Delftware, Iznikware, maiolica and faience.” (Grove Dictionary of Art). (taken from the dealer’s description).
Ornament in panels on the walls, Hall of the Ambassadors.Plans, elevations, sections, and details of the Alhambra . .. Plate I, View 17. Published in London in 1845 by Owen Jones. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t0wq7h436&view=1up&seq=17Cornice over columns, Court of the Lions (upper image). Frieze over columns, Court of the Lions (lower image). Plans, elevations, sections, and details of the Alhambra . .. Plate II, View 21. Published in London in 1845 by Owen Jones. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t0wq7h436&view=1up&seq=21Soffit of an arch, Court of the Fishpond.Plans, elevations, sections, and details of the Alhambra . .. Number 22, half size. Plate XI, View 57. Published in London in 1845 by Owen Jones. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t0wq7h436&view=1up&seq=57Number 26 (left): Ornaments in spandrils of arches, Hall of the Two Sisters. Vide plate 21, volume I. Number 27 (right): Ornaments in spandrils of arches, Hall of the Abencerrages. Plans, elevations, sections, and details of the Alhambra . .. Plate XV, View 73. Published in London in 1845 by Owen Jones. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t0wq7h436&view=1up&seq=73Spandril of the arch of window, Hall of the Ambassadors. Plans, elevations, sections, and details of the Alhambra . .. Plate XXIII, View 105. Published in London in 1845 by Owen Jones. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t0wq7h436&view=1up&seq=105Small panel in jamb of a window, Hall of the Two Sisters. Vide Plate 15, volume I.Plans, elevations, sections, and details of the Alhambra . .. Plate XXVII, View 121. Published in London in 1845 by Owen Jones. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t0wq7h436&view=1up&seq=12152, 53, 54, 55. Rafters of a doorway, now destroyed, beneath the Tocador de la Reyna. Plans, elevations, sections, and details of the Alhambra . .. Plate XXXV, View 153. Published in London in 1845 by Owen Jones. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t0wq7h436&view=1up&seq=15358. 59, 60, 61, 62. Borders of arches. Vide Plates 6 and 19, volume I. Plans, elevations, sections, and details of the Alhambra . .. Plate XXXVIII, View 166. Published in London in 1845 by Owen Jones. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t0wq7h436&view=1up&seq=16664, 65. Capitals of columns, Court of the Lions. Plans, elevations, sections, and details of the Alhambra . .. Plate XL, View 173. Published in London in 1845 by Owen Jones. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t0wq7h436&view=1up&seq=17385. Mosaic on the Divan, Court of the Fishpond. Plans, elevations, sections, and details of the Alhambra . .. Plate XLIX, View 210. Published in London in 1845 by Owen Jones. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t0wq7h436&view=1up&seq=210