Design folio/album of Gibitz Mariska of which little is known except that the experts at White Fox Rare Books whose website this is taken from can pinpoint the origin of this album to Hungary and Budapest because the paper was made by a Budapest firm. ca. 1890-1910.

Stylized leaves and berries design with a black background. ca. 1890-1910. Made in Budapest, Hungary. Watercolor. Design folio/album of Gibitz Mariska. Image © 2023 White Fox Rare Books And Antiques. Fair use license. via https://www.whitefoxrarebooks.com/product/1841/Design-Book-of-Gibitz-Mariska 
Stylized leaves and berries design with a forest green background. ca. 1890-1910. Made in Budapest, Hungary. Watercolor. Design folio/album of Gibitz Mariska. Image © 2023 White Fox Rare Books And Antiques. Fair use license. via https://www.whitefoxrarebooks.com/product/1841/Design-Book-of-Gibitz-Mariska 
Stylized leaves and berries design in ombre tones with a black background. ca. 1890-1910. Made in Budapest, Hungary. Watercolor. Design folio/album of Gibitz Mariska. Image © 2023 White Fox Rare Books And Antiques. Fair use license. via https://www.whitefoxrarebooks.com/product/1841/Design-Book-of-Gibitz-Mariska 
Design with acorns and oak leaves. ca. 1890-1910. Made in Budapest, Hungary. Watercolor. Design folio/album of Gibitz Mariska. Image © 2023 White Fox Rare Books And Antiques. Fair use license. via https://www.whitefoxrarebooks.com/product/1841/Design-Book-of-Gibitz-Mariska 
Design in pink and blue. ca. 1890-1910. Made in Budapest, Hungary. Watercolor. Design folio/album of Gibitz Mariska. Image © 2023 White Fox Rare Books And Antiques. Fair use license. via https://www.whitefoxrarebooks.com/product/1841/Design-Book-of-Gibitz-Mariska 
Design in black, pink and red. ca. 1890-1910. Made in Budapest, Hungary. Watercolor. Design folio/album of Gibitz Mariska. Image © 2023 White Fox Rare Books And Antiques. Fair use license. via https://www.whitefoxrarebooks.com/product/1841/Design-Book-of-Gibitz-Mariska 
Design with ivy leaves. ca. 1890-1910. Made in Budapest, Hungary. Watercolor. Design folio/album of Gibitz Mariska. Image © 2023 White Fox Rare Books And Antiques. Fair use license. via https://www.whitefoxrarebooks.com/product/1841/Design-Book-of-Gibitz-Mariska 

Details of the Alhambra taken from “Plans, elevations, sections, and details of the Alhambra from drawings taken on the spot in 1834 by Jules Goury, and in 1834 and 1837 by Owen Jones.” Volume II. Published in London 1845 by Owen Jones.

Ornament in panels on the walls, Hall of the Ambassadors. Plans, elevations, sections, and details of the Alhambra . .. Plate I, View 17. Published in London in 1845 by Owen Jones. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t0wq7h436&view=1up&seq=17
Cornice over columns, Court of the Lions (upper image). Frieze over columns, Court of the Lions (lower image). Plans, elevations, sections, and details of the Alhambra . .. Plate II, View 21. Published in London in 1845 by Owen Jones. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t0wq7h436&view=1up&seq=21
Soffit of an arch, Court of the Fishpond. Plans, elevations, sections, and details of the Alhambra . .. Number 22, half size. Plate XI, View 57. Published in London in 1845 by Owen Jones. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t0wq7h436&view=1up&seq=57
Number 26 (left): Ornaments in spandrils of arches, Hall of the Two Sisters. Vide plate 21, volume I. Number 27 (right): Ornaments in spandrils of arches, Hall of the Abencerrages. Plans, elevations, sections, and details of the Alhambra . .. Plate XV, View 73. Published in London in 1845 by Owen Jones. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t0wq7h436&view=1up&seq=73
Spandril of the arch of window, Hall of the Ambassadors. Plans, elevations, sections, and details of the Alhambra . .. Plate XXIII, View 105. Published in London in 1845 by Owen Jones. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t0wq7h436&view=1up&seq=105
Small panel in jamb of a window, Hall of the Two Sisters. Vide Plate 15, volume I. Plans, elevations, sections, and details of the Alhambra . .. Plate XXVII, View 121. Published in London in 1845 by Owen Jones. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t0wq7h436&view=1up&seq=121
52, 53, 54, 55. Rafters of a doorway, now destroyed, beneath the Tocador de la Reyna. Plans, elevations, sections, and details of the Alhambra . .. Plate XXXV, View 153. Published in London in 1845 by Owen Jones. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t0wq7h436&view=1up&seq=153
58. 59, 60, 61, 62. Borders of arches. Vide Plates 6 and 19, volume I. Plans, elevations, sections, and details of the Alhambra . .. Plate XXXVIII, View 166. Published in London in 1845 by Owen Jones. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t0wq7h436&view=1up&seq=166
64, 65. Capitals of columns, Court of the Lions. Plans, elevations, sections, and details of the Alhambra . .. Plate XL, View 173. Published in London in 1845 by Owen Jones. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t0wq7h436&view=1up&seq=173
85. Mosaic on the Divan, Court of the Fishpond.  Plans, elevations, sections, and details of the Alhambra . .. Plate XLIX, View 210. Published in London in 1845 by Owen Jones. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t0wq7h436&view=1up&seq=210

Imagery up in New York State’s Adirondack Mountains. Pencil drawings mostly done between 1921 and 1923. The artist is not known. Up for sale as one lot on the website of James Cummins Bookseller who I learned about at the antiquarian book fair in my city last fall.

DeGrasse River, Adirondacks. October 1923. American. Pencil drawing. Artist not known. Image © 2023 James Cummins Bookseller. Fair use license. via https://www.jamescumminsbookseller.com/pages/books/242968/adirondacks/thirteen-amateur-pencil-drawings-on-paper-of-scenes-of-mills-in-adirondacks-rochester-genessee
Adirondacks October 1922. Ten degrees below zero. American. Pencil drawing. Artist not known. Image © 2023 James Cummins Bookseller. Fair use license. via https://www.jamescumminsbookseller.com/pages/books/242968/adirondacks/thirteen-amateur-pencil-drawings-on-paper-of-scenes-of-mills-in-adirondacks-rochester-genessee
Adirondacks September 1922. American. Pencil drawing. Artist not known. Image © 2023 James Cummins Bookseller. Fair use license. via https://www.jamescumminsbookseller.com/pages/books/242968/adirondacks/thirteen-amateur-pencil-drawings-on-paper-of-scenes-of-mills-in-adirondacks-rochester-genessee
Genesee Lower Falls, Rochester, New York 1892. American. Pencil drawing. Artist not known. Image © 2023 James Cummins Bookseller. Fair use license. via https://www.jamescumminsbookseller.com/pages/books/242968/adirondacks/thirteen-amateur-pencil-drawings-on-paper-of-scenes-of-mills-in-adirondacks-rochester-genessee
Part of Rand Power Mills, Monroe County, New York. Erected Civil War 1860. American. Pencil drawing. Artist not known. Image © 2023 James Cummins Bookseller. Fair use license. via https://www.jamescumminsbookseller.com/pages/books/242968/adirondacks/thirteen-amateur-pencil-drawings-on-paper-of-scenes-of-mills-in-adirondacks-rochester-genessee

Rand Power Mill July 16 1921. American. Pencil drawing. Artist not known. Image © 2023 James Cummins Bookseller. Fair use license. via https://www.jamescumminsbookseller.com/pages/books/242968/adirondacks/thirteen-amateur-pencil-drawings-on-paper-of-scenes-of-mills-in-adirondacks-rochester-genessee

Architectural designs for work at Burlington House Piccadilly, Westminster, London from 1817. Samuel Ware, architect. Living from 1781 to 1860, he designed the Regency Burlington Arcade. Collections of the Royal Academy.

Designs for two bronze and steel fireplaces for Burlington House, Piccadilly, Westminster, London: plans, elevations and part-sections; The part tinted green to be bronze – the remainder polished steel – the base ground iron. An egg and tongue moulding with full relief to be cast on the edge of the hobs, and on the back of the grate. The bronze egg and tongue also to have full relief according to pattern. All the stoves to have registers to be wound up in the cheeks. Bottoms moveable supported on iron knobs. ca. 1817. British. Pencil, pen and black ink and grey and green washes on wove paper. Samuel Ware, architect and maker (1781-1860). Collections of the Royal Academy of Art, London. Creative Commons License. via https://www.royalacademy.org.uk/art-artists/work-of-art/designs-for-two-bronze-and-steel-fireplaces-for-burlington-house-piccadilly
Design, as executed, for iron panel decoration of great staircase, Burlington House, Piccadilly, Westminster, London: full-size detail, ca. 1817. British. Pencil, pen and black ink with grey wash. Samuel Ware, architect and maker (1781-1860). Collections of the Royal Academy of Art, London. © Photo: Royal Academy of Arts, London. Photographer: Prudence Cuming Associates Limited. Fair use license. via https://www.royalacademy.org.uk/art-artists/work-of-art/design-as-executed-for-iron-panel-decoration-of-great-staircase-burlington


Design for iron support of great staircase, Burlington House, Piccadilly, Westminster, London: elevation looking west. ca. 1816. British. Pencil, pen and black ink with grey, yellow and orange washes. Samuel Ware, architect and maker (1781-1860). Collections of the Royal Academy of Art, London. © Photo: Royal Academy of Arts, London. Photographer: Prudence Cuming Associates Limited. Creative Commons license. via https://www.royalacademy.org.uk/art-artists/work-of-art/design-for-iron-support-of-great-staircase-burlington-house-piccadilly

Please note that there are quite a few more at the link, too.

Sketches by the architect V. A. Kosyakov, done for the Naval Cathedral in Kronstadt near Saint Petersburg which was built 1903-1913. Signed on the sketches by the civil engineer.





Detail of the first tier choir. Sketch for the Naval Cathedral, Kronstadt, Kotlin Island. ca. 1903. Russian. Pencil, pen and ink, watercolor and wash on paper. Vasily A. Kosyakov, architect. Alexander Viksel, civil engineer. Watermark for PRO. Fair use license. Artwork itself in the public domain due to age. via http://www.rospissten.pro/articles/eskizy-kosyakova.html
Stucco ornament. Sketch for the Naval Cathedral, Kronstadt, Kotlin Island. ca. 1903. Russian. Pencil, pen and ink, watercolor and wash on paper. Vasily A. Kosyakov, architect. Alexander Viksel, civil engineer. Watermark for PRO. Fair use license. Artwork itself in the public domain due to age. via http://www.rospissten.pro/articles/eskizy-kosyakova.html
Ornamental details for the apse. Sketch for the Naval Cathedral, Kronstadt, Kotlin Island. ca. 1903. Russian. Pencil, pen and ink, watercolor and wash on paper. Vasily A. Kosyakov, architect. Alexander Viksel, civil engineer. Watermark for PRO. Fair use license. Artwork in the public domain due to age. via http://www.rospissten.pro/articles/eskizy-kosyakova.html
Sketch for the Naval Cathedral, Kronstadt, Kotlin Island. ca. 1903. Russian. Pencil, pen and ink, watercolor and wash on paper. Vasily A. Kosyakov, architect. Alexander Viksel, civil engineer. Watermark for PRO. Fair use license. Artwork itself in the public domain due to age. via http://www.rospissten.pro/articles/eskizy-kosyakova.html
Bronze comb for the cornice of the iconostasis. Sketch for the Naval Cathedral, Kronstadt, Kotlin Island. ca. 1903. Russian. Pencil, pen and ink, watercolor and wash on paper. Vasily A. Kosyakov, architect. Alexander Viksel, civil engineer. Watermark for PRO. Fair use license. Artwork itself in the public domain due to age. via http://www.rospissten.pro/articles/eskizy-kosyakova.html
Marble candlesticks and icon lamps. Sketch for the Naval Cathedral, Kronstadt, Kotlin Island. ca. 1903. Russian. Pencil, pen and ink, watercolor and wash on paper. Vasily A. Kosyakov, architect. Alexander Viksel, civil engineer. Watermark for PRO. Fair use license. Artwork itself in the public domain due to age. via http://www.rospissten.pro/articles/eskizy-kosyakova.html
Doors for the northern and southern entrances with marine motifs. Sketch for the Naval Cathedral, Kronstadt, Kotlin Island. ca. 1903. Russian. Pencil, pen and ink, watercolor and wash on paper. Vasily A. Kosyakov, architect. Alexander Viksel, civil engineer. Watermark for PRO. Fair use license. Artwork itself in the public domain due to age. via http://www.rospissten.pro/articles/eskizy-kosyakova.html
Sketch for the Naval Cathedral, Kronstadt, Kotlin Island. ca. 1903. Russian. Pencil, pen and ink, watercolor and wash on paper. Vasily A. Kosyakov, architect. Alexander Viksel, civil engineer. Watermark for PRO. Fair use license. Artwork itself in the public domain due to age. via http://www.rospissten.pro/articles/eskizy-kosyakova.html
Sketch for lanterns for the square near the Naval Cathedral, Kronstadt, Kotlin Island. ca. 1903. Russian. Pencil, pen and ink, watercolor and wash on paper. Vasily A. Kosyakov, architect. Alexander Viksel, civil engineer. Watermark for PRO. Fair use license. Artwork itself in the public domain due to age. via http://www.rospissten.pro/articles/eskizy-kosyakova.html
Cast lattice for a fence. Sketch for the Naval Cathedral, Kronstadt, Kotlin Island. ca. 1903. Russian. Pencil, pen and ink, watercolor and wash on paper. Vasily A. Kosyakov, architect. Alexander Viksel, civil engineer. Watermark for PRO. Fair use license. Artwork itself in the public domain due to age. via http://www.rospissten.pro/articles/eskizy-kosyakova.html
Part of the fence. Sketch for the Naval Cathedral, Kronstadt, Kotlin Island. ca. 1903. Russian. Pencil, pen and ink, watercolor and wash on paper. Vasily A. Kosyakov, architect. Alexander Viksel, civil engineer. Watermark for PRO. Fair use license. Artwork itself in the public domain due to age. via http://www.rospissten.pro/articles/eskizy-kosyakova.html
Fence. Sketch for the Naval Cathedral, Kronstadt, Kotlin Island. ca. 1903. Russian. Pencil, pen and ink, watercolor and wash on paper. Vasily A. Kosyakov, architect. Alexander Viksel, civil engineer. Watermark for PRO. Fair use license. Artwork itself in the public domain due to age. via http://www.rospissten.pro/articles/eskizy-kosyakova.html

I am not sure what collection these are in but they are fantastic. I found them all at the post in the link.

Flower imagery from a 1902 edition of Elizabeth Barrett Browning’s “Sonnets from the Portuguese.” Artwork by Helen Maitland Armstrong and Margaret Armstrong. Published in New York City.

A famished pilgrim saved by miracle. Page 5 of a 1902 edition of Elizabeth Barrett Browning’s Sonnet’s from the Portuguese. Helen Maitland Armstrong, illustrator. Collections of the Library of Congress. Sloan Foundation, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/sonnetsfromportu00brow/page/n5/mode/1up

To EDL these illustrations are dedicated. Page 8 of a 1902 edition of Elizabeth Barrett Browning’s Sonnet’s from the Portuguese. Helen Maitland Armstrong, illustrator. Collections of the Library of Congress. Sloan Foundation, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/sonnetsfromportu00brow/page/n8/mode/1up

Love is strong as death. Page 12 of a 1902 edition of Elizabeth Barrett Browning’s Sonnet’s from the Portuguese. Helen Maitland Armstrong, illustrator. Collections of the Library of Congress. Sloan Foundation, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/sonnetsfromportu00brow/page/n11/mode/1up

My spirit is thine, the better part of me. Page 21 of a 1902 edition of Elizabeth Barrett Browning’s Sonnet’s from the Portuguese. Helen Maitland Armstrong, illustrator. Collections of the Library of Congress. Sloan Foundation, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/sonnetsfromportu00brow/page/n21/mode/1up

Keep violets for the spring and love for youth. Page 26 of a 1902 edition of Elizabeth Barrett Browning’s Sonnet’s from the Portuguese. Helen Maitland Armstrong, illustrator. Collections of the Library of Congress. Sloan Foundation, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/sonnetsfromportu00brow/page/n25/mode/1up

Make your home look fancier than the builder intended. Design ideas from the Boston Architectural Club year book for 1922. Reprint of an earlier work from 1750.

Piers for gates. Batty Langley Inventory 1739. Thomas Langley delineator and sculptor. Plate XVI, Page 25 of the Boston Architectural Club year book for 1922. Collections of the Boston Architectural College Library. Digitalization federally funded with LSTA funds through the Massachusetts Board of Library Commissioners. In the public domain due to age. via https://archive.org/details/bostonarchitectu1922bost/page/n24/mode/1up

The Semi Plans of the Piers. Batty Langley Inventory 1739. Thomas Langley delineator and sculptor. Plate XVII, Page 25 of the Boston Architectural Club year book for 1922. Collections of the Boston Architectural College Library. Digitalization federally funded with LSTA funds through the Massachusetts Board of Library Commissioners. In the public domain due to age. via https://archive.org/details/bostonarchitectu1922bost/page/n25/mode/1up

Piers for Gates at the Entrances into Palaces: Semi Plan; by Lord Burlington at Chiswick; By Inigo Jones at Windsor Castle/The Measures to the Principal and Particular Parts of each Pier Invented by Batty Langley. Thomas Langley, Sculptor. Plate XVIII. Page 26 of the Boston Architectural Club year book for 1922. Collections of the Boston Architectural College Library. Digitalization federally funded with LSTA funds through the Massachusetts Board of Library Commissioners. In the public domain due to age. via https://archive.org/details/bostonarchitectu1922bost/page/n26/mode/1up

Tuscan and Dorick Piers for Gates. Batty Langley Inventory 1739. Thomas Langley delineator and sculptor. Plate XIX, Page 27 of the Boston Architectural Club year book for 1922. Collections of the Boston Architectural College Library. Digitalization federally funded with LSTA funds through the Massachusetts Board of Library Commissioners. In the public domain due to age. via https://archive.org/details/bostonarchitectu1922bost/page/n27/mode/1up

Tuscan Gate: The Curvature of the Raking Cornice. Batty Langley Inventory 1739. Thomas Langley delineator and sculptor. Plate XXI, Page 29 of the Boston Architectural Club year book for 1922. Collections of the Boston Architectural College Library. Digitalization federally funded with LSTA funds through the Massachusetts Board of Library Commissioners. In the public domain due to age. via https://archive.org/details/bostonarchitectu1922bost/page/n29/mode/1up

More tropical plants, these taken from Christoph Jacob Trew and Georg Dionysius Ehret’s “Plantae Selectae quarum imagines ad exemplaria naturalia Londini in hortus curiosorum”, published in Nuremberg, Germany. These being from the first edition so ca. 1750. Taken from a recent Sotheby’s catalog. All are part of the same lot.

ANANAS (Pineapple): aculeatus, fructu ovato, carne albida. Plumerii, Tournef. Inst. P. 650. Plum. Cat. Spec. p. 20. Plate II from Plantae Selectae quarum imagines ad exemplaria naturalia Londini in hortus curiosorum. Image © 2021 Sotheby’s. Fair use license. via https://www.sothebys.com/en/buy/auction/2022/fine-books-and-manuscripts-including-americana-part-2/trew-christoph-jacob-and-georg-dionysius-ehret

MAGNOLIA: folie ovato oblongis ad basin et apicem angustis ? virentib. Plate LXII from Plantae Selectae quarum imagines ad exemplaria naturalia Londini in hortus curiosorum. Image © 2021 Sotheby’s. Fair use license. via https://www.sothebys.com/en/buy/auction/2022/fine-books-and-manuscripts-including-americana-part-2/trew-christoph-jacob-and-georg-dionysius-ehret

JXIA. Plate LII from Plantae Selectae quarum imagines ad exemplaria naturalia Londini in hortus curiosorum. Image © 2021 Sotheby’s. Fair use license. via https://www.sothebys.com/en/buy/auction/2022/fine-books-and-manuscripts-including-americana-part-2/trew-christoph-jacob-and-georg-dionysius-ehret

Design ideas from the Boston Architectural Club year book for 1922. Reprint of an earlier work from 1750.

The Dorick entablature and planceer of its cornice at large/Batty Langley Inventory 1739/Thomas Langley delineator and sculptor. Plate IV, Page 12 of the Boston Architectural Club year book for 1922. Collections of the Boston Architectural College Library. Digitalization Federally funded with LSTA funds through the Massachusetts Board of Library Commissioners. In the public domain due to age. via https://archive.org/details/bostonarchitectu1922bost/page/n12/mode/1up

The Ionick capital with its plan/The plan of one quarter of a Capital to a Column/The Plan of one quarter of a Capital to a Pillaster/Batty Langley Inventory 1739. Thomas Langley delineator and sculptor. Plate VIII, Page 16 of the Boston Architectural Club year book for 1922. Collections of the Boston Architectural College Library. Digitalization federally funded with LSTA funds through the Massachusetts Board of Library Commissioners. In the public domain due to age. via https://archive.org/details/bostonarchitectu1922bost/page/n16/mode/1up

The Ionick abacus and volute at large/Batty Langley Inventory 1738. Thomas Langley sculptor. Plate VII, Page 15 of the Boston Architectural Club year book for 1922. Collections of the Boston Architectural College Library. Digitalization federally funded with LSTA funds through the Massachusetts Board of Library Commissioners. In the public domain due to age. via https://archive.org/details/bostonarchitectu1922bost/page/n15/mode/1up

The Corinthian capital and its plan at large/the Capital to one fourth of the column/the Capital to one fourth of a pillaster. Batty Langley Inventory 1739. Thomas Langley delineator and sculptor. Plate X, Page 18 of the Boston Architectural Club year book for 1922. Collections of the Boston Architectural College Library. Digitalization federally funded with LSTA funds through the Massachusetts Board of Library Commissioners. In the public domain due to age. via https://archive.org/details/bostonarchitectu1922bost/page/n18/mode/1up

Make your new house look very old even if it is new. Decor ideas from back in time, taken from H. Davis Benn’s work “Style in furniture” which was illustrated by W. C. Baldock. Published in London in 1920.

Elizabethan I. Plate 1, page 3 of H. David Benn’s Style in Furniture. W. C. Baldock, illustrator. Collections of the Robarts Library at the University of Toronto. MSN, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/styleinfurniture00bennuoft/page/n4/mode/1up

Henry-the-Eighth armoire. Now in the possession of Mr. J. Seymour Lucas, R.A.). Page 4 of H. David Benn’s Style in Furniture. W. C. Baldock, illustrator. Collections of the Robarts Library at the University of Toronto. MSN, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/styleinfurniture00bennuoft/page/4/mode/1up

Elizabethan. Page 22 of H. David Benn’s Style in Furniture. W. C. Baldock, illustrator. Collections of the Robarts Library at the University of Toronto. MSN, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/styleinfurniture00bennuoft/page/22/mode/thumb