Yellow. Page 56. English. Printed in London by J. Barfield. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125015119437/page/n56/mode/1upOrange. Page 60. English. Printed in London by J. Barfield. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125015119437/page/n60/mode/1upScarlet. Page 64. English. Printed in London by J. Barfield. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125015119437/page/n64/mode/1upBlue, 6. Image 74 of An essay on a new theory of colours, and on composition in general: illustrated by coloured blots shewing the application of the theory to composition of flowers, landscapes, figures. 1808. English. Mary Gartside, author. Printed in London in 1808. . Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125015119437/page/n73/mode/1upCrimson 8. Image 78 of An essay on a new theory of colours, and on composition in general: illustrated by coloured blots shewing the application of the theory to composition of flowers, landscapes, figures. 1808. English. Mary Gartside, author. Printed in London in 1808. . Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125015119437/page/n77/mode/1up
On a voyage to see how much mileage I can get from the creative ability and eye for images that my family thought was useless. On line art curator, fiction writer and now blogger. Historian's daughter. Follow me . . .even I have no idea where I'm going next.
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