Details of the Alhambra taken from “Plans, elevations, sections, and details of the Alhambra from drawings taken on the spot in 1834 by Jules Goury, and in 1834 and 1837 by Owen Jones.” Volume II. Published in London 1845 by Owen Jones.

Ornament in panels on the walls, Hall of the Ambassadors. Plans, elevations, sections, and details of the Alhambra . .. Plate I, View 17. Published in London in 1845 by Owen Jones. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t0wq7h436&view=1up&seq=17

Cornice over columns, Court of the Lions (upper image). Frieze over columns, Court of the Lions (lower image). Plans, elevations, sections, and details of the Alhambra . .. Plate II, View 21. Published in London in 1845 by Owen Jones. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t0wq7h436&view=1up&seq=21

Soffit of an arch, Court of the Fishpond. Plans, elevations, sections, and details of the Alhambra . .. Number 22, half size. Plate XI, View 57. Published in London in 1845 by Owen Jones. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t0wq7h436&view=1up&seq=57

Number 26 (left): Ornaments in spandrils of arches, Hall of the Two Sisters. Vide plate 21, volume I. Number 27 (right): Ornaments in spandrils of arches, Hall of the Abencerrages. Plans, elevations, sections, and details of the Alhambra . .. Plate XV, View 73. Published in London in 1845 by Owen Jones. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t0wq7h436&view=1up&seq=73

Spandril of the arch of window, Hall of the Ambassadors. Plans, elevations, sections, and details of the Alhambra . .. Plate XXIII, View 105. Published in London in 1845 by Owen Jones. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t0wq7h436&view=1up&seq=105

Small panel in jamb of a window, Hall of the Two Sisters. Vide Plate 15, volume I. Plans, elevations, sections, and details of the Alhambra . .. Plate XXVII, View 121. Published in London in 1845 by Owen Jones. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t0wq7h436&view=1up&seq=121

52, 53, 54, 55. Rafters of a doorway, now destroyed, beneath the Tocador de la Reyna. Plans, elevations, sections, and details of the Alhambra . .. Plate XXXV, View 153. Published in London in 1845 by Owen Jones. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t0wq7h436&view=1up&seq=153

58. 59, 60, 61, 62. Borders of arches. Vide Plates 6 and 19, volume I. Plans, elevations, sections, and details of the Alhambra . .. Plate XXXVIII, View 166. Published in London in 1845 by Owen Jones. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t0wq7h436&view=1up&seq=166

64, 65. Capitals of columns, Court of the Lions. Plans, elevations, sections, and details of the Alhambra . .. Plate XL, View 173. Published in London in 1845 by Owen Jones. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t0wq7h436&view=1up&seq=173

85. Mosaic on the Divan, Court of the Fishpond. Plans, elevations, sections, and details of the Alhambra . .. Plate XLIX, View 210. Published in London in 1845 by Owen Jones. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t0wq7h436&view=1up&seq=210

Live in a fin de siècle dream if only for the afternoon. Plates from “Palais du Luxembourg (Palais du Sénat); intérieures et extérieures.” Published in Paris in 1900 by Armand Guérinet, éditeur.

Grand vestibule. Image 3 of Palais du Luxembourg (Palais du Sénat); intérieures et extérieures. . . Armand Guérinet, éditeur. Published in 1900 in Paris. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t2x41cj5m&view=1up&seq=3

Grand Escalier – détails du Balcon du 1st Étage – Lanterne, style Louis XVI. Image 9 of Palais du Luxembourg (Palais du Sénat); intérieures et extérieures. . . Armand Guérinet, éditeur. Published in 1900 in Paris. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t2x41cj5m&view=1up&seq=9

Ancienne Salle de la Commission des Finances, style Louis XIV. Image 75 of Palais du Luxembourg (Palais du Sénat); intérieures et extérieures. . . Armand Guérinet, éditeur. Published in 1900 in Paris. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t2x41cj5m&view=1up&seq=75

Grand Escalier. Image 5 of Palais du Luxembourg (Palais du Sénat); intérieures et extérieures. . . Armand Guérinet, éditeur. Published in 1900 in Paris. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125015065622/page/n5/mode/1up

Salon Doré, Style Louis XIV. Image 40 of Palais du Luxembourg (Palais du Sénat); intérieures et extérieures. . . Armand Guérinet, éditeur. Published in 1900 in Paris. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125015065622/page/n40/mode/1up

1897 images of cranes taken from Frans Ernst Blaauw (F. E. Blaauw)’s work “A Monograph of the Cranes” which had a number of contributors and illustrators too. Published in London and in Leiden.

The common crane. Plate I, Page 1 of F. E. Blaauw’s A Monograph of Cranes. H. (Heinrich) Leutemann, illustrator. Collections of the Smithsonian Libraries. Biodiversity Heritage Library, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/monographcranes00blaa/page/I/mode/1up

The Mantchurian (sic) crane, adult and chick. Plate III, Page III of F. E. Blaauw’s A Monograph of Cranes. H. (Heinrich) Leutemann, illustrator. Collections of the Smithsonian Libraries. Biodiversity Heritage Library, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/monographcranes00blaa/page/III/mode/1up

The hooded crane. Plate IV, Page IV of F. E. Blaauw’s A Monograph of Cranes. H. (Heinrich) Leutemann, illustrator. Collections of the Smithsonian Libraries. Biodiversity Heritage Library, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/monographcranes00blaa/page/IV/mode/1up

The American crane. Plate V, Page V of F. E. Blaauw’s A Monograph of Cranes. H. (Heinrich) Leutemann, illustrator. Collections of the Smithsonian Libraries. Biodiversity Heritage Library, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/monographcranes00blaa/page/V/mode/1up

The Sarus crane. Plate VII, Page VII of F. E. Blaauw’s A Monograph of Cranes. H. (Heinrich) Leutemann, illustrator. Collections of the Smithsonian Libraries. Biodiversity Heritage Library, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/monographcranes00blaa/page/VII/mode/1up

The Demoiselle crane, chick. Plate Xa, Page Xa of F. E. Blaauw’s A Monograph of Cranes. H. (Heinrich) Leutemann, illustrator. Collections of the Smithsonian Libraries. Biodiversity Heritage Library, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/monographcranes00blaa/page/Xa/mode/1up

Hand-fans in shades of red. From the February email of Fans d’Eventail, Paris.

Checkerboard dislocation or magical trick fan in wood and silk ribbons. ca. 1900. From a patent registered in 1879 by Th. Heaulme-Fleury. Image © Fans d’Eventail, Paris. Fair use license. via https://www.fandeventails.fr/en/novelty-hands-fans/3461-ribbons-dislocation-magical-fan-cica-1880-90.html

Cockcade sliding fan with silk screen sliding with a small push button to fit into a wooden handle. ca. 1870. Patented model, maybe the one of Salomon-Isaac Meyer in 1870. Image © Fans d’Eventail, Paris. Fair use license. via https://www.fandeventails.fr/en/fixed-fans/3476-the-indispensable-necessaire-fan-circa-1880.html

Dislocating or trick fan in wood and silk ribbons. ca. 1880-1890. From a patent registered in 1879 by Th. Heaulme-Fleury. Image © Fans d’Eventail, Paris. Fair use license. via https://www.fandeventails.fr/en/novelty-hands-fans/3460-ribbons-dislocation-magical-fan-cica-1880-90.html

Hand-fan with bells. Wood sticks and guards with the fabric leaf being embroidered with bells. ca. 1880-1890. Maker not known. Image © Fans d’Eventail, Paris. Fair use license. via https://www.fandeventails.fr/en/19th-century-fans/3474-fan-with-bells-circa-1880-90.html

Imagery up in New York State’s Adirondack Mountains. Pencil drawings mostly done between 1921 and 1923. The artist is not known. Up for sale as one lot on the website of James Cummins Bookseller who I learned about at the antiquarian book fair in my city last fall.

DeGrasse River, Adirondacks. October 1923. American. Pencil drawing. Artist not known. Image © 2023 James Cummins Bookseller. Fair use license. via https://www.jamescumminsbookseller.com/pages/books/242968/adirondacks/thirteen-amateur-pencil-drawings-on-paper-of-scenes-of-mills-in-adirondacks-rochester-genessee

Adirondacks October 1922. Ten degrees below zero. American. Pencil drawing. Artist not known. Image © 2023 James Cummins Bookseller. Fair use license. via https://www.jamescumminsbookseller.com/pages/books/242968/adirondacks/thirteen-amateur-pencil-drawings-on-paper-of-scenes-of-mills-in-adirondacks-rochester-genessee

Adirondacks September 1922. American. Pencil drawing. Artist not known. Image © 2023 James Cummins Bookseller. Fair use license. via https://www.jamescumminsbookseller.com/pages/books/242968/adirondacks/thirteen-amateur-pencil-drawings-on-paper-of-scenes-of-mills-in-adirondacks-rochester-genessee

Genesee Lower Falls, Rochester, New York 1892. American. Pencil drawing. Artist not known. Image © 2023 James Cummins Bookseller. Fair use license. via https://www.jamescumminsbookseller.com/pages/books/242968/adirondacks/thirteen-amateur-pencil-drawings-on-paper-of-scenes-of-mills-in-adirondacks-rochester-genessee

Part of Rand Power Mills, Monroe County, New York. Erected Civil War 1860. American. Pencil drawing. Artist not known. Image © 2023 James Cummins Bookseller. Fair use license. via https://www.jamescumminsbookseller.com/pages/books/242968/adirondacks/thirteen-amateur-pencil-drawings-on-paper-of-scenes-of-mills-in-adirondacks-rochester-genessee

Rand Power Mill July 16 1921. American. Pencil drawing. Artist not known. Image © 2023 James Cummins Bookseller. Fair use license. via https://www.jamescumminsbookseller.com/pages/books/242968/adirondacks/thirteen-amateur-pencil-drawings-on-paper-of-scenes-of-mills-in-adirondacks-rochester-genessee

Imagery from Levi Walter Yaggy’s “Geographical Maps and Charts”(1887/93). So much prettier than the GPS on your phone.

Planetary System: Eclipse of the Sun; The Moon; The Zodiac Light: Meteoric Shower\ with five opening flaps, from Yaggy’s Geographical Study, 1887. Levi Walter Yaggy, maker. In the public domain due to age. via https://publicdomainreview.org/collection/yaggy-geographical-maps?utm_source=newsletter

Physical Geography, with the map’s subterranean layer displayed, from Yaggy’s Geographical Study, 1887. Levi Walter Yaggy, maker. In the public domain due to age. via https://publicdomainreview.org/collection/yaggy-geographical-maps?utm_source=newsletter

Planetary System: Eclipse of the Sun; The Moon; The Zodiac Light: Meteoric Shower. Chart, backlit with central flap open to reveal the Chart of the Heavens, from Yaggy’s Geographical Study, 1887. Levi Walter Yaggy, maker. In the public domain due to age. via https://publicdomainreview.org/collection/yaggy-geographical-maps?utm_source=newsletter

Geography: Physical, political, geological and astronomical. Title page. 1887. from Yaggy’s Geographical Study, 1887. Levi Walter Yaggy, maker. In the public domain due to age. via https://publicdomainreview.org/collection/yaggy-geographical-maps?utm_source=newsletter

Tropical Zone. Taken from Yaggy’s Geographical Portfolio, 1893. Levi Walter Yaggy, maker. In the public domain due to age. via https://publicdomainreview.org/collection/yaggy-geographical-maps?utm_source=newsletter

Arctic Zone. Taken from Yaggy’s Geographical Portfolio, 1893. Levi Walter Yaggy, maker. In the public domain due to age. via https://publicdomainreview.org/collection/yaggy-geographical-maps?utm_source=newsletter

Nature in Descending Regions. Taken from Yaggy’s Geographical Portfolio, 1893. Levi Walter Yaggy, maker. In the public domain due to age. via https://publicdomainreview.org/collection/yaggy-geographical-maps?utm_source=newsletter

View of Nature in Ascending Regions. Taken from Yaggy’s Geographical Portfolio, 1893. Levi Walter Yaggy, maker. In the public domain due to age. via https://publicdomainreview.org/collection/yaggy-geographical-maps?utm_source=newsletter

Decorate like it’s 1912 with hints from C. H. Baer’s “120 interiors in colours, designed by modern artists.” Published in Cleveland by J. H. Hansen in 1912.

Vestibule. Hans and Henry Lassen -Bremen. Watercolour by L. Gunkel – Bremen. Page 1 of 120 interiors in colours, designed by modern artists. Collections of and digitalized by the University of Illinois Champagne-Urbana. In the public domain due to age. via https://archive.org/details/120interiorsinco00baer/page/1/mode/1up

Vestibule. Schneiderelt and Wuensche – Friedenau – Berlin. Watercolour and decorative paintings by M. Pechstein – Berlin. Page 2 of 120 interiors in colours, designed by modern artists. Collections of and digitalized by the University of Illinois Champagne-Urbana. In the public domain due to age. via https://archive.org/details/120interiorsinco00baer/page/2/mode/1up

Vestible. Kurt Boschen – Moers on-the-Rhine. Page 3 of 120 interiors in colours, designed by modern artists. Collections of and digitalized by the University of Illinois Champagne-Urbana. In the public domain due to age. via https://archive.org/details/120interiorsinco00baer/page/3/mode/1up

Hall. Professor Richard Berndl- Munich. Watercolor by G. G. Klemm – Munich. Page 4 of 120 interiors in colours, designed by modern artists. Collections of and digitalized by the University of Illinois Champagne-Urbana. In the public domain due to age. via https://archive.org/details/120interiorsinco00baer/page/4/mode/1up

Vestibule. Schneiderelt and Wuensche – Friedenau – Berlin. Watercolour and decorative paintings by M. Pechstein – Berlin. Page 5 of 120 interiors in colours, designed by modern artists. Collections of and digitalized by the University of Illinois Champagne-Urbana. In the public domain due to age. via https://archive.org/details/120interiorsinco00baer/page/5/mode/1up

Hotel Vestibule. Professor Oswin Hempel – Dresden. Page 6 of 120 interiors in colours, designed by modern artists. Collections of and digitalized by the University of Illinois Champagne-Urbana. In the public domain due to age. via https://archive.org/details/120interiorsinco00baer/page/6/mode/1up

Staircase. Edgar Wood – Manchester. Page 7 of 120 interiors in colours, designed by modern artists. Collections of and digitalized by the University of Illinois Champagne-Urbana. In the public domain due to age. via https://archive.org/details/120interiorsinco00baer/page/7/mode/1up

Staircase landing. Lassen, Dresden. 8 of 120 interiors in colours, designed by modern artists. Collections of and digitalized by the University of Illinois Champagne-Urbana. In the public domain due to age. via https://archive.org/details/120interiorsinco00baer/page/8/mode/1up

Staircase landing. Emil Schaudt, Berlin. 9 of 120 interiors in colours, designed by modern artists. Collections of and digitalized by the University of Illinois Champagne-Urbana. In the public domain due to age. via https://archive.org/details/120interiorsinco00baer/page/9/mode/1up

Professor Richard Guhr- Dresden. Decorative Paintings. 1912. Page 10 of 120 interiors in colours, designed by modern artists. Collections of and digitalized by the University of Illinois Champagne-Urbana. In the public domain due to age. via https://archive.org/details/120interiorsinco00baer/page/10/mode/1up

Edgar Wood – Manchester – Staircase landing. 1912. Page 11 of 120 interiors in colours, designed by modern artists. Collections of and digitalized by the University of Illinois Champagne-Urbana. In the public domain due to age. via https://archive.org/details/120interiorsinco00baer/page/11/mode/1up

P. A. Staynes and A. T. Wolfe – London. Vestibule. 1912. Page 12 of 120 interiors in colours, designed by modern artists. Collections of and digitalized by the University of Illinois Champagne-Urbana. In the public domain due to age. via https://archive.org/details/120interiorsinco00baer/page/12/mode/1up

Edgar Wood – Manchester. Hall. 1912. Page 14 of 120 interiors in colours, designed by modern artists. Collections of and digitalized by the University of Illinois Champagne-Urbana. In the public domain due to age. via https://archive.org/details/120interiorsinco00baer/page/14/mode/1up

Professor Oswin Hempel-Dresden. Hall. 1912. Page 14 of 120 interiors in colours, designed by modern artists. Collections of and digitalized by the University of Illinois Champagne-Urbana. In the public domain due to age. via https://archive.org/details/120interiorsinco00baer/page/14/mode/1up

Gesellius, Lindgren and Saarinen-Helsingfors. Design for a Hall. 1912. Page 16 of 120 interiors in colours, designed by modern artists. Collections of and digitalized by the University of Illinois Champagne-Urbana. In the public domain due to age. via https://archive.org/details/120interiorsinco00baer/page/16/mode/1up

Professor Joseph Hoffmann-Vienna. Hall. 1912. Page 16 of 120 interiors in colours, designed by modern artists. Collections of and digitalized by the University of Illinois Champagne-Urbana. In the public domain due to age. via https://archive.org/details/120interiorsinco00baer/page/16/mode/1up

Art Nouveau illustrative work by illustrator Ezio Anichini. Living from 1886 to 1948, he did many covers for the Italian weekly periodical “La Scena Illustrata” along with a lot of Catholic art.

Cover for La Scena Illustrata. Undated. Italian. Ezio Anichini, illustrator (1886-1948). ca. 1900-1910. Artwork in the public domain due to age. via http://www.johncoulthart.com/feuilleton/2022/05/18/scena-illustrata-covers/

Bridal issue (I think). Firenze 1-15 Giugno 1921, fascicolo doppio 11-12. Cover for La Scena Illustrata. 1921. Italian. Ezio Anichini, illustrator (1886-1948). Artwork in the public domain due to age. via https://www.printmag.com/attachment-for-ezio-anichini-nouveau-art-vintage-artist-3/

Postcard reproducing the painting “Quo Vadis” (Lycia and Vinicius in the house of Lino) by Italian illustrator Ezio Anichini (1886-1948). ca. 1910. In the public domain due to age. via https://commons.wikimedia.org/wiki/File:Anichini-Ezio-Quo-Vadis.jpg

Postcard by Italian illustrator Ezio Anichini (1886-1948). Undated, by 1948. Artwork in the public domain due to age. via https://alifeoffairytales.tumblr.com/post/164015340483/ezio-anichini-postcards-on-bibliografia-e

Postcard by Italian illustrator Ezio Anichini (1886-1948). Undated, by 1948. Artwork in the public domain due to age. via https://alifeoffairytales.tumblr.com/post/164015340483/ezio-anichini-postcards-on-bibliografia-e

Many thanks to my friend Laurie Wolfe for sending me a link to work by this artist.

Engravings by Dalziel Brothers of London after Sir John Everett Millais Bt. PRA (1829 – 1896) that are in the collections of the Royal Academy of Art in London.

The Lost Piece of Silver. 1863. Wood engraving. Used as an illustration in Good Words magazine. English. Dalziel Brothers engravers after Sir John Everett Millais (1829-1896). Collections of the Royal Academy Of Arts, London. Image © Royal Academy Of Arts, London. Creative Commons license. Artwork itself in the public domain due to age. via https://www.royalacademy.org.uk/art-artists/work-of-art/the-lost-piece-of-silver

On the Water. 23rd July 1859. Wood engraving. English. Dalziel Brothers engravers after Sir John Everett Millais (1829-1896). Collections of the Royal Academy Of Arts, London. Image © Royal Academy Of Arts, London. Creative Commons license. Artwork itself in the public domain due to age. via https://www.royalacademy.org.uk/art-artists/work-of-art/on-the-water

Love. Undated. Wood engraving. English. Dalziel Brothers engravers after Sir John Everett Millais (1829-1896). Collections of the Royal Academy Of Arts, London. Image © Royal Academy Of Arts, London. Creative Commons license. Artwork itself in the public domain due to age. via https://www.royalacademy.org.uk/art-artists/work-of-art/love

Move to the suburbs and live the fashionable Victorian way with your own tower out front. Very stylish in 1852. Villa designs taken from Samuel Sloan’s “The model architect. a series of original designs for cottages, villas, suburban residences, etc., accompanied by explanations, specifications, estimates, and elaborate details : prepared expressly for the use of projectors and artisans throughout the United States”. Published in Philadelphia in 1852.

Design I: Perspective and Italian Villa. Plates I and II, Page 18 from The model architect. a series of original designs for cottages, villas, suburban residences, etc., accompanied by explanations, specifications, estimates, and elaborate details : prepared expressly for the use of projectors and artisans throughout the United States. P. S. Duval’s Steam Lithographic Press, Philadelphia, Pennsylvania lithographers after a drawing by Samuel Sloan, architect. E. S. Jones and Company, Philadelphia, publishers. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/modelarchitectse01sloa/page/n18/mode/1up

Design III. Side Elevation and Gothic Villa. Plate XI and XII. Plates I and II, Page 44 from The model architect. a series of original designs for cottages, villas, suburban residences, etc., accompanied by explanations, specifications, estimates, and elaborate details : prepared expressly for the use of projectors and artisans throughout the United States. P. S. Duval’s Steam Lithographic Press, Philadelphia, Pennsylvania lithographers after a drawing by Samuel Sloan, architect. E. S. Jones and Company, Philadelphia, publishers. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/modelarchitectse01sloa/page/n44/mode/1up

Design II. Perspective View and English Gothic Style (scale ten feet to the inch). Plate VI and VII, Page 32 from The model architect. a series of original designs for cottages, villas, suburban residences, etc., accompanied by explanations, specifications, estimates, and elaborate details : prepared expressly for the use of projectors and artisans throughout the United States. P. S. Duval’s Steam Lithographic Press, Philadelphia, Pennsylvania lithographers after a drawing by Samuel Sloan, architect. E. S. Jones and Company, Philadelphia, publishers. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/modelarchitectse01sloa/page/n32/mode/1up

Design VII. Perspective view and Elizabethan Villa. Plates XXV and XXVI, Page 72 from The model architect. a series of original designs for cottages, villas, suburban residences, etc., accompanied by explanations, specifications, estimates, and elaborate details : prepared expressly for the use of projectors and artisans throughout the United States. P. S. Duval’s Steam Lithographic Press, Philadelphia, Pennsylvania lithographers after a drawing by Samuel Sloan, architect. E. S. Jones and Company, Philadelphia, publishers. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/modelarchitectse01sloa/page/n72/mode/1up

Design VIII. Italian Residence and Ornamental Villa. Plate XXIX and XXX, Page 82 from The model architect. a series of original designs for cottages, villas, suburban residences, etc., accompanied by explanations, specifications, estimates, and elaborate details : prepared expressly for the use of projectors and artisans throughout the United States. P. S. Duval’s Steam Lithographic Press, Philadelphia, Pennsylvania lithographers after a drawing by Samuel Sloan, architect. E. S. Jones and Company, Philadelphia, publishers. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/modelarchitectse01sloa/page/n82/mode/1up

Design IX. Front Elevation and Side Elevation. Page 94 from The model architect. a series of original designs for cottages, villas, suburban residences, etc., accompanied by explanations, specifications, estimates, and elaborate details : prepared expressly for the use of projectors and artisans throughout the United States. P. S. Duval’s Steam Lithographic Press, Philadelphia, Pennsylvania lithographers after a drawing by Samuel Sloan, architect. E. S. Jones and Company, Philadelphia, publishers. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/modelarchitectse01sloa/page/n94/mode/1up

Design X. A Norman Villa. Plate XXXIX Page 106 from The model architect. a series of original designs for cottages, villas, suburban residences, etc., accompanied by explanations, specifications, estimates, and elaborate details : prepared expressly for the use of projectors and artisans throughout the United States. P. S. Duval’s Steam Lithographic Press, Philadelphia, Pennsylvania lithographers after a drawing by Samuel Sloan, architect. E. S. Jones and Company, Philadelphia, publishers. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/modelarchitectse01sloa/page/n106/mode/1up

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