Down to the water to catch a breeze with English painter John Brett. Living from 1831 to 1902, was a British artist associated with the Pre-Raphaelite movement. Studied with Richard Redgrave.

Distant Capri. 1897. British. Oil on canvas. John Brett, A.R.A, painter (1831-1902). Signed and dated John Brett 1897 incised lower left. Image © 2024 Sotheby’s. Fair use license. via https://www.sothebys.com/en/buy/auction/2024/european-british-art-l24101/distant-capri
Kynance. 1888. British. Oil on canvas. One of several studies that Brett produced on a visit in the autumn of 1888 as preparation for his ambitious painting The Lion, the Lizard and the Stags. John Brett, A.R.A, painter (1831-1902). Collections of the Metropolitan Museum of Art, New York. In the public domain due to age. via https://www.metmuseum.org/art/collection/search/435775
Carthillon Cliffs. 1878. British. Oil on canvas. John Brett, A.R.A, painter (1831-1902). Image credit and collections of Royal Holloway, University of London. Image © Royal Holloway, University of London. Artwork itself in the public domain due to age. via https://artuk.org/discover/artworks/carthillon-cliffs-12805
H.M.S. ‘Northumberland.’ Undated, by 1902. British. Oil on canvas. John Brett, painter (1831-1902). . Image credit and collections of the King’s Lynn Museums. Image © King’s Lynn Museums. Artwork itself in the public domain due to age. via https://artuk.org/discover/artworks/hms-northumberland-253

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