Decorate up in authenic 1950s style. Imagery from the June 1, 1953 issue of “Mobilier Décoration: Salon des Artistes Décorateurs et le Tourisme.” Collections of the Bibliothèque nationale de France @gallicabnf.

Aspirational decor from folios and magazines., Magazine cover or illustration 1 Minute
Bedroom. The Hollyhocks – The Gladioluses – The Poppies – Lovely bed-sets of fine cambric, printed by D. Porthault and delicately worked, a success in modern linen. D. Porthault, Nappes, linge de maison tailes fines. 18. rue Grange-Batelière – Paris. Advertisement. View 2, June 1 1953 issue of Mobilier Décoration: Salon des Artistes Décorateurs et le Tourisme. Collections of the Bibliothèque nationale de France @gallicabnf. https://gallica.bnf.fr/ark:/12148/bd6t54200714q/f2.item
Dominque M. Genevrière et A. Domin Meubles. Ensembles Modernes. 29, Avenue Kléber, Paris – 16 – Pas 10-77 et 78. Advertisement. View 5, June 1 1953 issue of Mobilier Décoration: Salon des Artistes Décorateurs et le Tourisme. Collections of the Bibliothèque nationale de France @gallicabnf. https://gallica.bnf.fr/ark:/12148/bd6t54200714q/f5.item
La Maison d’Art. Installation villas, appartements, bureaux, hotels. 124, Rue Colbert Casablanca. Télephone: 244-24. Berthier, Décorateur. 48 Rue Vital Paris (XVI). Advertisement. View 8, June 1 1953 issue of Mobilier Décoration: Salon des Artistes Décorateurs et le Tourisme. Collections of the Bibliothèque nationale de France @gallicabnf. https://gallica.bnf.fr/ark:/12148/bd6t54200714q/f8.item
Raymond Subes – Chambre en aluminum – Aluminite. Photo Chevojon. Page 6, June 1 1953 issue of Mobilier Décoration: Salon des Artistes Décorateurs et le Tourisme. Collections of the Bibliothèque nationale de France @gallicabnf. https://gallica.bnf.fr/ark:/12148/bd6t54200714q/f30.item#

Published by sarahbguestperry

On a voyage to see how much mileage I can get from the creative ability and eye for images that my family thought was useless. On line art curator, fiction writer and now blogger. Historian's daughter. Follow me . . .even I have no idea where I'm going next.

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