Nearly forgotten but glorious art, envisionings and historical oddments from the back corners of the internet
Getting lost heading for the Krammets Berg. Bavaria back in 1853 with some lovely illustrations of the Alps and the chamois the man who wrote this memoir went to Bavaria to hunt. It resides in the stacks of the Boston Public Library where it is no doubt covered with dust.
Frontispiece – Chamois. Page 6 of Charles Boner’s 1853 work Chamois Hunting in the Mountains of Bavaria. Theodor Horschelt, Munich, illustrator. Published in London by Chapman and Hall. Collections of the Boston Public Library. In the public domain due to age. https://archive.org/details/chamoishuntingin00bone/page/n5/mode/1upA ‘Graben.’ Page 205 of Charles Boner’s 1853 work Chamois Hunting in the Mountains of Bavaria. Theodor Horschelt, Munich, illustrator. J. B. Kuhn and F Hohe, Munich, lithographers. Published in London by Chapman and Hall. Collections of the Boston Public Library. In the public domain due to age. https://archive.org/details/chamoishuntingin00bone/page/n205/mode/1upChamois – Vignette. Page 366 of Charles Boner’s 1853 work Chamois Hunting in the Mountains of Bavaria. Theodor Horschelt, Munich, illustrator. J. B. Kuhn and F Hohe, Munich, lithographers. Published in London by Chapman and Hall. Collections of the Boston Public Library. In the public domain due to age. https://archive.org/details/chamoishuntingin00bone/page/366/mode/1upCottage in the Bavarian Highlands – Vignette. Page 210 of Charles Boner’s 1853 work Chamois Hunting in the Mountains of Bavaria. Theodor Horschelt, Munich, illustrator. J. B. Kuhn and F Hohe, Munich, lithographers. Published in London by Chapman and Hall. Collections of the Boston Public Library. In the public domain due to age. https://archive.org/details/chamoishuntingin00bone/page/210/mode/1up
On a voyage to see how much mileage I can get from the creative ability and eye for images that my family thought was useless. On line art curator, fiction writer and now blogger. Historian's daughter. Follow me . . .even I have no idea where I'm going next.
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