The album was in the collections of Winifred Bois. Winifred Bois was the daughter of Frederic William Bois, (1848-1921). Frederic was an amateur photographer who exhibited at the Paris Exhibition of 1900, and whose family had held a prominent place in the mercantile life of Ceylon since the 1860s. Winifred traveled extensively in the Far East. She collected Chinese school watercolors.
Title page. Page 2, Das Thier in der decorativen Kunst. Anton Seder,artist. Published in 1896 in Vienna by Gerlach and Schenk. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125013920190/page/n2/mode/1upPage 6, Das Thier in der decorativen Kunst. Anton Seder, artist. Published in 1896 in Vienna by Gerlach and Schenk. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125013920190/page/n6/mode/1upPage 8, Das Thier in der decorativen Kunst. Anton Seder, artist. Published in 1896 in Vienna by Gerlach and Schenk. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125013920190/page/n8/mode/1upPage 10, Das Thier in der decorativen Kunst. Anton Seder, artist. Published in 1896 in Vienna by Gerlach and Schenk. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125013920190/page/n10/mode/1upPage 12, Das Thier in der decorativen Kunst. Anton Seder, artist. Published in 1896 in Vienna by Gerlach and Schenk. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125013920190/page/n12/mode/1upPage 22, Das Thier in der decorativen Kunst. Anton Seder, artist. Published in 1896 in Vienna by Gerlach and Schenk. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125013920190/page/n22/mode/1upPage 24, Das Thier in der decorativen Kunst. Anton Seder, artist. Published in 1896 in Vienna by Gerlach and Schenk. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125013920190/page/n24/mode/1upPage 28, Das Thier in der decorativen Kunst. Anton Seder, artist. Published in 1896 in Vienna by Gerlach and Schenk. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125013920190/page/n28/mode/1upPage 32, Das Thier in der decorativen Kunst. Anton Seder, artist. Published in 1896 in Vienna by Gerlach and Schenk. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125013920190/page/n32/mode/1upPage 34, Das Thier in der decorativen Kunst. Anton Seder, artist. Published in 1896 in Vienna by Gerlach and Schenk. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125013920190/page/n34/mode/1upPage 38, Das Thier in der decorativen Kunst. Anton Seder, artist. Published in 1896 in Vienna by Gerlach and Schenk. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125013920190/page/n38/mode/1upPage 40, Das Thier in der decorativen Kunst. Anton Seder, artist. Published in 1896 in Vienna by Gerlach and Schenk. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125013920190/page/n40/mode/1upPage 42, Das Thier in der decorativen Kunst. Anton Seder, artist. Published in 1896 in Vienna by Gerlach and Schenk. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125013920190/page/n42/mode/1upPage 45, Das Thier in der decorativen Kunst. Anton Seder, artist. Published in 1896 in Vienna by Gerlach and Schenk. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125013920190/page/n45/mode/1upPage 48, Das Thier in der decorativen Kunst. Anton Seder, artist. Published in 1896 in Vienna by Gerlach and Schenk. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125013920190/page/n48/mode/1upPage 50, Das Thier in der decorativen Kunst. Anton Seder, artist. Published in 1896 in Vienna by Gerlach and Schenk. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125013920190/page/n50/mode/1upPage 52, Das Thier in der decorativen Kunst. Anton Seder, artist. Published in 1896 in Vienna by Gerlach and Schenk. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125013920190/page/n52/mode/1upPage 56, Das Thier in der decorativen Kunst. Anton Seder, artist. Published in 1896 in Vienna by Gerlach and Schenk. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125013920190/page/n56/mode/1upPage 58, Das Thier in der decorativen Kunst. Anton Seder, artist. Published in 1896 in Vienna by Gerlach and Schenk. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125013920190/page/n58/mode/1upPage 60, Das Thier in der decorativen Kunst. Anton Seder, artist. Published in 1896 in Vienna by Gerlach and Schenk. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125013920190/page/n60/mode/1upPage 62, Das Thier in der decorativen Kunst. Anton Seder, artist. Published in 1896 in Vienna by Gerlach and Schenk. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125013920190/page/n62/mode/1up
The first three of these lithographs are part of one lot that is currently up for bid by Swann Auction Galleries. “An Indian Ball-Play” is in the collections of the Beinecke Rare Book and Manuscript Library at Yale University.
Piers for gates. Batty Langley Inventory 1739. Thomas Langley delineator and sculptor. Plate XVI, Page 25 of the Boston Architectural Club year book for 1922. Collections of the Boston Architectural College Library. Digitalization federally funded with LSTA funds through the Massachusetts Board of Library Commissioners. In the public domain due to age. via https://archive.org/details/bostonarchitectu1922bost/page/n24/mode/1upThe Semi Plans of the Piers. Batty Langley Inventory 1739. Thomas Langley delineator and sculptor. Plate XVII, Page 25 of the Boston Architectural Club year book for 1922. Collections of the Boston Architectural College Library. Digitalization federally funded with LSTA funds through the Massachusetts Board of Library Commissioners. In the public domain due to age. via https://archive.org/details/bostonarchitectu1922bost/page/n25/mode/1upPiers for Gates at the Entrances into Palaces: Semi Plan; by Lord Burlington at Chiswick; By Inigo Jones at Windsor Castle/The Measures to the Principal and Particular Parts of each Pier Invented by Batty Langley. Thomas Langley, Sculptor. Plate XVIII. Page 26 of the Boston Architectural Club year book for 1922. Collections of the Boston Architectural College Library. Digitalization federally funded with LSTA funds through the Massachusetts Board of Library Commissioners. In the public domain due to age. via https://archive.org/details/bostonarchitectu1922bost/page/n26/mode/1upTuscan and Dorick Piers for Gates. Batty Langley Inventory 1739. Thomas Langley delineator and sculptor. Plate XIX, Page 27 of the Boston Architectural Club year book for 1922. Collections of the Boston Architectural College Library. Digitalization federally funded with LSTA funds through the Massachusetts Board of Library Commissioners. In the public domain due to age. via https://archive.org/details/bostonarchitectu1922bost/page/n27/mode/1upTuscan Gate: The Curvature of the Raking Cornice. Batty Langley Inventory 1739. Thomas Langley delineator and sculptor. Plate XXI, Page 29 of the Boston Architectural Club year book for 1922. Collections of the Boston Architectural College Library. Digitalization federally funded with LSTA funds through the Massachusetts Board of Library Commissioners. In the public domain due to age. via https://archive.org/details/bostonarchitectu1922bost/page/n29/mode/1up
Page 37, Plate 13 from Viñetas decorativas según el gusto del día. 30 láminas iluminadas a mano. 1922. French. Collections of and digitalized by the Sterling and Francine Clark Art Institute Library. In the public domain due to age. via https://archive.org/details/vietasdecorativa00umbd/page/n36/mode/1upPage 38, Plate 11 from Viñetas decorativas según el gusto del día. 30 láminas iluminadas a mano. 1922. French. Collections of and digitalized by the Sterling and Francine Clark Art Institute Library. In the public domain due to age. via https://archive.org/details/vietasdecorativa00umbd/page/n39/mode/1upPage 40, Plate 15 from Viñetas decorativas según el gusto del día. 30 láminas iluminadas a mano. 1922. French. Collections of and digitalized by the Sterling and Francine Clark Art Institute Library. In the public domain due to age. via https://archive.org/details/vietasdecorativa00umbd/page/n40/mode/1upNumber 16 Page 42 from Viñetas decorativas según el gusto del día. 30 láminas iluminadas a mano. 1922. French. Collections of and digitalized by the Sterling and Francine Clark Art Institute Library. In the public domain due to age. via https://archive.org/details/vietasdecorativa00umbd/page/n42/mode/1upNumber 17, Page 44 from Viñetas decorativas según el gusto del día. 30 láminas iluminadas a mano. 1922. French. Collections of and digitalized by the Sterling and Francine Clark Art Institute Library. In the public domain due to age. via https://archive.org/details/vietasdecorativa00umbd/page/n44/mode/1upNumber 18, Page 46 from Viñetas decorativas según el gusto del día. 30 láminas iluminadas a mano. 1922. French. Collections of and digitalized by the Sterling and Francine Clark Art Institute Library. In the public domain due to age. via https://archive.org/details/vietasdecorativa00umbd/page/n44/mode/1upfrom Viñetas decorativas según el gusto del día. 30 láminas iluminadas a mano. Image 24, Page 59. 1922. French. Collections of and digitalized by the Sterling and Francine Clark Art Institute Library. In the public domain due to age. via https://archive.org/details/vietasdecorativa00umbd/page/n59/mode/1upfrom Viñetas decorativas según el gusto del día. 30 láminas iluminadas a mano. Image 26, page 62. 1922. French. Collections of and digitalized by the Sterling and Francine Clark Art Institute Library. In the public domain due to age. via https://archive.org/details/vietasdecorativa00umbd/page/n62/mode/1upfrom Viñetas decorativas según el gusto del día. 30 láminas iluminadas a mano. Image 30, page 70. 1922. French. Collections of and digitalized by the Sterling and Francine Clark Art Institute Library. In the public domain due to age. via https://archive.org/details/vietasdecorativa00umbd/page/n70/mode/1up