Scans of 1912 wallpaper samples from a sample catalogue put out by Franz Schlote Dresden. Collections of SLUB Dresden, The Saxon State and University Library Dresden.

Front cover of a 1912 Franz Schlote Dresden wallpaper sample book. Collections and image SLUB Dresden. In the public domain due to age. https://digital.slub-dresden.de/werkansicht/dlf/860975/1
Wallpaper sample. Image 5, taken from a 1912 Franz Schlote Dresden wallpaper sample book. Collections and image SLUB Dresden. In the public domain due to age. https://digital.slub-dresden.de/werkansicht/dlf/860975/5#
Wallpaper sample. Image 15, taken from a 1912 Franz Schlote Dresden wallpaper sample book. Collections and image SLUB Dresden. In the public domain due to age. https://digital.slub-dresden.de/werkansicht/dlf/860975/15#
Wallpaper sample. Image 27, taken from a 1912 Franz Schlote Dresden wallpaper sample book. Collections and image SLUB Dresden. In the public domain due to age. https://digital.slub-dresden.de/werkansicht/dlf/860975/27#
Wallpaper sample. Image 51, taken from a 1912 Franz Schlote Dresden wallpaper sample book. Collections and image SLUB Dresden. In the public domain due to age. https://digital.slub-dresden.de/werkansicht/dlf/860975/51#
Wallpaper sample. Image 83, taken from a 1912 Franz Schlote Dresden wallpaper sample book. Collections and image SLUB Dresden. In the public domain due to age. https://digital.slub-dresden.de/werkansicht/dlf/860975/83#
Wallpaper sample. Image 199, taken from a 1912 Franz Schlote Dresden wallpaper sample book. Collections and image SLUB Dresden. In the public domain due to age. https://digital.slub-dresden.de/werkansicht/dlf/860975/199#
Wallpaper sample. Image 329, taken from a 1912 Franz Schlote Dresden wallpaper sample book. Collections and image SLUB Dresden. In the public domain due to age. https://digital.slub-dresden.de/werkansicht/dlf/860975/329#

Time to fix up the living room before your future mother in law stops by for a drink. A few little somethings found in a 1920s trade catalogue titled “East Meets West” Luxury Lampshades and Pillows” published by the luxury department store Harvey Nichols & Company Ltd, London.

East has met West, with what happy results! Harvey Nichols and Company Ltd. Knightsbridge S.W.1. (London). Taken from a 1920s Harvey Nichols and Company Ltd. trade catalog titled East Meets West” Luxury Lampshades and Pillows.” Image © 2025 Eclectibles. Fair use license. Artwork itself in the public domain due to age. via https://www.eclectibles.com/pages/books/26001298/1920s-harvey-nichols-trade-catalogue-east-meets-west-luxury-lampshades-and-pillows
Reading and table lamps with lampshades and a large cushion in the same colors, the company logo for Harvey Nichols and Company Ltd. Knightsbridge S.W.1., London, England on the lower left. Taken from a 1920s Harvey Nichols and Company Ltd. trade catalog titled East Meets West” Luxury Lampshades and Pillows.” Image © 2025 Eclectibles. Fair use license. Artwork itself in the public domain due to age. via https://www.eclectibles.com/pages/books/26001298/1920s-harvey-nichols-trade-catalogue-east-meets-west-luxury-lampshades-and-pillows

Wide spaces need the warm hand of colour to make them beautiful. Harvey Nichols and Company, Ltd. Knightsbridge S.W.1. (London). Taken from a 1920s Harvey Nichols and Company Ltd. trade catalog titled East Meets West” Luxury Lampshades and Pillows.” Image © 2025 Eclectibles. Fair use license. Artwork itself in the public domain due to age. via https://www.eclectibles.com/pages/books/26001298/1920s-harvey-nichols-trade-catalogue-east-meets-west-luxury-lampshades-and-pillows
The aesthetic mood need not be hard (left); Sunset colours for sunset rooms (right). Harvey Nichols and Company Ltd, Knightsbridge S.W.1. (London). aken from a 1920s Harvey Nichols and Company Ltd. trade catalog titled East Meets West” Luxury Lampshades and Pillows.”. Image © 2025 Eclectibles. Fair use license. Artwork itself in the public domain due to age. via https://www.eclectibles.com/pages/books/26001298/1920s-harvey-nichols-trade-catalogue-east-meets-west-luxury-lampshades-and-pillows
The dignity of graceful simplicity; There is rest for mind and body amid such colour harmony. Harvey Nichols and Company Ltd, Knightsbridge S.W.1. (London). aken from a 1920s Harvey Nichols and Company Ltd. trade catalog titled East Meets West” Luxury Lampshades and Pillows.”. Image © 2025 Eclectibles. Fair use license. Artwork itself in the public domain due to age. via https://www.eclectibles.com/pages/books/26001298/1920s-harvey-nichols-trade-catalogue-east-meets-west-luxury-lampshades-and-pillows
What more beautiful for boudoir or bathroom? Harvey Nichols and Company Ltd, Knightsbridge S.W.1. (London). aken from a 1920s Harvey Nichols and Company Ltd. trade catalog titled East Meets West” Luxury Lampshades and Pillows.”. Image © 2025 Eclectibles. Fair use license. Artwork itself in the public domain due to age. via https://www.eclectibles.com/pages/books/26001298/1920s-harvey-nichols-trade-catalogue-east-meets-west-luxury-lampshades-and-pillows

Harvey Nichols and Company Ltd. still has a store in Knightsbridge. They also have stores in Edinburgh, Birmingham, Leeds and Manchester, Bristol and Dublin. or shop online harveynichols.com.

Silver salts in fun designs from Hunt & Roskell, a British jewelry and silversmithing firm that operated from 1843 to 1897. Queen Victoria shopped there a lot.

A pair of Victorian silver figural salt cellars. Made in 1892. British. Made by Hunt and Roskell, Bond Street, London. Image ©2024 Artnet Worldwide Corporation. Fair use license. via https://www.artnet.de/k%C3%BCnstler/hunt-roskell/a-pair-of-victorian-silver-figural-salt-cellars-MfAGfrgDr6G9rCllhvuYzg2
Set of four Victorian silver and parcel-gilt figural salts, modelled as four children in 18th century dress, all holding gilt lined baskets to sell their wares, on grass-effect pedestal bases, inscribed with the monogram ‘MTU’, with wood inserts. 1854. British. John Samuel Hunt, maker. Maker’s marks: stamped Hunt & Roskell Late Storr & Mortimer 7219. Image © Bonhams 2001-2025. Fair use license. via https://www.bonhams.com/auction/28067/lot/749/a-set-of-four-victorian-silver-and-parcel-gilt-figural-salts-john-samuel-hunt-london-1854-incuse-stamped-hunt-and-roskell-late-storr-and-mortimer-7219-4/
Silver salts modeled as kangaroos. The cast and chased seated kangaroos sitting on rocky bases, with shell form dishes with later silver gilt spoons. Victorian, made in 854 and 1856. British, made in London, England by Hunt and Roskell. Maker’s marks: The shell salts stamped with initials for John Samuel Hunt. Each salt stamped on the reverse Hunt & Roskell Late Storr & Mortimer 7879. The bases  hallmarked London 1854 and 1856. Image © Catherine Southon. Fair use license. https://www.catherinesouthon.co.uk/news-blogs/the-rare-hunt-roskell-silver-roos-pulled-from-a-pouch-antiques-trade-gazette/

South African flower pictures. From 1848 but they probably still look like the same. Taken from Arabella Roupell’s “Specimens of the Flora of South Africa by a Lady.” The first edition and published by the Shakespeare Press.

Title page, image/page 4. Hand-colored lithographic plate after a drawing by Arabella Roupell. Taken from her work Specimens of the Flora of South Africa by a Lady. Published in 1849 by the Shakespeare Press. Collections of the Peter H. Haven Library, Missouri Botanical Garden via the Biodiversity Library. Artwork in the public domain due to age. https://www.biodiversitylibrary.org/item/96817#page/4/mode/1up
Sparaxis pendula. Image/page 14. Hand-colored lithographic plate after a drawing by Arabella Roupell. Taken from her work Specimens of the Flora of South Africa by a Lady. Published in 1849 by the Shakespeare Press. Collections of the Peter H. Haven Library, Missouri Botanical Garden via the Biodiversity Library. Artwork in the public domain due to age. https://www.biodiversitylibrary.org/item/96817#page/14/mode/1up
Group of Sparaxis. Image/page 22. Hand-colored lithographic plate after a drawing by Arabella Roupell. Taken from her work Specimens of the Flora of South Africa by a Lady. Published in 1849 by the Shakespeare Press. Collections of the Peter H. Haven Library, Missouri Botanical Garden via the Biodiversity Library. Artwork in the public domain due to age. https://www.biodiversitylibrary.org/item/96817#page/22/mode/1up
Group of Iridea. Image/page 18. Hand-colored lithographic plate after a drawing by Arabella Roupell. Taken from her work Specimens of the Flora of South Africa by a Lady. Published in 1849 by the Shakespeare Press. Collections of the Peter H. Haven Library, Missouri Botanical Garden via the Biodiversity Library. Artwork in the public domain due to age. https://www.biodiversitylibrary.org/item/96817#page/18/mode/1up
Brunsvigia multiflora. Image/page 30. Hand-colored lithographic plate after a drawing by Arabella Roupell. Taken from her work Specimens of the Flora of South Africa by a Lady. Published in 1849 by the Shakespeare Press. Collections of the Peter H. Haven Library, Missouri Botanical Garden via the Biodiversity Library. Artwork in the public domain due to age. https://www.biodiversitylibrary.org/item/96817#page/30/mode/1up
Leucospermum Conocarpum, Protea Speciosa and Protea Lepidodendron. Image/page 34. Hand-colored lithographic plate after a drawing by Arabella Roupell. Taken from her work Specimens of the Flora of South Africa by a Lady. Published in 1849 by the Shakespeare Press. Collections of the Peter H. Haven Library, Missouri Botanical Garden via the Biodiversity Library. Artwork in the public domain due to age. https://www.biodiversitylibrary.org/item/96817#page/34/mode/1up
Roupellia grata. Image/page 44. Hand-colored lithographic plate after a drawing by Arabella Roupell. Taken from her work Specimens of the Flora of South Africa by a Lady. Published in 1849 by the Shakespeare Press. Collections of the Peter H. Haven Library, Missouri Botanical Garden via the Biodiversity Library. Artwork in the public domain due to age. https://www.biodiversitylibrary.org/item/96817#page/44/mode/1up

Arabella Roupell travelled in Cape Colony between 1843 and 1845. There she met the botanist Nathaniel Wallich, who encouraged her to publish her drawings, as did Sir William Hooker, director of Kew Gardens, who made the selection of images to be included in Specimens. The text was supplied by the Irish botanist William Henry Harvey. This captioning is from a listing on a current Bonhams catalogue here https://www.bonhams.com/auction/29883/lot/20/roupell-arabella-e-specimens-of-the-flora-of-south-africa-by-a-lady-first-edition-w-nichol-shakespeare-press-1849/ . They are auctioning one of the lithographs that I didn’t pick up for this post but you can see it at the link. I found a scan of the book it was taken from over on the Biodiversity Heritage Library which is connected with the Smithsonian.

Imagery from “Illuminated ornaments : selected from manuscripts and early printed books, from the sixth to the seventeenth centuries.” Mostly medieval, all lovely and in wonderful colors. Published in 1833 so very early. Drawn and engraved by Henry Shaw with descriptions by Sir Frederick Madden who was Assistant Keeper of manuscripts at the British Museum.

From the British Museum, Cottonian Library Nero D. 4. Drawn and Etched by Henry Shaw; Published in London by William Pickering, Chancery Lane, April 1, 1831. Image 36 from Illuminated ornaments: selected from manuscripts and early printed books, from the sixth to the seventeenth centuries. Collections of the Getty Research Institute. In the public domain due to age. via https://archive.org/details/illuminatedornam00shaw/page/n35/mode/1up
From Illuminated Drawings of the 11th Century. In the Possession of William Young Ouley, Esquire, F.S.A. Published in London by William Pickering, Chancery Lane, April 1, 1831. Image 43 from Illuminated ornaments: selected from manuscripts and early printed books, from the sixth to the seventeenth centuries. Collections of the Getty Research Institute. In the public domain due to age. via https://archive.org/details/illuminatedornam00shaw/page/n43/mode/1up
Column capitals from a folio volume written on thick vellum, in the mid 12th century, containing the books of Joshua, Judges, Ruth and Kings. From the British Museum, Royal M.S. I, C VII. Published in London by William Pickering, Chancery Lane, June 1, 1832. Image 52 from Illuminated ornaments: selected from manuscripts and early printed books, from the sixth to the seventeenth centuries. Collections of the Getty Research Institute. In the public domain due to age. via https://archive.org/details/illuminatedornam00shaw/page/n52/mode/1up
From a Missal in the possession of the Right Honourable Lord Braybrooke. London. Published by W. Pickering, Chancery Lane. Image 87 from Illuminated ornaments: selected from manuscripts and early printed books, from the sixth to the seventeenth centuries. Collections of the Getty Research Institute. In the public domain due to age. via https://archive.org/details/illuminatedornam00shaw/page/n87/mode/1up
From a Missal in the possession of the Right Honourable Lord Braybrooke. London. Published by W. Pickering, Chancery Lane. Image 89 from Illuminated ornaments: selected from manuscripts and early printed books, from the sixth to the seventeenth centuries. Collections of the Getty Research Institute. In the public domain due to age. via https://archive.org/details/illuminatedornam00shaw/page/n89/mode/1up
Ornaments from a Manuscript formerly in the Vatican executed for Pope Innocent 8th between the years 1454 and 1492. In the Possession of William Young Ouley, Esquire, F.S.A. Published by W. Pickering, Chancery Lane. Image 185 from Illuminated ornaments: selected from manuscripts and early printed books, from the sixth to the seventeenth centuries. Collections of the Getty Research Institute. In the public domain due to age. via https://archive.org/details/illuminatedornam00shaw/page/n185/mode/1up
From the Sforziada printed at Milan by Zaratto in 1490. From the Collections of Philp Augustus Hanrott Esquire. Published by W. Pickering, Chancery Lane. Image 203 from Illuminated ornaments: selected from manuscripts and early printed books, from the sixth to the seventeenth centuries. Collections of the Getty Research Institute. In the public domain due to age. via https://archive.org/details/illuminatedornam00shaw/page/n203/mode/1up
From a Manuscript in the Ashmolean Museum, Oxford. Published by W. Pickering, Chancery Lane. Image 213 from Illuminated ornaments: selected from manuscripts and early printed books, from the sixth to the seventeenth centuries. Collections of the Getty Research Institute. In the public domain due to age. via https://archive.org/details/illuminatedornam00shaw/page/n213/mode/1up

Learning to draw and write the pretty way. Imagery from the 1750 alphabet book “Writing and drawing made easy, amusing and instructive : containing the whole alphabet in all the characters now us’d . . .” Printed for and sold by T. Bellamy bookseller at Kingston upon Thames.

The ant: Diligence, frugality. J. Hulott, sculp. Image 16 from Writing and drawing made easy, amusing and instructive : containing the whole alphabet in all the characters now us’d . . . 1750. English, printed in London. Printed for and sold by T. Bellamy bookseller, located at Kingston upon Thames. Collections of the Getty Research Institute. Digitalized by the Internet Archive. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t7qn6h64w&seq=17&view=1up
The crocodile: Dissimulation and infidelity, J. Hulott, sculp. Image 24 from Writing and drawing made easy, amusing and instructive : containing the whole alphabet in all the characters now us’d . . . 1750. English, printed in London. Printed for and sold by T. Bellamy bookseller, located at Kingston upon Thames. Collections of the Getty Research Institute. Digitalized by the Internet Archive. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t7qn6h64w&seq=24&view=1up
The dog: vigilance and fidelity: J. Hulott, sculp. Image 28 from Writing and drawing made easy, amusing and instructive : containing the whole alphabet in all the characters now us’d . . . 1750. English, printed in London. Printed for and sold by T. Bellamy bookseller, located at Kingston upon Thames. Collections of the Getty Research Institute. Digitalized by the Internet Archive. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t7qn6h64w&seq=28&view=1up
The eagle: honour and ambition. J. Hulott, sculp. Image 32 from Writing and drawing made easy, amusing and instructive : containing the whole alphabet in all the characters now us’d . . . 1750. English, printed in London. Printed for and sold by T. Bellamy bookseller, located at Kingston upon Thames. Collections of the Getty Research Institute. Digitalized by the Internet Archive. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t7qn6h64w&seq=32&view=1up
The fox: hypocrisy and prophaness. J. Hulott, sculp. Image 36 from Writing and drawing made easy, amusing and instructive : containing the whole alphabet in all the characters now us’d . . . 1750. English, printed in London. Printed for and sold by T. Bellamy bookseller, located at Kingston upon Thames. Collections of the Getty Research Institute. Digitalized by the Internet Archive. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t7qn6h64w&seq=36&view=1up
The grass hopper: indolence and inactivity. J. Hulott, sculp. Image 40 from Writing and drawing made easy, amusing and instructive : containing the whole alphabet in all the characters now us’d . . . 1750. English, printed in London. Printed for and sold by T. Bellamy bookseller, located at Kingston upon Thames. Collections of the Getty Research Institute. Digitalized by the Internet Archive. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t7qn6h64w&seq=40&view=1up

Will be back to pick up more of the letters later.

Silver locomotives. A new centerpiece or to dress up the mantlepiece. Also a presentation railroad carriage in sterling silver running on its own track made in 1860 that I just found over on 1st Dibs.


Parcel-gilt silver filigree locomotive form spice box with rose-gilt caps, the front with later Hebrew inscription with a dedication to a synagogue, presumably the one it was given to in Bucharest. 1850-1900. Not sure where it was made but it was given to a synagogue in Bucharest, Romania. From the style and ornamentation it looks like it was made in Eastern Europe, not Britain.  Judaica. Image @ 2024 Sothebys. Fair use license. via https://www.sothebys.com/en/buy/auction/2022/the-halpern-judaica-collection-tradition-and-treasure-part-i/a-parcel-gilt-silver-filigree-locomotive-form
Silver gilt novelty steam engine pulling an open car. Victorian. English. marked London 1889. Alfred Benson and Henry Hugh Webb, makers. Image  © 2016 Seidenberg Antiques. Fair use license. https://www.seidenbergantiques.com/shop/objects-d-art/english/rare-victorian-silver-gilt-novelty-locomotive.html

Sterling silver locomotive Christmas tree ornament. ca. 1970s. American. Gorham, maker. © 1stDibs.com, Inc. 2024
Fair use license. https://www.1stdibs.com/furniture/dining-entertaining/sterling-silver/sterling-silver-christmas-tree-locomotive-ornament-gorham/id-f_820765/?crlt.pid=camp.uMYGBFXO5fHb&epik=dj0yJnU9Nks0aVlHVy02T0xjQXFYcEpmTUwyWV9Hb1FNX2hiTEsmcD0wJm49Y0lhZG1ISGY3UWgzSkI1SWxHanFEZyZ0PUFBQUFBR1hvOWZ3
Sterling silver presentation railway carriage/centerpiece sitting on a bespoke oak wood presentation plinth, ornamented with a wooden railway track, realistically modelled with rails, fasteners, and railroad ties. The body of the carriage having a rectangular form with an elevated hallmarked gallery border, realistically modeled in the form of the carriage’s struts and graces. Either side of this gallery features an exceptional contemporary engraved coat of arms, one pertains to the Borough of Morpeth / County Northumberland and features the Latin motto Inter sylvas et flumina habitans – Living among woods and streams. The other coat of arms pertains to the Trevelyan family; it incorporates the crest of two arms in armor embowed, the hands supporting a bezant, thereon a parrot statant, all above the Old English motto Tyme tryeth troth – Time tests faith. The ends feature cast sterling silver buffer stops flanking the contemporary engraved initials ‘RW‘ to one end, and ‘JT‘ to the other. The surface of the body bears the contemporary engraved inscription Presented to Pauline Lady Trevelyan on the Occasion of opening the first section of the Wansbeck Railway, April 21 1862. The railway carriage is supported by a hallmarked sterling silver chassis framework, complete with the wheelset including functional wheels and ornamental axle boxes bearing the numeral ‘7’. 1860-1862. Made in London England by Edward and John Barnard. Maker’s marks: hallmarks to the chassis. Image © 1stDibs.com, Inc. 2024. Fair use license. https://www.1stdibs.com/furniture/decorative-objects/desk-accessories/more-desk-accessories/antique-victorian-sterling-silver-presentation-railway-carriage-centerpiece/id-f_26282692/


 Watercolors of fashionable interiors in houses and hotels that look to be from the 1840s. From an album probably kept by a female member of the  Coote family whose family seat was at Ballyfin, Leinster, Ireland. The album being up for sale on the website of rare book dealer Justin Croft.

Untitled interior with woman reading by a fireside with the room looking to be the same as that in the watercolor titled “Caza Leoli, Pise,” Italy. ca. 1840s. Anglo-Irish. Watercolor that is part of an album that was probably kept by a female member of the  Coote family whose family seat was at Ballyfin, Leinster, Ireland. Image © 2023 Justin Croft. Fair use license. via https://www.justincroft.com/book/7779/coote-family/album/.
Caza Leoli – à Pise. Two men seated on chairs with a third standing in front of the fireplace in the same hotel parlor or suite as the first image, as the furnishings and wallpaper are identical, located in Pisa, Italy. ca. 1840s. Anglo-Irish. Watercolor that is part of an album that was probably kept by a female member of the  Coote family whose family seat was at Ballyfin, Leinster, Ireland. Image © 2023 Justin Croft. Fair use license. via https://www.justincroft.com/book/7779/coote-family/album/.

Salon au Quai du Midi (Nice?). ca. 1840s. Anglo-Irish. Watercolor that is part of an album that was probably kept by a female member of the  Coote family whose family seat was at Ballyfin, Leinster, Ireland. Image © 2023 Justin Croft. Fair use license. via https://www.justincroft.com/book/7779/coote-family/album/.
Un salon d’Hôtel – 1842. à Tours. Anglo-Irish. Watercolor that is part of an album that was probably kept by a female member of the  Coote family whose family seat was at Ballyfin, Leinster, Ireland. Image © 2023 Justin Croft. Fair use license. via https://www.justincroft.com/book/7779/coote-family/album/.
Eté 1842 Maison Viallon (La Mulatière, Lyon).  Anglo-Irish. Watercolor that is part of an album that was probably kept by a female member of the  Coote family whose family seat was at Ballyfin, Leinster, Ireland. Image © 2023 Justin Croft. Fair use license. via https://www.justincroft.com/book/7779/coote-family/album/.
Eté 1844. Bagni di Lucca (Italy). Anglo-Irish. Watercolor that is part of an album that was probably kept by a female member of the  Coote family whose family seat was at Ballyfin, Leinster, Ireland. Image © 2023 Justin Croft. Fair use license. via https://www.justincroft.com/book/7779/coote-family/album/.
Eté 1845. Viareggio (Italy). 1840s. Anglo-Irish. Watercolor that is part of an album that was probably kept by a female member of the  Coote family whose family seat was at Ballyfin, Leinster, Ireland. Image © 2023 Justin Croft. Fair use license. via https://www.justincroft.com/book/7779/coote-family/album/.
Salon. Chez le Prince Méncherski. 1840s. Anglo-Irish. Watercolor that is part of an album that was probably kept by a female member of the  Coote family whose family seat was at Ballyfin, Leinster, Ireland. Image © 2023 Justin Croft. Fair use license. via https://www.justincroft.com/book/7779/coote-family/album/.
Untiled watercolor of an interior. 1840s. Anglo-Irish. Watercolor that is part of an album that was probably kept by a female member of the  Coote family whose family seat was at Ballyfin, Leinster, Ireland. Image © 2023 Justin Croft. Fair use license. via https://www.justincroft.com/book/7779/coote-family/album/.
Untitled interior with a woman in a black dress reading by the fire. 1840s. Anglo-Irish. Watercolor that is part of an album that was probably kept by a female member of the  Coote family whose family seat was at Ballyfin, Leinster, Ireland. Image © 2023 Justin Croft. Fair use license. via https://www.justincroft.com/book/7779/coote-family/album/.
Maison de Roubion. 1840s. Anglo-Irish. Watercolor that is part of an album that was probably kept by a female member of the  Coote family whose family seat was at Ballyfin, Leinster, Ireland. Image © 2023 Justin Croft. Fair use license. via https://www.justincroft.com/book/7779/coote-family/album/.
Maison Gilly. 1840s. Anglo-Irish. Watercolor that is part of an album that was probably kept by a female member of the  Coote family whose family seat was at Ballyfin, Leinster, Ireland. Image © 2023 Justin Croft. Fair use license. via https://www.justincroft.com/book/7779/coote-family/album/.
Petersbourg – Caserne des Chevaliers Gardes. 1840s. Anglo-Irish. Watercolor that is part of an album that was probably kept by a female member of the  Coote family whose family seat was at Ballyfin, Leinster, Ireland. Image © 2023 Justin Croft. Fair use license. via https://www.justincroft.com/book/7779/coote-family/album/.

Live in the 18th century at least until you turn the television on. Plates of ornamental designs from 1728 taken from James Gibbs’ work “A book of architecture: containing designs of buildings and ornaments.”

Three Designs for Vases, done for the Right Honourable the Earl of Oxford. There are two vases well executed in Portland Stone according to the middle draught, which are set upon two large piers on each side of the principal Walk in the Garden at Wimpole in Cambridgeshire. Plate CXXXVIII. Page 316 of James Gibbs’ 1728 work A book of architecture: containing designs of buildings and ornaments. Collections of and digitalized by Oberlin College. In the public domain due to age. via https://archive.org/details/bookofarchitectu0000gibb/page/n316/mode/1up

Draughts of vases, etc. in the Antique manner, made for several persons at different times. Many of them have been executed both in marble and metal. Plate CXXXIX. Page 312 of James Gibbs’ 1728 work A book of architecture: containing designs of buildings and ornaments. Collections of and digitalized by Oberlin College. In the public domain due to age. via https://archive.org/details/bookofarchitectu0000gibb/page/n312/mode/1up
Eight Draughts of Marble Cisterns for Buffets. Plate CXLV. Page 324 of James Gibbs’ 1728 work A book of architecture: containing designs of buildings and ornaments. Collections of and digitalized by Oberlin College. In the public domain due to age. via https://archive.org/details/bookofarchitectu0000gibb/page/n324/mode/1up
Fifteen pedestals for busts. Plate CL. Page 334 of James Gibbs’ 1728 work A book of architecture: containing designs of buildings and ornaments. Collections of and digitalized by Oberlin College. In the public domain due to age. via https://archive.org/details/bookofarchitectu0000gibb/page/n334/mode/1up

New South Wales, Australia just a little while ago. Plates from the second edition of David Collins’s “An account of the English Colony in New South Wales, from its first settlement in January 1788 to August, 1801. Published in London in 1804.

A view of the Governor’s House at Rose Hill in the township of Parramatta. 1804. Page 139 of David Collins’s work An account of the English Colony in New South Wales, from its first settlement in January 1788 to August, 1801. J Heath, engraver. Collections of the Victoria Museums. Atlas of Living Australia, digitalizing sponsor. In the public domain due to age. via https://www.biodiversitylibrary.org/item/172462#page/139/mode/1up

Bywater to Parramatta with a distant view of the western mountains taken from the Wind mill hill at Sydney. Stamped National Museum Melbourne. 1804. Page 173 of David Collins’s work An account of the English Colony in New South Wales, from its first settlement in January 1788 to August, 1801. J Heath, engraver. Collections of the Victoria Museums. Atlas of Living Australia, digitalizing sponsor. In the public domain due to age. via https://www.biodiversitylibrary.org/item/172462#page/173/mode/1up

An Eastern view of Sydney, taken from a small prominence neigh the New barracks. Stamped National Museum Melbourne.1804. Page 211 of David Collins’s work An account of the English Colony in New South Wales, from its first settlement in January 1788 to August, 1801. J Heath, engraver. Collections of the Victoria Museums. Atlas of Living Australia, digitalizing sponsor. In the public domain due to age. via https://www.biodiversitylibrary.org/item/172462#page/211/mode/1up

View of Sydney on the South side of Norfolk Island. Stamped National Museum Melbourne. 1804. Page 387 of David Collins’s work An account of the English Colony in New South Wales, from its first settlement in January 1788 to August, 1801. J Heath, engraver. Collections of the Victoria Museums. Atlas of Living Australia, digitalizing sponsor. In the public domain due to age. via https://www.biodiversitylibrary.org/item/172462#page/387/mode/1up