Harvey Nichols and Company Ltd. still has a store in Knightsbridge. They also have stores in Edinburgh, Birmingham, Leeds and Manchester, Bristol and Dublin. or shop online harveynichols.com.
Title page, image/page 4. Hand-colored lithographic plate after a drawing by Arabella Roupell. Taken from her work Specimens of the Flora of South Africa by a Lady. Published in 1849 by the Shakespeare Press. Collections of the Peter H. Haven Library, Missouri Botanical Garden via the Biodiversity Library. Artwork in the public domain due to age. https://www.biodiversitylibrary.org/item/96817#page/4/mode/1upSparaxis pendula. Image/page 14. Hand-colored lithographic plate after a drawing by Arabella Roupell. Taken from her work Specimens of the Flora of South Africa by a Lady. Published in 1849 by the Shakespeare Press. Collections of the Peter H. Haven Library, Missouri Botanical Garden via the Biodiversity Library. Artwork in the public domain due to age. https://www.biodiversitylibrary.org/item/96817#page/14/mode/1upGroup of Sparaxis. Image/page 22. Hand-colored lithographic plate after a drawing by Arabella Roupell. Taken from her work Specimens of the Flora of South Africa by a Lady. Published in 1849 by the Shakespeare Press. Collections of the Peter H. Haven Library, Missouri Botanical Garden via the Biodiversity Library. Artwork in the public domain due to age. https://www.biodiversitylibrary.org/item/96817#page/22/mode/1upGroup of Iridea. Image/page 18. Hand-colored lithographic plate after a drawing by Arabella Roupell. Taken from her work Specimens of the Flora of South Africa by a Lady. Published in 1849 by the Shakespeare Press. Collections of the Peter H. Haven Library, Missouri Botanical Garden via the Biodiversity Library. Artwork in the public domain due to age. https://www.biodiversitylibrary.org/item/96817#page/18/mode/1upBrunsvigia multiflora. Image/page 30. Hand-colored lithographic plate after a drawing by Arabella Roupell. Taken from her work Specimens of the Flora of South Africa by a Lady. Published in 1849 by the Shakespeare Press. Collections of the Peter H. Haven Library, Missouri Botanical Garden via the Biodiversity Library. Artwork in the public domain due to age. https://www.biodiversitylibrary.org/item/96817#page/30/mode/1upLeucospermum Conocarpum, Protea Speciosa and Protea Lepidodendron. Image/page 34. Hand-colored lithographic plate after a drawing by Arabella Roupell. Taken from her work Specimens of the Flora of South Africa by a Lady. Published in 1849 by the Shakespeare Press. Collections of the Peter H. Haven Library, Missouri Botanical Garden via the Biodiversity Library. Artwork in the public domain due to age. https://www.biodiversitylibrary.org/item/96817#page/34/mode/1upRoupellia grata. Image/page 44. Hand-colored lithographic plate after a drawing by Arabella Roupell. Taken from her work Specimens of the Flora of South Africa by a Lady. Published in 1849 by the Shakespeare Press. Collections of the Peter H. Haven Library, Missouri Botanical Garden via the Biodiversity Library. Artwork in the public domain due to age. https://www.biodiversitylibrary.org/item/96817#page/44/mode/1up
Arabella Roupell travelled in Cape Colony between 1843 and 1845. There she met the botanist Nathaniel Wallich, who encouraged her to publish her drawings, as did Sir William Hooker, director of Kew Gardens, who made the selection of images to be included in Specimens. The text was supplied by the Irish botanist William Henry Harvey. This captioning is from a listing on a current Bonhams catalogue here https://www.bonhams.com/auction/29883/lot/20/roupell-arabella-e-specimens-of-the-flora-of-south-africa-by-a-lady-first-edition-w-nichol-shakespeare-press-1849/ . They are auctioning one of the lithographs that I didn’t pick up for this post but you can see it at the link. I found a scan of the book it was taken from over on the Biodiversity Heritage Library which is connected with the Smithsonian.
From the British Museum, Cottonian Library Nero D. 4. Drawn and Etched by Henry Shaw; Published in London by William Pickering, Chancery Lane, April 1, 1831. Image 36 from Illuminated ornaments: selected from manuscripts and early printed books, from the sixth to the seventeenth centuries. Collections of the Getty Research Institute. In the public domain due to age. via https://archive.org/details/illuminatedornam00shaw/page/n35/mode/1upFrom Illuminated Drawings of the 11th Century. In the Possession of William Young Ouley, Esquire, F.S.A. Published in London by William Pickering, Chancery Lane, April 1, 1831. Image 43 from Illuminated ornaments: selected from manuscripts and early printed books, from the sixth to the seventeenth centuries. Collections of the Getty Research Institute. In the public domain due to age. via https://archive.org/details/illuminatedornam00shaw/page/n43/mode/1upColumn capitals from a folio volume written on thick vellum, in the mid 12th century, containing the books of Joshua, Judges, Ruth and Kings. From the British Museum, Royal M.S. I, C VII. Published in London by William Pickering, Chancery Lane, June 1, 1832. Image 52 from Illuminated ornaments: selected from manuscripts and early printed books, from the sixth to the seventeenth centuries. Collections of the Getty Research Institute. In the public domain due to age. via https://archive.org/details/illuminatedornam00shaw/page/n52/mode/1upFrom a Missal in the possession of the Right Honourable Lord Braybrooke. London. Published by W. Pickering, Chancery Lane. Image 87 from Illuminated ornaments: selected from manuscripts and early printed books, from the sixth to the seventeenth centuries. Collections of the Getty Research Institute. In the public domain due to age. via https://archive.org/details/illuminatedornam00shaw/page/n87/mode/1upFrom a Missal in the possession of the Right Honourable Lord Braybrooke. London. Published by W. Pickering, Chancery Lane. Image 89 from Illuminated ornaments: selected from manuscripts and early printed books, from the sixth to the seventeenth centuries. Collections of the Getty Research Institute. In the public domain due to age. via https://archive.org/details/illuminatedornam00shaw/page/n89/mode/1upOrnaments from a Manuscript formerly in the Vatican executed for Pope Innocent 8th between the years 1454 and 1492. In the Possession of William Young Ouley, Esquire, F.S.A. Published by W. Pickering, Chancery Lane. Image 185 from Illuminated ornaments: selected from manuscripts and early printed books, from the sixth to the seventeenth centuries. Collections of the Getty Research Institute. In the public domain due to age. via https://archive.org/details/illuminatedornam00shaw/page/n185/mode/1upFrom the Sforziada printed at Milan by Zaratto in 1490. From the Collections of Philp Augustus Hanrott Esquire. Published by W. Pickering, Chancery Lane. Image 203 from Illuminated ornaments: selected from manuscripts and early printed books, from the sixth to the seventeenth centuries. Collections of the Getty Research Institute. In the public domain due to age. via https://archive.org/details/illuminatedornam00shaw/page/n203/mode/1upFrom a Manuscript in the Ashmolean Museum, Oxford. Published by W. Pickering, Chancery Lane. Image 213 from Illuminated ornaments: selected from manuscripts and early printed books, from the sixth to the seventeenth centuries. Collections of the Getty Research Institute. In the public domain due to age. via https://archive.org/details/illuminatedornam00shaw/page/n213/mode/1up
The ant: Diligence, frugality. J. Hulott, sculp. Image 16 from Writing and drawing made easy, amusing and instructive : containing the whole alphabet in all the characters now us’d . . . 1750. English, printed in London. Printed for and sold by T. Bellamy bookseller, located at Kingston upon Thames. Collections of the Getty Research Institute. Digitalized by the Internet Archive. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t7qn6h64w&seq=17&view=1upThe crocodile: Dissimulation and infidelity, J. Hulott, sculp. Image 24 from Writing and drawing made easy, amusing and instructive : containing the whole alphabet in all the characters now us’d . . . 1750. English, printed in London. Printed for and sold by T. Bellamy bookseller, located at Kingston upon Thames. Collections of the Getty Research Institute. Digitalized by the Internet Archive. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t7qn6h64w&seq=24&view=1upThe dog: vigilance and fidelity: J. Hulott, sculp. Image 28 from Writing and drawing made easy, amusing and instructive : containing the whole alphabet in all the characters now us’d . . . 1750. English, printed in London. Printed for and sold by T. Bellamy bookseller, located at Kingston upon Thames. Collections of the Getty Research Institute. Digitalized by the Internet Archive. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t7qn6h64w&seq=28&view=1upThe eagle: honour and ambition. J. Hulott, sculp. Image 32 from Writing and drawing made easy, amusing and instructive : containing the whole alphabet in all the characters now us’d . . . 1750. English, printed in London. Printed for and sold by T. Bellamy bookseller, located at Kingston upon Thames. Collections of the Getty Research Institute. Digitalized by the Internet Archive. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t7qn6h64w&seq=32&view=1upThe fox: hypocrisy and prophaness. J. Hulott, sculp. Image 36 from Writing and drawing made easy, amusing and instructive : containing the whole alphabet in all the characters now us’d . . . 1750. English, printed in London. Printed for and sold by T. Bellamy bookseller, located at Kingston upon Thames. Collections of the Getty Research Institute. Digitalized by the Internet Archive. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t7qn6h64w&seq=36&view=1upThe grass hopper: indolence and inactivity. J. Hulott, sculp. Image 40 from Writing and drawing made easy, amusing and instructive : containing the whole alphabet in all the characters now us’d . . . 1750. English, printed in London. Printed for and sold by T. Bellamy bookseller, located at Kingston upon Thames. Collections of the Getty Research Institute. Digitalized by the Internet Archive. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=gri.ark:/13960/t7qn6h64w&seq=40&view=1up
Will be back to pick up more of the letters later.
Three Designs for Vases, done for the Right Honourable the Earl of Oxford. There are two vases well executed in Portland Stone according to the middle draught, which are set upon two large piers on each side of the principal Walk in the Garden at Wimpole in Cambridgeshire. Plate CXXXVIII. Page 316 of James Gibbs’ 1728 work A book of architecture: containing designs of buildings and ornaments. Collections of and digitalized by Oberlin College. In the public domain due to age. via https://archive.org/details/bookofarchitectu0000gibb/page/n316/mode/1upDraughts of vases, etc. in the Antique manner, made for several persons at different times. Many of them have been executed both in marble and metal. Plate CXXXIX. Page 312 of James Gibbs’ 1728 work A book of architecture: containing designs of buildings and ornaments. Collections of and digitalized by Oberlin College. In the public domain due to age. via https://archive.org/details/bookofarchitectu0000gibb/page/n312/mode/1upEight Draughts of Marble Cisterns for Buffets. Plate CXLV. Page 324 of James Gibbs’ 1728 work A book of architecture: containing designs of buildings and ornaments. Collections of and digitalized by Oberlin College. In the public domain due to age. via https://archive.org/details/bookofarchitectu0000gibb/page/n324/mode/1upFifteen pedestals for busts. Plate CL. Page 334 of James Gibbs’ 1728 work A book of architecture: containing designs of buildings and ornaments. Collections of and digitalized by Oberlin College. In the public domain due to age. via https://archive.org/details/bookofarchitectu0000gibb/page/n334/mode/1up
A view of the Governor’s House at Rose Hill in the township of Parramatta. 1804. Page 139 of David Collins’s work An account of the English Colony in New South Wales, from its first settlement in January 1788 to August, 1801. J Heath, engraver. Collections of the Victoria Museums. Atlas of Living Australia, digitalizing sponsor. In the public domain due to age. via https://www.biodiversitylibrary.org/item/172462#page/139/mode/1upBywater to Parramatta with a distant view of the western mountains taken from the Wind mill hill at Sydney. Stamped National Museum Melbourne. 1804. Page 173 of David Collins’s work An account of the English Colony in New South Wales, from its first settlement in January 1788 to August, 1801. J Heath, engraver. Collections of the Victoria Museums. Atlas of Living Australia, digitalizing sponsor. In the public domain due to age. via https://www.biodiversitylibrary.org/item/172462#page/173/mode/1up
An Eastern view of Sydney, taken from a small prominence neigh the New barracks. Stamped National Museum Melbourne.1804. Page 211 of David Collins’s work An account of the English Colony in New South Wales, from its first settlement in January 1788 to August, 1801. J Heath, engraver. Collections of the Victoria Museums. Atlas of Living Australia, digitalizing sponsor. In the public domain due to age. via https://www.biodiversitylibrary.org/item/172462#page/211/mode/1upView of Sydney on the South side of Norfolk Island. Stamped National Museum Melbourne. 1804. Page 387 of David Collins’s work An account of the English Colony in New South Wales, from its first settlement in January 1788 to August, 1801. J Heath, engraver. Collections of the Victoria Museums. Atlas of Living Australia, digitalizing sponsor. In the public domain due to age. via https://www.biodiversitylibrary.org/item/172462#page/387/mode/1up