More flies to go fishing with. Sunken mounts containing samples of fly-making materials from W. H. Aldam’s 1876 work “Aldam’s Flees & the Art a Artyfichall Flee Making” Taken from the website of PBA Galleries.

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Figure 3 and 4. Image © 2020, PBA Galleries. Fair use license. via https://www.pbagalleries.com/view-auctions/catalog/id/422/lot/135017/A-Quaint-Treatise-on-Flees-and-the-Art-a-Artyfichall-Flee-Making-by-an-Old-Man-Well-Known-on-the-Derbyshire-Streams-as-a-First-Class-Fly-Fisher-a-Century-Ago-Printed-from-an-Old-Ms-Never-Before-Published-the-Original-Spelling-and-Language-Being-Retained-with-Editorial-Notes-and-Patterns-of-Flies-and-Samples-of-the-Materials-for-Making-Each-Fly
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Figures 19 and 20. Image © 2020, PBA Galleries. Fair use license. via https://www.pbagalleries.com/view-auctions/catalog/id/422/lot/135017/A-Quaint-Treatise-on-Flees-and-the-Art-a-Artyfichall-Flee-Making-by-an-Old-Man-Well-Known-on-the-Derbyshire-Streams-as-a-First-Class-Fly-Fisher-a-Century-Ago-Printed-from-an-Old-Ms-Never-Before-Published-the-Original-Spelling-and-Language-Being-Retained-with-Editorial-Notes-and-Patterns-of-Flies-and-Samples-of-the-Materials-for-Making-Each-Fly
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Figures 5 and 6. Image © 2020, PBA Galleries. Fair use license. via https://www.pbagalleries.com/view-auctions/catalog/id/422/lot/135017/A-Quaint-Treatise-on-Flees-and-the-Art-a-Artyfichall-Flee-Making-by-an-Old-Man-Well-Known-on-the-Derbyshire-Streams-as-a-First-Class-Fly-Fisher-a-Century-Ago-Printed-from-an-Old-Ms-Never-Before-Published-the-Original-Spelling-and-Language-Being-Retained-with-Editorial-Notes-and-Patterns-of-Flies-and-Samples-of-the-Materials-for-Making-Each-Fly
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Figures 11 and 12. Image © 2020, PBA Galleries. Fair use license. via https://www.pbagalleries.com/view-auctions/catalog/id/422/lot/135017/A-Quaint-Treatise-on-Flees-and-the-Art-a-Artyfichall-Flee-Making-by-an-Old-Man-Well-Known-on-the-Derbyshire-Streams-as-a-First-Class-Fly-Fisher-a-Century-Ago-Printed-from-an-Old-Ms-Never-Before-Published-the-Original-Spelling-and-Language-Being-Retained-with-Editorial-Notes-and-Patterns-of-Flies-and-Samples-of-the-Materials-for-Making-Each-Fly
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FIgures 17 and 18. Image © 2020, PBA Galleries. Fair use license. via https://www.pbagalleries.com/view-auctions/catalog/id/422/lot/135017/A-Quaint-Treatise-on-Flees-and-the-Art-a-Artyfichall-Flee-Making-by-an-Old-Man-Well-Known-on-the-Derbyshire-Streams-as-a-First-Class-Fly-Fisher-a-Century-Ago-Printed-from-an-Old-Ms-Never-Before-Published-the-Original-Spelling-and-Language-Being-Retained-with-Editorial-Notes-and-Patterns-of-Flies-and-Samples-of-the-Materials-for-Making-Each-Fly

Why keep anything plain looking around when it could look like these. So much more fun. Plates from Christopher Dresser’s 1876 work “Studies in Design” which was published in London. A. Goater, lithographer.

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“Border elements of the new style. The upper may run around the architrave of a door or window, or be used in many ways as a border. The lower is suitable for a dado-rail, or, if enlarged, for a frieze.” Plate 5, page V. Collections of the Smithsonian Library. Metropolitan New York Library Council, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/Studiesdesign00Dres/page/V/mode/2up
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“Grotesque dado-rail. Being formed of the hare, this is specially suited to a dining-room. Various animals may be introduced in a similar manner.” Plate 7, Page VII. Collections of the Smithsonian Library. Metropolitan New York Library Council, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/Studiesdesign00Dres/page/VII/mode/2up
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“Diaper pattern founded on flowers. These are suitable for stencilling on the walls of rooms. They may be varied, and even simplified, in color.” Plate 8 and page VIII. Collections of the Smithsonian Library. Metropolitan New York Library Council, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/Studiesdesign00Dres/page/VIII/mode/2up
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“An all-over pattern, suitable for a wall.” Plate 9 and page IX. Collections of the Smithsonian Library. Metropolitan New York Library Council, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/Studiesdesign00Dres/page/VIX/mode/2up

Engravings of an India that isn’t coming back. Plates from Robert Montgomery Martin’s 1858 work about India which has letterpress descriptions written by Emily (Emma) Roberts. Martin wrote several books dealing with various parts of the British Empire.

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“Delhi – Showing the Entrance to the Palace.” After a sketch by Captain R. Elliot RN. Page 7. Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/indianempireitsh02mart/page/n7/mode/2up
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“View of Cawnpore from the River.” Engraved after a drawing by C. Mottram. Page 11. Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/indianempireitsh02mart/page/n11/mode/2up
this one
“View of Sassoor, in the Deccan, Southeast of Poonah: The Walled Building to the Right is a Fortified Palace, and in 1818, its Garrison held out against a division of the British Army.” Page 12. Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/indianempireitsh02mart/page/n11/mode/2up

Out to sea with William Ayerst Ingram (W. Ayerst Ingram) who lived from 1855 to 1913. An English painter and member of the Newlyn School, he was a friend of Harold and Laura Knight. A member of the Royal Institute of Oil Painters and the Royal Institute of Painters in Watercolors.

William_Ayerst_Ingram_-_Sailing_Ship_At_Sea
“Sailing Ship at Sea with Ghost Freighter.” Date unknown. In the public domain in the United States because the artist had been dead over 100 years. via https://commons.wikimedia.org/wiki/File:William_Ayerst_Ingram_-_Sailing_Ship_At_Sea.jpg
Ingram, William Ayerst, 1855-1913; Schooner on the High Seas
“Schooner on the High Seas.” No date. Oil on canvas. Collections of and photo © Falmouth Art Gallery. Fair use license. via https://artuk.org/discover/artworks/schooner-on-the-high-seas-14651
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“Falmouth Bay.” No date. Watercolor and body color. Image ©2020 Artnet Worldwide Corporation. Fair use license. via http://www.artnet.com/artists/william-ayerst-ingram/falmouth-bay-ArNkHKpkxvN0j-800VFGjQ2
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Seascape with sailing vessel in foreground. No date. Watercolor. Signed on the lower right. Image © Bonhams 2001-2020. Fair use license. via https://www.bonhams.com/auctions/18915/lot/260/

Out to the country with watercolor landscapes by English artist Copley Fielding (1787-1855). Won a gold medal at the Paris Salon in 1824.

A View in Sussex 1834 by Anthony Vandyke Copley Fielding 1787-1855
“A View in Sussex.” 1834. Watercolor on paper. Collections of the Tate Galleries. Cc0 License 3.0. via https://www.tate.org.uk/art/artworks/fielding-a-view-in-sussex-n01720
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“The Head of Glencoe, North Argyll, Scotland.” 1823. Watercolor over faint indications in pencil on paper. Image © Morgan Library and Museum. Fair use license. via https://www.themorgan.org/drawings/item/122999
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“Cader Idris from the Boarmouth Sands.” 1810. Watercolor. Remains of an inscription (? ‘A. V. Fielding’) on the bottom right. Collections of the Tate Galleries, London. Cc0 License 3.0. via https://www.tate.org.uk/art/artworks/fielding-cader-idris-from-the-barmouth-sands-t00988

Watercolors done by Ida and Muriel Perrin taken from three sketchbooks they filled with scenes of their trips abroad taken between 1907 and 1928. The Perrins produced lustre ware for William de Morgan. Part of a current auction at Tooveys’ Auctions from whose website these images are taken.

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Watercolor. Image © Tooveys Auctions, West Sussex. Fair use license. via https://www.tooveys.com/lots/421137/sketchbooks-a-group-of-three-sketchbooks-containing-watercolours
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Watercolor. Fair use license. Image © Tooveys Auctions, West Sussex. Fair use license. via https://www.tooveys.com/lots/421137/sketchbooks-a-group-of-three-sketchbooks-containing-watercolours
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Watercolor. Fair use license. Image © Tooveys Auctions, West Sussex. Fair use license. via https://www.tooveys.com/lots/421137/sketchbooks-a-group-of-three-sketchbooks-containing-watercolours

 

Unfortunately the location is not given on the scanned images that are on the website. Looks to me like they are all of places in Italy, though.

Highland cattle from just a little bit back. English. Louis Bosworth Hurt, artist. Living from 1856 to 1929, he also painted landscapes with no cattle. Exhibited at the Royal Academy 13 times.

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“Highland Cattle in a Mountainous Landscape with Lowering Clouds.” No date. Oil on canvas. Signed “Louis B. Hurt” on the lower right. Image © Bonhams 2001-2020. Fair use license. via https://www.bonhams.com/auctions/13786/lot/3179/
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“HIghland Cattle Grazing.” No date. Signed. Image © Ross’s Auctioneers and Valuers. Fair use license. via https://www.rosss.com/lot-details/louis-b-hurt/highland-cattle-grazing/112571/
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“Cattle in a Highland Landscape.” No date. Signed”Louis B. Hurt” on the lower left. Image © 2020 Sothebys. Fair use license. via https://www.sothebys.com/en/buy/auction/2019/scottish-art/louis-bosworth-hurt-cattle-in-a-highland-landscape

Down by the sea with Scottish Impressionist artist Robert Gemmell Hutchison. Living from 1855 to 1936, he specialized in coastal scenes.

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“Sea Gulls and Sapphire Seas.” 1909. Image source: Bonhams. Signed on the lower left. In the public domain in the United States because the artist has been dead over 70 years. via https://commons.wikimedia.org/wiki/File:Sea_Gulls_and_Sapphire_Seas%E2%80%99_by_Robert_Gemmell_Hutchison.jpg
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“The Toy Boat.” Before 1936. Image source: kykolnik.livejournal.com. Signed on the lower right. In the public domain in the United States because the artist has been dead over 70 years. via https://commons.wikimedia.org/wiki/File:Robert_Gemmell_Hutchison_(Scottish,_1855-1936)_%C2%ABThe_toy_boat%C2%BB.jpg
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“Children at the Water’s Edge.” No date. Oil on canvas board. Signed “Gemmell Hutchison” on the lower right. Image © CHRISTIE’S 2020. Fair use license. via https://www.christies.com/lotfinder/Lot/robert-gemmell-hutchison-rsa-rsw-1855-1936-5563260-details.aspx

Dancing in air with things that light up the sky. British. Sir Claude Francis Barry (Francis Barry), artist. Living from 1883 to 1970, he was elected a member of the Royal Society of British Artists in 1906.

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“Moscow Victorious, May 1945.” 1946. Oil on canvas. Signed “F Barry” on the lower right. Inscribed and dated ‘”Moscow Victorious May 9 1945″ Barry F 1946’ on the canvas overlap. © Estate of the artist. Image © CHRISTIE’S 2020. Fair use license. via https://www.christies.com/lotfinder/Lot/sir-claude-francis-barry-1883-1970-moscow-victorious-6040641-details.aspx
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“Houses of Parliament – a wartime Nocturne.” 1941. Oil on canvas. Signed “F. Barry” on the lower left. Signed, inscribed and dated “The Houses of Parliament – a wartime Nocturne” 1941 Barry. F.’ on the stretcher. © Estate of the artist. Image © CHRISTIE’S 2020. Fair use license. via https://www.christies.com/lotfinder/Lot/sir-claude-francis-barry-1883-1970-houses-of-6040639-details.aspx
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“Peace Night, 1919.” Oil on canvas. © Estate of the artist. Image © 2020 Artsy. Fair use license. via https://www.artsy.net/artwork/sir-claude-francis-barry-peace-night
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“Over the Horizon – a Jersey Nocturne.” 1948. Oil on canvas. Signed and inscribed “Over the horizon – a Jersey nocturne Barry 7 (1948)” on the stretcher. © Estate of the artist. Image © CHRISTIE’S 2020. Fair use license. via https://www.christies.com/lotfinder/Lot/sir-claude-francis-barry-bt-rba-1883-1970-5492608-details.aspx

Posters with animals. British. Charles Paine, graphic designer. Living from 1895 to 1967, he started out training with stained glass but ended up designing posters instead. Most of these having been created for the Regent’s Park Zoo in London.

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“Make your home in Welwyn.” ca. 1939. Image © Swann Galleries, New York. Fair use license. via https://catalogue.swanngalleries.com/Lots/auction-lot/CHARLES-PAINE–1895-1967–MAKE-YOUR-HOME-IN-WELWYN-Circa-193?saleno=2538&lotNo=125&refNo=767534
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“For the Zoo, Book to Regent’s Park or Camden Town.” 1921.. Image © London Transport Museum. Fair use license. via https://www.ltmuseumshop.co.uk/posters/attractions/for-the-zoo-book-to-regent-s-park-by-charles-paine-1921-2318#selection=pto_finish:Matt__970;pto_frame:No%20Frame__969;pto_size:Small__961;pto_mount:With%20Mount__973
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“Uxbridge.” 1921. Lithograph, published by the Baynard Press. Image © CHRISTIE’S 2020. Fair use license. via https://www.christies.com/lotfinder/Lot/charles-paine-1895-1967-uxbridge-5727271-details.aspx
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“For the Zoo.” 1925. Image © 1996-2020, Amazon.com, Inc. Fair use license. via https://www.amazon.com/Charles-Paines-Poster-Vintage-Print/dp/B01KL6YHAQ