More pretty flowers. These from 1855, taken from “Flora of the Colosseum of Rome.” Written by Richard Deakin MD, it was published in London by Groombridge and Sons.

floraofcolosseum00deak_0038
“1.Anemone hortensis. 2. Asophodelus fistulosa. 3. Cerinthe aspira.” Page 33. Collection of and digitalized by the Fisher Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/floraofcolosseum00deak/page/n33/mode/2up
floraofcolosseum00deak_0126
“1. Paliurus aculeatus. 2. Ornithopus scorpioides.” Page 115. Collection of and digitalized by the Fisher Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/floraofcolosseum00deak/page/n115/mode/2up
floraofcolosseum00deak_0087
“Capparis spinosa.” Page 76. Collection of and digitalized by the Fisher Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/floraofcolosseum00deak/page/n76/mode/2up

Designs to copy when you get tired of drawing ordinary doodles while the teacher is talking about boring things. All of them taken from A. Desaint’s “Ideas & Studies in Stencilling & Decorating” which was published in 1927 by C. Griffin & Company in London.

"Colorations." Plate IV, page 40.
“Colorations.” Plate IV, page 40. Collections of and digitalized by the Sterling and Francine Clark Art Institute Library. In the public domain. via https://archive.org/details/ideas00desa/page/n40/mode/1up
ideas00desa_0043
“Colorations I and II.” Plate V. Page 42. Collections of and digitalized by the Sterling and Francine Clark Art Institute Library. In the public domain. via https://archive.org/details/ideas00desa/page/n42/mode/1up
ideas00desa_0047
“Colorations I and II.” Plate VII. Page 46. Collections of and digitalized by the Sterling and Francine Clark Art Institute Library. In the public domain. via https://archive.org/details/ideas00desa/page/n46/mode/1up
ideas00desa_0045
“Colorations I and II.” Plate VI. Page 44. Collections of and digitalized by the Sterling and Francine Clark Art Institute Library. In the public domain. via https://archive.org/details/ideas00desa/page/n44/mode/1up

Paintings with so much excitement going on a person could become utterly exhausted and have to lie down. English. Samuel Colman, artist. Living from 1780 to 1845, he was based in Bristol for much of his career. Liked to paint Biblical scenes.

Brooklyn_Museum_-_The_Edge_of_Doom_-_Samuel_Colman
“The Edge of Doom: The Tempest, Act IV, Scene 1, lines 151-156.” 1836-1838. American. Oil on canvas. Signed “S. Colman 1836” and “S. Colman 1838” on the bottom right. Collection of the Brooklyn Museum. In the public domain in the United States because the artist has been dead over 70 years. via https://commons.wikimedia.org/wiki/File:Brooklyn_Museum_-_The_Edge_of_Doom_-_Samuel_Colman.jpg
Colman, Samuel, 1780-1845; A Romantic Landscape with the Arrival of the Queen of Sheba
“A Romantic Landscape with the Arrival of the Queen of Sheba.” ca. 1830. Oil on canvas. Photo credit and image © Bristol Museum & Art Gallery. Fair use license. via https://artuk.org/discover/artworks/a-romantic-landscape-with-the-arrival-of-the-queen-of-sheba-188364
Colman Samuel, British- The Destruction of the Temple
“The Destruction of the Temple.” ca. 1830-1840. In the public domain due to age. via http://art-now-and-then.blogspot.com/2013/11/samuel-colman-of-bristol.html
Colman Samuel, British - Delivery of Israel out of Egypt
“The Delivery of Israel out of Egypt.” ca. 1830. In the public domain due to age. via http://art-now-and-then.blogspot.com/2013/11/samuel-colman-of-bristol.html

Sketches of designs for china and earthenware dinner and tea wares from around 1930. All designed by Reginald G. Haggar for Minton and part of the Minton Archive, Stoke-on-Trent, England. Archive finding number #SD 1705/MS1949.

Design for an Alpha line dinner service. ca. 1930.
Design for an Alpha line dinner service. ca. 1930. British. Reginald G. Haggar, designer for Minton. Image © The Minton Archive. Fair use license. via http://www.themintonarchive.org.uk/collections/getrecord/GB1857_G272_1_5_12_1_3_35
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Stylized floral design. ca. 1930. British. Reginald G. Haggar, designer for Minton. Image © The Minton Archive. Fair use license. via http://www.themintonarchive.org.uk/collections/getrecord/GB1857_G272_1_5_12_1_3_35
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Tea cup and saucer with floral pattern with an aqua border. ca. 1930. British. Reginald G. Haggar, designer for Minton. Image © The Minton Archive. Fair use license. via http://www.themintonarchive.org.uk/collections/getrecord/GB1857_G272_1_5_12_1_3_35

Portraits of women by British artist Louis Ginnett who was part of the Arts and Crafts Ditchling community. Living from 1875 to 1946, he exhibited at the Royal Academy.

_Louis-Ginnett-Portrait-of-Mary
“Portrait of Mary.” ca. 1925. Photo credit: Barbara Taylor. Image © Ditchling Museum of Art and Craft.. Fair use license. via http://arts.brighton.ac.uk/faculty-of-arts-brighton/alumni-and-associates/the-history-of-arts-education-in-brighton/arts-and-crafts-ditchling
Ginnett, Louis, 1875-1946; Mary
“Mary.” No date. Oil on canvas. Photo credit and image © Ditchling Museum of Art and Craft. Fair use license. via https://artuk.org/discover/artworks/mary-74140/search/actor:ginnett-louis-18751946/page/2/view_as/grid
Ginnett, Louis, 1875-1946; The Coat of Many Colours
“The Coat of Many Colours.” ca. 1926. Oil on canvas. Photo credit and collection of the Brighton and Hove Museums and Art Galleries. In the public domain. via https://artuk.org/discover/artworks/the-coat-of-many-colours-74779/search/actor:ginnett-louis-18751946/page/1/view_as/grid
Ginnett, Louis, 1875-1946; Jacinta
“Jacinta.” 1925. Oil on canvas. Photo credit and image © The Mercer Art Gallery, Harrogate. Fair use licence. via https://artuk.org/discover/artworks/jacinta-9047/search/actor:ginnett-louis-18751946/page/1/view_as/grid

Faience art pottery from Burmantofts who created ceramics in Leeds, England from 1859 to 1957. Just the thing to put around when you finally open that tearoom by the railway hotel.

Large jardinière and stand. ca. 1900.
Large jardinière and stand, painted and incised with bright blue peacocks in an orchard and the stand decorated with stylized flowering shrubs and foliate borders. ca. 1900. English. Makers marks: Impressed “BURMANTOFTS / FAIENCE / 2188 / ENGLAND” and .” Stand impressed “BF” monogram, “ENGLAND” and “2189.” Image © 1stdibs.com, Inc. 2020. Fair use license. via https://www.1stdibs.com/furniture/decorative-objects/vases-vessels/planters-cachepots-jardinieres/burmantofts-faience-large-jardiniere-stand-circa-1900/id-f_18305542/
Vases. 1882-1904.
Pair of vases with cylindrical necks, the necks incised with vertical motifs flanked by two scroll handles. Tubelined globular bodies incised with opposing crows grasping snakes with their talons, within a surround of Persian style flowers against a terracotta ground and circular foot. 1882-1904. Makers marks: Impressed and painted factory marks with the bases numbered “2062”. Image © Toovey’s 2017-2020. Fair use license. via https://www.tooveys.com/lots/346150/a-pair-of-burmantofts-faience-vases/
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Partie-colored vase with a globular form and tapering neck. Cream ground decorated with Persian flowers and foliate motifs in greens, browns, royal blue and turquoise. 1885. Joseph Walmsley, designer for Burmantofts. Makers marks: Impressed and painted “BURMANTOFTS FAIENCE” and “COL NO. 24” with model number “2048”. Image © The Peacock Room, Berkshire, and 2020 LoveAntiques.com. Fair use license. via https://www.loveantiques.com/antique-vases/arts-and-crafts-(1880-1910)/large-burmantofts-faience-partie-coloured-vase-designed-by-joseph-walmsley-118622

Colored woodcuts of Scottish landscapes. Ian Cheyne, artist. Living from 1895 to 1955, he studied at the Glasgow School of Art. All of these in the collections of the National Galleries of Scotland.

GMA 199
“Hell’s Glen.” 1928. Color woodcut on paper. © The Estate of the Artist Image © National Galleries of Scotland. Fair use license. via https://www.nationalgalleries.org/art-and-artists/15559/0/hells-glen?overlay=download
GMA 3319
“Glen Cluanie.” 1928. Color woodcut on paper. © The Estate of the Artist Image © National Galleries of Scotland. Fair use license. via https://www.nationalgalleries.org/art-and-artists/15565/glen-cluanie
GMA 200
“Loch Duich.” 1934. Color woodcut on paper. © The Estate of the Artist. Image © National Galleries of Scotland. Fair use license. via https://www.nationalgalleries.org/art-and-artists/15560/loch-duich?inspire%5B36089%5D=36089&search_set_offset=1