Bronze inkwells that double as sculptures or at least draw the eye better than a Post-It note. So much more fun than your next computer mouse. Mostly Victorian, some not.

The Vanishing Race. Undated, by 1920. American. Bronze inkwell. Charles Plein, maker (1870-1920). Signed Plein, Omaha. Image © 2026 Abington Auction Gallery. Fair use license. https://www.abingtonauctions.com/auction-lot/charles-plein-bronze-inkwell-the-vanishing-race_4644BC7944
Bronze and oak wood sailboat ink stand with two glass inkwells and lids. Mid 20th c. No further information available. Image © 2026 Abington Auction Gallery. Fair use license. https://www.abingtonauctions.com/auction-lot/bronze-wood-sailboat-ink-stand-mid-20th-c_0274746AB7
Bronze inkwell embellished with floral, scallop, and ram’s head details and a centered scroll handle with two wells. French. Victorian, 19th c. Maker not known. Image © Newel Gallery. Fair use license. https://www.newel.com/product/french-victorian-bronze-inkwell-2
Inkwell in yellow Siena marble with a gilded bronze sphinx and inkwells. French. Egyptian Revival. Early 20th c. Maker not known. Image © 2026 Pamono GmbH. Fair use license. https://www.pamono.com/early-20th-century-french-inkwell?srsltid=AfmBOopp0UTSL9wnUi3e1BxG7TQ4jbMbAk16XuXUGy861sbIFP_rzkWm
Solid brass or bronze maritime motif inkwell with a glass jar to hold the ink flanked on each side by a clam shell that can be open or shut and a large clam shell on the front that serves as a vide poche to keep small odds and ends in one place. The back is embellished with the motif or two roped anchors. The lid for the glass ink well missing. Undated, ca. 1900. Image © antiquesboutique.com. Fair use license https://www.antiquesboutique.com/antique-desk-accessories/art-nouveau-inkwell-bronze-maritime-decor-early-20th-century/itm248114

Bronze inkwell in the Rococo style and featuring intricate scrollwork, a central bust, and two lidded ink pots along with a letter opener. mid-late 19th c. Probably French. Maker not shown. Image © intondo.com. Fair use license. https://www.intondo.com/en/products/127957/decor/decorative-object/desk-inkwell-bronze-19th-century

Why get a bronze plaque that vanishes in the weeds when you can decorate the family plot with immortal century plant leaves sitting in forever urns. Imagery from WHITE BRONZE MONUMENTS, STATUARY, PORTRAIT MEDALLIONS, BUSTS, STATUES AND ORNAMENTAL IRON WORK for Cemeteries, Public and Private Buildings, manufactured by the Monumental Bronze Company of Bridgeport, Connecticut. Published in October, 1882.

32nd Degree, 9 x 10 1/2 inches. (top row, center). The motto, written in Latin, reads: ‘Spes Mea in Deo est.’ From a page in the catalogue made up of fraternal order pieces with this motto being associated with the Scottish Rite of Freemasonry. American. Page 6 of a trade catalogue published in October 1882 by the Monumental Bronze Company of Bridgeport, Connecticut. Collections of the Smithsonian Libraries. Artwork in the public domain due to age. via https://archive.org/details/Whitebronzemonu00Monu/page/6/mode/1up
Number 1 Emblem, Eastern Star, 5 1/2 x 5 1/2 inches. Page 4 (lower right) of a trade catalogue published in October 1882 by the Monumental Bronze Company of Bridgeport, Connecticut. Collections of the Smithsonian Libraries. Artwork in the public domain due to age. via https://archive.org/details/Whitebronzemonu00Monu/page/4/mode/1up
WHITE BRONZE CENTURY PLANTS AND FL.OWER VASES: Number 2 Century Plant. 12 Leaves, height of vase and leaves 18 inches. Price, $15. (left) – Number 3 Century Plant. 16 Leaves, height 33 inches. Price, $45. Page 11 (upper images) of a trade catalogue published in October 1882 by the Monumental Bronze Company of Bridgeport, Connecticut. Collections of the Smithsonian Libraries. Artwork in the public domain due to age. via https://archive.org/details/Whitebronzemonu00Monu/page/11/mode/1up
Number 222. Statue of ‘Faith.’ Price, $300. Height: 5 feet. Page 13 (upper images) of a trade catalogue published in October 1882 by the Monumental Bronze Company of Bridgeport, Connecticut. Collections of the Smithsonian Libraries. Artwork in the public domain due to age. via https://archive.org/details/Whitebronzemonu00Monu/page/13/mode/1up
WHITE BRONZE, For Fountain Statues is the best, and will never need painting: ‘Baby Elephant,’ holding a Watch and Chain, showing how it can be utilized as a sign for many kinds of businesses. Price, without the Watch and Chain, $100. (left) – Baby Elephant Statue. Price, $100. Extreme height of this Bronze Cast is 26 inches, which includes the Base, which is 15 x 24 inches square and 4 inches thick. the length of the figure is 35 inches (right). Page 16 (upper images) of a trade catalogue published in October 1882 by the Monumental Bronze Company of Bridgeport, Connecticut. Collections of the Smithsonian Libraries. Artwork in the public domain due to age. via https://archive.org/details/Whitebronzemonu00Monu/page/16/mode/1up
THE MONUMENTAL BRONZE COMPANY’S DESIGNS: Number 105. 6 feet 7 inches high. Price, $535. Bottom Base, 41 ½ x 41 ½ inches square. The 4 upper Emblem Tablets are solid. The 4 Tablets in the die will be made removable. The 4 Tablets on 2nd Base will be made solid. The Statue is our Number 99 (See page 15). This monument is suitable for any of our large and medium statues. Page 38 of a trade catalogue published in October 1882 by the Monumental Bronze Company of Bridgeport, Connecticut. Collections of the Smithsonian Libraries. Artwork in the public domain due to age. via https://archive.org/details/Whitebronzemonu00Monu/page/38/mode/1up
Number 160. 9 feet, 8 inches high. Price, 660. Bottom Base, 62 x 62 inches square. The Cross is a ‘Double Front,’ being alike on front and back. The Inscription Tablets in the Gothic panel on front and back of the Cross will be made removable, unless ordered solid. The four Tablets in top portion of second Base will be made removable. Page 55 of a trade catalogue published in October 1882 by the Monumental Bronze Company of Bridgeport, Connecticut. Collections of the Smithsonian Libraries. Artwork in the public domain due to age. via https://archive.org/details/Whitebronzemonu00Monu/page/55/mode/1up

I found out about the Monumental Bronze Company and their catalogue from this blog post which also shows one of their monuments in real life, which appears on page 57 of the catalogue here. https://archive.org/details/Whitebronzemonu00Monu/page/57/mode/1up

https://gravelyspeaking.com/2025/11/23/gone-to-join-the-angels/

a new article from the same blog where I found the mention of Monumental Bronze describing how their markers were marketed, etc. Whether this is in response to my blog post I have no idea but am going to hope so-

A red carpet look for your next special occasion. Animal themed brooches from Attwood & Sawyer. Starting in Wales in 1956, they dressed the stars including the leading ladies of “Dallas” and “Dynasty.” Very glitzy. What else could it be?

Crab brooch with diamante, faux pearls, and enamel decoration. 20th c. British. Attwood and Sawyer, maker. Gillian Horsup, photographer. via pinterest. https://www.pinterest.com/pin/351912450261034/?utm_campaign=hfdigestpins&e_t=fa7b243907f149ca9b0ba3bf7c6ff41c&utm_source=31&utm_medium=2004&utm_content=351912450261034&utm_term=16&news_hub_id=2530468982684949248

Bird brooch. Gold plated with green, blue, and red enamel and embellished with rhinestones, including the green rhinestone eye. Late 20th c. by 2001. British. Attwood and Sawyer, maker. Maker’s marks: signed A&S on the reverse. Image © 1stDibs.com, Inc. 2025. Fair use license. via https://www.1stdibs.com/jewelry/brooches/brooches/attwood-sawyer-gold-plated-green-blue-red-enamel-rhinestone-bird-brooch/id-v_24504052/
Squirrel brooch. Gold plated with pave set clear round Swarovski crystals running the length of his tail, ear, and abdomen with a single red round Swarovski crystal eye. 1956-2001. British. Attwood and Sawyer, maker. Maker’s marks: signed A&S on the reverse. Image © 2025, Bramble & Lily. Fair use license. https://www.brambleandlily.com/products/att
Winged insect/bee brooch in bronze tone modeled as a winged insect, possibly a bee, in enamel, with a large faceted oval claw-set cognac crystal for its abdomen and a crown of smaller faceted round claw-set clear crystals crowning its head. Late 20th c. British. Attwood and Sawyer, makers. Maker’s marks: signed A&S on the back. Image © 2025 Bramble and Lily. Fair use license. https://www.brambleandlily.com/products/a-s
Gold plated frog brooch with an enamel back merging from green to blue with wavy lines of gold and Swarovski crystal pave set legs. Late 20th c. British. Attwood and Sawyer, maker. Maker’s marks: signed A&S on the back. Image © 2025 Bramble and Lily. Fair use license. https://www.brambleandlily.com/products/attwood-and-sawyer-22ct-gold-plated-swarovski-crystal-and-enamel-frog-brooch
Mythica Dragon/griffin figural pin brooch. Gold plated with bright red enamel and Swarovski crystals. Late 20th c. British. Attwood and Sawyer, maker. Image © 2025 Mink Road Vintage Jewelry, Spheres & Gemstones. Fair use license. https://www.minkroad.com/products/a-s-attwood-sawyer-mystical-beast-dragon-tiger-vintage-figural-brooch

Ormolu encriers shaped like beehives. Amaze your business acquaintances when they visit your office. They’ll never guess that India ink lives inside.

Ormolu beehive model Encrier (ink well). Beehive central well with a hay stack cover and several bees on the surface, flanked by two baskets with covers laden with fruit, flowers and wheat sheaves. At the base of one of the baskets sits a bird leaning over a large basket with a container of sand in the shape of a large bunch of wheat tied with a rope and a bird perched on top as a cover. The rear of the encrier is composed of a group of garden implements which include a sickle, a spade, a trowel, a scythe, ring pliers and a pitch fork tied with an attractive bow and hung with garlands of flowers, masses of grapes, and wheat forming a support for a quill. The base is designed as naturalistic wood logs topped with rustic wood planks. An amusing mouse sits by the handle of the large front basket nibbling a piece of wheat. Gilt bronze with porcelain liners. 19th c. Empire. French. Maker not given. Image © 1stDibs.com, Inc. 2024. Fair use license. via https://www.1stdibs.com/furniture/decorative-objects/desk-accessories/inkwells/gardeners-delight-antique-french-empire-gilt-bronze-beehive-model-encrier/id-f_32219442/
Freemasonry gilt bronze (ormolu) inkwell designed with a beehive shaped system decorated with bees on the top, on a base animated with flowers and vegetation. The basket-shaped receptacle is decorated with wheat sheaves and bees. This inkwell is embellished with two lidded cups, one with a stopper featuring an eagle. ca. 1824-1830. French. Ormolu (gilt bronze) with a porcelain ink cup. Maker not known. Image © Ouaiss Antiquites Paris 2024. Fair use license. via https://www.ouaissantiquites.com/en/objectdetails/859309/french-19th-century-gilt-bronze-inkwell/19678

The beehive with its worker bees is a Freemasonry symbol. Whether these inkwells are connected with Freemasonry, were made for one of their lodges, etc. it is not possible to learn as far as I know. But they probably were.

Egyptian Revival done up by Elkington and Company of Birmingham, England. Victorian era and almost more fun than the Ancient Egyptian originals.

Tazza. 1876. Egyptian Revival. English. Bronze with electroplated gilt and Champlevé enamel. Elkington and Company, maker. Engraved 1876/PHILADELPHIA EXHIBITION on the underside. Image © Auctioneers.com. Fair use license. auctioneers.com. https://www.invaluable.com/auction-lot/a-philadelphia-exhibition-egyptian-revival-gilt-e-159-c-6594dfcbd9
Pair of four-light candelabra,  each candelabra modelled en suite with winged scarab finial above four outscrolled lotus-work arms, the undersides similarly marked and stamped 8946. 1876. English. Egyptian Revival. Bronze with electroplated gilt and Champlevé enamel. Elkington and Company, Birmingham, maker. Maker’s marks: Engraved 1876/PHILADELPHIA EXHIBITION on the underside and stamped stamped 8946. Image © CHRISTIE’S 2024. Fair use license. via https://www.christies.com/en/lot/lot-4594328
Silver plated centerpiece with a glass bowl, the pierced lozenge base set with two sphinx, all below a scallop shell and lotus flower framework now supporting an associated glass bowl. Inscribed cartouche. 1888. English. Egyptian Revival. Elkington and Company, Birmingham. Maker’s marks: Stamped marks for Elkington on the underside. Image © 2024 Chilcotts Auctioneers. Fair use license. via https://www.chilcottsauctions.co.uk/catalogue/lot/b87d62c2e3b81b2815d17b0f63f6743b/120c74f2d99c26ad747b2640bb0cc6e9/silver-jewellery-watches-coins-good-antiques-and-h-lot-62/



Egyptian Revival silver plated and cut-glass seven piece table garniture, the tri-form bases raised on lion paws and supporting fully-modeled sphinxes, stem formed as a three-handled amphora, hung with chains and topped by cut-glass bowls, the seven-light candelabrum centerpiece with a matching mirror plateau. The detachable sconces can be replaced with cut-glass bowls. ca. 1865. English. Probably designed by A. A. Willms. Elkington and Company. Marked on the bases and with a diamond registration mark on each piece. Image © 2024 Sotheby’s. Fair use license. via https://www.sothebys.com/en/buy/auction/2020/dining-in-new-york/a-victorian-silver-plated-and-cut-glass-seven

Get the sphinx to guard the fire. Whether they’ll give you luck on the roulette wheel at Monte Carlo I have no idea. Not the Ancient Egyptian kind, but Egyptian Revival and considerably more decked out.

A pair of Empire ormolu and black patina chenets with winged sphinxes, standing on rectangular bases with rounded sides decorated with chased Gorgon heads, horns of plenty and foliate scrolls; the sides are decorated with starbursts. Small tapered legs with spiral gadroons. Gilded bronze and black patina. 19th c. Probably French. Image © 2024 Bonhams. Fair use license. via https://www.bonhams.com/auction/30046/lot/78/paire-de-chenets-dits-aux-sphinges-ailees-bronze-dore-et-patine-noire-depoque-empire/?fbclid=IwAR0xXmrevRU9GPMDGqekJcjGokMOHCXBgbMXiC-7QPWhK6DTyAUtR6x60XU
Pair of gilt bronze and patinated bronze chenet, each surmounted by a detailed gilt bronze recumbent sphinx on rectangular patinated bronze plinth adorned with applied eagle wings and stylized lightning bolts within eagle talons, the opposite side with an ormolu wreath, all being symbols of the first French empire. French. First Empire, ca. 1800-1805. Image © 2015-24 Dirk Soulis Antiques LLC. Fair use license. via https://soulisauctions.com/Cat/LP4383-a-pair-gilt-and-patinated-bronze-chenets-with-sphinx-
Pair of gilt-bronze and patinated bronze chenets, each chenet surmounted with a patinated bronze figure of a resting sphinx. ca. 1890-1900. Egyptian Revival. Made in Paris, France by Bouhon Frères. Bouhon Frères/Bouhon et Cie, bronzier. Maker’s marks: signed Bouhon. Image: © 1996 – 2024 | Jan’s & Company Fine French Antiques Inc. Fair use license. via https://www.jansantiques.com/Lot/jac1690_2.php

Jugendstil vases designed by Gustav Gurschner who was a sculptor too. Living from 1873 to 1970, Gurschner studied art in Vienna and in Paris. In 1898, he participated in the inaugural exposition of the Vienna Secession. Also designed ashtrays, a far more popular item in 1910 then they are now.

Vase in gilt patinated bronze. ca. 1900. Austrian. Jugendstil. Gustav Gurschner, designer (1873-1970). Maker’s marks: stamped GURSCHNER on the base, numbered M/134 on the underside. Image ©  2024 Sothebys. Fair use license. https://www.sothebys.com/en/buy/auction/2020/important-design/gustav-gurschner-vase

Vase. ca. 1900. Austrian, made in Vienna. Jugendstil. Patinated bronze and enamel. Gustav Gurschner, designer (1873-1970). K.K. Kunst-Erzgiesserei Wien, manufacturer. Maker’s marks: stamped GURSCHNER on the base, numbered 1430 b and stamped K.K. Kunst.Erzgiesserei Wien on the underside. Image ©  2024 Sothebys. Fair use license. https://www.sothebys.com/en/auctions/ecatalogue/2019/design-pf1904/lot.45.html
Vase. ca. 1910. Austrian, made in Vienna. Bronze with cross relief. Gurschner, designer (1873-1970). K.K. Kunst-Erzgiesserei Wien, manufacturer. Signed. Image © 1stDibs.com, Inc. 2024. Fair use license. https://www.1stdibs.com/furniture/decorative-objects/vases-vessels/vases/bronze-vase-gustav-gurschner-circa-1910-austrian-jugendstil/id-f_26264222/

Going into town for a new inkwell and pen rest in case Alice Roosevelt Longworth stops by for tea and wants to write a letter home. Images from a trade catalogue with desk sets from Tiffany Studios that include lamps, magnifying glasses, frames, vases, and ashtrays. ca. 1910.

Front cover of a Tiffany Desk Sets trade catalog from Tiffany Studios, New York which includes Includes lamps, magnifying glasses, frames, vases, and ashtrays. ca. 1910. American. Tiffany Publications and Ephemeral Materials Collection, Metropolitan Museum of Art, New York City. In the public domain due to age. via https://libmma.contentdm.oclc.org/digital/collection/p16028coll5/id/1175/rec/17
ABALONE DESK SET. This is a bronze set of beautiful workmanship, highly finished in soft gold or silver with incised lines of tonal color following the conventionalized pattern of the design. This ornament surrounds discs of the natural Abalone shell embedded in the metal. DESCRIPTION: Lamp – gold only; Shade; Pen Holder; Photograph Frame, 6 “ x 8 1/2;  Match Safe, no stand; Photograph Frame, 10” x 14”; Inkstand, small; Paper Rack; Blotter Ends, 19” x 24” Pad; Blotter Ends, 12’ x 9” Pad; Blotter Corners; Letter Rack; Inkstand; Stamp Box; Pen Tray; Pen Brush; Paper Knife; Rocker Blotter; Letter Clip; Calendar (Perpetual); Thermometer; Memoranda Pad, plain or dated; Letter Scales; Photograph Frame; Book Ends; Utility Box; Reading Glass; Photograph Frame (Cabinet). Pages 2 and 3 of a Tiffany Desk Sets trade catalog from Tiffany Studios, New York which includes Includes lamps, magnifying glasses, frames, vases, and ashtrays. ca. 1910. American. Tiffany Publications and Ephemeral Materials Collection, Metropolitan Museum of Art, New York City. In the public domain due to age. via https://libmma.contentdm.oclc.org/digital/collection/p16028coll5/id/1178/rec/17
A FEW EXAMPLES OF THE MANY AND VARIED PRODUCTS OF THE TIFFANY STUDIOS. TABLE FERNERIES 11” AND 12” IN DIAMETER FILLED WITH REMOVABLE PANS. List #833 Etched Metal over glass Price $50.00; List #834 Heavy Bronze, Marsh-marigold design Price $55.00; List #1701 Etched Metal, gold finish with color inlay, Price $28.00. FLOWER HOLDERS – Bronze bases surmounted by Favrile Glass Vases, various prices. COMFORTS AND CARD TRAYS – Etched metal with and without Abalone shell inlay, from $5.00 up. ASH RECEIVERS of heavy bronze, single and in nests; varied color finishes, from $5.00 up. Pages 26 and 27 of a Tiffany Desk Sets trade catalog from Tiffany Studios, New York which includes Includes lamps, magnifying glasses, frames, vases, and ashtrays. ca. 1910. American. Tiffany Publications and Ephemeral Materials Collection, Metropolitan Museum of Art, New York City. In the public domain https://libmma.contentdm.oclc.org/digital/collection/p16028coll5/id/1202/rec/17
Bronze Smokers Stands, stationary or adjustable, fitted with removable Favrile Glass Bowls. Green or brown finish: #1651, $50.00; #1652, $75.00; #1650, $50.00; #1649, $38.00. Gold finish: #1651 $63.00 #1652, $94.00; #1650, $63.00; #1649, $48.00. Page 28 of a Tiffany Desk Sets trade catalog from Tiffany Studios, New York which includes Includes lamps, magnifying glasses, frames, vases, and ashtrays. ca. 1910. American. Tiffany Publications and Ephemeral Materials Collection, Metropolitan Museum of Art, New York City. In the public domain https://libmma.contentdm.oclc.org/digital/collection/p16028coll5/id/1202/rec/17
Bronze Candlesticks. Finished in green or gold or bronze. Page 29 of a Tiffany Desk Sets trade catalog from Tiffany Studios, New York which includes Includes lamps, magnifying glasses, frames, vases, and ashtrays. ca. 1910. American. Tiffany Publications and Ephemeral Materials Collection, Metropolitan Museum of Art, New York City. In the public domain https://libmma.contentdm.oclc.org/digital/collection/p16028coll5/id/1202/rec/17
LOUIS XVI DESK SET. Lovers of French Art will find in this set an expression of the exquisite delicacy of this Period. Set finished in dull gold. DESCRIPTION: Lamp – Shade extra; Pen Holder; Blotter Ends, 12” x 19” Pad; Pen Tray; Utility Box; Paper Knife; Inkstand; Paper Rack; Pad Holder, plain or engagement; Rocker Blotter; Calendar.  Page 16 and 17 of a Tiffany Desk Sets trade catalog from Tiffany Studios, New York which includes Includes lamps, magnifying glasses, frames, vases, and ashtrays. ca. 1910. American. Tiffany Publications and Ephemeral Materials Collection, Metropolitan Museum of Art, New York City. In the public domain https://libmma.contentdm.oclc.org/digital/collection/p16028coll5/id/1202/rec/17

Models of triumphal arches cranked out in Roman workshops to sell to tourists on the Grand Tour. If they want to buy something, you might as well sell it to them. A few more that were not made in Rome but are fun anyway.

Arch of Titus. ca. 1808-1815. Marble and gilt bronze. Made in Rome under the auspices of the Roman Academy of Saint Luke by the silversmiths Giovacchino Belli and his son Pietro. Purchased by King George IV. Image © Royal Collection Trust/His Majesty King Charles III 2022. Fair use license. via https://www.rct.uk/collection/43917/arch-of-titus
Arch of Septimius Severus. ca. 1808-1815. Marble and gilt bronze. Made in Rome under the auspices of the Roman Academy of Saint Luke by the silversmiths Giovacchino Belli and his son Pietro. Purchased by King George IV. Image © Royal Collection Trust/His Majesty King Charles III 2022. Fair use license. via https://www.rct.uk/collection/43916/arch-of-septimius-severus
Triumphal arch model built by hand and covered with hand-marbled paper. American, made in 2023 in Birmingham, Michigan. Parvum Opus, maker. Image © 2022 Parvum Opus. Fair use license. via https://www.parvumopus.com/product-page-1/triumphal-arch
Architectural model of a gateway with the top being detachable from the base. Late 19th-early 20th c. English. Bronze. Maker not known. Image © UK ARCHITECTURAL HERITAGE LTD. Fair use license. via https://uk-heritage.co.uk/shop/an-antique-bronze-architectural-model-of-a-gateway
Arc de Triomphe inkwell. 1850-1899. Bronze (I think). Made in France. Maker not known. Image © 1995-2023 eBay Inc. Fair use license. via https://www.ebay.com/itm/225026270668?chn=ps&_trkparms=ispr%3D1&amdata=enc%3A1WgptRD_3QAarO8CXw_wDYw37&norover=1&mkevt=1&mkrid=711-117182-37290-0&mkcid=2&

Decorate your home like 1876 will be here forever. Commemoratives from the Centennial Exhibition held in Philadelphia, Pennsylvania in 1876 which celebrated the 100th birthday of the United States of America.

Lady Liberty Centennial Exhibition commemorative statue. A silver-plated column with the Declaration of Independence surmounted by a bust of Lady Liberty, with historical vignettes, created for the 1876 Philadelphia Centennial Exhibition. 1876. American. James W. Tufts, maker.
@gallery_76_americana on Instagram. via Instagram. https://www.instagram.com/p/CkjVL1kvIOB/

Pair of commemorative vases. They are smaller versions of a monumental pair exhibited in Philadelphia at the Centennial Exhibition of 1876 by the French firm of Haviland and Company. They celebrate the hundredth birthday of the United States, this vase commemorating the country’s declaration of independence in 1776, the other celebrating its national prosperity a century later. In addition to the large pair, now in the Smithsonian Institution, Haviland produced only two smaller versions; this pair at the Philadelphia Museum of Art is the only smaller pair still known. Topped by a bust of George Washington flanked by the winged figures of Fame and Victory, the 1776 vase is inscribed with the names of the signers of the Declaration of Independence, and its base is ornamented with Revolutionary War canons. 1876. French. Refined earthenware (terre de pipe) with enamel decoration and applied bronze figures. Modeled by Eugène Delaplanche after a design by Félix Bracquemond. Haviland and Company, Limoges, France, maker. Collections of the Philadelphia Museum of Art. Image © 2023 Philadelphia Museum of Art. Fair use license. Vase itself in the public domain due to age. via https://philamuseum.org/collection/object/332494
 Frosted, colorless pressed glass lion paperweight. Oblong base with fluted sides surmounted by a lion seated on all fours on grassy ground. 1876. American. Made by James Gillinder and Sons in Philadelphia, Pennsylvania. Maker’s marks: GILLINDER & SONS/CENNTENIAL EXHIBITION molded on the underside of the base. Collections of the Brooklyn Museum. Photo credit Brooklyn Museum. Cc0 license. https://www.brooklynmuseum.org/opencollection/objects/564