Centerpieces by Elkington of Birmingham, England in silver and bronze. A pair of snazzy dessert stands, too. But you’ll see, they fit right in. Set a table you’ll have to live up to instead of the other way around.

Silvered bronze centerpiece with silvered bronze figures and chasing on the base and an original glass bowl. 1859. Victorian. Made in Birmingham, England by Elkington, Mason and Company. Maker’s marks: marked to the base. Image ©, Inc. 2021. Fair use license. via

Pair of sterling silver dessert stands, each of them featuring three gilt figures of Bast (the winged cat) appearing to hold up the central urn shaped column which stands on three clawed feet. Frosted and cut glass dishes. 1873. Victorian. Egyptian Revival. Made in Birmingham, England by Elkington. Maker’s marks hallmarks to the base. Image ©, Inc. 2021. Fair use license. via

Centerpiece in bronze. Shaped bronze base with two entwined palms sheltering two greyhounds or whippets, modeled after Pierre-Jules Menne’s “Two Whippets at Play” and a Villeroy and Boch plate in blue and white ceramic. Early 20th c. British. Made by Elkington of Birmingham, England. Image ©, Inc. 2021. Fair use license. via

Wall-appliques (sconces) with a bit more than a little gilt bronze to put your best candles in. Each a little bit “different”, not the boring old kind your mother in law has.

Pair of two-light wall-appliques with burnished and matt gilding, each cast with a pair of winged sphinxes and garlands of flowers. Fitted for electricity. 1850-1875. Made in Paris. Gilt-bronze. after a design by Jean-Francois Forty. Image © 2021 Sotheby’s. Fair use license. via
Pair of four-light wall-appliques. 19th c. Louis XVI. French. Gilt-bronze. After a model by Pierre Gouthière (1723-1813). Attributed to Henry Dasson (1825-1896). Maker’s marks: One light inscribed to one side “Henry Dasson 1879”. Image © 1996 – 2021 | Jan’s & Company Fine French Antiques Inc, Fair use license. via
Pair of French Empire style figural two branch wall appliques or sconces. Vintage. Gilt bronze. Made in England. Image ©, Inc. 2021. Fair use license. via
Gilt and patinated bronze ormolu two light wall-appliques (sconces). ca. 1770-1775. Louis XV/Louis XVI. Attributed to Jean-Louis Prieur. Image © Auction Technology Group Germany GmbH 2021. Fair use license. via

Gilded up Art Nouveau ladies forever stuck in the art. Sculptures and a vase by French artist Maurice Bouval who lived from 1863 to 1916.

Gilt bronze vase with nude and leaves. 1910. Art Nouveau. French. Maurice Bouval, creator. Cast at the Colin Foundry in Paris. Image ©, Inc. 2021. Fair use license. via
“Obsession et rêve” suite of four candelabra. ca. 1898. French. Chased gilt bronze on marble plinths. Maurice Bouval, artist. Maker’s marks: Signed “M. Bouval” in the bronze. Foundry mark for Thiebaut Frères, Paris. Image © Christie’s 2021. Fair use license. via
Gilt bronze lidded vessel. ca, 1900. Art Nouveau. French. Maurice Bouval, artist. Marker’s marks: Stamped “M. BOUVAL.” Circular “JOLLET ET CIE stamp to base. Image © 2021 Bidsquare Inc. Fair use license. via

Cassolettes in ormolu and patinated bronze. Mostly from around 1800. Used to burn potpourri.

Pair of cassolettes, each cast as an oil lamp with an eagle’s head finial on a circular plinth. ca. 1795. Directoire. Ormolu and patinated bronze. Image © Christie’s 2021. Fair use license. via
Pair of cassolettes, each one raised on a triform white marble base, the base bordered with ormolu, raised on a molded ormolu step above three toupie feet and set to the center with an elaborate ormolu foliate finial. The base of each cassolette supporting three patinated legs, each leg modeled as an elongated cartyatid that terminates in a hoof foot with the legs supporting the bowl of the vase. The rim of each bowl finished with a pierced ormolu frieze and topped with a flat cover which is in turn surmounted by an elaborate ormolu finial comprised of a an abandance of fruit and foliage. Late 19th c. in the Louis XVI style. French. Ormolu, patinated bronze and white marble. Henry Dasson, maker (1825-1895). Maker’s marks: signed “Henry Dasson” to the base of each. Image v© 2021 Mayfair Gallery Limited. Fair use license. via

Pair of baluster form cassolettes, the ring-adorned waisted neck mounted with foliate swans, the stiff-leaf cast lip headed by a domed lid with pinecone finial flanked by winged putti blowing dolphin-headed horns and resting on scrolled paired lion supports above a circular fluted base with foliate-cast edge. ca. 1785-1790. French. Attributed to Pierre-Philippe Thomire. Image © Christie’s 2021, Fair use license. via

Jardiniere with putti . .. a bit of fun and frolic for your plants.

Flambe glazed ceramic jardinière with gilt bronze mounts. French. Maker’s marks for Luneville which been in business since 1711. Image © 2002-2021 LiveAuctioneers. Fair use license. via
Parian bisque jardinière modeled as a basket with with relief figures of putti, Oval base strewn with rose flowers. Antique. 19th c. Maker not known. Incised #4 mark under the base. Image © 2021 French Garden House. Fair use license. via
Jardinière with an openwork troughed body carried by four putti figures with three-dimensional rose branches. and the handles with lateral laurel wreaths with bows. Porcelain with polychrome painting and a gold rim. ca. 1907-1927. German. C. G. Schierholz and Son, maker. Maker’s marks: manufacturers mark “Thuringia. Plaue. C. G. Schierholz & Son.” Image © Very Important Lot. Fair use license. via
Decorative vintage brass baroque jardiniere with putti – Italy – ca.1970 Brass or bronze jardinière with putti. ca. 1970. Baroque in style.; Italian. Image © 2021 Catawiki. Fair use license. via

Ostensoir. These are used in the worship tradition of several Christian churches. Here because I think the different ways the rays are modeled is interesting. One that is 19th century and the others are brand new.

Grand ostensoir decorated with vines, ears of white and cherubs. Crowned with a crown which forms a canopy above a representation of God the Father who is surrounded by a cloud with the rays of the sun in gilded bronze. From the treasure of the Capuchin friars of Bruges. mid19th c. Belgian. Sterling silver and vermeil. Image © Ian Panné and Fair use license. via

Ostensoir in gilded bronze and sterling silver. 2021. Image © Michel Finet. Fair use license. via

Ostensoir. 2021. Image © Louis-Guillaume Piéchaud. Fair use license. via

A few little things to keep around the house, gilt bronze by Henri Picard whose cast and gilded decorative pieces was very fashionable in Paris between 1831 and 1864. He created a great many decorative objects for Emperor Napoleon III.

Gilded and chiseled bronze navette form jewelry box in the shape of a gadrooned shuttle enhanced with a row of pearls, cornucopia medallion with the bust of a young woman and foliated volutes. Surmounted on the lied by a small winged angel, allegory of love showing a flaming heart decorated with bows and arrows, flower crown and fire pot. Purple silk interior. 1831-1864. French. Henri Picard. Image © Antiquités David Balzeau & Pascale Brion and Fair use license. via

Cachepot, or jardinière in Sèvres style painted porcelain with gilt bronze ormolu mounts. The cylindrical porcelain body of the cachepot, rising from a waisted stem, is painted in the round with a Rococo style scene of putti hunting in an idyllic landscape. The porcelain having a “bleu celeste” ground with parcel gilt with chased intertwined leaves and jeweled with red and white enamel. The body mounted with an ormolu rim from which springs twin geometrical ormolu handles, each terminating in a cherub mask. The cachepot being supported by a square ormolu base, the surface of which is richly detailed, featuring draped and tasseled fabric, rosettes to each corner, and pinecone finials. Four square toupie feet. 1831-1864. French. Henri Picard. Maker’s marks: the ormolu is stamped “H. Picard’ underneath. Image © 2021 Mayfair Gallery Limited.. Fair use license. via

Gilt bronze centerpiece in the Rococo taste. Navette form with reticulated basketweave, foliate handles, floral swags and a removable lead liner. ca. 1850. French. Henri Picard, maker. Maker’s marks: stamped “H. Picard” and numbered “3814.” Image © 2002-2021 LiveAuctioneers and Neal Auction Company. Fair use license. via
Rococo style gilt bronze casket centerpiece. Navette form with reticulated basket weave, foliate handles, floral swags and two seated putti. Removable lead liner. ca. 1860. French. Henri Picard. Marked on the underside. Image © 2021 Bidsquare Inc.  and Solomon Treasure. Fair use license. via

Silver wine trolleys. Just the thing if the sommelier just resigned and the butler can’t fill in.

Wine serving trolley with two bowls atop the handled cart. ca. 1920. English. Silver plate. Image © 2002-2021 LiveAuctioneers. Fair use license. via
Wine trolley formed as a chariot, the sides with beaded borders above applied and engraved grapevine. The reverse engraved with Bacchus seated on a barrel engraved with the initials “AM” and raising a glass, all raised on two large back wheels decorated wtih flowers and foliage and centered with lion marks. Small front wheel on fixed double-scroll axel headed by an open-mouthed lion head and a twisted strap handle. ca. 1885. French. Silver. Maker’s marks: The body with a maker’s mark and French control mark. Front axel with a French control mark. Made in Paris by Fray Fils. Image © 2020 Sotheby’s. Fair use license. via
Silver plated wine trolley with two cut-glass decanters. 19th c. English. Maker not known. Image © 2021 Heritage Auctions. Fair use license. via
Wine trolley adorned with a grapevine motif. ca. 1890. French. Silver plate over bronze. Christofle, maker. Maker’s marks for “CHRFISTOFLE”. Image ©, Inc. 2021. Fair use license. via

Gilt bronze sphinxes. Various times as the fashion for Egyptian/Egyptian Revival inspired decorations never really goes away.

Gilt bronze sphinxes on later Levanto Rosso marble rectangular bases. 19th c. Empire. Maker not known. Image © 2021 Sotheby’s. Fair use license. via
Bronze sphinxes mounted on Russian malachite bases. Early 20th c. Image ©, Inc. 2021. Fair use license. via
Madame de Pompadour depicted as a large gilt sphinx.Probably a store or lobby decorative display item. 1930s-1950s in the style of Louis XV. Composition. Image ©, Inc. 2021. Fair use license. via
Pen shell inlaid brass sphinx. Undated. Scarborough House. Image © 2021 Chairish, Inc. Fair use license. via
Cast gilt bronze chenets modeled as sphinxes that feather a rich blue rocaille cartouche with fleur de lys. Based on a pair of sphinx chenets made ca. 1710 Guillaume de Grof (1680-1742) who was patronized by King Louis XIV. 1850-1899. French. Image © 2021 Chairish, Inc. Fair use license. via

More automotive mascots from the turn of the last century. Selections from a recent Bonhams catalog. Lots of fun.

“Circus Poodle” mascot modeled as a nickel plated bronze dog balanced on a ball. Set on a black painted wooden display case. 1920s. French. B. L. Laurent, maker. Image © Bonhams 2001-2021. Fair use license. via
Chrome plated “Icarus” mascot on a chrome radiator cap. 1930s. Image © Bonhams 2001-2021. Fair use license. via

“Prouesse” mascot designed for Rubray cars. 1920s. French. Charles Soudant, designer for Rubray Cars. Signed “h. Soudnat.” A large bronze of this design was displayed in the 1907 Salon held at Madison Square Gardens, New York, where Rothschild had the largest exhibit featuring seven superb automobiles. This impressive piece was created by the Parisian master sculptor Charles Soudant for Leon Rubay, who later used the design as a car mascot to grace his own range of Rubay cars in USA from 1916-1923. Rubay started offering car bodies from 1907 when he teamed with Rothschild & Company. Image © Bonhams 2001-2021. Fair use license. via
“Cigone Parisienne” mascot that was exclusively produced for clients of the Garage Saint Didier, Paris. 1920s. Nickel-plated bronze, further inscribed around the base including H. Briand Foundry details. Black painted wooden display base. E. Fady, maker. Image © Bonhams 2001-2021. Fair use license. via
“Spirit of Triumph” mascot. Nickel plated on a marble display base. 1920s. French. F. Bazin, creator. Image © Bonhams 2001-2021. Fair use license. via