Very Eerie Pre Halloween Art, September 3rd issue in the 2025 fall show . . .

sparking on air as in the center of a far away galaxy the archangels awaken from their long night and flex their wings . . .towards earth or the other way . . .time to wait and see . . . something that is not for mere humans to decide . . .

my fall series post for today published on my Substack at the link if you’d like to see. Please scroll down to the bottom to see all the images. Thanks!

https://sarahbguestperry.substack.com/p/very-eerie-pre-halloween-art-september-120

An envisioning. 2017, eight o’clock on a May morning, and a second iced coffee on the porch of the apartment in Aurora Falls.

Oh to be here.

Perfect. A new apartment and a new life. Or something. Only a sort of mountain view, but across the street from three banks competing on just about everything, including the electronic sign variety of high school cheerleader pom-poms dancing their way up into the sky all night long, all in various shades of money green.

My new short piece of fiction posted to my Substack. The rest is at this link if you’d like to see

https://sarahbguestperry.substack.com/p/an-envisioning-2017-eight-oclock

The Pearl. From the series Mysteries of Love and Space II. Layered photograph of Bolivian salt flats. Navina Khatib, photographer. Photo credit Navina Khatib. via https://www.atlasobscura.com/articles/salt-flat-landscape-bolivia

Visionery of the 1915 Panama-Pacific International Exposition, held in San Francisco, California. Very ethereal looking images, mostly of the Colonnade in the Court of Abundance. From Calisphere.

Mullgardt’s TowerFountain of EarthCourt of Abundance. Panama-Pacific International Exposition, San Francisco, California, 1915. Fountain by Robert IAitkenLouis Christian Mullgardtarchitect. 1915 image. American. Photographer not given. Fresno State Library Digital Collections. Photograph in the public domain due to age. http://digitized.library.fresnostate.edu/cdm/singleitem/collection/worldsfair/id/18264
Colonnade, Court of Abundance, Louis Christian Mullgardt, architect. Panama-Pacific International Exposition, San Francisco, California, 1915. American. Photographer not given. Views of the Panama-Pacific International Exposition Collections, Bancroft Library, University of California Berkeley Library Digital Commons. In the public domain due to age. https://digicoll.lib.berkeley.edu/record/40508?v=uv#?xywh=-972%2C-1%2C2966%2C1536
Colonnade, Court of Abundance, Louis Christian Mullgardt, architect. Panama-Pacific International Exposition, San Francisco, California, 1915. American. Photographer not given. Views of the Panama-Pacific International Exposition Collections, Bancroft Library, University of California Berkeley Library Digital Commons. In the public domain due to age. https://digicoll.lib.berkeley.edu/record/40464?v=uv#?xywh=-972%2C-1%2C2966%2C1536
Cauldron, Court of Abundance, Louis Christian Mullgardt, architect. Panama-Pacific International Exposition, San Francisco, California, 1915. American. Photographer not given. Views of the Panama-Pacific International Exposition Collections, Bancroft Library, University of California Berkeley Library Digital Commons. In the public domain due to age. https://digicoll.lib.berkeley.edu/record/40667?v=uv#?xywh=-221%2C0%2C1977%2C1023
“Fountain of the Earth” (Robert I. Aitken, sculptor), “Court of Abundance” (Louis Christian Mullgardt, architect). Panama-Pacific International Exposition, San Francisco, California, 1915. American. Photographer not given. Views of the Panama-Pacific International Exposition Collections, Bancroft Library, University of California Berkeley Library Digital Commons. In the public domain due to age. https://digicoll.lib.berkeley.edu/record/40675?v=uv#?xywh=-972%2C-1%2C2966%2C1536
“Setting Sun” group, from “Fountain of the Earth” (Robert I. Aitken, sculptor). Court of Abundance (Louis Christian Mullgardt, architect). Panama-Pacific International Exposition, San Francisco, California, 1915. American. Photographer not given. Views of the Panama-Pacific International Exposition Collections, Bancroft Library, University of California Berkeley Library Digital Commons. In the public domain due to age. https://digicoll.lib.berkeley.edu/record/40761?v=uv#?xywh=-972%2C-1%2C2966%2C1536

Very Eerie Pre Halloween Art for September First in the 2025 show . . .

waltzing in air on the smile of the sphinx as the raptor awakens from her morning nap and stares down from the top of the mast of a ghostly ship . . . what will she find . . . who knows . . . a haunted something for the end of the world . . .

my fall series which I think I started back in 2013. Back then it was a small event that only ran in October but then it expanded sideways with people sending me links and my jewelry friend hunting down diamonded up Art Nouveau bats so it became two months. At the link below, if you’d like to see all the pictures of which there are around 24.

https://sarahbguestperry.substack.com/p/very-eerie-pre-halloween-art-for-13f

An envisioning. 1940 and ten in the evening at the ranch on Blanchard Creek, watching the stars twinkle away as the tumbleweeds dance along.

Oh to be here.

New Mexico and cattle lowing in the dark as far as the ear can hear or the eye can see. Being a ranch wife fascinating if you grew up somewhere else, with pine cones that bounce off your head while you wait for the school bus or ride your bike to the library.

my new short fiction piece at the link if you’d like to read the rest

https://sarahbguestperry.substack.com/p/an-envisioning-1940-and-ten-in-the

Boston Public Library Collections.

Part of my story is wrapped around a Coast Guard officer who brought live lobsters to potlucks at my mother’s church here in Boston. Other bits of it have imagery I remember from a few decades back when I had a chef friend who had grown up on his mother’s cattle ranch in East Texas.

Polishing up my white party shoes, making sure my star headband is on straight and its’ off to be in a tableau vivant at the “Pageant of Democracy” which was part of Seattle Washington’s 1920 Fourth of July.

A group of young women performers from the “Pageant of Democracy” performed in Woodland Park, posing either before or after the performance. The women wear star headbands and hold diamond-shaped signs with letters spelling out “For All Humanity.” Seattle, Washington. July 5, 1920 image. American. Joseph J. Kniesle, photographer. Collections of the Museum of History & Industry, Seattle (MOHAI). Photograph in the public domain due to age. https://digitalcollections.lib.washington.edu/digital/collection/imlsmohai/id/5684/rec/92
Pageant of Democracy, performed in Woodland Park, Seattle, Washington. July 4 1920. “Uncle Sam” poses with women and children dressed in costumes of various nationalities. American. Joseph J. Kniesle, photographer. Collections of the Museum of History & Industry, Seattle (MOHAI). Photograph in the public domain due to age. https://digitalcollections.lib.washington.edu/digital/collection/imlsmohai/id/5675/rec/8
Labor’s Pageant of Democracy 4th July 1920 with almost everyone holding a flag. Woodland Park, Seattle, Washington. July 5, 1920 image. American. Joseph J. Kniesle, photographer with the photographer’s name inscribed on the lower right. Collections of the Museum of History & Industry, Seattle (MOHAI). Photograph in the public domain due to age. https://digitalcollections.lib.washington.edu/digital/collection/imlsmohai/id/5677/rec/6
In this photograph, probably showing the closing scene of the pageant, a large group of costumed actors including men, women, and children stand on the stage, with men in military uniforms in front of the stage. Young women with star headbands hold letters which spell “for all humanity.” 1920 4th of July Pageant of Democracy, Woodland Park, Seattle, Washington. American. Webster and Stevens, photographers. 1920 image. Collections of the Museum of History & Industry, Seattle (MOHAI). Photograph in the public domain due to age. https://digitalcollections.lib.washington.edu/digital/collection/imlsmohai/id/5670/rec/17
Man in ancient Greek dress and other performers onstage during the 1920 4th of July “Pageant of Democracy” at Woodland Park, Seattle,.Washington. July 5, 1920. American. Webster and Stevens, photographers. 1920 image. Collections of the Museum of History & Industry, Seattle (MOHAI). Photograph in the public domain due to age. https://digitalcollections.lib.washington.edu/digital/collection/imlsmohai/id/5686/rec/49
A man dressed as Abraham Lincoln gives a speech, while other performers, costumed in wigs, breeches and long coats, look on. Part of the Pageant of Democracy, performed in Woodland Park, Seattle, Washington July 4th 1920. American. Webster and Stevens, photographers. 1920 image. Collections of the Museum of History & Industry, Seattle (MOHAI). Photograph in the public domain due to age. https://digitalcollections.lib.washington.edu/digital/collection/imlsmohai/id/5687/rec/91
This photo shows the characters of Joan of Arc and Uncle Sam on horseback. The photo was probably taken in Woodland Park some time after the parade ended. Pageant of Democracy, Seattle, Washington July 4th 1920. American. Joseph J. Kniesle, photographer. Inscribed by the photographer on the lower right. Collections of the Museum of History & Industry, Seattle (MOHAI). Photograph in the public domain due to age. https://digitalcollections.lib.washington.edu/digital/collection/imlsmohai/id/5673/rec/93

A “Pageant of Democracy,” celebrating the history and promise of democracy across the globe, was performed in Woodland Park as part of Seattle’s 1920 Fourth of July celebrations held on Monday, July 5. The event was one of several put on by the Central Labor Council in Woodland Park that day. Nearly all of those taking part in the “Pageant of Democracy” were members of organized labor unions. One scene from the pageant depicted all 56 signers of the Declaration of Independence, dressed in wigs and colonial era dress; other scenes showed performers dressed as historical, allegorical and everyday figures related to the history of democracy, such as Joan of Arc, Abraham Lincoln, an ancient Greek, and ordinary people of various cultures. Nineteen nationalities joined in the closing scene of the pageant, titled “World Democracy for All.”

An envisioning. 1960 and early October at the Keewaydin Club in Naples, Florida, with the tourists starting to trickle down on the auto train.

Oh to be here.

Back to Illinois eventually, but hopefully not until it is too late to be snowed in. No way to know which day to get the tickets for. Two ex-husbands paying alimony. At least one looking to be heading off to prison soon, his alimony check-writing days going with him.

my new short fiction piece published to my Substack. Please click through the link to read the rest. The image is from a 1960 catalogue of jalousie windows put out by a Miami Florida company that made them.

https://sarahbguestperry.substack.com/p/an-envisioning-1960-and-early-october

In search of inspiration for a home that looks like you got an interior decorator even if all you did was shop from this 1914 catalogue from Les Printemps Paris. If they are selling it, it must be chic.

Front cover. AU PRINTEMPS PARIS -EBENISTERIE. Chambres à coucher, salles à manger, petits meubles fantaisie, glaces, meubles genre ancien. Published in Paris, France by Le Printemps in 1914. Imprimerie Hénon, printer. Collections of the Bibliothèques Patrimoniales. In the public domain. https://bibliotheques-specialisees.paris.fr/ark:/73873/pf0002145565/v0001.simple.highlight=printemps.selectedTab=thumbnail
2800. ENTRÉE en laqué, composée de: 1 portemanteau Louis XVI avec console dessus marbre, largeur 110, hauteur 250, 1 table rectangulaire dessus marbre, 1 trumeau Louis XVI, hauteur 158, largeur 49, 1 guéridon rond dessus marbre, 1 console Louis XVI, 1 chaise . . . Image 2. Taken from AU PRINTEMPS PARIS -EBENISTERIE. Chambres a Coucher, Salles a Manger, Petits Meubles Fantasie, Glaces, Meubles Genre Ancien. Published in Paris, France by Le Printemps in 1914. Imprimerie Hénon, printer. Collections of the Bibliothèques Patrimoniales. In the public domain. https://bibliotheques-specialisees.paris.fr/ark:/73873/pf0002145565/v0002.simple.highlight=printemps.selectedTab=thumbnail
2803. CHAMBRE MODERNE en chêne clair ciré, motifs du haut du lit et de l’armoire en cuivre estampé rempli; composée de: 1 armoire à glace et bisée; 1 lit (sans literie) largeur extérieure 130. 1 table du nuit. La chaise cannée. Image 3 (upper right). Taken from AU PRINTEMPS PARIS -EBENISTERIE. Chambres a Coucher, Salles a Manger, Petits Meubles Fantasie, Glaces, Meubles Genre Ancien. Published in Paris, France by Le Printemps in 1914. Imprimerie Hénon, printer. Collections of the Bibliothèques Patrimoniales. In the public domain. https://bibliotheques-specialisees.paris.fr/ark:/73873/pf0002145565/v0002.simple.highlight=printemps.selectedTab=thumbnail
2802. LINGERIE: Armoire pitchpin, portes pleines; Armoire anglaise pitchpin, glace uni – glace biseautée; Table pitchpin, à tiroir; La chaise, bois courbe; Le tabouret, bois courbe. La travailleuse à séparation – sans séparation. Image 3 (lower left). Taken from AU PRINTEMPS PARIS -EBENISTERIE. Chambres à coucher, salles à manger, petits meubles fantaisie, glaces, meubles genre ancien. Published in Paris, France by Le Printemps in 1914. Imprimerie Hénon, printer. Collections of the Bibliothèques Patrimoniales. In the public domain. https://bibliotheques-specialisees.paris.fr/ark:/73873/pf0002145565/v0002.simple.highlight=printemps.selectedTab=thumbnail
2814. CHAMBRE anglaise en chène fumé, composée de : 1 armoire anglaise, 2 lits (sans Hterie) largeur 1 chaque, 1 table du nuit. La chaise, siège en canné. Image 3 (lower right). Taken from AU PRINTEMPS PARIS -EBENISTERIE. Chambres à coucher, salles à manger, petits meubles fantaisie, glaces, meubles genre ancien. Published in Paris, France by Le Printemps in 1914. Imprimerie Hénon, printer. Collections of the Bibliothèques Patrimoniales. In the public domain. https://bibliotheques-specialisees.paris.fr/ark:/73873/pf0002145565/v0005.simple.highlight=printemps.selectedTab=thumbnail
2827. SALLE À MANGER anglais en acajou verni, composé de: 1 buffet avec filets marquetrie, largeur 130, 1 table 105 x 115, 3 allonges en même bois verni et 6 chaises. Image 9 (lower right). Taken from AU PRINTEMPS PARIS -EBENISTERIE. Chambres à coucher, salles à manger, petits meubles fantaisie, glaces, meubles genre ancien. Published in Paris, France by Le Printemps in 1914. Imprimerie Hénon, printer. Collections of the Bibliothèques Patrimoniales. In the public domain. https://bibliotheques-specialisees.paris.fr/ark:/73873/pf0002145565/v0005.simple.highlight=printemps.selectedTab=thumbnail
2833. CABINET DE TRAVAIL américain en chène clair, composé de : 1 bureau largeur 122, profondeur 76, hauteur 123. bibliothèque largeur, 1 fauteuil-siège en bois, tournant et oscillant. La chaise cannée. Image 11 (lower right). Taken from AU PRINTEMPS PARIS -EBENISTERIE. Chambres à coucher, salles à manger, petits meubles fantaisie, glaces, meubles genre ancien. Published in Paris, France by Le Printemps in 1914. Imprimerie Hénon, printer. Collections of the Bibliothèques Patrimoniales. In the public domain. https://bibliotheques-specialisees.paris.fr/ark:/73873/pf0002145565/v0011.simple.highlight=printemps.selectedTab=thumbnail
PARAVENTS. Image 16. Taken from AU PRINTEMPS PARIS -EBENISTERIE. Chambres à coucher, salles à manger, petits meubles fantaisie, glaces, meubles genre ancien. Published in Paris, France by Le Printemps in 1914. Imprimerie Hénon, printer. Collections of the Bibliothèques Patrimoniales. In the public domain. https://bibliotheques-specialisees.paris.fr/ark:/73873/pf0002145565/v0011.simple.highlight=printemps.selectedTab=thumbnail
MEUBLES D’ENFANTS. CHAMBRE d’enfant ayant figuré au Salon d’Automne. Dessiné par M. André Hellé. Propriété des Grand Magasins du Printemps. TOILETTE bébé à porte et tiroir marqueterie l’Arche de Noé. COMMODE bahut à porte. BIBLIOTHEQUE. FAUTEUIL de table à transformation, siège vrai cannage, bois jaune ou façon noyer verni. CAQUETEUSE d’enfant, façon noyer, paille couleur. FAUTEUIL de table à transformation, siège et dos cannes, grandetablette sur le devant, bois jaune ou façon noyer verni. FAUTEUIL baby, bois courbe. Image 19 (lower right). Taken from AU PRINTEMPS PARIS -EBENISTERIE. Chambres à coucher, salles à manger, petits meubles fantaisie, glaces, meubles genre ancien. Published in Paris, France by Le Printemps in 1914. Imprimerie Hénon, printer. Collections of the Bibliothèques Patrimoniales. In the public domain. https://bibliotheques-specialisees.paris.fr/ark:/73873/pf0002145565/v0011.simple.highlight=printemps.selectedTab=thumbnail

Visions that appear in dreamtime even if they were real. Pen and ink drawings of pavilions at the South Carolina Interstate and West Indian Exposition which was held in Charleston, South Carolina from December 1, 1901 to May 31, 1902.

Palace of Agriculture. Page 4 of a PDF version of The Exposition, a magazine devoted to the South Carolina Interstate and West Indian Exposition, Charleston, South Carolina, December 1, 1901 to May 31, 1902. April 1, 1901 issue, Volume 1, Number 5. Collections of the College of Charleston. Copyrighted in 1901 but in the public domain due to age by now. via the Low Country Digital Library. https://lcdl.library.cofc.edu/lcdl/catalog/lcdl:23618
Electrical Island. Page 6 of a PDF version of The Exposition, a magazine devoted to the South Carolina Interstate and West Indian Exposition, Charleston, South Carolina, December 1, 1901 to May 31, 1902. April 1, 1901 issue, Volume 1, Number 5. Collections of the College of Charleston. Copyrighted in 1901 but in the public domain due to age by now. via the Low Country Digital Library. https://lcdl.library.cofc.edu/lcdl/catalog/lcdl:23618
Column with a fountain at the base and a female figure at the top holding an electrified wand, this being when cities and towns were still being electrified so when electricity was exciting. Page 6 of a PDF version of The Exposition, a magazine devoted to the South Carolina Interstate and West Indian Exposition, Charleston, South Carolina, December 1, 1901 to May 31, 1902. March 1901 issue, Volume 1, Number 4. Collections of the College of Charleston. Copyrighted in 1901 but in the public domain due to age by now. via the Low Country Digital Library. https://lcdl.library.cofc.edu/lcdl/catalog/lcdl:23617
The Cotton Palace. Page 4 of a PDF version of The Exposition, a magazine devoted to the South Carolina Interstate and West Indian Exposition, Charleston, South Carolina, December 1, 1901 to May 31, 1902. March 1901 issue, Volume 1, Number 4. Collections of the College of Charleston. Copyrighted in 1901 but in the public domain due to age by now. via the Low Country Digital Library. https://lcdl.library.cofc.edu/lcdl/catalog/lcdl:23617
The Transportation Building. Page 18 of a PDF version of The Exposition, a magazine devoted to the South Carolina Interstate and West Indian Exposition, Charleston, South Carolina, December 1, 1901 to May 31, 1902. May 1901 issue, Volume 1, Number 4. Collections of the College of Charleston. Copyrighted in 1901 but in the public domain due to age by now. via the Low Country Digital Library. file:///C:/Users/owner/OneDrive/Desktop/223093_58c3b1c2036e5f4.pdf
South Elevation, South Carolina Inter – State and West Indian Exposition, Charleston South Carolina: Prepared at office of Architect in Chief, 80 Broadway, New York City. Page 19 of a PDF version of The Exposition, a magazine devoted to the South Carolina Interstate and West Indian Exposition, Charleston, South Carolina, December 1, 1901 to May 31, 1902. February 1901 issue, Volume 1, Number 3. Collections of the College of Charleston. Copyrighted in 1901 but in the public domain due to age by now. via the Low Country Digital Library. file:///C:/Users/owner/OneDrive/Desktop/223093_58c3b1c2036e5f4.pdf