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Entrance Front of His Majesty’s Cottage, Windsor Great Park. Page 12 of the February 1823 issue of Ackermann’s Repository. Published in London, England. Collections of the Philadelphia Museum of Art. In the public domain due to age. via https://archive.org/details/repositoryofarts123acke/page/n11/mode/1up
His Majesty’s Cottage, as seen from the lawn. Page 15 of the February 1823 issue of Ackermann’s Repository. Published in London, England. Collections of the Philadelphia Museum of Art. In the public domain due to age. via https://archive.org/details/repositoryofarts123acke/page/n14/mode/1up
Front View of Frogmore House. Page 163 of the February 1823 issue of Ackermann’s Repository. Published in London, England. Collections of the Philadelphia Museum of Art. In the public domain due to age. via https://archive.org/details/repositoryofarts123acke/page/n163/mode/1up
The Ruins. Frogmore. Page 167 of the February 1823 issue of Ackermann’s Repository. Published in London, England. Collections of the Philadelphia Museum of Art. In the public domain due to age. via https://archive.org/details/repositoryofarts123acke/page/n167/mode/1up
The Hermitage, Frogmore. Page 170 of the February 1823 issue of Ackermann’s Repository. Published in London, England. Collections of the Philadelphia Museum of Art. In the public domain due to age. via https://archive.org/details/repositoryofarts123acke/page/n170/mode/1up
The Park Entrance, Sion House. Page 323 of the February 1823 issue of Ackermann’s Repository. Published in London, England. Collections of the Philadelphia Museum of Art. In the public domain due to age. via https://archive.org/details/repositoryofarts123acke/page/n322/mode/1up
Deepdene, the Seat of I. Hope Esquire. Page 393 of the February 1823 issue of Ackermann’s Repository. Published in London, England. Collections of the Philadelphia Museum of Art. In the public domain due to age. via https://archive.org/details/repositoryofarts123acke/page/n393/mode/1up
“”The Conservatory, Carlton House” showing how it may look filled with plants. The conservatory was never built. ca. 1808. British. Pen and ink with watercolor over pencil. Humphrey Repton, maker (1752-1818). Image © Royal Collection Trust. Artwork itself in the public domain due to age. via https://www.rct.uk/collection/917090/the-conservatory-carlton-house
“A view of the interior of the conservatory at Carlton House.” Illustration which ran in the September 1, 1811 issue of Ackermann’s Repository of Arts, Volume 6, Number 33, facing page 167. British. Rudolph Ackermann, publisher. In the public domain due to age. via https://commons.wikimedia.org/wiki/File:Carlton_House,_Conservatory,_from_Ackermann%27s_Repository_of_Arts,_1811.jpg
“The interior of the Prince of Wales’ conservatory at Carlton House.” 1811. British. Print. Inscription: Lettered below image with title and “Thomas Hopper, architect/ Engraved Exclusively for La Belle Assemblee, Published by John Bell, Southampton St. Strand, London, September 1, 1811.” Collections of Tyntesfield, North Somerset. Image Tyntesfield © National Trust. Artwork itself in the public domain due to age. via http://www.nationaltrustcollections.org.uk/object/22291.16
“The Exterior of the Prince of Wales’ conservatory at Carlton House,” view of a grand conservatory in the gardens of Carlton House surrounded by trees and shrubs. 1817. British. Inscription: Lettered below image with title and “Thomas Hopper, Architect / Engraved Exclusively for La Belle Assemblee, Published by John Bell, Southampton St. Strand, London, November 1. 1817”. Collections of the British Museum. Cc0 License 4.0. via https://www.britishmuseum.org/collection/image/607638001
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