LES COLCHIQUES. Manteau de voyage de Paquin. From a 1913 color illustration by G. (George) Barbier. Courtesy of Vogue, New York Representatives of the Gazette du Bon Ton. Page 93 of Ethel Traphagen’s Costume Design and Illustration. Published in New York in 1918 by John Wiley and Sons, Inc and by Chapman and Hall in London. Its open library but Ms. Traphagen died in 1961 so it should still be under her copyright. Fair use license. via https://archive.org/details/costumedesignill0000ethe/page/n93/mode/1upFrontispiece. Page 9 of Ethel Traphagen’s Costume Design and Illustration. Published in New York in 1918 by John Wiley and Sons, Inc and by Chapman and Hall in London. Its open library but Ms. Traphagen died in 1961 so it should still be under her copyright. Fair use license. via https://archive.org/details/costumedesignill0000ethe/page/n9/mode/1upFigure 22. Modern fashions by Helen Dryden which show influence of Kate Greenaway. Courtesy of Vogue. Page 16 Image 35 of Ethel Traphagen’s Costume Design and Illustration. Published in New York in 1918 by John Wiley and Sons, Inc and by Chapman and Hall in London. Its open library but Ms. Traphagen died in 1961 so it should still be under her copyright. Fair use license. via https://archive.org/details/costumedesignill0000ethe/page/n35/mode/1upFigure 97. Editorial magazine fashion work in which color Ben Day is used. Drawing by Reta Singer. Courtesy of Good Housekeeping. Page 64 Image 85 of Ethel Traphagen’s Costume Design and Illustration. Published in New York in 1918 by John Wiley and Sons, Inc and by Chapman and Hall in London. Its open library but Ms. Traphagen died in 1961 so it should still be under her copyright. Fair use license. via https://archive.org/details/costumedesignill0000ethe/page/n85/mode/1upDrawn by Robert Henry for Félix Jungmann and Cie, Paris. Image 92 of Ethel Traphagen’s Costume Design and Illustration. Published in New York in 1918 by John Wiley and Sons, Inc and by Chapman and Hall in London. Its open library but Ms. Traphagen died in 1961 so it should still be under her copyright. Fair use license. via https://archive.org/details/costumedesignill0000ethe/page/n92/mode/1upFrom a colored cover design by Brunelleschi. Courtesy of Harpers Bazaar. Image 209 of Ethel Traphagen’s Costume Design and Illustration. Published in New York in 1918 by John Wiley and Sons, Inc and by Chapman and Hall in London. Its open library but Ms. Traphagen died in 1961 so it should still be under her copyright. Fair use license. via https://archive.org/details/costumedesignill0000ethe/page/n209/mode/1up
“Annual Outing of the Advertising Club of Louisville at the Louisville Boat Club, Louisville, Kentucky, 1929: According to the Friday morning edition of the Courier Journal from September 20th, 1929, this is the annual outing for the Advertising Club of Louisville, which is being hosted at the Louisville Boat Club at 4200 River Road. The planned outline of events as given by the paper says that prior to the dinner they held athletic events and played bridge and that after the dinner there was to be a dance. There is a large table with a tablecloth over it that has plates, cutlery, food, and flowers spread atop it. Sitting around the table are white men and women of various ages dressed in formal party-going attire. There are helium balloons tied to various chairs. There are three African American men standing behind the people sitting at the table. Two of these men are wearing tuxedos standing around what are presumably music stands holding sheet music. The other man is holding a bundle of helium balloons.” September 20, 1929. American. Caufield and Shook, photographers. No known copyright as of 2026. Caufield and Shook Collection, University of Louisville Libraries. https://digital.library.louisville.edu/concern/images/ulpa_cs_104782?locale=enCrowd of white women and men pack the Club Madrid dance floor. Club Madrid, also referred to as Madrid Ballroom, was located at Third and Guthrie Streets inside the Louisville Recreational Building in Louisville, Kentucky. The club opened in 1929 and featured dancing and live music. It closed in 1952. 1929 image. American. Caufield and Shook, photographers. No known copyright as of 2026. Caufield and Shook Collection, University of Louisville Libraries. https://digital.library.louisville.edu/concern/images/ulpa_cs_104746?locale=enClub Madrid, Southeast corner Third Street and Guthrie, Louisville, Kentucky: Large crowd of people at tables with white table cloths and on the dance floor in a ballroom. The men wear suits white tuxedos, and the women wear long dresses. An all woman band, likely trumpet player Joy Caylor and “Her Swinging Co-Eds,” is visible on the stage in the background. The ballroom is decorated with painted palm trees on the back wall and ornate chandeliers. May 31 1944 image. American. Royal Photographic Company, photographer. No known copyright as of 2026. University of Louisville Libraries Collection. https://digital.library.louisville.edu/concern/images/ulpa_r_08081_00?locale=en
Cow Chorus. Mid-late 1920s. From a scrapbook kept by Jewell Genevieve Cooper who was a student at Florida State College for Women (Florida State University) in Tallahassee, Florida. Florida State University Collections. Photograph itself in the public domain due to age. https://repository.lib.fsu.edu/islandora/object/fsu:5424F Club Members. ca. mid 1920s. From a scrapbook kept by Jewell Genevieve Cooper who was a student at Florida State College for Women (Florida State University) in Tallahassee, Florida. Florida State University Collections. Photograph itself in the public domain due to age. https://repository.lib.fsu.edu/islandora/object/fsu:5315Students Wearing “Rat Caps” on Sophomore Day. October 1924 image. From a scrapbook kept by Jewell Genevieve Cooper who was a student at Florida State College for Women (Florida State University) in Tallahassee, Florida. Florida State University Collections. Photograph itself in the public domain due to age. https://repository.lib.fsu.edu/islandora/object/fsu:5266Student at Camp Flastacowo. ca. 1924-1925. From a scrapbook kept by Jewell Genevieve Cooper who was a student at Florida State College for Women (Florida State University) in Tallahassee, Florida. Florida State University Collections. Photograph itself in the public domain due to age. https://repository.lib.fsu.edu/islandora/object/fsu%3A5503Tumbling. ca. 1929-1930. From a scrapbook kept by Jewell Genevieve Cooper who was a student at Florida State College for Women (Florida State University) in Tallahassee, Florida. Florida State University Collections. Photograph itself in the public domain due to age. https://repository.lib.fsu.edu/islandora/object/fsu:5410Freshmen Bowing to Sophomores on Sophomore Day. October 1924 image. From a scrapbook kept by Jewell Genevieve Cooper who was a student at Florida State College for Women (Florida State University) in Tallahassee, Florida. Florida State University Collections. Photograph itself in the public domain due to age. https://repository.lib.fsu.edu/islandora/object/fsu:5273Louise Bryant and Mary Kinard in a Pose with “Battle” and Jacqueline Hucks In the Background. ca. 1929-1930. From a scrapbook kept by Jewell Genevieve Cooper who was a student at Florida State College for Women (Florida State University) in Tallahassee, Florida. Florida State University Collections. Photograph itself in the public domain due to age. https://repository.lib.fsu.edu/islandora/object/fsu:5418
Front cover. Image 5 of Mount Desert with pen and pencil. Doctor W. B. Latham, compiler. Published in New York by the Press of Liberty Printing Company in 1886. Collections of the Library of Congress. In the public domain due to age. via the Internet Archive https://archive.org/details/barharbormountde00laph/page/n4/mode/1upBar Harbor, Mount Desert, Maine. Page 4, Image 10 of of Mount Desert with pen and pencil. Doctor W. B. Latham, compiler. Published in New York by the Press of Liberty Printing Company in 1886. Collections of the Library of Congress. In the public domain due to age. via the Internet Archive. https://archive.org/details/barharbormountde00laph/page/4/mode/1upEagle Lake. Page 10, Image 16 of of Mount Desert with pen and pencil. Doctor W. B. Latham, compiler. Published in New York by the Press of Liberty Printing Company in 1886. Collections of the Library of Congress. In the public domain due to age. via the Internet Archive. https://archive.org/details/barharbormountde00laph/page/10/mode/1upMount Desert from ‘The Bluffs.’ Mount Desert Ferry. Page 12, Image 18 of of Mount Desert with pen and pencil. Doctor W. B. Latham, compiler. Published in New York by the Press of Liberty Printing Company in 1886. Collections of the Library of Congress. In the public domain due to age. via the Internet Archive. https://archive.org/details/barharbormountde00laph/page/12/mode/1upThe Ovens. Page 17, Image 23 of of Mount Desert with pen and pencil. Doctor W. B. Latham, compiler. Published in New York by the Press of Liberty Printing Company in 1886. Collections of the Library of Congress. In the public domain due to age. via the Internet Archive. https://archive.org/details/barharbormountde00laph/page/17/mode/1upMount Desert, Looking up Some’s Sound. The Rand Avery Supply Company (lower left) was a Boston printing company. Page 21, Image 27 of of Mount Desert with pen and pencil. Doctor W. B. Latham, compiler. Published in New York by the Press of Liberty Printing Company in 1886. Collections of the Library of Congress. In the public domain due to age. via the Internet Archive. https://archive.org/details/barharbormountde00laph/page/21/mode/1up Page 49, Image 55 of of Mount Desert with pen and pencil. Doctor W. B. Latham, compiler. Published in New York by the Press of Liberty Printing Company in 1886. Collections of the Library of Congress. In the public domain due to age. via the Internet Archive. https://archive.org/details/barharbormountde00laph/page/49/mode/1up
Just like some others I found a different version of this here but it’s a different edition? Not sure what but it has 72 pages not 60
BASEBALLTEAM – ChapelBuilding in Background: Morrow, Eureka, photographers? Page 11 of the 1898 edition of the ‘Eureka College Souvenir‘ which was published by the Eureka College Aid Association and printed by J. W. Franks and Sons of Peoria Illinois. Collections of the University of Illinois Urbana-Champaign. In the public domain due to age. via https://archive.org/details/eurekacollegesou00eure/page/11/mode/1upON THE ELMWOOD COURT – Tabernacle in Background. Morrow, Eureka, photographers? Page 13 of the 1898 edition of the ‘Eureka College Souvenir‘ which was published by the Eureka College Aid Association and printed by J. W. Franks and Sons of Peoria Illinois. Collections of the University of Illinois Urbana-Champaign. In the public domain due to age. via https://archive.org/details/eurekacollegesou00eure/page/13/mode/1upA CLASS IN THE GYMNASIUM:Morrow, Eureka, photographers? Page 15 of the 1898 edition of the ‘Eureka College Souvenir‘ which was published by the Eureka College Aid Association and printed by J. W. Franks and Sons of Peoria Illinois. Collections of the University of Illinois Urbana-Champaign. In the public domain due to age. via https://archive.org/details/eurekacollegesou00eure/page/15/mode/1upFOOTBALL TEAM:Morrow, Eureka, photographers? Page 17 of the 1898 edition of the ‘Eureka College Souvenir‘ which was published by the Eureka College Aid Association and printed by J. W. Franks and Sons of Peoria Illinois. Collections of the University of Illinois Urbana-Champaign. In the public domain due to age. via https://archive.org/details/eurekacollegesou00eure/page/17/mode/1upTRACK TEAM:Morrow, Eureka, photographers? Page 19 of the 1898 edition of the ‘Eureka College Souvenir‘ which was published by the Eureka College Aid Association and printed by J. W. Franks and Sons of Peoria Illinois. Collections of the University of Illinois Urbana-Champaign. In the public domain due to age. https://archive.org/details/eurekacollegesou00eure/page/19/mode/1upMANDOLIN CLUB: Page 23 of the 1898 edition of the ‘Eureka College Souvenir‘ which was published by the Eureka College Aid Association and printed by J. W. Franks and Sons of Peoria Illinois. Collections of the University of Illinois Urbana-Champaign. In the public domain due to age. https://archive.org/details/eurekacollegesou00eure/page/23/mode/1upA SOCIAL HOUR AT LIDA’S WOOD:Morrow, Eureka, photographers? Page 28 of the 1898 edition of the ‘Eureka College Souvenir‘ which was published by the Eureka College Aid Association and printed by J. W. Franks and Sons of Peoria Illinois. Collections of the University of Illinois Urbana-Champaign. In the public domain due to age. https://archive.org/details/eurekacollegesou00eure/page/28/mode/1upA ROOM OF ONE OF THE GIRLS AT LIDA’S WOOD:Morrow, Eureka, photographers? Page 29 of the 1898 edition of the ‘Eureka College Souvenir‘ which was published by the Eureka College Aid Association and printed by J. W. Franks and Sons of Peoria Illinois. Collections of the University of Illinois Urbana-Champaign. In the public domain due to age. https://archive.org/details/eurekacollegesou00eure/page/29/mode/1upPERICLESIAN HALL:Morrow, Eureka, photographers? Page 35 of the 1898 edition of the ‘Eureka College Souvenir‘ which was published by the Eureka College Aid Association and printed by J. W. Franks and Sons of Peoria Illinois. Collections of the University of Illinois Urbana-Champaign. In the public domain due to age. https://archive.org/details/eurekacollegesou00eure/page/35/mode/1up
Coronet Ball debutantes – Los Angeles: Glamour and glory are all theirs for this one night at least, as the excited Coronet Ball debutantes, in white dresses and 18-button gloves, line up before the coming-out ceremony. American. James Ruebsamen, photographer. Published in the Herald-Examiner newspaper on February 3, 1985. Herald-Examiner Collection, TESSA, the digital collections of the Los Angeles Public Library. Under copyright. https://tessa2.lapl.org/digital/collection/photos/id/28371/rec/1Debutantes prepare for Coronet Ball: to be presented – Among the 32 young women who will be presented to Southland society at the Coronet Debutante Ball are from left, Susan Knaggs, Judith Kent, Joyce Canaday, Adrienne Meehan and Randalla Richardson. American. Photographer not given but photographed for the Valley Times newspaper where it was published on November 7, 1960. Valley Times Photograph Collection, TESSA, the digital collections of the Los Angeles Public Library. Under copyright. https://tessa2.lapl.org/digital/collection/photos/id/66447/rec/2Coronet Ball debutantes: Dolled-up debutantes, top, cluster in nervous groups to await their presentation Saturday at the 38th annual Coronet Debutante Ball. The traditional blast was held at the Beverly Hilton, and a whopping 37 debs celebrated their coming out. Their dapper escorts ditched the highfalutin togs after midnight and all watoosied until 3 in the morning. American. Photographed for the Herald-Examiner newspaper where it was published on December 2, 1986. Herald-Examiner Collection, TESSA, the digital collections of the Los Angeles Public Library. Under copyright. https://tessa2.lapl.org/digital/collection/photos/id/28370/rec/4Coronet tea announces 32: Coronet dreaming – Holding replica of symbolic coronet and dreaming of November’s presentation ball are five Valley 1960 Coronet Debutantes of National Charity League of Los Angeles, Misses Randalla Richardson, Joyce Meehan, Joyce Canaday, Judith Kent and Susan Knaggs, from left. Names were announced at afternoon Bel-Air tea yesterday. American. Photographer not given but photographed for the Valley Times newspaper where it was published on August 31, 1960. Valley Times Photograph Collection, TESSA, the digital collections of the Los Angeles Public Library. Under copyright. https://tessa2.lapl.org/digital/collection/photos/id/66446/rec/8
Zúni, New Mexico. Balduin Möllhausen, artist. Hanhart, chromolithographers. Page 119 of the 1858 work Diary of a Journey from the Mississippi to the Coasts of the Pacific With a United States Government Expedition. Volume II, published in London in English by Longman, Brown, Green, Longmans and Roberts. Balduin Möllhausen, artist and author. Contributed by the Museum Victoria, it is also in the collections of the Biodiversity Heritage Library. Artwork in the public domain due to age. via https://archive.org/details/Diaryjourneyfro11Moll/page/n118/mode/1upSan Francisco Mountains Extinct Volcanoes: New Mexico. Page 176 of the 1858 work Diary of a Journey from the Mississippi to the Coasts of the Pacific With a United States Government Expedition. Volume II, published in London in English by Longman, Brown, Green, Longmans and Roberts. Balduin Möllhausen, artist and author. Contributed by the Museum Victoria, it is also in the collections of the Biodiversity Heritage Library. Artwork in the public domain due to age. via https://archive.org/details/Diaryjourneyfro11Moll/page/n176/mode/1upThe Colorado River. Page 269 of the 1858 work Diary of a Journey from the Mississippi to the Coasts of the Pacific With a United States Government Expedition. Volume II, published in London in English by Longman, Brown, Green, Longmans and Roberts. Balduin Möllhausen, artist and author. Contributed by the Museum Victoria, it is also in the collections of the Biodiversity Heritage Library. Artwork in the public domain due to age. via https://archive.org/details/Diaryjourneyfro11Moll/page/n269/mode/1upDwellings of the Natives of the Rio Colorado of the West.Balduin Möllhausen, artist. Hanhart, chromolithographers. Page 296 of the 1858 work Diary of a Journey from the Mississippi to the Coasts of the Pacific With a United States Government Expedition. Volume II, published in London in English by Longman, Brown, Green, Longmans and Roberts. Balduin Möllhausen, artist and author. Contributed by the Museum Victoria, it is also in the collections of the Biodiversity Heritage Library. Artwork in the public domain due to age. via https://archive.org/details/Diaryjourneyfro11Moll/page/n296/mode/1upSandstone Formation in the Prairie Northwest of Texas. Balduin Möllhausen, artist. Hanhart, chromolithographers. Page 172 of the 1858 work Diary of a Journey from the Mississippi to the Coasts of the Pacific With a United States Government Expedition. Volume I, published in London in English by Longman, Brown, Green, Longmans and Roberts. Balduin Möllhausen, artist and author. Contributed by the Museum Victoria, it is also in the collections of the Biodiversity Heritage Library. Artwork in the public domain due to age. via https://archive.org/details/DiaryjourneyfroVolIMoll/page/n172/mode/1upCamp of the Kioway Indians. Balduin Möllhausen, artist. Hanhart, chromolithographers. Page 250 of the 1858 work Diary of a Journey from the Mississippi to the Coasts of the Pacific With a United States Government Expedition. Volume I, published in London in English by Longman, Brown, Green, Longmans and Roberts. Balduin Möllhausen, artist and author. Contributed by the Museum Victoria, it is also in the collections of the Biodiversity Heritage Library. Artwork in the public domain due to age. via https://archive.org/details/DiaryjourneyfroVolIMoll/page/n250/mode/1upChiefs of the Ottoe Tribe. Balduin Möllhausen, artist. Hanhart, chromolithographers. Page 288 of the 1858 work Diary of a Journey from the Mississippi to the Coasts of the Pacific With a United States Government Expedition. Volume I, published in London in English by Longman, Brown, Green, Longmans and Roberts. Balduin Möllhausen, artist and author. Contributed by the Museum Victoria, it is also in the collections of the Biodiversity Heritage Library. Artwork in the public domain due to age. via https://archive.org/details/DiaryjourneyfroVolIMoll/page/n288/mode/1upChurch in the Pueblo of Santo Domingo: New Mexico. Page 378 of the 1858 work Diary of a Journey from the Mississippi to the Coasts of the Pacific With a United States Government Expedition. Volume I, published in London in English by Longman, Brown, Green, Longmans and Roberts. Balduin Möllhausen, artist and author. Contributed by the Museum Victoria, it is also in the collections of the Biodiversity Heritage Library. Artwork in the public domain due to age. via https://archive.org/details/DiaryjourneyfroVolIMoll/page/n378/mode/1up
As with so many of these, they would have chromolithographs or other types of prints done up to sell after the expedition ended. Sometimes they would then turn the prints into a book. Sometimes not. Some of these are in the New York Public Library collections but these images are from the Internet Archive who appear to have more of them. The expedition itself was in 1853.
County Fair Queen and Court: Kendall County Fair queen MayDelle Ratliff seated in the center of a stage and court members grouped on either side, with women seated and men standing behind. The photo is taken from the aisle and seated audience members are visible on either side. Image ca. 1954-1959. American. Friedrich “Fred” Gustav Hillmann/Hillmann Studio, photographer. Hillmann Studio Photography Collection, Patrick Heath Public Library. via The Portal to Texas History. https://texashistory.unt.edu/ark:/67531/metapth1560428/?q=fairCounty Fair Queen Coronation: Kendall County Fair queen MayDelle Ratliff, seated beneath a canopy as another woman leans over her left side to place a tiara on her head. A young girl is standing on the left side of the image, and on the right side, a young boy is standing near Ratliff and another woman is seated with her escort standing behind her. Image ca. 1954-1959. American. Friedrich “Fred” Gustav Hillmann/Hillmann Studio, photographer. Hillmann Studio Photography Collection, Patrick Heath Public Library. via The Portal to Texas History. https://texashistory.unt.edu/ark:/67531/metapth1560429/?q=fairCounty Fair Queen on Stage: several young women wearing formal gowns and elbow-length gloves seated in a line on a stage decorated with a Hawaiian or jungle theme, including one girl in the center of the image seated in a wicker chair on a raised platform. Young men in formalwear are standing behind the girls at left and two young men who are shirtless and wearing leis are fanning the girl in the center with large palm fronds. A young girl is seated on the left side of the platform and a young boy holding a crown on a pillow is seated on the right side of the platform. Girls wearing grass skirts and leis are partially visible at the right side of the image. Looks like a Hawaii theme to me.Image ca. 1954-1959. American. Friedrich “Fred” Gustav Hillmann/Hillmann Studio, photographer. Hillmann Studio Photography Collection, Patrick Heath Public Library. via The Portal to Texas History. https://texashistory.unt.edu/ark:/67531/metapth1560466/?q=fair#description-content-mainKendall County Fair Association Float: young woman posing in a giant flower on a float that is parked near the Main Plaza in Boerne. Text on the side of the float says, “Kendall County Fair: Labor Day Week End.” The Main Plaza park area and several buildings are visible in the background. Image ca. 1954-1959. American. Friedrich “Fred” Gustav Hillmann/Hillmann Studio, photographer. Hillmann Studio Photography Collection, Patrick Heath Public Library. via The Portal to Texas History. https://texashistory.unt.edu/ark:/67531/metapth1560452/?q=fairKendall County Fair Queen on Throne: young woman wearing a light-colored formal gown, elbow-length gloves, and a long, decorative cape is seated on a decorative platform in a wicker chair with a decorative backing to look like a throne. Another woman standing at the left has just placed a crown on her head and other woman wearing formal gowns and holding small bouquets are seated in rows on either side of the platform. A young boy holding a pillow is seated on the left side of the platform and a young girl holding a basket is seated on the right side. The queen’s cape has been arranged to flare out on the floor in front of her to display the design. Early-mid 1960s image. Image ca. 1954-1959. American. Friedrich “Fred” Gustav Hillmann/Hillmann Studio, photographer. Hillmann Studio Photography Collection, Patrick Heath Public Library. via The Portal to Texas History.
