Aurora Borealis. Frontispiece, Image 5 of Peter Parley’s Wonders of the Earth, Sea, and Sky. Peter Parley, author. Thomas Wilson, editor. Published in 1837 by Darton and Clark, Holborn Hill, London, England. Thomas Fisher Biodiversity Library, University of Toronto. In the public domain due to age. https://archive.org/details/peterparleyswond00good/page/n5/mode/1upExtinct Animals. Image 26 of Peter Parley’s Wonders of the Earth, Sea, and Sky. Peter Parley, author. Thomas Wilson, editor. Published in 1837 by Darton and Clark, Holborn Hill, London, England. Thomas Fisher Biodiversity Library, University of Toronto. In the public domain due to age. https://archive.org/details/peterparleyswond00good/page/n26/mode/1upVesuvius Number 2. Image 98 of Peter Parley’s Wonders of the Earth, Sea, and Sky. Peter Parley, author. Thomas Wilson, editor. Published in 1837 by Darton and Clark, Holborn Hill, London, England. Thomas Fisher Biodiversity Library, University of Toronto. In the public domain due to age. https://archive.org/details/peterparleyswond00good/page/n98/mode/1upGeysers of Iceland. Image 112 of Peter Parley’s Wonders of the Earth, Sea, and Sky. Peter Parley, author. Thomas Wilson, editor. Published in 1837 by Darton and Clark, Holborn Hill, London, England. Thomas Fisher Biodiversity Library, University of Toronto. In the public domain due to age. https://archive.org/details/peterparleyswond00good/page/n112/mode/1upFalls of Niagara. Image 117 of Peter Parley’s Wonders of the Earth, Sea, and Sky. Peter Parley, author. Thomas Wilson, editor. Published in 1837 by Darton and Clark, Holborn Hill, London, England. Thomas Fisher Biodiversity Library, University of Toronto. In the public domain due to age. https://archive.org/details/peterparleyswond00good/page/n177/mode/1upEscape on the Ice. Image 201 of “Peter Parley’s Wonders of the Earth, Sea, and Sky.” Peter Parley, author. Thomas Wilson, editor. Published in 1837 by Darton and Clark, Holborn Hill, London, England. Thomas Fisher Biodiversity Library, University of Toronto. In the public domain due to age. https://archive.org/details/peterparleyswond00good/page/n201/mode/1upNo caption but I think it is an Esquimaux family watching the Aurora Borealis. Image 255 of “Peter Parley’s Wonders of the Earth, Sea, and Sky.” Peter Parley, author. Thomas Wilson, editor. Published in 1837 by Darton and Clark, Holborn Hill, London, England. Thomas Fisher Biodiversity Library, University of Toronto. In the public domain due to age. https://archive.org/details/peterparleyswond00good/page/255/mode/1up
The author was American but at the time this book was published the great printers and publishers were in London as they had been for 100 years at least by then so printed/published in London and entered at the Stationers Hall there. Except for the art books. Those were printed in Paris.
Front cover. Image 1 of Nicodemus. Grace Shaw Duff, author. Frederick Charles Gordon, illustrator. Published in the United States in 1895 by the Arena Publishing Company, Copley Square, Boston. Collections of the Library of Congress. In the public domain due to age. via https://archive.org/details/nicodemus00duff/mode/1upPage 8 of Nicodemus. Grace Shaw Duff, author. Frederick Charles Gordon, illustrator. Published in the United States in 1895 by the Arena Publishing Company, Copley Square, Boston. Collections of the Library of Congress. In the public domain due to age. via https://archive.org/details/nicodemus00duff/page/n8/mode/1upPage 13 of Nicodemus. Grace Shaw Duff, author. Frederick Charles Gordon, illustrator. Published in the United States in 1895 by the Arena Publishing Company, Copley Square, Boston. Collections of the Library of Congress. In the public domain due to age. via https://archive.org/details/nicodemus00duff/page/n13/mode/1upPage 17 of Nicodemus. Grace Shaw Duff, author. Frederick Charles Gordon, illustrator. Published in the United States in 1895 by the Arena Publishing Company, Copley Square, Boston. Collections of the Library of Congress. In the public domain due to age. via https://archive.org/details/nicodemus00duff/page/n17/mode/1upPage 27 of Nicodemus. Grace Shaw Duff, author. Frederick Charles Gordon, illustrator. Published in the United States in 1895 by the Arena Publishing Company, Copley Square, Boston. Collections of the Library of Congress. In the public domain due to age. via https://archive.org/details/nicodemus00duff/page/n27/mode/1upPage 29 of Nicodemus. Grace Shaw Duff, author. Frederick Charles Gordon, illustrator. Published in the United States in 1895 by the Arena Publishing Company, Copley Square, Boston. Collections of the Library of Congress. In the public domain due to age. via https://archive.org/details/nicodemus00duff/page/n29/mode/1up
LES COLCHIQUES. Manteau de voyage de Paquin. From a 1913 color illustration by G. (George) Barbier. Courtesy of Vogue, New York Representatives of the Gazette du Bon Ton. Page 93 of Ethel Traphagen’s Costume Design and Illustration. Published in New York in 1918 by John Wiley and Sons, Inc and by Chapman and Hall in London. Its open library but Ms. Traphagen died in 1961 so it should still be under her copyright. Fair use license. via https://archive.org/details/costumedesignill0000ethe/page/n93/mode/1upFrontispiece. Page 9 of Ethel Traphagen’s Costume Design and Illustration. Published in New York in 1918 by John Wiley and Sons, Inc and by Chapman and Hall in London. Its open library but Ms. Traphagen died in 1961 so it should still be under her copyright. Fair use license. via https://archive.org/details/costumedesignill0000ethe/page/n9/mode/1upFigure 22. Modern fashions by Helen Dryden which show influence of Kate Greenaway. Courtesy of Vogue. Page 16 Image 35 of Ethel Traphagen’s Costume Design and Illustration. Published in New York in 1918 by John Wiley and Sons, Inc and by Chapman and Hall in London. Its open library but Ms. Traphagen died in 1961 so it should still be under her copyright. Fair use license. via https://archive.org/details/costumedesignill0000ethe/page/n35/mode/1upFigure 97. Editorial magazine fashion work in which color Ben Day is used. Drawing by Reta Singer. Courtesy of Good Housekeeping. Page 64 Image 85 of Ethel Traphagen’s Costume Design and Illustration. Published in New York in 1918 by John Wiley and Sons, Inc and by Chapman and Hall in London. Its open library but Ms. Traphagen died in 1961 so it should still be under her copyright. Fair use license. via https://archive.org/details/costumedesignill0000ethe/page/n85/mode/1upDrawn by Robert Henry for Félix Jungmann and Cie, Paris. Image 92 of Ethel Traphagen’s Costume Design and Illustration. Published in New York in 1918 by John Wiley and Sons, Inc and by Chapman and Hall in London. Its open library but Ms. Traphagen died in 1961 so it should still be under her copyright. Fair use license. via https://archive.org/details/costumedesignill0000ethe/page/n92/mode/1upFrom a colored cover design by Brunelleschi. Courtesy of Harpers Bazaar. Image 209 of Ethel Traphagen’s Costume Design and Illustration. Published in New York in 1918 by John Wiley and Sons, Inc and by Chapman and Hall in London. Its open library but Ms. Traphagen died in 1961 so it should still be under her copyright. Fair use license. via https://archive.org/details/costumedesignill0000ethe/page/n209/mode/1up
“Annual Outing of the Advertising Club of Louisville at the Louisville Boat Club, Louisville, Kentucky, 1929: According to the Friday morning edition of the Courier Journal from September 20th, 1929, this is the annual outing for the Advertising Club of Louisville, which is being hosted at the Louisville Boat Club at 4200 River Road. The planned outline of events as given by the paper says that prior to the dinner they held athletic events and played bridge and that after the dinner there was to be a dance. There is a large table with a tablecloth over it that has plates, cutlery, food, and flowers spread atop it. Sitting around the table are white men and women of various ages dressed in formal party-going attire. There are helium balloons tied to various chairs. There are three African American men standing behind the people sitting at the table. Two of these men are wearing tuxedos standing around what are presumably music stands holding sheet music. The other man is holding a bundle of helium balloons.” September 20, 1929. American. Caufield and Shook, photographers. No known copyright as of 2026. Caufield and Shook Collection, University of Louisville Libraries. https://digital.library.louisville.edu/concern/images/ulpa_cs_104782?locale=enCrowd of white women and men pack the Club Madrid dance floor. Club Madrid, also referred to as Madrid Ballroom, was located at Third and Guthrie Streets inside the Louisville Recreational Building in Louisville, Kentucky. The club opened in 1929 and featured dancing and live music. It closed in 1952. 1929 image. American. Caufield and Shook, photographers. No known copyright as of 2026. Caufield and Shook Collection, University of Louisville Libraries. https://digital.library.louisville.edu/concern/images/ulpa_cs_104746?locale=enClub Madrid, Southeast corner Third Street and Guthrie, Louisville, Kentucky: Large crowd of people at tables with white table cloths and on the dance floor in a ballroom. The men wear suits white tuxedos, and the women wear long dresses. An all woman band, likely trumpet player Joy Caylor and “Her Swinging Co-Eds,” is visible on the stage in the background. The ballroom is decorated with painted palm trees on the back wall and ornate chandeliers. May 31 1944 image. American. Royal Photographic Company, photographer. No known copyright as of 2026. University of Louisville Libraries Collection. https://digital.library.louisville.edu/concern/images/ulpa_r_08081_00?locale=en
Cow Chorus. Mid-late 1920s. From a scrapbook kept by Jewell Genevieve Cooper who was a student at Florida State College for Women (Florida State University) in Tallahassee, Florida. Florida State University Collections. Photograph itself in the public domain due to age. https://repository.lib.fsu.edu/islandora/object/fsu:5424F Club Members. ca. mid 1920s. From a scrapbook kept by Jewell Genevieve Cooper who was a student at Florida State College for Women (Florida State University) in Tallahassee, Florida. Florida State University Collections. Photograph itself in the public domain due to age. https://repository.lib.fsu.edu/islandora/object/fsu:5315Students Wearing “Rat Caps” on Sophomore Day. October 1924 image. From a scrapbook kept by Jewell Genevieve Cooper who was a student at Florida State College for Women (Florida State University) in Tallahassee, Florida. Florida State University Collections. Photograph itself in the public domain due to age. https://repository.lib.fsu.edu/islandora/object/fsu:5266Student at Camp Flastacowo. ca. 1924-1925. From a scrapbook kept by Jewell Genevieve Cooper who was a student at Florida State College for Women (Florida State University) in Tallahassee, Florida. Florida State University Collections. Photograph itself in the public domain due to age. https://repository.lib.fsu.edu/islandora/object/fsu%3A5503Tumbling. ca. 1929-1930. From a scrapbook kept by Jewell Genevieve Cooper who was a student at Florida State College for Women (Florida State University) in Tallahassee, Florida. Florida State University Collections. Photograph itself in the public domain due to age. https://repository.lib.fsu.edu/islandora/object/fsu:5410Freshmen Bowing to Sophomores on Sophomore Day. October 1924 image. From a scrapbook kept by Jewell Genevieve Cooper who was a student at Florida State College for Women (Florida State University) in Tallahassee, Florida. Florida State University Collections. Photograph itself in the public domain due to age. https://repository.lib.fsu.edu/islandora/object/fsu:5273Louise Bryant and Mary Kinard in a Pose with “Battle” and Jacqueline Hucks In the Background. ca. 1929-1930. From a scrapbook kept by Jewell Genevieve Cooper who was a student at Florida State College for Women (Florida State University) in Tallahassee, Florida. Florida State University Collections. Photograph itself in the public domain due to age. https://repository.lib.fsu.edu/islandora/object/fsu:5418
Front cover. Image 5 of Mount Desert with pen and pencil. Doctor W. B. Latham, compiler. Published in New York by the Press of Liberty Printing Company in 1886. Collections of the Library of Congress. In the public domain due to age. via the Internet Archive https://archive.org/details/barharbormountde00laph/page/n4/mode/1upBar Harbor, Mount Desert, Maine. Page 4, Image 10 of of Mount Desert with pen and pencil. Doctor W. B. Latham, compiler. Published in New York by the Press of Liberty Printing Company in 1886. Collections of the Library of Congress. In the public domain due to age. via the Internet Archive. https://archive.org/details/barharbormountde00laph/page/4/mode/1upEagle Lake. Page 10, Image 16 of of Mount Desert with pen and pencil. Doctor W. B. Latham, compiler. Published in New York by the Press of Liberty Printing Company in 1886. Collections of the Library of Congress. In the public domain due to age. via the Internet Archive. https://archive.org/details/barharbormountde00laph/page/10/mode/1upMount Desert from ‘The Bluffs.’ Mount Desert Ferry. Page 12, Image 18 of of Mount Desert with pen and pencil. Doctor W. B. Latham, compiler. Published in New York by the Press of Liberty Printing Company in 1886. Collections of the Library of Congress. In the public domain due to age. via the Internet Archive. https://archive.org/details/barharbormountde00laph/page/12/mode/1upThe Ovens. Page 17, Image 23 of of Mount Desert with pen and pencil. Doctor W. B. Latham, compiler. Published in New York by the Press of Liberty Printing Company in 1886. Collections of the Library of Congress. In the public domain due to age. via the Internet Archive. https://archive.org/details/barharbormountde00laph/page/17/mode/1upMount Desert, Looking up Some’s Sound. The Rand Avery Supply Company (lower left) was a Boston printing company. Page 21, Image 27 of of Mount Desert with pen and pencil. Doctor W. B. Latham, compiler. Published in New York by the Press of Liberty Printing Company in 1886. Collections of the Library of Congress. In the public domain due to age. via the Internet Archive. https://archive.org/details/barharbormountde00laph/page/21/mode/1up Page 49, Image 55 of of Mount Desert with pen and pencil. Doctor W. B. Latham, compiler. Published in New York by the Press of Liberty Printing Company in 1886. Collections of the Library of Congress. In the public domain due to age. via the Internet Archive. https://archive.org/details/barharbormountde00laph/page/49/mode/1up
Just like some others I found a different version of this here but it’s a different edition? Not sure what but it has 72 pages not 60
BASEBALLTEAM – ChapelBuilding in Background: Morrow, Eureka, photographers? Page 11 of the 1898 edition of the ‘Eureka College Souvenir‘ which was published by the Eureka College Aid Association and printed by J. W. Franks and Sons of Peoria Illinois. Collections of the University of Illinois Urbana-Champaign. In the public domain due to age. via https://archive.org/details/eurekacollegesou00eure/page/11/mode/1upON THE ELMWOOD COURT – Tabernacle in Background. Morrow, Eureka, photographers? Page 13 of the 1898 edition of the ‘Eureka College Souvenir‘ which was published by the Eureka College Aid Association and printed by J. W. Franks and Sons of Peoria Illinois. Collections of the University of Illinois Urbana-Champaign. In the public domain due to age. via https://archive.org/details/eurekacollegesou00eure/page/13/mode/1upA CLASS IN THE GYMNASIUM:Morrow, Eureka, photographers? Page 15 of the 1898 edition of the ‘Eureka College Souvenir‘ which was published by the Eureka College Aid Association and printed by J. W. Franks and Sons of Peoria Illinois. Collections of the University of Illinois Urbana-Champaign. In the public domain due to age. via https://archive.org/details/eurekacollegesou00eure/page/15/mode/1upFOOTBALL TEAM:Morrow, Eureka, photographers? Page 17 of the 1898 edition of the ‘Eureka College Souvenir‘ which was published by the Eureka College Aid Association and printed by J. W. Franks and Sons of Peoria Illinois. Collections of the University of Illinois Urbana-Champaign. In the public domain due to age. via https://archive.org/details/eurekacollegesou00eure/page/17/mode/1upTRACK TEAM:Morrow, Eureka, photographers? Page 19 of the 1898 edition of the ‘Eureka College Souvenir‘ which was published by the Eureka College Aid Association and printed by J. W. Franks and Sons of Peoria Illinois. Collections of the University of Illinois Urbana-Champaign. In the public domain due to age. https://archive.org/details/eurekacollegesou00eure/page/19/mode/1upMANDOLIN CLUB: Page 23 of the 1898 edition of the ‘Eureka College Souvenir‘ which was published by the Eureka College Aid Association and printed by J. W. Franks and Sons of Peoria Illinois. Collections of the University of Illinois Urbana-Champaign. In the public domain due to age. https://archive.org/details/eurekacollegesou00eure/page/23/mode/1upA SOCIAL HOUR AT LIDA’S WOOD:Morrow, Eureka, photographers? Page 28 of the 1898 edition of the ‘Eureka College Souvenir‘ which was published by the Eureka College Aid Association and printed by J. W. Franks and Sons of Peoria Illinois. Collections of the University of Illinois Urbana-Champaign. In the public domain due to age. https://archive.org/details/eurekacollegesou00eure/page/28/mode/1upA ROOM OF ONE OF THE GIRLS AT LIDA’S WOOD:Morrow, Eureka, photographers? Page 29 of the 1898 edition of the ‘Eureka College Souvenir‘ which was published by the Eureka College Aid Association and printed by J. W. Franks and Sons of Peoria Illinois. Collections of the University of Illinois Urbana-Champaign. In the public domain due to age. https://archive.org/details/eurekacollegesou00eure/page/29/mode/1upPERICLESIAN HALL:Morrow, Eureka, photographers? Page 35 of the 1898 edition of the ‘Eureka College Souvenir‘ which was published by the Eureka College Aid Association and printed by J. W. Franks and Sons of Peoria Illinois. Collections of the University of Illinois Urbana-Champaign. In the public domain due to age. https://archive.org/details/eurekacollegesou00eure/page/35/mode/1up
Coronet Ball debutantes – Los Angeles: Glamour and glory are all theirs for this one night at least, as the excited Coronet Ball debutantes, in white dresses and 18-button gloves, line up before the coming-out ceremony. American. James Ruebsamen, photographer. Published in the Herald-Examiner newspaper on February 3, 1985. Herald-Examiner Collection, TESSA, the digital collections of the Los Angeles Public Library. Under copyright. https://tessa2.lapl.org/digital/collection/photos/id/28371/rec/1Debutantes prepare for Coronet Ball: to be presented – Among the 32 young women who will be presented to Southland society at the Coronet Debutante Ball are from left, Susan Knaggs, Judith Kent, Joyce Canaday, Adrienne Meehan and Randalla Richardson. American. Photographer not given but photographed for the Valley Times newspaper where it was published on November 7, 1960. Valley Times Photograph Collection, TESSA, the digital collections of the Los Angeles Public Library. Under copyright. https://tessa2.lapl.org/digital/collection/photos/id/66447/rec/2Coronet Ball debutantes: Dolled-up debutantes, top, cluster in nervous groups to await their presentation Saturday at the 38th annual Coronet Debutante Ball. The traditional blast was held at the Beverly Hilton, and a whopping 37 debs celebrated their coming out. Their dapper escorts ditched the highfalutin togs after midnight and all watoosied until 3 in the morning. American. Photographed for the Herald-Examiner newspaper where it was published on December 2, 1986. Herald-Examiner Collection, TESSA, the digital collections of the Los Angeles Public Library. Under copyright. https://tessa2.lapl.org/digital/collection/photos/id/28370/rec/4Coronet tea announces 32: Coronet dreaming – Holding replica of symbolic coronet and dreaming of November’s presentation ball are five Valley 1960 Coronet Debutantes of National Charity League of Los Angeles, Misses Randalla Richardson, Joyce Meehan, Joyce Canaday, Judith Kent and Susan Knaggs, from left. Names were announced at afternoon Bel-Air tea yesterday. American. Photographer not given but photographed for the Valley Times newspaper where it was published on August 31, 1960. Valley Times Photograph Collection, TESSA, the digital collections of the Los Angeles Public Library. Under copyright. https://tessa2.lapl.org/digital/collection/photos/id/66446/rec/8
Zúni, New Mexico. Balduin Möllhausen, artist. Hanhart, chromolithographers. Page 119 of the 1858 work Diary of a Journey from the Mississippi to the Coasts of the Pacific With a United States Government Expedition. Volume II, published in London in English by Longman, Brown, Green, Longmans and Roberts. Balduin Möllhausen, artist and author. Contributed by the Museum Victoria, it is also in the collections of the Biodiversity Heritage Library. Artwork in the public domain due to age. via https://archive.org/details/Diaryjourneyfro11Moll/page/n118/mode/1upSan Francisco Mountains Extinct Volcanoes: New Mexico. Page 176 of the 1858 work Diary of a Journey from the Mississippi to the Coasts of the Pacific With a United States Government Expedition. Volume II, published in London in English by Longman, Brown, Green, Longmans and Roberts. Balduin Möllhausen, artist and author. Contributed by the Museum Victoria, it is also in the collections of the Biodiversity Heritage Library. Artwork in the public domain due to age. via https://archive.org/details/Diaryjourneyfro11Moll/page/n176/mode/1upThe Colorado River. Page 269 of the 1858 work Diary of a Journey from the Mississippi to the Coasts of the Pacific With a United States Government Expedition. Volume II, published in London in English by Longman, Brown, Green, Longmans and Roberts. Balduin Möllhausen, artist and author. Contributed by the Museum Victoria, it is also in the collections of the Biodiversity Heritage Library. Artwork in the public domain due to age. via https://archive.org/details/Diaryjourneyfro11Moll/page/n269/mode/1upDwellings of the Natives of the Rio Colorado of the West.Balduin Möllhausen, artist. Hanhart, chromolithographers. Page 296 of the 1858 work Diary of a Journey from the Mississippi to the Coasts of the Pacific With a United States Government Expedition. Volume II, published in London in English by Longman, Brown, Green, Longmans and Roberts. Balduin Möllhausen, artist and author. Contributed by the Museum Victoria, it is also in the collections of the Biodiversity Heritage Library. Artwork in the public domain due to age. via https://archive.org/details/Diaryjourneyfro11Moll/page/n296/mode/1upSandstone Formation in the Prairie Northwest of Texas. Balduin Möllhausen, artist. Hanhart, chromolithographers. Page 172 of the 1858 work Diary of a Journey from the Mississippi to the Coasts of the Pacific With a United States Government Expedition. Volume I, published in London in English by Longman, Brown, Green, Longmans and Roberts. Balduin Möllhausen, artist and author. Contributed by the Museum Victoria, it is also in the collections of the Biodiversity Heritage Library. Artwork in the public domain due to age. via https://archive.org/details/DiaryjourneyfroVolIMoll/page/n172/mode/1upCamp of the Kioway Indians. Balduin Möllhausen, artist. Hanhart, chromolithographers. Page 250 of the 1858 work Diary of a Journey from the Mississippi to the Coasts of the Pacific With a United States Government Expedition. Volume I, published in London in English by Longman, Brown, Green, Longmans and Roberts. Balduin Möllhausen, artist and author. Contributed by the Museum Victoria, it is also in the collections of the Biodiversity Heritage Library. Artwork in the public domain due to age. via https://archive.org/details/DiaryjourneyfroVolIMoll/page/n250/mode/1upChiefs of the Ottoe Tribe. Balduin Möllhausen, artist. Hanhart, chromolithographers. Page 288 of the 1858 work Diary of a Journey from the Mississippi to the Coasts of the Pacific With a United States Government Expedition. Volume I, published in London in English by Longman, Brown, Green, Longmans and Roberts. Balduin Möllhausen, artist and author. Contributed by the Museum Victoria, it is also in the collections of the Biodiversity Heritage Library. Artwork in the public domain due to age. via https://archive.org/details/DiaryjourneyfroVolIMoll/page/n288/mode/1upChurch in the Pueblo of Santo Domingo: New Mexico. Page 378 of the 1858 work Diary of a Journey from the Mississippi to the Coasts of the Pacific With a United States Government Expedition. Volume I, published in London in English by Longman, Brown, Green, Longmans and Roberts. Balduin Möllhausen, artist and author. Contributed by the Museum Victoria, it is also in the collections of the Biodiversity Heritage Library. Artwork in the public domain due to age. via https://archive.org/details/DiaryjourneyfroVolIMoll/page/n378/mode/1up
As with so many of these, they would have chromolithographs or other types of prints done up to sell after the expedition ended. Sometimes they would then turn the prints into a book. Sometimes not. Some of these are in the New York Public Library collections but these images are from the Internet Archive who appear to have more of them. The expedition itself was in 1853.
