The illustrations from the copy of Hawaiian Fishes with the red cover are reproduced from selected images appearing in The shore fishes of the Hawaiian Islands with a general account of the fish fauna, by David Starr Jordan and B.W. Evermann (part 1 of The aquatic resources of the Hawaiian Islands, published between 1905 and 1906; based on specimens collected by the United States Fish Commission during the 1902 expedition of the steamer Albatross)
Illustrations attributed to A. H. Baldwin, Charles Bradford Hudson and Kako Morita, based on their names appearing as illustrator on similar plates in The aquatic resources of the Hawaiian Islands. The images are taken from a scanned version in the Collections of the Biodiversity Heritage Library. Uploaded by the Smithsonian Library and Archives, it is available on the Internet Archive.
Also a few more fish from what looks to be a different edition of the same Hawaiian Fishes but with the cover being blue not red. These having been found up for sale by the rare book dealer James A. Arsenault with the description on their website stating that:
This appealing souvenir book, published immediately after the Honolulu Aquarium (now the Waikiki Aquarium) was founded in 1904, reproduces illustrations made by A. H. Baldwin, Charles Bradford Hudson (who was actually in Honolulu in 1901, sketching local fish), and the Japanese painter Kako Morita. According to the promotional information on the rear paste-down, the Aquarium typically displayed “600 to 1000 fishes of approximately 200 varieties. Those shown in the pictures published herewith are only a few of the most striking specimens.” These illustrations include the “Humuhumu,” the state fish of Hawaii, alongside several other fish native to Hawaii’s waters. Unlike the scientific captions accompanying The Aquatic Resources’ illustrations, this collection presents the fish with their Hawaiian names, with occasional comments on the peculiarity of fish in Hawaii. The promotional material contends that “[l]anguage cannot do this subject [Hawaii’s fish] justice. No words can accurately portray what one has seen here. The fish are odd in shape and have all the hues of the rainbow. The tints are laid on as if with a brush and yet no painter could imitate them. No visitor to Honolulu should fail to see the Aquarium.” The promotion further notes that the Aquarium “is visited by about 50,000 persons annually” who are each charged “[a]n admission fee of 25 cents’’ to assist with “operating, enlarging and improving the exhibit.” The fish of the Aquarium, once pictured by the Island Curio Co., “became mass commodities in a visual economy of images that linked Hawai‘i with America and Europe” (“Extended Personhood”).
As far as I can determine I haven’t used these chromolithographs before. I’ve found them on their website before and it is it’s own post. Should I be mistaken well these are fun images and I for one am happy to see them again with new fish to add to the school.
The common crane. Plate I, Page 1 of F. E. Blaauw’s A Monograph of Cranes. H. (Heinrich) Leutemann, illustrator. Collections of the Smithsonian Libraries. Biodiversity Heritage Library, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/monographcranes00blaa/page/I/mode/1upThe Mantchurian (sic) crane, adult and chick. Plate III, Page III of F. E. Blaauw’s A Monograph of Cranes. H. (Heinrich) Leutemann, illustrator. Collections of the Smithsonian Libraries. Biodiversity Heritage Library, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/monographcranes00blaa/page/III/mode/1upThe hooded crane. Plate IV, Page IV of F. E. Blaauw’s A Monograph of Cranes. H. (Heinrich) Leutemann, illustrator. Collections of the Smithsonian Libraries. Biodiversity Heritage Library, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/monographcranes00blaa/page/IV/mode/1upThe American crane. Plate V, Page V of F. E. Blaauw’s A Monograph of Cranes. H. (Heinrich) Leutemann, illustrator. Collections of the Smithsonian Libraries. Biodiversity Heritage Library, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/monographcranes00blaa/page/V/mode/1upThe Sarus crane. Plate VII, Page VII of F. E. Blaauw’s A Monograph of Cranes. H. (Heinrich) Leutemann, illustrator. Collections of the Smithsonian Libraries. Biodiversity Heritage Library, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/monographcranes00blaa/page/VII/mode/1upThe Demoiselle crane, chick. Plate Xa, Page Xa of F. E. Blaauw’s A Monograph of Cranes. H. (Heinrich) Leutemann, illustrator. Collections of the Smithsonian Libraries. Biodiversity Heritage Library, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/monographcranes00blaa/page/Xa/mode/1up
Title page. Page 2, Das Thier in der decorativen Kunst. Anton Seder,artist. Published in 1896 in Vienna by Gerlach and Schenk. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125013920190/page/n2/mode/1upPage 6, Das Thier in der decorativen Kunst. Anton Seder, artist. Published in 1896 in Vienna by Gerlach and Schenk. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125013920190/page/n6/mode/1upPage 8, Das Thier in der decorativen Kunst. Anton Seder, artist. Published in 1896 in Vienna by Gerlach and Schenk. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125013920190/page/n8/mode/1upPage 10, Das Thier in der decorativen Kunst. Anton Seder, artist. Published in 1896 in Vienna by Gerlach and Schenk. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125013920190/page/n10/mode/1upPage 12, Das Thier in der decorativen Kunst. Anton Seder, artist. Published in 1896 in Vienna by Gerlach and Schenk. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125013920190/page/n12/mode/1upPage 22, Das Thier in der decorativen Kunst. Anton Seder, artist. Published in 1896 in Vienna by Gerlach and Schenk. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125013920190/page/n22/mode/1upPage 24, Das Thier in der decorativen Kunst. Anton Seder, artist. Published in 1896 in Vienna by Gerlach and Schenk. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125013920190/page/n24/mode/1upPage 28, Das Thier in der decorativen Kunst. Anton Seder, artist. Published in 1896 in Vienna by Gerlach and Schenk. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125013920190/page/n28/mode/1upPage 32, Das Thier in der decorativen Kunst. Anton Seder, artist. Published in 1896 in Vienna by Gerlach and Schenk. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125013920190/page/n32/mode/1upPage 34, Das Thier in der decorativen Kunst. Anton Seder, artist. Published in 1896 in Vienna by Gerlach and Schenk. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125013920190/page/n34/mode/1upPage 38, Das Thier in der decorativen Kunst. Anton Seder, artist. Published in 1896 in Vienna by Gerlach and Schenk. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125013920190/page/n38/mode/1upPage 40, Das Thier in der decorativen Kunst. Anton Seder, artist. Published in 1896 in Vienna by Gerlach and Schenk. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125013920190/page/n40/mode/1upPage 42, Das Thier in der decorativen Kunst. Anton Seder, artist. Published in 1896 in Vienna by Gerlach and Schenk. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125013920190/page/n42/mode/1upPage 45, Das Thier in der decorativen Kunst. Anton Seder, artist. Published in 1896 in Vienna by Gerlach and Schenk. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125013920190/page/n45/mode/1upPage 48, Das Thier in der decorativen Kunst. Anton Seder, artist. Published in 1896 in Vienna by Gerlach and Schenk. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125013920190/page/n48/mode/1upPage 50, Das Thier in der decorativen Kunst. Anton Seder, artist. Published in 1896 in Vienna by Gerlach and Schenk. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125013920190/page/n50/mode/1upPage 52, Das Thier in der decorativen Kunst. Anton Seder, artist. Published in 1896 in Vienna by Gerlach and Schenk. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125013920190/page/n52/mode/1upPage 56, Das Thier in der decorativen Kunst. Anton Seder, artist. Published in 1896 in Vienna by Gerlach and Schenk. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125013920190/page/n56/mode/1upPage 58, Das Thier in der decorativen Kunst. Anton Seder, artist. Published in 1896 in Vienna by Gerlach and Schenk. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125013920190/page/n58/mode/1upPage 60, Das Thier in der decorativen Kunst. Anton Seder, artist. Published in 1896 in Vienna by Gerlach and Schenk. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125013920190/page/n60/mode/1upPage 62, Das Thier in der decorativen Kunst. Anton Seder, artist. Published in 1896 in Vienna by Gerlach and Schenk. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125013920190/page/n62/mode/1up
Ojibwa Camp, Northern Shore of Lake Huron. 1873. Canadian. Oil on canvas. Frederick Arthur Vener, painter (1836-1928). Image source; National Gallery of Canada. In the public domain in the United States because it was published before 1927. via https://commons.wikimedia.org/wiki/File:Frederick_A.Verner–Ojibwa_Camp,_Northern_Shore_of_Lake_Huron(1873).jpgIndian encampment. 1891. Canadian. Watercolor on cardboard. Frederick Arthur Vener, painter (1836-1928). Image source; Sotheby’s Toronto. Signed on the lower right. In the public domain in the United States because it was published before 1927. via https://commons.wikimedia.org/wiki/File:Frederick_Arthur_Verner_-Indian_Encampment(1891).jpg
Page 20 of Illustriertes Prachtwerk sämtlicher Tauben-rassen. 1906. Lithograph based on a watercolor template by Anton Schöner. In the public domain due to age. Collections of the American Museum of Natural History Library. In the public domain due to age. via https://www.biodiversitylibrary.org/item/106229#page/20/mode/2upPage 22 of Illustriertes Prachtwerk sämtlicher Tauben-rassen. 1906. Lithograph based on a watercolor template by Anton Schöner. In the public domain due to age. Collections of the American Museum of Natural History Library. In the public domain due to age. via https://www.biodiversitylibrary.org/item/106229#page/20/mode/2upPage 24 of Illustriertes Prachtwerk sämtlicher Tauben-rassen. 1906. Lithograph based on a watercolor template by Anton Schöner. In the public domain due to age. Collections of the American Museum of Natural History Library. In the public domain due to age. via https://www.biodiversitylibrary.org/item/106229#page/20/mode/2up
Ramphastos culmenatus. Culmenated toucan. Image 2 from A monograph of the Ramphastidae, or family of toucans. 1833. Edward Lear, maker. Collections of the Smithsonian Libraries. Biodiversity Heritage Library, digitalizing sponsors. In the public domain due to age. via https://archive.org/details/monographrampha00goul/page/2/mode/1upRamphastos Cuvieri (Wagler) Cuvier’s Toucan. Image 3 from A monograph of the Ramphastidae, or family of toucans. 1833. Drawn from nature and on stone by John and Elizabeth Gould. Collections of the Smithsonian Libraries. Biodiversity Heritage Library, digitalizing sponsors. In the public domain due to age. via https://archive.org/details/monographrampha00goul/page/3/mode/1upRamphastos erythrorhynchus(auct). Red billed toucan. Image 4 from A monograph of the Ramphastidae, or family of toucans. 1833. Drawn by Edward Lear. Collections of the Smithsonian Libraries. Biodiversity Heritage Library, digitalizing sponsors. In the public domain due to age. via https://archive.org/details/monographrampha00goul/page/4/mode/1up