All dressed up and nowhere to go . . . . portraits of the rich and not very tired . . . .

Three brothers. 1828.
Three brothers. 1828. Slovakian. József Czauczik, artist.
Moritz Christian, Reichsgraf von Fries, his wife Maria Theresia Josepha, and their son Moritz. 1805.
Moritz Christian, Reichsgraf von Fries, his wife Maria Theresia Josepha, and their son Moritz. 1805. French. François Gérard, artist.
La famille Bergeret de Grandcourt. ca. 1785.
La famille Bergeret de Grandcourt. c. 1785. French. Jean-Laurent Mosnier, artist.

All artwork in the public domain due to age. They can be found in many places but I found them all here: http://godsandfoolishgrandeur.blogspot.com/2018/11/triples-twelve-portraits-of-three.html?utm_source=feedburner&utm_medium=email&utm_campaign=Feed%3A+GodsAndFoolishGrand

An envisioning . . . . . .a chilly Saturday in 1898 and old drawings to wander through in the back of the night nursery . . . .

Oh to be here.

Auntie’s in Bavaria. A long visit until school starts again.

House big enough to be a castle though Papa says it is not. Uncle’s grandpapa’s, it was, with six turrets, an elevator, and guard people who bow up and down like a bunch of jack-in-the-boxes when the oldest boy cousin runs up and down the stairs. Spoiled he is because he’ll get all the money, no doubt.

But the rest all right.

Grownups getting dressed downstairs in lederhosen and dirndls for the dinner and dance downstairs in the big hall. Better to be upstairs really. Nervous they must be. Not the Kaiser but someone else almost as important with both of his mistresses, one on each arm someone whispered at lunch when they thought no one short was listening.

All those deer heads mounted all around, too. Looking like they could come alive and in a scary way what with all their antlers bumping into each other all squished up.

But a hunting kind of place and five more being added every week in season. No more room and a second row soon so the antlers can duel with each other.

But upstairs nice and cozy. Nannies all gone off to gossip down the hall over tea. Nursemaids in the window seat. There all afternoon peeking out towards the carriage house behind. All of them with beaux who are grooms to wave back. Each one waving bigger and bigger as they open the doors.

Off with the girl cousins into the night nursery. Time to sit on the bed by the window and look through the old pictures that turned up behind the bookcase.

Dust all over and the pinafores wrecked but too much fun to stop. Children on ponies and children with kittens. Little boys in skeleton suits and small brothers in dresses. Girls in fluff and girls ready to go sledding.

But a prettier one at the bottom. A girl with her little brother in fluffy dresses with their dog. Funny. Giving him treats and no one to stop them. Must have had a nicer Mama.

But sweet looking . . . .Uncle’s grandmama, maybe . . . .slippers not boots and a while ago. . . . doesn’t matter really. .  .  happy they look  . . . that’s all that matters . . . .

"Victoria Princess Royal and Albert Prince of Wales  1842.
“Victoria Princess Royal and Albert Prince of Wales.” 1842. Engraving after an oil portrait by Sir Francis Grant. Royal Collection Trust. Artwork in the public domain because the artist died over 100 years ago. via https://modyminione.wordpress.com/2016/06/01/krotka-historia-trzech-portretow/.

Pretty wallpaper by C. F. A. Voysey, English architect and designer (1857-1941). No doubt the country houses he dotted the British countryside with had them in every room . . . . . why else to design both . . . ups the sales you know.

"Minto." 1901.
“Minto.” 1901. Color machine print. Essex and Company, Manufacturer. © Victoria and Albert Museum. via http://collections.vam.ac.uk/item/O559626/minto-wallpaper-c-f-a/.
"Dovedale." 1905.
“Dovedale.” 1905. ©Photo Les Arts Décoratifs, Paris/Jean Tholance. Collection of the Musee Arts Décoratifs. via http://collections.madparis.fr/dovedale.
"Fidelis." 1919.
“Fidelis.” 1919. Engraved and colored by hand. Image © Victoria and Albert Museum. via http://collections.vam.ac.uk/item/O559616/fidelis-wallpaper-design-c-f-a/
"Tulip." 1893-95.
“Tulip.” 1893-95. Block printed on paper. Image © The Cooper Hewitt Museum. via https://collection.cooperhewitt.org/objects/18667891/#image-rights
Wallpaper design. April, 1909.
Wallpaper design. April, 1909. Watercolor, pen and ink and pencil on paper. © Victoria and Albert Museum. via http://collections.vam.ac.uk/item/O1068277/design-for-wallpaper-design-c-f-a/

An envisioning . . .. Brightchester House far out on the Cornwall moor . . .. wind rustling as the birds screech and a strange sigh ascends to the nursery from the drawing room . . .

Oh to go back and be here.

Brightchester House and another of the grownups’ house parties . So much noise even the nursery rings with voices and shrieks.

Nurse nowhere to be seen. Down the stairs towards the drawing room instead where Mama must be. The flowers on the landing where they should be but the window seat not quite right. A favorite reading spot during the day but a strange white thing floating up. Like one of the sisters at the old convent where Grandmama liked to visit.

One of the haints in the old nurse’s stories it must be. An abbey the house having been before that mean king Henry got rid of them and gave it all away.  Not happy the nuns and their abbess must have been.

But funny. Them one only heard about. Not unhappy enough to wander out of their grave places into the house. No. Spirit rapping they must be doing like the little boy in Sunday school says his auntie does. A spirit rapping lady brought in from London to speak to them and that all too well.

Victorian spirit rapping. Undated photograph
Depiction of Victorian spirit wrapping. via susannaives.com and flickr.com. Used as cover art for the “Penguin Book of Ghost Stories” in 2010.

 

Silverworks by Charles Robert Ashbee (1863-1942). Arts and Crafts movement.

Salt cellar. 1899-1900.
Salt Cellar. 1899-1900. Silver, parcel gilt with carnelian. Produced for the Guild of Handicraft. #O94792, © Victoria and Albert Museum, London.
Inkwell. 1907.
Inkwell. 1907. Silver and enamel. Guild of Handicraft, London, manufacturer. Collection of the Minneapolis Institute of Art. collections.artsmia.org
Bowl with lid and spoon. 1902-1904.
Bowl with lid and spoon. 1902-1904. Silver and enamel. Guild of Handicraft, London, manufacturer. Collection of the Minneapolis Institute of Art. artsmia.org.
Sporting cup. 1899.
Sporting Cup. 1899. Silver, enamel and carnelian. For The Guild of Handicraft, London. Collection of the Dallas Museum of Art. via uncrated.wordpress.com

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