Tag: Ceramics

Imagery from a commemorative publication on the occasion of the May 1873 Vienna World’s Fair that was put out by the Imperial and Royal Austrian Museum and the School of Applied Arts. At least some of the items in these engravings were in the museum’s collections.

Ansicht des Säulenhofes. Signed F. W. Bader on the lower right. Page 9 of Das Kaiserlich Königliche österreichische Museum und die Kunstgewerbeschule : Festschrift bei Gelegenheit der Weltausstellung in Wien, Mai 1873. F. W. Bader, Vienna, engraver. J. C. Fischer and Company, Vienna, Austria, printers. Collections of the Getty Research Institute. Artwork in the public domain due to age. via https://archive.org/details/daskaiserlichkon00unse/page/9/mode/1up
Venetianischer Caminständer, 1577, aus der Sammlung des Museums. Drawn by Hermann von Riewel. Page 29 of Das Kaiserlich Königliche österreichische Museum und die Kunstgewerbeschule : Festschrift bei Gelegenheit der Weltausstellung in Wien, Mai 1873. J. C. Fischer and Company, Vienna, Austria, printers. Collections of the Getty Research Institute. Artwork in the public domain due to age. via https://archive.org/details/daskaiserlichkon00unse/page/29/mode/1up
Juvvelcngehänge. Jan Collaert, artist. ca. 1543. Also in the Metropolitan Museum of Art New York with a date of 1581 here https://www.metmuseum.org/art/collection/search/426130. Page 37 of Das Kaiserlich Königliche österreichische Museum und die Kunstgewerbeschule : Festschrift bei Gelegenheit der Weltausstellung in Wien, Mai 1873. J. C. Fischer and Company, Vienna, Austria, printers. Collections of the Getty Research Institute. Artwork in the public domain due to age. https://archive.org/details/daskaiserlichkon00unse/page/37/mode/1up
Initial ‘C.’ F. W. Bader and Company, Vienna, engraver. Page 58 of Das Kaiserlich Königliche österreichische Museum und die Kunstgewerbeschule : Festschrift bei Gelegenheit der Weltausstellung in Wien, Mai 1873. J. C. Fischer and Company, Vienna, Austria, printers. Collections of the Getty Research Institute. Artwork in the public domain due to age. via https://archive.org/details/daskaiserlichkon00unse/page/n58/mode/1up
Spitzenmuster von Matteo Florimi, Siena, Italy, 1593. Figure 20, Page 45 of Das Kaiserlich Königliche österreichische Museum und die Kunstgewerbeschule : Festschrift bei Gelegenheit der Weltausstellung in Wien, Mai 1873. J. C. Fischer and Company, Vienna, Austria, printers. Collections of the Getty Research Institute. Artwork in the public domain due to age. via https://archive.org/details/daskaiserlichkon00unse/page/45/mode/thumb
Kopfleiste, .Motiv aus der Umrahmung des Diploms für die Mitglieder der Gesell-schaft zur Förderung der Kunstgewerbeschule. Initial Z, Venedig 1568. Engraved after a drawing by Joseph Storck. F. W. Bader and Company, Vienna, engraver. Page 68 of Das Kaiserlich Königliche österreichische Museum und die Kunstgewerbeschule : Festschrift bei Gelegenheit der Weltausstellung in Wien, Mai 1873. J. C. Fischer and Company, Vienna, Austria, printers. Collections of the Getty Research Institute. Artwork in the public domain due to age. via https://archive.org/details/daskaiserlichkon00unse/page/n68/mode/1up
Kreuz mit Email translucide made by Maso Finiguerra in the 15th century and in the collections of the Imperial and Royal Austrian Museum. Engraving after a drawing by Hermann Kühn. Page 68 of Das Kaiserlich Königliche österreichische Museum und die Kunstgewerbeschule : Festschrift bei Gelegenheit der Weltausstellung in Wien, Mai 1873. J. C. Fischer and Company, Vienna, Austria, printers. Collections of the Getty Research Institute. Artwork in the public domain due to age. via https://archive.org/details/daskaiserlichkon00unse/page/n78/mode/1up
Schale by A. Hirschvogel (1503-1552). Page 61 Image 85 of Das Kaiserlich Königliche österreichische Museum und die Kunstgewerbeschule : Festschrift bei Gelegenheit der Weltausstellung in Wien, Mai 1873. J. C. Fischer and Company, Vienna, Austria, printers. Collections of the Getty Research Institute. Artwork in the public domain due to age. via https://archive.org/details/daskaiserlichkon00unse/page/61/mode/1up
Majolika-Schüssel. Italian, 16th century. in the collections of the Imperial and Royal Austrian Museum. Engraving after a photograph taken by I. Angerer. Image 102 of Das Kaiserlich Königliche österreichische Museum und die Kunstgewerbeschule : Festschrift bei Gelegenheit der Weltausstellung in Wien, Mai 1873. J. C. Fischer and Company, Vienna, Austria, printers. Collections of the Getty Research Institute. Artwork in the public domain due to age. via https://archive.org/details/daskaiserlichkon00unse/page/n102/mode/1up
Spitzenmuster. Lace pattern by Cesare Vecelho. ca. 1606. Image 80 of Das Kaiserlich Königliche österreichische Museum und die Kunstgewerbeschule : Festschrift bei Gelegenheit der Weltausstellung in Wien, Mai 1873. J. C. Fischer and Company, Vienna, Austria, printers. Collections of the Getty Research Institute. Artwork in the public domain due to age. via https://archive.org/details/daskaiserlichkon00unse/page/80/mode/1up

Parian porcelain. Made in Bennington, Vermont and so decorated up it’s encrusted. Various sources.

Ewer in Parian porcelain. 1830-1870. American, probably made in Bennington, Vermont. Collections of the Metropolitan Museum of Art, New York. In the public domain. via https://www.metmuseum.org/art/collection/search/3561?rpp=30&pg=1&ft=47.90.67&pos=1
Pair of vases in Parian porcelain. 1852-1958. American, made in Bennington, Vermont by the United States Pottery Company. Collections of the Metropolitan Museum of Art, New York. In the public domain. via https://www.metmuseum.org/art/collection/search/9578
Parian porcelain vase. 1830-1870. American, probably made in Bennington, Vermont. Collections of the Metropolitan Museum of Art, New York. In the public domain. via https://www.metmuseum.org/art/collection/search/9540

Figural lamps from my new blogging friend Rick Hornwood who sent me the link to his website. These lamps are all to be found in his ebay store “CalLamps”. The last is a great dane porcelain figurine so not a lamp but also fun and then too my dog loving grandmother owned a pair of pedigreed great danes that my mother and her brother loved.

Light blue miniature figural Victorian oil lamp in the form of a French house. 1880s with the handle added later. Porcelain. Maker not given. Image © 1995-2022 eBay Inc. and Rick Hornwood. Fair use license. via https://www.ebay.com/itm/195378977201?hash=item2d7d7e99b1:g:Oy8AAOSw~6NjmTCB

Miniature figural patit oil lamp modeled as a snail in blue porcelain. Victorian. Maker not given. Image © 1995-2022 eBay Inc. and Rick Hornwood. Fair use license. via https://www.ebay.com/itm/195045738577?hash=item2d69a1c851:g:yOMAAOSwEJtie~kN

Jacob petit great dane figurine ink well in white porcelain. 19th c. French. Maker not given. Image © 1995-2022 eBay Inc. and Rick Hornwood. Fair use license. via https://www.ebay.com/itm/194508737315?hash=item2d499fcb23:g:nWcAAOSwJkBihwmO

Vases in blue and white from the early years of the last century. Australian. Ceramicist Martin Moroney, artist (1872-1917). Collection of the Art Gallery of New South Wales.

Vase with pansy design. 1907.
Vase with pansy design. 1907. Glazed earthenware. © Art Gallery of New South Wales. Fair use license. via https://www.artgallery.nsw.gov.au/collection/works/2217/?tab=details

Vase with gumleaf and flower design. 1914.
Vase with gumleaf and flower design. 1914. Glazed earthenware. © Art Gallery of New South Wales. Fair use license. via https://www.artgallery.nsw.gov.au/collection/works/2227/

Vase decorated with gumnuts and eucalyptus flowers and leaves. 1914.
Vase decorated with gumnuts and eucalyptus flowers and leaves. 1914. Glazed earthenware. © Art Gallery of New South Wales. Fair use license. via https://www.artgallery.nsw.gov.au/collection/works/2231/