The Amazon. Chromolithograph from Sir M. Digby Watt’s The Industrial Arts of the Nineteenth Century: a series of illustrations of the choicest specimens produced by every nation, at the Great Exhibition of Works of Industry held in 1851. Collections of the New York Public Library. In the public domain due to age. via https://digitalcollections.nypl.org/items/510d47e3-8fe5-a3d9-e040-e00a18064a99Embroidery in Bullion from Tunis. Chromolithograph from Sir M. Digby Watt’s The Industrial Arts of the Nineteenth Century: a series of illustrations of the choicest specimens produced by every nation, at the Great Exhibition of Works of Industry held in 1851. Collections of the New York Public Library. In the public domain due to age. via https://digitalcollections.nypl.org/items/510d47e3-8fe8-a3d9-e040-e00a18064a99Specimens of Turkish Embroidery. Chromolithograph from Sir M. Digby Watt’s The Industrial Arts of the Nineteenth Century: a series of illustrations of the choicest specimens produced by every nation, at the Great Exhibition of Works of Industry held in 1851. Collections of the New York Public Library. In the public domain due to age. via https://digitalcollections.nypl.org/items/510d47e3-8fee-a3d9-e040-e00a18064a99A group of objects in glass – cut and engraved. Consisting of an engraved claret, and cut cream jug by Green of London – a Venetian champagne and an engraved ale glass by Bacchus of Birmingham – and an engraved claret glass and cut salt cellar by Apsley Pellatt of London. Chromolithograph from Sir M. Digby Watt’s The Industrial Arts of the Nineteenth Century: a series of illustrations of the choicest specimens produced by every nation, at the Great Exhibition of Works of Industry held in 1851. Collections of the New York Public Library. In the public domain due to age. via https://digitalcollections.nypl.org/items/510d47e3-8ff6-a3d9-e040-e00a18064a99“Cassette” carved in ivory, exhibited by Matifat of Paris. Chromolithograph from Sir M. Digby Watt’s The Industrial Arts of the Nineteenth Century: a series of illustrations of the choicest specimens produced by every nation, at the Great Exhibition of Works of Industry held in 1851. Collections of the New York Public Library. In the public domain due to age. via https://digitalcollections.nypl.org/items/510d47e3-8ff9-a3d9-e040-e00a18064a99Black lace flounce, (Nottingham manufacture) by Greasely and Hopcroft. Chromolithograph from Sir M. Digby Watt’s The Industrial Arts of the Nineteenth Century: a series of illustrations of the choicest specimens produced by every nation, at the Great Exhibition of Works of Industry held in 1851. Collections of the New York Public Library. In the public domain due to age. via https://digitalcollections.nypl.org/items/510d47e3-9002-a3d9-e040-e00a18064a99Metal bedstead, by Winfield of Birmingham. Chromolithograph from Sir M. Digby Watt’s The Industrial Arts of the Nineteenth Century: a series of illustrations of the choicest specimens produced by every nation, at the Great Exhibition of Works of Industry held in 1851. Collections of the New York Public Library. In the public domain due to age. via https://digitalcollections.nypl.org/items/510d47e3-900e-a3d9-e040-e00a18064a99A Chinese looking glass in carved wood frame. Chromolithograph from Sir M. Digby Watt’s The Industrial Arts of the Nineteenth Century: a series of illustrations of the choicest specimens produced by every nation, at the Great Exhibition of Works of Industry held in 1851. Collections of the New York Public Library. In the public domain due to age. via https://digitalcollections.nypl.org/items/510d47e3-9019-a3d9-e040-e00a18064a99Pianofortes by Collard and Collard of London. Chromolithograph from Sir M. Digby Watt’s The Industrial Arts of the Nineteenth Century: a series of illustrations of the choicest specimens produced by every nation, at the Great Exhibition of Works of Industry held in 1851. Collections of the New York Public Library. In the public domain due to age. via https://digitalcollections.nypl.org/items/510d47e3-901e-a3d9-e040-e00a18064a99The Coventry ribbon, and specimens of ribbons from Saint Etienne, France. Chromolithograph from Sir M. Digby Watt’s The Industrial Arts of the Nineteenth Century: a series of illustrations of the choicest specimens produced by every nation, at the Great Exhibition of Works of Industry held in 1851. Collections of the New York Public Library. In the public domain due to age. via https://digitalcollections.nypl.org/items/510d47e3-901f-a3d9-e040-e00a18064a99
Pompeian court. Image 8. from Views of the Crystal Palace and park, Sydenham with drawings by various eminent artists. 1854. Day and Son, London, publishers. Collections of the University of California. Artwork in the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=uc1.c034804187&view=1up&seq=8Pompeian court seen from the nave. Image 25, Page 13. from Views of the Crystal Palace and park, Sydenham with drawings by various eminent artists. 1854. Day and Son, London, publishers. Collections of the University of California. Artwork in the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=uc1.c034804187&view=1up&seq=25View in north transcept. Image 33, Page 13. from Views of the Crystal Palace and park, Sydenham with drawings by various eminent artists. 1854. Day and Son, London, publishers. Collections of the University of California. Artwork in the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=uc1.c034804187&view=1up&seq=33The Egyptian Court – from the nave. Image 36, Page 13. from Views of the Crystal Palace and park, Sydenham with drawings by various eminent artists. 1854. Day and Son, London, publishers. Collections of the University of California. Artwork in the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=uc1.c034804187&view=1up&seq=36Assyrian Court (I think). Image 39, Page 13. from Views of the Crystal Palace and park, Sydenham with drawings by various eminent artists. 1854. Day and Son, London, publishers. Collections of the University of California. Artwork in the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=uc1.c034804187&view=1up&seq=39Greek Court from the Nave. Owen Jones, architect. Image 43, Page 17. from Views of the Crystal Palace and park, Sydenham with drawings by various eminent artists. 1854. Day and Son, London, publishers. Collections of the University of California. Artwork in the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=uc1.c034804187&view=1up&seq=43Exterior of the Byzantine Court. Image 53, from Views of the Crystal Palace and park, Sydenham with drawings by various eminent artists. 1854. Day and Son, London, publishers. Collections of the University of California. Artwork in the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=uc1.c034804187&view=1up&seq=53Renaissance Court from the Nave. Image 64, from Views of the Crystal Palace and park, Sydenham with drawings by various eminent artists. 1854. Day and Son, London, publishers. Collections of the University of California. Artwork in the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=uc1.c034804187&view=1up&seq=64Italian Court from the Nave. Image 72, from Views of the Crystal Palace and park, Sydenham with drawings by various eminent artists. 1854. Day and Son, London, publishers. Collections of the University of California. Artwork in the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=uc1.c034804187&view=1up&seq=72Italian vestibule. M. Digby Wyatt, architect. Image 76, from Views of the Crystal Palace and park, Sydenham with drawings by various eminent artists. 1854. Day and Son, London, publishers. Collections of the University of California. Artwork in the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=uc1.c034804187&view=1up&seq=76
“HRH Albert, Prince of Wales in the character of winter” and “HRH The Princess Royal in the character of summer.” 30d. Engraved by C. Holl after a daguerreotype of the original by Mary Thornycroft. Collections of the University of Heidelberg. In the public domain. via https://digi.ub.uni-heidelberg.de/diglit/tallis1851bd1/0039/image
“Jewels of the Queen of Spain” headdress and shoulder knot in diamonds, pearls, rubies and emeralds and bouquet in diamonds, pearls and emeralds, both made by Lemonniere, Paris. Page 80b. G. Greatbach, engraver, after drawings by H. Mason. Collections of the University of Heidelberg. In the public domain. via https://digi.ub.uni-heidelberg.de/diglit/tallis1851bd1/0107/image
“Shield and Arms” by Lepage and Delacour” (sabres) and Gueyton (pistols). Page 64b. E. Silby, engraver after drawings by H. Mason. Collections of the University of Heidelberg. In the public domain. via https://digi.ub.uni-heidelberg.de/diglit/tallis1851bd1/0086/image
