More lithographs of the beauty that became America’s West, plates from the United States Army Corps of Engineers 1848 work “Notes of a military reconnaissance, from Fort Leavenworth, in Missouri, to San Diego, in California, including parts of the Arkansas, Del Norte, and Gila Rivers.” C. B. Graham, lithographer.

bub_gb_ggFZAAAAMAAJ_0118 (1)
“Pimos and Coco Maricopas Indians.” Page 118. Collections of the University of Michigan. Google, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/bub_gb_ggFZAAAAMAAJ/page/n118/mode/2up
Illegible caption. Page 169.
Illegible caption. Page 169. Collections of the University of Michigan. Google, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/bub_gb_ggFZAAAAMAAJ/page/n169/mode/1up
"Ruins of the Casa Grande."  Page 110.
“Ruins of the Casa Grande.” Page 110. Collections of the University of Michigan. Google, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/bub_gb_ggFZAAAAMAAJ/page/n110/mode/1up

Landscapes by artist Alfredo Müller who lived from 1869 to 1939. Swiss from a Franco-Italian background.

Alfredo-Muller-Landscape
Landscape. 1914. Image © wahooart.com. Artwork itself in the public domain due to age. via https://en.wahooart.com/@@/AQSUYD-Alfredo-M%C3%BCller-Landscape
"La Grande Cascade de Saint Cloud." 1905. Signed by the artist in pencil on the lower right and numbered "39" in pencil on the lower left. Title in pencil on the back. Published by Edmund Sagot, Paris, his dry stamp lower right below signature.
“La Grande Cascade de Saint Cloud.” 1905. Signed by the artist in pencil on the lower right and numbered “39” in pencil on the lower left. Title in pencil on the back. Published by Edmund Sagot, Paris, his dry stamp lower right below signature. Image © 1stdibs, Inc. 2020. Fair use license. via https://www.1stdibs.com/art/prints-works-on-paper/alfredo-muller-la-grande-cascade-de-saint-cloud/id-a_51859/?utm_source=pinterest&utm_medium=cpc
Alfredo-Muller-A-Rocky-Landscape
“A Rocky Landscape.” 1914. Image © WahooArt.com. Artwork itself in the public domain due to age. via https://en.wahooart.com/@@/AQSUYF-Alfredo-M%C3%BCller-A-Rocky-Landscape

Pochoir prints of collages in the mid 1920s “Revolving Doors” series by Man Ray (1890-1976) who is mostly known for his photography. These are from the Museum of Modern Art in New York.

"Mime." 1926.
“Mime.” 1926. One from a portfolio of ten pochoir prints. © 2019 Man Ray Trust / Artists Rights Society (ARS), New York / ADAGP, Paris. Image © 2020 The Museum of Modern Art. Fair use license. via https://www.moma.org/collection/works/68230?artist_id=3716&locale=en&page=1&sov_referrer=artist
"Long Distance." 1926.
“Long Distance.” 1926. One from a portfolio of ten pochoir prints. © 2019 Man Ray Trust / Artists Rights Society (ARS), New York / ADAGP, Paris. Image © 2020 The Museum of Modern Art. Fair use license. via https://www.moma.org/collection/works/68233?artist_id=3716&locale=en&page=1&sov_referrer=artist
"Decanter." 1926
“Decanter.” 1926. One from a portfolio of ten pochoir prints. © 2019 Man Ray Trust / Artists Rights Society (ARS), New York / ADAGP, Paris. Image © 2020 The Museum of Modern Art. Fair use license. via https://www.moma.org/collection/works/68237?artist_id=3716&locale=en&page=1&sov_referrer=artist

Art Nouveau flowers, artwork done by Maurice Pillard and taken from the pages of “Etude de la plante: son application aux industries d’art: pochoir, papier peint, etoffes, céramique, marqueterie, tapis, ferronnerie, reliure, dentelles, broderies, vitrail, mosaïque, bijouterie, bronze, orfévrerie” which was printed in Paris in 1903 by the Librairie Centrale des Beaux-Arts.

"Anémone sylvie." Figure 29.
“Anémone sylvie.” Figure 29. Page 39 (detail). Collection of and digitalized by the Getty Research Institute. In the public domain. via https://archive.org/details/gri_33125005959479/page/n39
"Anémone sylvie". Figure 33. Page 41 (detail).
“Anémone sylvie”. Figure 33. Page 41 (detail). Collection of and digitalized by the Getty Research Institute. In the public domain. via https://archive.org/details/gri_33125005959479/page/n41
"Plat orné de Porillon." Figure 34. Page 42 (detail).
“Plat orné de Porillon.” Figure 34. Page 42 (detail). Collection of and digitalized by the Getty Research Institute. In the public domain. via https://archive.org/details/gri_33125005959479/page/n42
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“Couverture d’album Porillon.” Figure 35. Page 42 (detail). Collection of and digitalized by the Getty Research Institute. In the public domain. via https://archive.org/details/gri_33125005959479/page/n42
"Porillon" (detail). Figure 30.
“Porillon.” Figure 30. Page 39 (detail).Collection of and digitalized by the Getty Research Institute. In the public domain. via https://archive.org/details/gri_33125005959479/page/n39

Flower pictures. Austrian, by graphics artist Hugo Noske (1886-1960). All in orange-red.

Still life. No date.
Still life. No date. © Estate of the artist. Image © Galerie Jacobsa. Fair use license. via https://www.jacobsa.de/buy-art-online-our-latest-works/hugo-noske-still-life-2.html?language=en
Christmas-Cactus-by-Hugo-Noske (1)
“Christmas Cactus.”ca. 1920. Colored woodcut. Signed in pencil on the lower right. © Estate of the artist. Image © The Annex Galleries. Fair use license. via https://www.annexgalleries.com/inventory/detail/14821/Hugo-Noske/Christmas-Cactus
Tigerlily. No date. Colored woodblock.
Tigerlily. No date. Colored woodblock. © Estate of the artist. Image © New England Art Exchange. Fair use license. via https://www.neartexchange.com/artist/hugo-noske

Engravings from the scientific work “Perspectiva Corporum Regularium” which is remembered for its engravings of polyhedra and was published in 1568 by Wenzel Jamnitzer who worked in Nuremberg. Living from 1507 to 1585, he worked as a court goldsmith when he wasn’t busy doing science.

Plate, inscribed "H IIII" on the upper right.
Plate, inscribed “H IIII” on the upper right. Engraving on laid paper. Image © Cooper Hewitt Museum, New York. Fair use license. via https://www.design-is-fine.org/post/176135695864/wenzel-jamnitzer-perspectiva-corporum
Plate, inscribed "H II" on the upper right.
Plate, inscribed “H II” on the upper right. Engraving on laid paper. Image © Cooper Hewitt Museum, New York. Fair use license. via https://www.design-is-fine.org/post/176135695864/wenzel-jamnitzer-perspectiva-corporum
Plate, inscribed "H I" on the upper right. Engraving on laid paper.
Plate, inscribed “H I” on the upper right. Engraving on laid paper. In the public domain due to age. via http://bibliodyssey.blogspot.com/2009/08/jamnitzer-perspectiva.html
Plate, inscribed "H III" on the upper right.
Plate, inscribed “H III” on the upper right. Engraving on laid paper. Image © Cooper Hewitt Museum, New York. Fair use license. via https://www.design-is-fine.org/post/176135695864/wenzel-jamnitzer-perspectiva-corporum

Plates of shells from William Turton’s 1840 work “A Manual of the Land and Fresh-water Shells of the British Islands.” Someone else I found out about visiting them at the antiquarian fair in Boston last month.

Plate III, figures 14 through 27. Page 331.
Plate III, figures 14 through 27. Page 331. Collection of the University of California Libraries. In the public domain due to age. via https://www.biodiversitylibrary.org/item/60677#page/331/mode/1up
Plate IV, figures 30 through 43. Page 333.
Plate IV, figures 30 through 43. Page 333. Collection of the University of California Libraries. In the public domain due to age. via https://www.biodiversitylibrary.org/item/60677#page/333/mode/1up
Plate VI, figures 61 through 74. Page 337.
Plate VI, figures 61 through 74. Page 337. Collection of the University of California Libraries. In the public domain due to age. via https://www.biodiversitylibrary.org/item/60677#page/337/mode/1up
Plate IX, figures 101 through 112. Page 343.
Plate IX, figures 101 through 112. Page 343. Collection of the University of California Libraries. In the public domain due to age. viahttps://www.biodiversitylibrary.org/item/60677#page/343/mode/1up