The Amazon. Chromolithograph from Sir M. Digby Watt’s The Industrial Arts of the Nineteenth Century: a series of illustrations of the choicest specimens produced by every nation, at the Great Exhibition of Works of Industry held in 1851. Collections of the New York Public Library. In the public domain due to age. via https://digitalcollections.nypl.org/items/510d47e3-8fe5-a3d9-e040-e00a18064a99Embroidery in Bullion from Tunis. Chromolithograph from Sir M. Digby Watt’s The Industrial Arts of the Nineteenth Century: a series of illustrations of the choicest specimens produced by every nation, at the Great Exhibition of Works of Industry held in 1851. Collections of the New York Public Library. In the public domain due to age. via https://digitalcollections.nypl.org/items/510d47e3-8fe8-a3d9-e040-e00a18064a99Specimens of Turkish Embroidery. Chromolithograph from Sir M. Digby Watt’s The Industrial Arts of the Nineteenth Century: a series of illustrations of the choicest specimens produced by every nation, at the Great Exhibition of Works of Industry held in 1851. Collections of the New York Public Library. In the public domain due to age. via https://digitalcollections.nypl.org/items/510d47e3-8fee-a3d9-e040-e00a18064a99A group of objects in glass – cut and engraved. Consisting of an engraved claret, and cut cream jug by Green of London – a Venetian champagne and an engraved ale glass by Bacchus of Birmingham – and an engraved claret glass and cut salt cellar by Apsley Pellatt of London. Chromolithograph from Sir M. Digby Watt’s The Industrial Arts of the Nineteenth Century: a series of illustrations of the choicest specimens produced by every nation, at the Great Exhibition of Works of Industry held in 1851. Collections of the New York Public Library. In the public domain due to age. via https://digitalcollections.nypl.org/items/510d47e3-8ff6-a3d9-e040-e00a18064a99“Cassette” carved in ivory, exhibited by Matifat of Paris. Chromolithograph from Sir M. Digby Watt’s The Industrial Arts of the Nineteenth Century: a series of illustrations of the choicest specimens produced by every nation, at the Great Exhibition of Works of Industry held in 1851. Collections of the New York Public Library. In the public domain due to age. via https://digitalcollections.nypl.org/items/510d47e3-8ff9-a3d9-e040-e00a18064a99Black lace flounce, (Nottingham manufacture) by Greasely and Hopcroft. Chromolithograph from Sir M. Digby Watt’s The Industrial Arts of the Nineteenth Century: a series of illustrations of the choicest specimens produced by every nation, at the Great Exhibition of Works of Industry held in 1851. Collections of the New York Public Library. In the public domain due to age. via https://digitalcollections.nypl.org/items/510d47e3-9002-a3d9-e040-e00a18064a99Metal bedstead, by Winfield of Birmingham. Chromolithograph from Sir M. Digby Watt’s The Industrial Arts of the Nineteenth Century: a series of illustrations of the choicest specimens produced by every nation, at the Great Exhibition of Works of Industry held in 1851. Collections of the New York Public Library. In the public domain due to age. via https://digitalcollections.nypl.org/items/510d47e3-900e-a3d9-e040-e00a18064a99A Chinese looking glass in carved wood frame. Chromolithograph from Sir M. Digby Watt’s The Industrial Arts of the Nineteenth Century: a series of illustrations of the choicest specimens produced by every nation, at the Great Exhibition of Works of Industry held in 1851. Collections of the New York Public Library. In the public domain due to age. via https://digitalcollections.nypl.org/items/510d47e3-9019-a3d9-e040-e00a18064a99Pianofortes by Collard and Collard of London. Chromolithograph from Sir M. Digby Watt’s The Industrial Arts of the Nineteenth Century: a series of illustrations of the choicest specimens produced by every nation, at the Great Exhibition of Works of Industry held in 1851. Collections of the New York Public Library. In the public domain due to age. via https://digitalcollections.nypl.org/items/510d47e3-901e-a3d9-e040-e00a18064a99The Coventry ribbon, and specimens of ribbons from Saint Etienne, France. Chromolithograph from Sir M. Digby Watt’s The Industrial Arts of the Nineteenth Century: a series of illustrations of the choicest specimens produced by every nation, at the Great Exhibition of Works of Industry held in 1851. Collections of the New York Public Library. In the public domain due to age. via https://digitalcollections.nypl.org/items/510d47e3-901f-a3d9-e040-e00a18064a99
Escalier, Hôtel du Figaro, Paris. Plate from L’architecture privée au XIXme siècle (Troisième Série). Published in France in 1877. Chromolithograph. César Denis Daly, editor. Jean Arnould Léveil, artist. Collections of the Indianapolis Museum of Art. Artwork itself in the public domain due to age. via http://collection.imamuseum.org/artwork/63484/Vestibule, Hôtel du Figaro, Paris. Plate from L’architecture privée au XIXme siècle (Troisième Série). Published in France in 1877. Chromolithograph. César Denis Daly, editor. Jean Arnould Léveil, artist. Collections of the Indianapolis Museum of Art. Artwork itself in the public domain due to age. via http://collection.imamuseum.org/artwork/61332/Salle de Bains, Hôtel Boulevard Exelmans, Paris. Plate from L’architecture privée au XIXme siècle (Troisième Série). Published in France in 1877. Chromolithograph. César Denis Daly, editor. Jean Arnould Léveil, artist. Collections of the Indianapolis Museum of Art. Artwork itself in the public domain due to age. via http://collection.imamuseum.org/artwork/63483/Vestibules, Hôtel du Figaro, Paris. Plate from L’architecture privée au XIXme siècle (Troisième Série). Published in France in 1877. Chromolithograph. César Denis Daly, editor. Jean Arnould Léveil, artist. Collections of the Indianapolis Museum of Art. Artwork itself in the public domain due to age. via http://collection.imamuseum.org/artwork/63509/Vestibule, Hôtel de Menier, Paris. Plate from L’architecture privée au XIXme siècle (Troisième Série). Published in France in 1877. Chromolithograph. César Denis Daly, editor. Collections of the Indianapolis Museum of Art. Artwork itself in the public domain due to age. via http://collection.imamuseum.org/artwork/63522Grand Salon, hôtel, Paris. Plate from L’architecture privée au XIXme siècle (Troisième Série). Published in France in 1877. Chromolithograph. César Denis Daly, editor. Collections of the Indianapolis Museum of Art. Artwork itself in the public domain due to age. via http://collection.imamuseum.org/artwork/63521/Vestibule, Hôtel Boulevard Exelmans, Paris. Plate from L’architecture privée au XIXme siècle (Troisième Série). Published in France in 1877. Chromolithograph. César Denis Daly, editor. Collections of the Indianapolis Museum of Art. Artwork itself in the public domain due to age. via http://collection.imamuseum.org/artwork/63494/
Page 37, Plate 13 from Viñetas decorativas según el gusto del día. 30 láminas iluminadas a mano. 1922. French. Collections of and digitalized by the Sterling and Francine Clark Art Institute Library. In the public domain due to age. via https://archive.org/details/vietasdecorativa00umbd/page/n36/mode/1upPage 38, Plate 11 from Viñetas decorativas según el gusto del día. 30 láminas iluminadas a mano. 1922. French. Collections of and digitalized by the Sterling and Francine Clark Art Institute Library. In the public domain due to age. via https://archive.org/details/vietasdecorativa00umbd/page/n39/mode/1upPage 40, Plate 15 from Viñetas decorativas según el gusto del día. 30 láminas iluminadas a mano. 1922. French. Collections of and digitalized by the Sterling and Francine Clark Art Institute Library. In the public domain due to age. via https://archive.org/details/vietasdecorativa00umbd/page/n40/mode/1upNumber 16 Page 42 from Viñetas decorativas según el gusto del día. 30 láminas iluminadas a mano. 1922. French. Collections of and digitalized by the Sterling and Francine Clark Art Institute Library. In the public domain due to age. via https://archive.org/details/vietasdecorativa00umbd/page/n42/mode/1upNumber 17, Page 44 from Viñetas decorativas según el gusto del día. 30 láminas iluminadas a mano. 1922. French. Collections of and digitalized by the Sterling and Francine Clark Art Institute Library. In the public domain due to age. via https://archive.org/details/vietasdecorativa00umbd/page/n44/mode/1upNumber 18, Page 46 from Viñetas decorativas según el gusto del día. 30 láminas iluminadas a mano. 1922. French. Collections of and digitalized by the Sterling and Francine Clark Art Institute Library. In the public domain due to age. via https://archive.org/details/vietasdecorativa00umbd/page/n44/mode/1upfrom Viñetas decorativas según el gusto del día. 30 láminas iluminadas a mano. Image 24, Page 59. 1922. French. Collections of and digitalized by the Sterling and Francine Clark Art Institute Library. In the public domain due to age. via https://archive.org/details/vietasdecorativa00umbd/page/n59/mode/1upfrom Viñetas decorativas según el gusto del día. 30 láminas iluminadas a mano. Image 26, page 62. 1922. French. Collections of and digitalized by the Sterling and Francine Clark Art Institute Library. In the public domain due to age. via https://archive.org/details/vietasdecorativa00umbd/page/n62/mode/1upfrom Viñetas decorativas según el gusto del día. 30 láminas iluminadas a mano. Image 30, page 70. 1922. French. Collections of and digitalized by the Sterling and Francine Clark Art Institute Library. In the public domain due to age. via https://archive.org/details/vietasdecorativa00umbd/page/n70/mode/1up
Many thanks to Jonathan Bohman, @BohmanArt on Twitter, who saw my post of yesterday and told me about the first image and the artist. Only finding the two prints, the other being in the British Museum.
“Pont de cordages de Pénipe.” (in present day Ecuador) Plate XII, page 186. Collections of the Thomas Fisher Rare Book Library at the University of Ottawa. University of Ottawa, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/vuesdescordill02humb/page/186/mode/1up“Volcan de Jorullo” (in present day Mexico). Plate XIV, page 216. Collections of the Thomas Fisher Rare Book Library at the University of Ottawa. University of Ottawa, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/vuesdescordill02humb/page/216/mode/1up“Lac de Guatavita” (located in present day Colombia). Plate XIX, page 368. Collections of the Thomas Fisher Rare Book Library at the University of Ottawa. University of Ottawa, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/vuesdescordill02humb/page/n368/mode/1up