Designs like a kaleidoscope for the mind. 20th-century theosophist art by Dutch spiritualist Olga Fröbe-Kapteyn (1881-1962).

"The Grail." 1930. Silkscreen.
“The Grail.” 1930. Silkscreen. © Estate of the artist. Image © https://lexiconmag.com/content/theos.html
"Eternal Energy." ca. 1930. Silkscreen.
“Eternal Energy.” ca. 1930. Silkscreen. © Estate of the artist. Fair use license. via http://www.shishigami.com/esotericart/olga.html
Untitled. ca. 1927-34.
Untitled. ca. 1927-34. © Estate of the artist. Fair use license. via https://labyrinthos.co/blogs/learn-tarot-with-labyrinthos-academy/5-mystics-who-created-sacred-geometry-art
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Lithographs by American artist Grant Wood. Living from 1891 to 1942, he is best known for his depictions of the American Mid-West.

"Fertility." 1939. Lithograph.
“Fertility.” 1939. Lithograph. Edition of 250. Signed in pencil on the lower right. Image © Swann Auction Galleries. Fair use license. via https://catalogue.swanngalleries.com/auction-lot/GRANT-WOOD-Fertility.-2522+++++310+-++764295
"July Fifteenth." 1939. Lithograph.
“July Fifteenth.” 1939. Lithograph. Edition of 250. © Estate of the artist. Image © 2019 Whitney Museum of American Art. Fair use license. via https://whitney.org/collection/works/5210
"January." 1938. Lithograph.
“January.” 1938. Lithograph. Edition of 250. Signed on the lower right. Image © 2018, Surovek Gallery. Fair use license. via http://surovekgallery.com/grant-wood/
"March." 1939. Lithograph.
“March.” 1939, published in 1941. Lithograph. Image © Smithsonian American Art Museum. Fair use license. via https://americanart.si.edu/artwork/march-34241

Flower pictures. Colored woodblock prints by American Edna Boies Hopkins. Living from 1872 to 1937, she was inspired by Japanese art.

"Garden Flowers (Poppies)." 1915.
“Garden Flowers (Poppies).” 1915. Color woodcut. courtesy of The Schumacher Gallery, Capital University. Image © 2019 SPRINGFIELD MUSEUM OF ART. Fair use license. via https://www.springfieldart.net/?exhibition=edna-boies-hopkins-life-in-print
"Purple Asters." ca. 1910-13. Woodcut printed in colors.
“Purple Asters.” ca. 1910-13. Woodcut printed in colors. Vasseur 57, edition at least 27. Signed and numbered “11” in pencil. Image © William P. Carl Fine Prints. Fair use license. via http://www.williampcarlfineprints.com/pieces/1905_Purple_Asters
"Sunflowers." ca. 1915-16. Colored woodblock.
“Sunflowers.” ca. 1915-16. Colored woodblock. Image © 2014 Steven Thomas, Inc./STInc, L.P. Fair use license. via http://www.woodblock-prints.com/woo_examples.html

Prints of the American West from a hundred years ago. Gustave Baumann, American painter and printmaker (1881-1971). Member of the Taos Society of Artists. Also made marionettes.

"Old Santa Fe." 1924. Color wood cut.
“Old Santa Fe.” 1924. Color woodcut. Signed and titled in pencil. Numbered “No. 32 of 100” in ink in the lower margin. Artist’s ink stamp, lower right. © Estate of the artist. Image © Swann Auction Galleries. Fair use license. via https://catalogue.swanngalleries.com/auction-lot/GUSTAVE-BAUMANN-Old-Santa-Fe.-2522+++++300+-++764366
"Taos Placita." 20th c.
“Taos Placita.” 20th c. Color woodblock. Numbered 51 out of a run of 125. © Estate of the artist. Image © Copyright 2019 · Scottsdale Art Auction. Fair use license. via https://scottsdaleartauction.com/artwork/gustave-baumann-taos-placita-2018/
"Rio Tesuque." ca. 20th c.
“Rio Tesuque.” ca. 20th c. Color woodblock print. Number 19 in an edition of 125. © Estate of the artist. Image © Owings Gallery, Santa Fe. Fair use license. via

Wonderful pochoir plates, these with animals amongst the plants. From Maurice Pillard Verneuil’s “L’animal dans la décoration,” published in Paris in 1897 by the Librairie Centrale des Beaux-Arts.

"Cygne sauvage." Plate 1.
“Cygne sauvage.” Plate 1. Image © The New York Public Library, 2019. Fair use license. via https://digitalcollections.nypl.org/items/510d47da-3ce0-a3d9-e040-e00a18064a99
"Coqs et poules, damassé; hippocampes et algues, dentelle; lézards et ronces, grille en bronze." Plate 2,
“Coqs et poules, damassé; hippocampes et algues, dentelle; lézards et ronces, grille en bronze.” Plate 2. Image © The New York Public Library, 2019. Fair use license. via https://digitalcollections.nypl.org/items/510d47da-3ce1-a3d9-e040-e00a18064a99
"Poissons et algues, coq, écoinçon; paons et vigne; lièvres, chiens et ronces, bordure." Plate 3.
“Poissons et algues, coq, écoinçon; paons et vigne; lièvres, chiens et ronces, bordure.” Plate 3. Image © The New York Public Library, 2019. Fair use license. via https://digitalcollections.nypl.org/items/510d47da-3ce2-a3d9-e040-e00a18064a99
"Poisson et algues, papier peint; pigeon et pavots, bordure de vitrail." Plate 4.
“Poisson et algues, papier peint; pigeon et pavots, bordure de vitrail.” Plate 4. Image © The New York Public Library, 2019. Fair use license. via https://digitalcollections.nypl.org/items/510d47da-3ce3-a3d9-e040-e00a18064a99
"Grenouilles et nénuphars, bordure; libellules, pochoir; poissons volants, libellules, bordures; milan et rat." Plate 5.
“Grenouilles et nénuphars, bordure; libellules, pochoir; poissons volants, libellules, bordures; milan et rat.” Plate 5. Image © The New York Public Library, 2019. Fair use license. via https://digitalcollections.nypl.org/items/510d47da-3ce4-a3d9-e040-e00a18064a99

Artwork in saturated colors. American. Maxfield Parrish, artist (1870-1966).

Artwork for an illustration done for the American Red Cross that was used as a promotional poster. No date.
Artwork for an illustration done for the American Red Cross that was used as a promotional poster. No date. Oil on board. Image © 2019 The Illustrated Gallery. Fair use license. via https://www.illustratedgallery.com/artwork/original/3749/by-maxfield-parrish/
"June Skies." No date.
“June Skies.” No date. Print. Image © 1995-2019 eBay Inc. Fair use license. via https://www.ebay.com/itm/June-Skies-by-Maxfield-Parrish-/253909074088
"The Young King of the Black Isles." 1906.
“The Young King of the Black Isles.” 1906. Based after a short story of the same name and used as frontispiece to Collier’s 1907 “Arabian Nights VIII.” In the public domain in the United States because it was published before January 1, 1924. via https://www.myddoa.com/young-king-of-the-black-isles-maxfield-parrish/
"Hot Springs: Yavapai, Arizona." 1902.
“Hot Springs: Yavapai, Arizona.” 1902. Print. In the public domain in the United States because it was published before January 1, 1924. via https://www.amazon.com/Maxfield-Parrish-Hot-Springs-Reproduction/dp/B07G3KC7FF

More pochoir prints, plates from the 1922 work “Viñetas decorativas según el gusto del día. 30 láminas iluminadas a mano.” Written by Enrique Gillet and published by A. Morance of Paris.

Page 31. Plate 11.
Page 31. Plate 11. Collection of the Sterling and Francine Clark Art Institute Library. In the public domain. via https://archive.org/details/vietasdecorativa00umbd/page/n30
Page 39. Plate 14.
Page 39. Plate 14. Collection of the Sterling and Francine Clark Art Institute Library. In the public domain. via
Page 35. Plate 12.
Page 35. Plate 12. Collection of the Sterling and Francine Clark Art Institute Library. In the public domain. via https://archive.org/details/vietasdecorativa00umbd/page/n34