“Ruins of the fort at Juanpore on the River Goomtee,” taken from “Twenty Four Views in Saint Helena, the Cape, India, Ceylon, the Red Sea, Abyssinia and Egypt.” Published in 1809. Image source bl.uk. In the public domain in the United States because the artist has been dead over 100 years. via https://commons.wikimedia.org/wiki/File:Henry_Salt-05.jpg“View near Point de Galle, Ceylon” from “Twenty Four Views in Saint Helena, the Cape, India, Ceylon, the Red Sea, Abyssinia and Egypt.” Published in 1809. Image source: bl.uk. In the public domain in the United States because the artist died over 100 years agovia https://commons.wikimedia.org/wiki/File:Henry_Salt-08.jpg“Riacotta in the Baramahal,” Plate 12 of Henry Salt’s “Twenty Four Views in Saint Helena, the Cape, India, Ceylon, the Red Sea, Abyssinia and Egypt.” Published in 1809. Image source: europeana.eu. In the public domain due to age. via https://commons.wikimedia.org/wiki/File:Riacotta_in_the_Baramahal.jpg
“The Choor Mountains,” drawn from nature by G. F. White. Page 27. J. Tingle, engraver. Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/indianempireitsh02mart/page/n27/mode/2up
“Gungootree, the Sacred Source of the Ganges,” drawn from nature by G. F. White. Page 30. J. H. Kernot, engraver. Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/indianempireitsh02mart/page/n29/mode/2up
“Delhi – Showing the Entrance to the Palace.” After a sketch by Captain R. Elliot RN. Page 7. Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/indianempireitsh02mart/page/n7/mode/2up
“View of Cawnpore from the River.” Engraved after a drawing by C. Mottram. Page 11. Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/indianempireitsh02mart/page/n11/mode/2up
“View of Sassoor, in the Deccan, Southeast of Poonah: The Walled Building to the Right is a Fortified Palace, and in 1818, its Garrison held out against a division of the British Army.” Page 12. Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/indianempireitsh02mart/page/n11/mode/2up
Enamel and gold-plate jewelry. Collection of the New York Public Library. NYPL Digital Image ID: 831904. In the public domain. Please click through the link for a description of each item. via http://www.victorianweb.org/history/empire/india/nypl6.html
The trade winds gone off somewhere but back soon. Afternoon on the verandah in the old army barracks just up the hill from the beach.
Decades lived and not ending up where one would have thought. Bombay, London, and then first one West Indian island and then another. Weather better than England but the work much the same.
Like the stories Father told about the army moving him around but different. All French places, those were. French then, they were, but the family morphed somehow into an English speaking British bunch since.
The same tropical trees and almost the same smells. A going back if one squeezes one’s eyes tight enough shut.
The scent of curried goat from somewhere down the hill and music the other way. Mother in a sari and Father coming in the house in his cavalry boots with the heavy noise they made against the tile. A nurse whispering in at the other end of the verandah in the same sort of sing-song lilt.
But not the same. Life comes and gone, and India left. But still, things to hold in one’s hand that bring it back. Prickly and studded brighter than the sun. A turban ornament, but funny. Cartier, not Indian, really, but a shop in Paris where the cousins lived. For one of the grand balls they held in 1903 when the king’s brother came out from London. Delhi Durbar and everyone positively dripping diamonds.
Not exactly gone. . . well mostly. . . .Emeralds up and left but in one’s mind. . . .nothing ever really gone if you remember it . . .
This is not my story. It is, rather, the story of my Saint Lucian friend, Charles C., who was old when I was young. Son of a high caste Indian lady and a French army officer at the turn of the last century in Bombay, a time when that was not supposed to be.
