Examples of stained glass design possibilities and a few in granite as visioned up by Louis Comfort Tiffany in Tiffany’s sales brochure “Memorials in glass and stone,” with their description on page two reading “This brochure is published as an advertising medium of our Ecclesiastical Department, to convey in text and illustrations some idea of the scope of its work in indoor and outdoor memorials of both glass and stone.”

TIFFANY FAVRILE GLASS; TIFFANY WINDOWS; TIFFANY MOSAICS; TIFFANY MONUMENTS; TIFFANY GRANITE. Page 4 of Memorials in Glass and Stone: This brochure is published as an advertising medium of our Ecclesiastical Department, to convey in text and illustrations some idea of the scope of its work in indoor and outdoor memorials of both glass and stone. Published in 1913. Tiffany Studios, creator. Collections of the Metropolitan Museum of Art, New York. In the public domain. via https://libmma.contentdm.oclc.org/digital/collection/p16028coll5/id/1475/rec/9
Front cover. Image 1 of Memorials in Glass and Stone: This brochure is published as an advertising medium of our Ecclesiastical Department, to convey in text and illustrations some idea of the scope of its work in indoor and outdoor memorials of both glass and stone. Published in 1913. Tiffany Studios, creator. Collections of the Metropolitan Museum of Art, New York. In the public domain. via https://libmma.contentdm.oclc.org/digital/collection/p16028coll5/id/1472/rec/9
A LANDSCAPE WINDOW FOR DUNFERMLINE ABBEY, SCOTLAND. The Landscape Window, illustrated on the opposite page, was designed for Mrs. Andrew Carnegie for execution in Tiffany Favrile Glass and installation in Dunfermline Abbey, Scotland. On the wall of the Abbey below the window is to be placed a Tiffany Favrile Glass Mosaic Panel with the following inscription: “In loving memory of Father, Mother, Sister and Brother born in Dunfermline. Erected by the sole survivor Andrew Carnegie and his wife 1913. Pages 8 and 9 of Memorials in Glass and Stone: This brochure is published as an advertising medium of our Ecclesiastical Department, to convey in text and illustrations some idea of the scope of its work in indoor and outdoor memorials of both glass and stone. Published in 1913. Tiffany Studios, creator. Collections of the Metropolitan Museum of Art, New York. In the public domain. via https://libmma.contentdm.oclc.org/digital/collection/p16028coll5/id/1480/rec/9
A SUGGESTION FOR A MEDALLION WINDOW: The illustration facing this page was reproduced from a sketch suggestion for a Medallion Window appropriate for a College Chapel or Library. Pages 16 and 18 of Memorials in Glass and Stone: This brochure is published as an advertising medium of our Ecclesiastical Department, to convey in text and illustrations some idea of the scope of its work in indoor and outdoor memorials of both glass and stone. Published in 1913. Tiffany Studios, creator. Collections of the Metropolitan Museum of Art, New York. In the public domain. via https://libmma.contentdm.oclc.org/digital/collection/p16028coll5/id/1480/rec/9
THE RUSSELL SAGE MEMORIAL WINDOW: The Landscape Window reproduced on the opposite page, was executed in Tiffany Favrile Glass and placed for Mrs. Russell Sage in the Russell Sage Memorial Church Building of the First Presbyterian Church, Far Rockaway, New York. Pages 18 and 19 of Memorials in Glass and Stone: This brochure is published as an advertising medium of our Ecclesiastical Department, to convey in text and illustrations some idea of the scope of its work in indoor and outdoor memorials of both glass and stone. Published in 1913. Tiffany Studios, creator. Collections of the Metropolitan Museum of Art, New York. In the public domain. via https://libmma.contentdm.oclc.org/digital/collection/p16028coll5/id/1480/rec/9
THE RIVER OF THE WATER OF LIFE: The Marsh Memorial Window, “The River of the Water of Life,” illustrated on the opposite page, was made of Tiffany Favrile Glass and placed in Saint Paul’s Church, Paterson, New Jersey.  Pages 20 and 21 of Memorials in Glass and Stone: This brochure is published as an advertising medium of our Ecclesiastical Department, to convey in text and illustrations some idea of the scope of its work in indoor and outdoor memorials of both glass and stone. Published in 1913. Tiffany Studios, creator. Collections of the Metropolitan Museum of Art, New York. In the public domain. via https://libmma.contentdm.oclc.org/digital/collection/p16028coll5/id/1492/rec/9
A DOMESTIC LANDSCAPE WINDOW: The Landscape Window, reproduced on the opposite page, was executed in Tiffany Favrile Glass and installed in the residence of Mr. R. B. Mellon, Pittsburgh, Pennsylvania.  Pages 29 and 30 of Memorials in Glass and Stone: This brochure is published as an advertising medium of our Ecclesiastical Department, to convey in text and illustrations some idea of the scope of its work in indoor and outdoor memorials of both glass and stone. Published in 1913. Tiffany Studios, creator. Collections of the Metropolitan Museum of Art, New York. In the public domain. via https://libmma.contentdm.oclc.org/digital/collection/p16028coll5/id/1492/rec/9
DOMESTIC PANEL WINDOWS: The two Domestic Panel Windows, illustrated on the opposite page, were executed in Tiffany Favrile Glass for the town house of Captain J. R. De Lamar, New York City. Pages 31 and 32 of Memorials in Glass and Stone: This brochure is published as an advertising medium of our Ecclesiastical Department, to convey in text and illustrations some idea of the scope of its work in indoor and outdoor memorials of both glass and stone. Published in 1913. Tiffany Studios, creator. Collections of the Metropolitan Museum of Art, New York. In the public domain. via https://libmma.contentdm.oclc.org/digital/collection/p16028coll5/id/1492/rec/9
A TIFFANY FAVRILE GLASS MOSAIC PANEL: The illustration opposite is a reproduction of a Tiffany Favrile Glass Mosaic Panel recently placed in the chancel of the Unitarian Church at New Bedford, Massachusetts.  Pages 33 and 34 of Memorials in Glass and Stone: This brochure is published as an advertising medium of our Ecclesiastical Department, to convey in text and illustrations some idea of the scope of its work in indoor and outdoor memorials of both glass and stone. Published in 1913. Tiffany Studios, creator. Collections of the Metropolitan Museum of Art, New York. In the public domain. via https://libmma.contentdm.oclc.org/digital/collection/p16028coll5/id/1492/rec/9
A TIFFANY PULPIT: The Pulpit, reproduced on the opposite page, was executed in Sienna Marble and Tiffany Favrile Glass Mosaics and placed in Saint Michael’s Protestant Episcopal Church, New York City.    Pages 37 and 38 of Memorials in Glass and Stone: This brochure is published as an advertising medium of our Ecclesiastical Department, to convey in text and illustrations some idea of the scope of its work in indoor and outdoor memorials of both glass and stone. Published in 1913. Tiffany Studios, creator. Collections of the Metropolitan Museum of Art, New York. In the public domain. via https://libmma.contentdm.oclc.org/digital/collection/p16028coll5/id/1492/rec/9
A TIFFANY MEMORIAL TABLET: The illustration on the opposite page is from a Tiffany Favrile Glass Mosaic Tablet set in hand-carved hard wood and placed in Saint John’s Church, Jersey City, New Jersey, in memory of Harriet Taylor Harrison.   Pages 45 and 46 of Memorials in Glass and Stone: This brochure is published as an advertising medium of our Ecclesiastical Department, to convey in text and illustrations some idea of the scope of its work in indoor and outdoor memorials of both glass and stone. Published in 1913. Tiffany Studios, creator. Collections of the Metropolitan Museum of Art, New York. In the public domain. via https://libmma.contentdm.oclc.org/digital/collection/p16028coll5/id/1492/rec/9
A TIFFANY TABLE MONUMENT: The Tiffany Table Monument, reproduced on the opposite page, was executed in Tiffany Granite for Mr. B. F. Keith and placed in the Holly Hood Cemetery, Boston, Massachusetts. Pages 52 and 53 of Memorials in Glass and Stone: This brochure is published as an advertising medium of our Ecclesiastical Department, to convey in text and illustrations some idea of the scope of its work in indoor and outdoor memorials of both glass and stone. Published in 1913. Tiffany Studios, creator. Collections of the Metropolitan Museum of Art, New York. In the public domain. via https://libmma.contentdm.oclc.org/digital/collection/p16028coll5/id/1492/rec/9
A MAUSOLEUM OF TIFFANY GRANITE: The Mausoleum, reproduced on the opposite page from a sketch, was designed for Mr. Chester W. Chapin for construction in Tiffany Granite and erection in the Springfield Cemetery, Springfield, Massachusetts. Pages 68 and 69 of Memorials in Glass and Stone: This brochure is published as an advertising medium of our Ecclesiastical Department, to convey in text and illustrations some idea of the scope of its work in indoor and outdoor memorials of both glass and stone. Published in 1913. Tiffany Studios, creator. Collections of the Metropolitan Museum of Art, New York. In the public domain. via https://libmma.contentdm.oclc.org/digital/collection/p16028coll5/id/1492/rec/9

Going into town for a new inkwell and pen rest in case Alice Roosevelt Longworth stops by for tea and wants to write a letter home. Images from a trade catalogue with desk sets from Tiffany Studios that include lamps, magnifying glasses, frames, vases, and ashtrays. ca. 1910.

Front cover of a Tiffany Desk Sets trade catalog from Tiffany Studios, New York which includes Includes lamps, magnifying glasses, frames, vases, and ashtrays. ca. 1910. American. Tiffany Publications and Ephemeral Materials Collection, Metropolitan Museum of Art, New York City. In the public domain due to age. via https://libmma.contentdm.oclc.org/digital/collection/p16028coll5/id/1175/rec/17
ABALONE DESK SET. This is a bronze set of beautiful workmanship, highly finished in soft gold or silver with incised lines of tonal color following the conventionalized pattern of the design. This ornament surrounds discs of the natural Abalone shell embedded in the metal. DESCRIPTION: Lamp – gold only; Shade; Pen Holder; Photograph Frame, 6 “ x 8 1/2;  Match Safe, no stand; Photograph Frame, 10” x 14”; Inkstand, small; Paper Rack; Blotter Ends, 19” x 24” Pad; Blotter Ends, 12’ x 9” Pad; Blotter Corners; Letter Rack; Inkstand; Stamp Box; Pen Tray; Pen Brush; Paper Knife; Rocker Blotter; Letter Clip; Calendar (Perpetual); Thermometer; Memoranda Pad, plain or dated; Letter Scales; Photograph Frame; Book Ends; Utility Box; Reading Glass; Photograph Frame (Cabinet). Pages 2 and 3 of a Tiffany Desk Sets trade catalog from Tiffany Studios, New York which includes Includes lamps, magnifying glasses, frames, vases, and ashtrays. ca. 1910. American. Tiffany Publications and Ephemeral Materials Collection, Metropolitan Museum of Art, New York City. In the public domain due to age. via https://libmma.contentdm.oclc.org/digital/collection/p16028coll5/id/1178/rec/17
A FEW EXAMPLES OF THE MANY AND VARIED PRODUCTS OF THE TIFFANY STUDIOS. TABLE FERNERIES 11” AND 12” IN DIAMETER FILLED WITH REMOVABLE PANS. List #833 Etched Metal over glass Price $50.00; List #834 Heavy Bronze, Marsh-marigold design Price $55.00; List #1701 Etched Metal, gold finish with color inlay, Price $28.00. FLOWER HOLDERS – Bronze bases surmounted by Favrile Glass Vases, various prices. COMFORTS AND CARD TRAYS – Etched metal with and without Abalone shell inlay, from $5.00 up. ASH RECEIVERS of heavy bronze, single and in nests; varied color finishes, from $5.00 up. Pages 26 and 27 of a Tiffany Desk Sets trade catalog from Tiffany Studios, New York which includes Includes lamps, magnifying glasses, frames, vases, and ashtrays. ca. 1910. American. Tiffany Publications and Ephemeral Materials Collection, Metropolitan Museum of Art, New York City. In the public domain https://libmma.contentdm.oclc.org/digital/collection/p16028coll5/id/1202/rec/17
Bronze Smokers Stands, stationary or adjustable, fitted with removable Favrile Glass Bowls. Green or brown finish: #1651, $50.00; #1652, $75.00; #1650, $50.00; #1649, $38.00. Gold finish: #1651 $63.00 #1652, $94.00; #1650, $63.00; #1649, $48.00. Page 28 of a Tiffany Desk Sets trade catalog from Tiffany Studios, New York which includes Includes lamps, magnifying glasses, frames, vases, and ashtrays. ca. 1910. American. Tiffany Publications and Ephemeral Materials Collection, Metropolitan Museum of Art, New York City. In the public domain https://libmma.contentdm.oclc.org/digital/collection/p16028coll5/id/1202/rec/17
Bronze Candlesticks. Finished in green or gold or bronze. Page 29 of a Tiffany Desk Sets trade catalog from Tiffany Studios, New York which includes Includes lamps, magnifying glasses, frames, vases, and ashtrays. ca. 1910. American. Tiffany Publications and Ephemeral Materials Collection, Metropolitan Museum of Art, New York City. In the public domain https://libmma.contentdm.oclc.org/digital/collection/p16028coll5/id/1202/rec/17
LOUIS XVI DESK SET. Lovers of French Art will find in this set an expression of the exquisite delicacy of this Period. Set finished in dull gold. DESCRIPTION: Lamp – Shade extra; Pen Holder; Blotter Ends, 12” x 19” Pad; Pen Tray; Utility Box; Paper Knife; Inkstand; Paper Rack; Pad Holder, plain or engagement; Rocker Blotter; Calendar.  Page 16 and 17 of a Tiffany Desk Sets trade catalog from Tiffany Studios, New York which includes Includes lamps, magnifying glasses, frames, vases, and ashtrays. ca. 1910. American. Tiffany Publications and Ephemeral Materials Collection, Metropolitan Museum of Art, New York City. In the public domain https://libmma.contentdm.oclc.org/digital/collection/p16028coll5/id/1202/rec/17

Cabinet vases. Art glass from around 1900 made by Tiffany Studios of New York City.

Decorated Cabinet Vase Decorated cabinet vase in favrile glass. ca. 1898-1900. American. Maker’s marks: engraved “L.C.T./Q40” on the base. Image © 2021 Sotheby’s. Fair use license. via https://www.sothebys.com/en/buy/auction/2021/design/decorated-cabinet-vase
Favrile and millifiore art glass cabinet vase, with overall purple iridescence with silver vines, green ivy and interspersed millifiore. ca. 1902. American. Maker’s marks: Inscribed “L.C.T.” to the base. Image © 1stDibs.com, Inc. 2021. Fair use license. via https://www.1stdibs.com/furniture/decorative-objects/vases-vessels/vases/tiffany-favrile-millifiore-glass-cabinet-vase-circa-1902/id-f_20371202/
Favrile glass cabinet vase. Early 20th c. American. Maker’s marks: marked “L.C.T, H. 1518”. Imaged by and image © Heritage Auctions, HA.com. Fair use license. via https://fineart.ha.com/itm/glass/tiffany-studios-favrile-glass-cabinet-vase-early-20th-centurymarks-lct-h-15182-x-4-inches-51-x-102-cm-/a/8006-79291.s

Vases made by Tiffany Studios. All of these taken from a recent Sotheby’s auction catalog.

“Jack-in-the-Pulpit” vase. ca. 1910. American. Favrile glass. Maker’s marks: engraved “776E L. C Tiffany-Favrile.” Image © 2020 Sotheby’s. Fair use license. via https://www.sothebys.com/en/buy/auction/2020/dreaming-in-glass-masterworks-by-tiffany-studios/jack-in-the-pulpit-vase
“Jack-in-the-Pulpit” vase. ca. 1900-1903. American. Favrile glass. Maker’s marks: engraved “L.C.T./Y4993.”
Image © 2020 Sotheby’s. Fair use license. via https://www.sothebys.com/en/buy/auction/2020/dreaming-in-glass-masterworks-by-tiffany-studios/jack-in-the-pulpit-vase-2
“Morning Glory” paperweight vase. 1907. American. Favrile glass. Maker’s marks: engraved “L.C. TIFFANY/FAVRILE/L.H. NASH” in red enamel. Also engraved “Paris/gold medal/Louis C. Tiffany Favrile ex 1274.” Image © 2020 Sotheby’s. Fair use license. via https://www.sothebys.com/en/buy/auction/2020/dreaming-in-glass-masterworks-by-tiffany-studios/morning-glory-paperweight-vase

“Morning Glory” paperweight vase. ca. 1914. American. Favrile glass. Maker’s marks: engraved “8062H L.C. Tiffany-Favrile.” Image Image © 2020 Sotheby’s. Fair use license. via https://www.sothebys.com/en/buy/auction/2020/dreaming-in-glass-masterworks-by-tiffany-studios/morning-glory-paperweight-vase-2

Art glass designed by American Louis Comfort Tiffany (1848-1933). A selection of items that are or were part of the collections of the Museum of Fine Arts, Boston, some of these having been deaccessioned.

Favrile glass squat bowl with a lily pad design. ca. 1910-1920.
Favrile glass squat bowl with a lily pad design. ca. 1910-1920. Image © 2019 Museum of Fine Arts, Boston. Fair use license. via https://www.mfa.org/collections/object/bowl-42773

"Tel el Amarna" vase. ca. 1905-1915.
“Tel el Amarna” vase. ca. 1905-1915. Favrile glass with a sage, green and sienna zigzag around neck. Image © 2019 Museum of Fine Arts, Boston. Fair use license. via https://www.mfa.org/collections/object/tel-el-amarna-vase-42767

Footed bowl. ca. 1909.
Footed bowl. ca. 1909. Favrile glass. Image © 2019 Museum of Fine Arts, Boston. Fair use license. via https://www.mfa.org/collections/object/footed-bowl-42770

Stemmed bowl. ca. 1909.
Stemmed bowl. ca 1909. Favrile glass. Image © 2019 Museum of Fine Arts, Boston. Fair use license. via https://www.mfa.org/collections/object/stemmed-bowl-42771

Vase. ca. 1910-1915.
Vase. ca. 1910-1915. Glass. Image © 2019 Museum of Fine Arts, Boston. Fair use license. via https://www.mfa.org/collections/object/vase-39932

Designs for stained glass windows that sparkle from Tiffany studios. Collection of the Morse Museum, Orlando, Florida. Images courtesy of the museum.

Mausoleum windows. ca. 1910.
Mausoleum windows. ca. 1910. Mrs. Helen B. Raven, client. Watercolor on paper Attributed to Agnes Northrop for Tiffany Studios. Collection of the Morse Museum. via http://www.morsemuseum.org/collection-highlights/paintings/62-023-mausoleum-window-design

Design for a window in the Rosehill Mausoleum. c. 1910.
Design for a window in the Rosehill Mausoleum. c. 1910. Watercolor on paper. Collection of the Morse Museum. via http://www.morsemuseum.org/collection-highlights/paintings/62-024-design-for-landscape-window

More glorious glass from Louis Comfort Tiffany and his studios, made for his long demolished home, Laurelton Hall which was out on Long Island in New York.

Chapel reredos. ca. 1893.
Chapel reredos. ca. 1893. Exhibited at The World’s Columbian Exposition, Chicago. (The White City). Glass mosaic. Image courtesy the Morse Museum. via http://www.morsemuseum.org/collection-highlights/architectural-ornament/chapel-reredos

Daffodil Terrace capital.  ca. 1893.
Daffodil Terrace capital. ca. 1893. Concrete and cast glass. Collection of the Morse Museum. via https://www.thesprucecrafts.com/tiffanys-laurelton-hall-in-photos-4122039

Dragonfly lamp screen. ca. 1920.
Dragonfly lamp screen. ca. 1920. Leaded glass. Image courtesy the Morse Museum. via http://www.morsemuseum.org/collection-highlights/lamps-and-lighting/moth-lamp-screen

Electrolier. ca. 1893.
Electrolier. ca. 1893. Exhibited at the World’s Columbian Exposition, Chicago, 1893 (The White City). Glass and metal. Image courtesy the Morse Museum. via http://www.morsemuseum.org/collection-highlights/lamps-and-lighting/chapel-electrolier1

Lunette window. ca. 1890-1900.
Lunette window. ca. 1890-1900. Leaded glass and cast lead. Image courtesy the Morse Museum. via http://www.morsemuseum.org/collection-highlights/windows/lunette-window

A bit of luck these are. I post these to my twitter account where the Morse Museum found my earlier Tiffany post. They sent me a link asking me to check out their Tiffany collection so I could share them with you. A real treat.

Drawings for stained glass windows with jewel colored light to bathe in for an entire winter if not forever. American. Tiffany Studios and Louis Comfort Tiffany, maker (1848-1933).

"Te Deum" window. 1914.
“Te Deum” window. 1914. Watercolor, gouache, graphite, photograph, and collage on artist board. Collection of the Metropolitan Museum of Art, New York. Cc0 License 1.0. via https://commons.wikimedia.org/wiki/File:Design_for_Te_Deum_window_MET_DP249621.jpg

Stained glass window design. Undated.
Stained glass window design. Undated. Watercolor, gouache, graphite and ink on bristol board. Collection of the Metropolitan Museum of Art, New York. Fair use license. via https://crythebird.com/2013/06/07/tiffanyatthehigh/

Design for a window. Late 19th-early 20th c.
Design for a window. Late 19th-early 20th c. Watercolor, gouache, and graphite on cut white wove paper. Collection of the Metropolitan Museum of Art, New York. Cc0 License 1.0. via https://commons.wikimedia.org/wiki/File:Design_for_a_window_MET_ADA_Tiffany_67-654-105_ATrecto.jpg

Window design. Late 19th-early 20th c.
Window design. Late 19th-early 20th c. Black ink, graphite, watercolor, and gouache on paper. Collection of the Metropolitan Museum, New York. Cc0 License 1.0. https://commons.wikimedia.org/wiki/File:Design_for_window_MET_DP324603.jpg