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Tazza. Presumed to have been given to Queen Victoria in 1855. French. Rock crystal. Jules Wièse, designer for Froment-Meurice. Maker’s marks: Struck with the mark of Jules Wièse. Stamped “FROMENT MEURICE PARIS.” Image © Royal Collection Trust. Fair use license. via https://www.rct.uk/collection/themes/exhibitions/victoria-albert-art-love/the-queens-gallery-buckingham-palace/tazza
Two silver gilt mounted agate tazza that rest on oval bases with four foliated feet set with red stones. One adorned with a man and the other with a woman surrounded by ivy enameled garlands along with other decoration. ca, 1840-1845. French. Silver-gilt, enamel, conch beads, pearls, orange carnelian and brown agate. Image © 2020 Sotheby’s. Fair use license. via https://www.sothebys.com/en/buy/auction/2019/style-silver-furniture-vertu-and-miniatures-online/two-silver-gilt-mounted-agate-tazze-by-francois
Coupe with the trunk in the motif of a boy who kills a dragon with a trident and a star-shaped foot, decorated with Neo-Gothic tracery. The shell shaped cuppa being held within the upper part which has high curling ears crowned by dragons. ca. 1849. French. Silver gilt and pearl. Cuppa inscription “A MR MEL POISAT, SOUVENIR DE SON AMI LE BON JAMES DE ROTHSCHILD, À L’OCCASION DU VINGT-CINQUIEME ANNIVERSAIRE DE SON MARIAGE.-LE 27 NOVEMBRE 1851.” Jules Wièse, designer for Froment-Meurice. Maker’s marks: Alloy mark and inscribed “FROMENT-MEURICE”. Collections of the Rjksmuseum, Amsterdam. Cc0 Licence 1,9. via https://www.rijksmuseum.nl/en/collection/BK-1989-13
Patinated inkstand together with two similar spill vases. Mid 19th c. Gothic Revival. Molded with tracery. Image © 2020 William Doyle Galleries, Inc. Fair use license. via https://doyle.com/auctions/12an01-estate-of-lee-b-anderson/catalogue/1247-gothic-revival-patinated-metal-inkstand
Inkwell modeled as a medieval helmet with pierced visor with applied cut and chased steel scrolled acanthus ornaments that is raised on a concave shield form base with three ball feet. The hinged top opens to reveal the inkwell. 19th c. Gothic Revival. Probably German. Patinated steel. Image © Jackson’s International Auctioneers and Appraisers. Fair use license. via https://www.pinterest.com/pin/75224256254422550/
Inkwell in a Neo-Gothic style with a top that lifts to reveal three round openings resting on a marble plinth base and raised on cast bronze feet. The three glass inkwells are missing. 1875. Neo-Gothic. Patinated bronze and marble. Maker not known. Image © 2020 ROBUCK. Fair use license. via http://robuck.co/collection/curiosities/italian-gothic-revival-period-patinated-brass-and-marble-architectural-model-inkwell-r6803.html
Oval inkwell modeled with cathedral arcades and rosettes that houses two inkwells with lids, a pounce pot and four pen holders. Rectangular Sienna marble base. 1820-1829. Neo-Gothic. French. Gilt bronze and Siena Marble. Maker not known. Image © 1stdibs.com, Inc. 2020. Fair use license. via https://www.1stdibs.com/furniture/decorative-objects/desk-accessories/inkwells/gothic-revival-inkwell-gilt-bronze-sienna-marble-19th-century/id-f_16380242/
Inkstand modeled with a Gothic tracery design with a pierced rose window gallery enclosing a sander, two ink wells and four pen holders. Rectangular base. Victorian. Gothic Revival. Brass. Image © 2020 Mayfair Gallery Limited. Fair use license. via https://www.mayfairgallery.com/antique-victorian-gilt-brass-inkstand-with-gothic-tracery
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