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“Egyptian: Painting and Plastic Art.” Page 14. British. Collections of Ohio State University. In the public domain due to age. via https://archive.org/details/HistoricStylesOfOrnament/page/n14/mode/1up?view=theater “Egyptian: Architecture and Painting.” Page 16. British. Collections of Ohio State University. In the public domain due to age. via https://archive.org/details/HistoricStylesOfOrnament/page/n16/mode/1up?view=theater “Assyrian: Painting, Polychrome, Sculpture, Pottery.” Page 20,. British. Collections of Ohio State University. In the public domain due to age. via https://archive.org/details/HistoricStylesOfOrnament/page/n20/mode/1up?view=theater .
“The African Rhinoceros.” 1804-1805. British. Hand-colored aquatint. Published by the artist in London. Image © 2002-2021 LiveAuctioneers. and Doyle New York. Fair use license. via https://www.liveauctioneers.com/item/108742033_samuel-daniell-the-hippopotamus-the-african-hog-the “The Hippopotamus.” 1804-1805. British. Hand-colored aquatint. Published by the artist in London. Image © 2002-2021 LiveAuctioneers. and Doyle New York. Fair use license. via https://www.liveauctioneers.com/item/108742033_samuel-daniell-the-hippopotamus-the-african-hog-the “The Klip-springer.” 1804-1805. British. Hand-colored aquatint. Published by the artist in London. Image © 2002-2021 LiveAuctioneers. and Doyle New York. Fair use license. via https://www.liveauctioneers.com/item/108742033_samuel-daniell-the-hippopotamus-the-african-hog-the “The African Hog.” 1804-1805. British. Hand-colored aquatint. Published by the artist in London. Image © 2002-2021 LiveAuctioneers. and Doyle New York. Fair use license. via https://www.liveauctioneers.com/item/108742033_samuel-daniell-the-hippopotamus-the-african-hog-the
Portrait of Frances Mary Richardson Currer of Eshton Hall. 1807. British. Image source: ncbpt.org.uk. Private collection. In the public domain in the United States because the artist died over 70 years ago. via https://commons.wikimedia.org/wiki/File:Frances_Mary_Richardson_Currer_1807.PNG Portrait of Eliza, Lady Becher (1791-1872). ca. 1815. British. Oil on canvas. Given to the National Portrait Gallery in 1877. Collections of the National Portrait Gallery. In the public domain in the United States because the artist died over 100 years ago. via https://commons.wikimedia.org/wiki/File:Eliza,_Lady_Becher_by_John_James_Masquerier.jpg Full length portrait of Lady Hamilton, sitting by the window on a couch, directed to the left, looking upwards at the moon, window overlooking the ocean. 1806. Mezzotint made by William Say after John James Masquerier. Image © The Trustees of the British Museum. Cc0 License 4.0. via https://www.britishmuseum.org/collection/image/949834001 Half-length portrait of Miss O’Neill, sitting, directed to the front, facing and looking to the left, arms at her side, sharl partly covering her right arm. 1816. British. Mezzotint printed in colors. Print made by William Say after John James Masquerier. Daniel Cox, publisher. Image © The Trustees of the British Museum. Cc0 License 4.0. via https://www.britishmuseum.org/collection/object/P_1837-0513-189
Chasuble broderie. 19th c. French. Lithograph. Archival ID#72.509.729. Image © 2021 National Gallery of Australia, Canberra. Artwork itself in the public domain due to age. via https://searchthecollection.nga.gov.au/object?uniqueId=57650 ‘”Broderie – 17th c.” 19th c. French. Lithograph. Archival ID#72.509.729. Image © 2021 National Gallery of Australia, Canberra. Artwork itself in the public domain due to age. via https://searchthecollection.nga.gov.au/object?uniqueId=57643 “Broderies du lit de parade.” 19th c. French. Lithograph. Archival ID#72.509.729. Image © 2021 National Gallery of Australia, Canberra. Artwork itself in the public domain due to age. via https://searchthecollection.nga.gov.au/object?uniqueId=57648
“Manmatha”. VIew 11. Plate 1. Image source: gallica.bnf.fr/Bibliothèque nationale de France. Collections of the BnF Gallica. Artwork itself in the public domain due to age, via https://gallica.bnf.fr/ark:/12148/bpt6k1041175n/f11.item#
.”Le Géant Ravana”. View 15. Image source: gallica.bnf.fr/Bibliothèque nationale de France. Collections of the BnF Gallica. Artwork itself in the public domain due to age, via https://gallica.bnf.fr/ark:/12148/bpt6k1041175n/f15.item “Anouhma ou Anouhmanla”. View 19, Image source: gallica.bnf.fr/Bibliothèque nationale de France. Collections of the BnF Gallica. Artwork itself in the public domain due to age, via https://gallica.bnf.fr/ark:/12148/bpt6k1041175n/f19.item “Soupramany-Samy.” View 23. Image source: gallica.bnf.fr/Bibliothèque nationale de France. Collections of the BnF Gallica. Artwork itself in the public domain due to age, via https://gallica.bnf.fr/ark:/12148/bpt6k1041175n/f23.item Hariharapoutra. View 39 from Eugène Burnouf and Eugène Vincent Stanislas Jacquet’s work L’Inde française, ou Collection de dessins lithographiés représentant les divinités, temples, costumes. Published between 1827 and 1835 in Paris, France. Image source: gallica.bnf.fr/Bibliothèque nationale de France. Collections of the BnF Gallica. Artwork itself in the public domain due to age, via https://gallica.bnf.fr/ark:/12148/bpt6k1041175n/f39.item Swaha, épouse d’Agni. View 51. from Eugène Burnouf and Eugène Vincent Stanislas Jacquet’s work L’Inde française, ou Collection de dessins lithographiés représentant les divinités, temples, costumes. Published between 1827 and 1835 in Paris, France. Image source: gallica.bnf.fr/Bibliothèque nationale de France. Collections of the BnF Gallica. Artwork itself in the public domain due to age, via https://gallica.bnf.fr/ark:/12148/bpt6k1041175n/f51.planchecontact Varouna, Dieu des Eaux. View 71. from Eugène Burnouf and Eugène Vincent Stanislas Jacquet’s work L’Inde française, ou Collection de dessins lithographiés représentant les divinités, temples, costumes. Published between 1827 and 1835 in Paris, France. Image source: gallica.bnf.fr/Bibliothèque nationale de France. Collections of the BnF Gallica. Artwork itself in the public domain due to age, via https://gallica.bnf.fr/ark:/12148/bpt6k1041175n/f71.item Koudongoudouppaigaren . View 203. from Eugène Burnouf and Eugène Vincent Stanislas Jacquet’s work L’Inde française, ou Collection de dessins lithographiés représentant les divinités, temples, costumes. Published between 1827 and 1835 in Paris, France. Image source: gallica.bnf.fr/Bibliothèque nationale de France. Collections of the BnF Gallica. Artwork itself in the public domain due to age, via https://gallica.bnf.fr/ark:/12148/bpt6k1041175n/f203.planchecontact
“Italian Renaissance.” Page 38. Collections of the Robarts Library at the University of Toronto. University of Toronto, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/elementsofstylei00broo/page/n39/mode/1up “Italian Renaissance.” Page 43. Collections of the Robarts Library at the University of Toronto. University of Toronto, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/elementsofstylei00broo/page/n43/mode/1up “Italian Renaissance.” Page 45. Collections of the Robarts Library at the University of Toronto. University of Toronto, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/elementsofstylei00broo/page/n45/mode/1up
“Spitzbergen, Bearing South,” from the collection of 75 watercolors entitled “Views of Polar Regions”. 19th c. English. Watercolor and graphite. Collections of the Yale Center for British Arts, New Haven. Image © Yale Center for British Arts. Artwork itself in the public domain due to age. via https://wanderingvertexes.blogspot.com/2021/08/newtontoppen-spitzbergen-by-charles.html “Remarkable Iceberg seen in July, 1818.” ca. 1818. English. Watercolor and graphite on moderately thick, moderately textured wove paper. Collections of the Collections of the Yale Center for British Arts, New Haven. Image © Yale Center for British Arts, Paul Mellon Collection. Artwork itself in the public domain due to age. via https://artsandculture.google.com/asset/remarkable-iceberg-charles-hamilton-smith-1776%E2%80%931859-belgian/kwFvKsdBrhN6Xw “Victoria lands, South Polar Regions: Mont Erebus, Ross Island, Antarctica,” from the collection of 75 watercolors entitled “Views of Polar Regions”. 19th c. English. Watercolor and graphite. Collections of the Yale Center for British Arts, New Haven. Image © Yale Center for British Arts. Artwork itself in the public domain due to age. via https://wanderingvertexes.blogspot.com/2019/10/erebus-seen-by-charles-hamilton-smith.html “Mount Sabine, Victoria Land, Antarctica, discovered in 1841,” from the collection of 75 watercolors entitled “Views of Polar Regions”. ca. 1841. English. Watercolor. Collections of the Yale Center for British Arts, New Haven. Image © Yale Center for British Arts. Artwork itself in the public domain due to age. via https://wanderingvertexes.blogspot.com/2019/11/mount-sabine-by-charles-hamilton-smith.html Petoowack Arctic Highlands Formation Antarctica. Undated, by 1858. British. Watercolor and graphite on cream wove paper. Charles Hamilton Smith, watercolorist (1776-1859). Collections of the Yale Center for British Art. Artwork in the public domain due to age. via Francis Rousseau @mountainpaintingsandmore on Instagram. via Instagram. https://www.instagram.com/p/CpdQ2xGM_zy/ Icebergs and Aurora Borealis in the Arctic Regions. Undated, by 1858. British. Watercolor and graphite on cream wove paper. Charles Hamilton Smith, watercolorist (1776-1859). Collections of the Yale Center for British Art. Artwork in the public domain due to age. via https://collections.britishart.yale.edu/catalog/tms:18924 Halo with Three Parhelia, Winter Harbour Melville Island. Undated, by 1858. British. Watercolor and graphite on cream wove paper. Charles Hamilton Smith, watercolorist (1776-1859). Collections of the Yale Center for British Art. Artwork in the public domain due to age. via https://collections.britishart.yale.edu/catalog/tms:18924 and a slightly cropped version on Stephen Ellcock @stephenellcock ‘s Instagram https://www.instagram.com/stephenellcock/p/DD-sh1pN8t3/?hl=en
Snug Corner Cove Prince William’s Sound. Undated, by 1858. British. Watercolor and graphite on cream wove paper. Charles Hamilton Smith, watercolorist (1776-1859). Collections of the Yale Center for British Art. Artwork in the public domain due to age. via https://collections.britishart.yale.edu/catalog/tms:18924 Remarkable Iceberg. Undated, by 1858. British. Watercolor and graphite on cream wove paper. Charles Hamilton Smith, watercolorist (1776-1859). Collections of the Yale Center for British Art. Artwork in the public domain due to age. via https://collections.britishart.yale.edu/catalog/tms:18924
“Design for a Mansion for the First Earl of Yarbrough, Brocklesby Park, Lincolnshire.” 1824. English. Pencil, pen with black ink and colored washes on wove paper. Photo credit: Prudence Cuming Associates Ltd. Collections of the Royal Academy of Arts. Image © Royal Academy of Arts. Artwork itself in the public domain. via https://www.royalacademy.org.uk/art-artists/work-of-art/design-for-a-mansion-for-the-first-earl-of-yarborough-brocklesby-park “Windsor Castle: The south front of the Upper Ward before and after the proposed remodelling”. 1824. English. Pen and ink with wash on paper. Royal Collection Trust. Image © Royal Collection Trust. Artwork itself in the public domain due to age. via https://www.rct.uk/collection/918431/windsor-castle-the-south-front-of-the-upper-ward-before-and-after-the-proposed Two designs for a villa. 1799. Signed on the lower left. Image © 2021 Sotheby’s. Fair use license. via https://www.sothebys.com/en/auctions/ecatalogue/2014/1000-ways-seeing-l14313/lot.890.html Keeper’s Lodge, Windsor Park; view of lodge seen between two oak trees, palings on either side, two women walking along path leading to foreground. 1766-1840. British. On paper. Image © The Trustees of the British Museum. Fair use license. via https://www.britishmuseum.org/collection/image/270526001 “The West Front of Chatsworth House.” ca. 1818-1838. English. Image © 2021 Chatsworth House Trust. Fair use license. Artwork itself in the public domain due to age. via https://www.chatsworth.org/news-media/news-blogs-press-releases/blogs-from-the-archives/the-6th-duke-s-diaries-building-work-at-chatsworth/
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