Color lithographs of eighteenth century embroideries. From what I think must be a folio created by Justin Lievre who was born in 1828. Collections of the National Galleries of Australia.

Chasuble broderie. 19th c. French. Lithograph. Archival ID#72.509.729. Image © 2021 National Gallery of Australia, Canberra. Artwork itself in the public domain due to age. via https://searchthecollection.nga.gov.au/object?uniqueId=57650
‘”Broderie – 17th c.” 19th c. French. Lithograph. Archival ID#72.509.729. Image © 2021 National Gallery of Australia, Canberra. Artwork itself in the public domain due to age. via https://searchthecollection.nga.gov.au/object?uniqueId=57643
“Broderies du lit de parade.” 19th c. French. Lithograph. Archival ID#72.509.729. Image © 2021 National Gallery of Australia, Canberra. Artwork itself in the public domain due to age. via https://searchthecollection.nga.gov.au/object?uniqueId=57648

Beautiful textiles produced by Alexander Morton (1844-1923). Starting out selling muslins created in weavers’ homes, Morton established his own factory and produced fabrics with designs he bought from the Silver Studio and Bailie Scott, amongst others. His fabrics were carried by Liberty of London. Morton was born in Scotland but his factories were in Ireland.

Cotton textile with a design inspired by Sardinian peasant embroideries. 1926. British. Cotton in a plain weave with brocading in chenille yarns. Alexander Morton, designer. Image © Cooper Hewitt Museum. Fair use license. via https://collection.cooperhewitt.org/objects/18343651/
Wool and silk woven furnishing fabric, double cloth with silk pockets in an Italian style with floral and leaf tracery. ca. 1891. British. Alexander Morton and Company, maker. Courtaulds Design Library Collections, Victoria and Albert Museum. Image © Victoria and Albert Museum, London, 2021. Fair use license. via https://collections.vam.ac.uk/item/O1434621/furnishing-fabric-alexander-morton/
Furnishing fabric woven with a tapestry effect with peacocks, flowers, tulips, vines, and leaves. 1890-1900. British. Wool and cotton. Alexander Morton and Company, maker. Courtaulds Design Library Collections, Victoria and Albert Museum. Image © Victoria and Albert Museum, London, 2021. Fair use license. via https://collections.vam.ac.uk/item/O1434568/furnishing-fabric-alexander-morton/

Embroidery patterns from the “Lady’s Magazine.” Run up a veil on your sewing machine with these and look like Charlotte, Princess Royal.

“New and Elegant Patterns for Children’s Caps,” engraved for the Lady’s Magazine. 1810. British, published in London. Special Collections and Archives, Cardiff University. Cc0 License 4.0. via https://archive.org/details/LMG00009
“New and Elegant Pattern for a Veil or Bottom of a Dress,” engraved for the Lady’s Magazine. 1810. British, published in London. Special Collections and Archives, Cardiff University. Cc0 License 4.0. via https://archive.org/details/LMG00006

“An Elegant New Pattern for the Head-piece and Border of a Cap,” engraved for the Lady’s Magazine. 1812. British, published in London. Special Collections and Archives, Cardiff University. Cc0 License 4.0. via https://archive.org/details/LMG00016
New Pattern for a Frill and Ruff,” engraved for the Lady’s Magazine. 1812. Published in London, England.  Special Collections and Archives, Cardiff University. Cc0 License 4.0. via https://archive.org/details/LMG00023

Back to the 17th century with the “Tapisseries du Roy.” Tapestries of the king made by Gobelin which represent the four elements and the four seasons. 1697, published in Augsburg by Jacob Koppmayer.

Frontispiece, page 3. Collections of and digitalized by the University of Illinois Champaign-Urbana. In the public domain due to age. via https://archive.org/details/tapisseriesduroy00krau/page/n3/mode/1up
“Pour la piété dans le piece l’element du feu un encensoir, avec ce mot, et sacro carpitur igni,” Page 14. Collections of and digitalized by the University of Illinois Champaign-Urbana. In the public domain due to age. via https://archive.org/details/tapisseriesduroy00krau/page/14/mode/1up
“Pour la magnanimité dans la piece l’élément du feu: une fusée volante avec ces paroles splendid et ascendit.” Page 16. Collections of and digitalized by the University of Illinois Champaign-Urbana. In the public domain due to age. via https://archive.org/details/tapisseriesduroy00krau/page/16/mode/1up
“Pour la bonté dans la piece l’élément du feu un phare, avec ces paroles in publica commoda fulget,” Page 17. Collections of and digitalized by the University of Illinois Champaign-Urbana. In the public domain due to age. via https://archive.org/details/tapisseriesduroy00krau/page/17/mode/1up
‘Pour la valeur, dans la piece l’element du feu un foudre abattant un grand arbre, and qui a pour mot micat exitiale superbus.” Page 19. Collections of and digitalized by the University of Illinois Champaign-Urbana. In the public domain due to age. via https://archive.org/details/tapisseriesduroy00krau/page/19/mode/1up

More coming, these are the ones concerned with the element of fire. Note that these are captioned in the original in French, Latin, and at the bottom in German. I would assume it was published to be sold in various countries for this reason but I don’t actually know why.

Silk from a sample book put together in France between 1895 and 1905. Collections of the Mary Ann Beinecke Decorative Art Collection at the Clark Institute in Massachusetts but found through an article from the Public Domain Review.

Black with floral. Number 16187. Page 5. Collections of the Clark Institute Library. Digitalizing Federally funded with LSTA funds through the Massachusetts Board of Library Commissioners. In the public domain due to age. via https://archive.org/details/frenchsilksample00unse/page/n5/mode/1up
Plaid. Number 16188. Page 7. Collections of the Clark Institute Library. Digitalizing Federally funded with LSTA funds through the Massachusetts Board of Library Commissioners. In the public domain due to age. via https://archive.org/details/frenchsilksample00unse/page/n7/mode/1up
Dots in black and medium blue. Number 16190. Page 11. Collections of the Clark Institute Library. Digitalizing Federally funded with LSTA funds through the Massachusetts Board of Library Commissioners. In the public domain due to age. via https://archive.org/details/frenchsilksample00unse/page/n11/mode/1up
Floral stripe. Page 16. Collections of the Clark Institute Library. Digitalizing Federally funded with LSTA funds through the Massachusetts Board of Library Commissioners. In the public domain due to age. via https://archive.org/details/frenchsilksample00unse/page/n16/mode/1up
Dark red floral. Number 16196. Page 23. Collections of the Clark Institute Library. Digitalizing Federally funded with LSTA funds through the Massachusetts Board of Library Commissioners. In the public domain due to age. via https://archive.org/details/frenchsilksample00unse/page/n23/mode/1up
Flowers and animals. Number 16198. Page 27. Collections of the Clark Institute Library. Digitalizing Federally funded with LSTA funds through the Massachusetts Board of Library Commissioners. In the public domain due to age. via https://archive.org/details/frenchsilksample00unse/page/n27/mode/1up

Lace designs from back when making lace was popular with aristocratic ladies who were always in need of new patterns. Taken from Isabella Parasole and Elisabetta Catanea’s 1616 work “Teatro delle nobili et virtuose donne, dove si reppresentano varii disegni di lavori novamente inventatidisegnati de Elisabetta Catanea.”

‘Lavori a punto reticella.” Number 7. Page 5. Collections of the Metropolitan Museum of Art. Cc0 License 0. via https://archive.org/details/Parasole1616TeatroMET/page/n5/mode/2up
‘Lavori a punto reticella.” Number 8. Page 5. Collections of the Metropolitan Museum of Art. Cc0 License 0. via https://archive.org/details/Parasole1616TeatroMET/page/n5/mode/2up
“Lavori de Maglia.” Number 44. Page 37. Collections of the Metropolitan Museum of Art. Cc0 License 0. via https://archive.org/details/Parasole1616TeatroMET/page/n37/mode/2up

Illustrations and textile designs. American. Stevan Dohanos, designer and illustrator. Living from 1907 to 1994, Dohanos is best known for his covers for the “Saturday Evening Post.”

“Four Seasons.” Textile design that was also used as a cover illustration for Famous Artists Magazine, Volume 6, Number 1, Autumn 1957. Design ca. 1950. American. Casein on board. © Estate of the artist. Image © Swann Auction Galleries. Fair use license. via https://catalogue.swanngalleries.com/Lots/auction-lot/ADVERTISING-STEVAN-DOHANOS-Four-Seasons?saleno=2526&lotNo=5&refNo=766080
“Four H Fair.” Undated. American. © Estate of the artist. Image © 2002 – 2020 by Wayfair LLC. Fair use license. via https://www.wayfair.com/decor-pillows/pdx/marmont-hill-four-h-fair-by-stevan-dohanos-painting-print-on-wrapped-canvas-marm2869.html
“Catching Home Run Ball.” Done for the “Saturday Evening Post.” 1950. American. © Estate of the artist. Image  © 2020 Saturday Evening Post Society. Fair use license. via https://www.saturdayeveningpost.com/2014/10/stevan-dohanos/

Textiles designed by American textile designer Marion Dorn Kauffer. Living from 1896 to 1964, she also designed wallpaper.

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“Omar Khayyam” tablecloth. 1950. American. Screen printed on cotton plain weave. Marion Dorn Kauffer, designer. Leacock Quality Hand Prints (USA), manufacturer. Image © Cooper Hewitt Museum. Fair use license. via https://www.cooperhewitt.org/2020/05/11/a-poetic-tablecloth/

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Carpet design from a book of carpet designs. ca. 1928. Watercolor and gouache on photostats mounted on wove paper. Marion Dorn Kauffer and E. McKnight Kauffer, designers. Image © Cooper Hewitt Museum. Fair use license. via https://collection.cooperhewitt.org/objects/18754923/

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“Saint John.” 1940. Textile. Marion Dorn Kauffer, designer. Warner & Sons, manufacturer. Image © 2020 Warner Textile Archive. Fair use license. via https://www.warnertextilearchive.co.uk/blog/marion-dorn-and-warner-sons/

scarlatti
“Scarlatti.” 1938. Textile. Marion Dorn Kauffer, designer. Warner & Sons, manufacturer. Image © 2020 Warner Textile Archive. Fair use license. via https://www.warnertextilearchive.co.uk/blog/marion-dorn-and-warner-sons/

Wallpaper and textile designs from Atelier Martine, the wallpaper and textile arm of fashion designer Paul Poiret’s fashion empire. Atelier Martine started up in Paris around 1910 with shops in Berlin, London, and Philadelphia. They closed around 1929.

eucalyptus
“Eucalyptus.” Black background with six colors, white, lemon yellow, ultramarine blue, two tones of verdigris and dark green. Wallpaper design. ca. 1912. Impression from a cylinder. Collection of the Bibliothèque Forney, Paris. Image © Bibliothèque Forney, Paris. Fair use license. via http://archive.printeresting.org/2012/05/02/atelier-martine-wallpapers-paris-1911-1929/

Iris1
“Iris.” Pearl gray background with grass green, pink, light blue, purple, yellow, and black. Wallpaper design. ca. 1912. Impression from a cylinder. Impression from a cylinder. Collection of the Bibliothèque Forney, Paris. Image © Bibliothèque Forney, Paris. Fair use license. via http://archive.printeresting.org/wp-content/uploads/2012/05/Iris1.jpg

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Panel of dress or furnishing fabric. 1920-29. Block printed cotton and linen with a plain weave. Collection of the Art Institute of Chicago. Image © Art Institute of Chicago. Fair use license. via https://www.artic.edu/artworks/86367/panel-dress-or-furnishing-fabric

Panel, block printed cotton and linen with a plain weave. 1920-1925.
Panel, block printed cotton and linen with a plain weave. 1920-1925. Possibly by Atelier Martine. Collection of the Art Institute of Chicago. Image © Art Institute of Chicago. Fair use license. via https://www.artic.edu/artworks/86403/panel

Beautiful antique fans. All lovely. Fan d’Evantails, Paris.

Fan in a balloon shape. ca. 1900-1920. Art Deco in style.
Fan in a balloon shape. ca. 1900-1920. Painted fabric sheet with a bone mount. Maker not known. Image © Fans d’Eventails, Paris. Fair use license. via https://www.fandeventails.fr/fr/eventails-art-nouveau/1828-ballon-art-deco-eventail-vers-1900-1920.html

Clematis fan. Art Nouveau in style.
Clematis fan. Art Nouveau in style. Black gauze embroidered with sequins of various colors. Frame in real or perhaps faux tortoiseshell encrusted with sequins. Image © Fans d’Eventails, Paris. Fair use license. via https://www.fandeventails.fr/fr/eventails-art-nouveau/2349-clematites-eventail-art-nouveau.html

Dragonfly balloon fan. Art Nouveau in style.
Dragonfly balloon fan. Art Nouveau in style. Silk mesh balloon sheet embroidered with golden and pearly pastilles. Horn mount, encrusted with golden pastilles. Image © Fans d’Eventails, Paris. Fair use license. via https://www.fandeventails.fr/fr/eventails-art-nouveau/517-libellule-eventail-art-nouveau.html

Balloon fan, black fan with a sunray motif. Early 20th c.
Balloon fan, black fan with a sunray motif. Early 20th c. Tulle in black embroidered with golden sequins imitating rays. Frame in real or faux tortoiseshell. Image © Fans d’Eventails, Paris. Fair use license. via https://www.fandeventails.fr/fr/eventails-art-nouveau/1637-soleil-noir-eventail-armure-debut-xxeme.html

Fan with a motif of swallows made of lace. ca. 1900.
Fan with a motif of swallows made of lace. ca. 1900. Folded in type with a lace sheet that depicts swallows embroidered with steel pellets. Tortoiseshell frame. Image © Fans d’Eventails, Paris. Fair use license. via https://www.fandeventails.fr/fr/eventails-art-nouveau/440-les-hirondelles-de-dentelle-eventail-vers-1900.html

Fan with a motif of gold poppies. ca. 1905.
Fan with a motif of gold poppies. ca. 1905. Tulle leaf with gold poppies, painted and embroidered with golden sequins. Painted blackened wood frame. Ronot-Tutin, painter. Image © Fans d’Eventails, Paris. Fair use license. via https://www.fandeventails.fr/fr/eventails-art-nouveau/1925-les-pavots-d-or-eventail-de-tutin-vers-1905.html

Fan in the motif of a white peacock. ca. 1905.
Fan in the motif of a white peacock. ca. 1905. Lobed silk sheet painted with a white peacock and embroidered with silver sequins. Horn mount. Signed Thomasse and Duvelleroy. Image © Fans d’Eventails, Paris. Fair use license. via https://www.fandeventails.fr/fr/eventails-art-nouveau/2397-paon-blanc-eventail-de-thomasse-et-duvelleroy-vers-1905.html