These hand-colored lithographs appear to have been part of a larger set. Lithographs in sets or otherwise were very popular in 19th century America and the drawings for these images was probably done with the intention of selling them as prints. They refer to incident known as the Whaling disaster of 1871 off the northern Alaskan coast in which a fleet of 33 American whaling ships stayed were trapped in the Arctic ice in late 1871 and subsequently abandoned. Amazingly, no one died.
Please note that in my area where people went whaling from in the 19th century we regard these as history. I know depictions of whaling are not seen like that everywhere. However these images depict no actual whales, that and the ocean won.
“American Beaver.” 1844. American. Plate number XLVI (46). Volume 1. After John James and John Woodhouse Audubon. Printed and colored by J. T. Bowen. Collections of the Cincinnati & Hamilton County Public Library. Genealogy & Local History Department. Artwork in the public domain due to age. via https://digital.cincinnatilibrary.org/digital/collection/p16998coll34/id/47/rec/2“Bos americanus, Gmel. American Bison or Buffalo. 1/7 Natural Size. Male.” 1845. Plate LVI (56). Volume 1. After John James and John Woodhouse Audubon. Printed and colored by J. T. Bowen. Collections of the Cincinnati & Hamilton County Public Library. Genealogy & Local History Department. Artwork in the public domain due to age. via https://digital.cincinnatilibrary.org/digital/collection/p16998coll34/id/57/rec/4 “Ursus americanus, Pallas. American Black Bear. Male and Female.” 1848. Plate CXLI (141). Volume 2. After John James and John Woodhouse Audubon. Printed and colored by J. T. Bowen. Collections of the Cincinnati & Hamilton County Public Library. Genealogy & Local History Department. Artwork in the public domain due to age. via https://digital.cincinnatilibrary.org/digital/collection/p16998coll34/id/146/rec/5 Cervus canadensis, Ray. American Elk – Wapiti Deer. 1/7 Natural Size. Male and Female. 1845. American. Plate LXII from Viviparous Quadrupeds of North America. After John James and John Woodhouse Audubon. Printed and colored by J. T. Bowen. Collections of the Cincinnati & Hamilton County Public Library. Genealogy & Local History Department. Artwork in the public domain due to age. via https://digital.cincinnatilibrary.org/digital/collection/p16998coll34/id/63/rec/8Vulpes lagopus, Linn. Arctic Fox, Winter & Summer Pelage. 1847. American. Plate CXXI from Viviparous Quadrupeds of North America. After John James and John Woodhouse Audubon. Printed and colored by J. T. Bowen. Collections of the Cincinnati & Hamilton County Public Library. Genealogy & Local History Department. Artwork in the public domain due to age. via https://digital.cincinnatilibrary.org/digital/collection/p16998coll34/id/126/rec/13 Felis concolor, Linn. The Cougar. Male. 1846. Plate XCVI from Viviparous Quadrupeds of North America. After John James and John Woodhouse Audubon. Printed and colored by J. T. Bowen. Collections of the Cincinnati & Hamilton County Public Library. Genealogy & Local History Department. Artwork in the public domain due to age. via https://digital.cincinnatilibrary.org/digital/collection/p16998coll34/id/101/rec/50Sciurus capistratus, Bosc. Fox Squirrel. Natural Size. 1845. American. Plate LXVIII. from Viviparous Quadrupeds of North America. After John James and John Woodhouse Audubon. Printed and colored by J. T. Bowen. Collections of the Cincinnati & Hamilton County Public Library. Genealogy & Local History Department. Artwork in the public domain due to age. via https://digital.cincinnatilibrary.org/digital/collection/p16998coll34/id/69/rec/59Ursus maritimus, Linn. Polar Bear. Male. 1846. American. Plate XCI. from Viviparous Quadrupeds of North America. After John James and John Woodhouse Audubon. Printed and colored by J. T. Bowen. Collections of the Cincinnati & Hamilton County Public Library. Genealogy & Local History Department. Artwork in the public domain due to age. via https://digital.cincinnatilibrary.org/digital/collection/p16998coll34/id/96/rec/105
“The Tassel”. Plate 118, page 189. Collections of and digitalized by Wellesley College. In the public domain due to age. via https://archive.org/details/handbookoforname1900meye/page/189/mode/1up“The Fringe and the Valance.” Plate 119, page 191. Collections of and digitalized by Wellesley College. In the public domain due to age. via https://archive.org/details/handbookoforname1900meye/page/191/mode/1up“The Foliated Shaft.” Plate 121, page 196. Collections of and digitalized by Wellesley College. In the public domain due to age. via https://archive.org/details/handbookoforname1900meye/page/196/mode/1up“The Trapezophoron.” Plate 143, page 233. Collections of and digitalized by Wellesley College. In the public domain due to age. via https://archive.org/details/handbookoforname1900meye/page/233/mode/1upEnclosed Ornament: The Circular Panel. Plate 157. Page 258 of Meyer Franz Sales’ Handbook of ornament; a grammar of art, industrial and architectural designing in all its branches, for practical as well as theoretical use which was published in 1900. Collections of and digitalized by Wellesley College. In the public domain due to age. via https://archive.org/details/handbookoforname1900meye/page/258/mode/1upEnclosed Ornament: The Lozenge Panel. Plate 168. Page 273 of Meyer Franz Sales’ Handbook of ornament; a grammar of art, industrial and architectural designing in all its branches, for practical as well as theoretical use which was published in 1900. Collections of and digitalized by Wellesley College. In the public domain due to age. via https://archive.org/details/handbookoforname1900meye/page/273/mode/1upVases: The Römer or Rummer. Plate 206. Page 350 of Meyer Franz Sales’ Handbook of ornament; a grammar of art, industrial and architectural designing in all its branches, for practical as well as theoretical use which was published in 1900. Collections of and digitalized by Wellesley College. In the public domain due to age. via https://archive.org/details/handbookoforname1900meye/page/350/mode/1upMetal Objects: The Renascence (Renaissance) Candelabrum. Plate 212. Page 363 of Meyer Franz Sales’ Handbook of ornament; a grammar of art, industrial and architectural designing in all its branches, for practical as well as theoretical use which was published in 1900. Collections of and digitalized by Wellesley College. In the public domain due to age. via https://archive.org/details/handbookoforname1900meye/page/363/mode/1up
“Die Eröffnung des deutschen Reichstages im Weißen Saal des Berliner Schlosses am 25. Juni 1888.” 1893. German. Oil painting. Image source: Bismarcks Reichstag. In the public domain in the United States because the artist died over 100 years ago. via https://commons.wikimedia.org/wiki/File:Anton_von_Werner,_Inauguration_of_the_Reichstag,_oil-painting_1893.pngAnton von Werner, “Unveiling of the Richard-Wagner-Monument in the Tiergarten.” 1908. German. Oil on canvas. Collections of the Berlinische Galerie. In the public domain due to age. via https://berlinischegalerie.de/en/exhibitions/spotlight/“Baptism in my home.”1879. German. Oil on canvas. Collections of the Museum Foundation Post and Telecommunications,, Frankfurt. In the public domain because the artist died over 100 years ago. via https://commons.wikimedia.org/wiki/File:Anton_von_Werner_Taufe_in_meinem_Hause.jpg“The proclamation of the German Empire at Versailles in 1871″. Version commissioned by the Prussian royal family for chancellor Bismarck’s 70th birthday. 1885. German. Oil on canvas. Collections of the Bismarck-Museum Friedrichsruh. Image source: Museen Nord / Bismarck Museum. In the public domain in the United States because the artist died over 100 years ago. via https://commons.wikimedia.org/wiki/File:A_v_Werner_-Kaiserproklamation_am_18_Januar_1871(3._Fassung_1885).jpg