Images of the conservatory Carlton House, city home of the Prince Regent who liked everything jazzed up in a most expensive way.

“”The Conservatory, Carlton House” showing how it may look filled with plants. The conservatory was never built. ca. 1808. British. Pen and ink with watercolor over pencil. Humphrey Repton, maker (1752-1818). Image © Royal Collection Trust. Artwork itself in the public domain due to age. via https://www.rct.uk/collection/917090/the-conservatory-carlton-house
“A view of the interior of the conservatory at Carlton House.” Illustration which ran in the September 1, 1811 issue of Ackermann’s Repository of Arts, Volume 6, Number 33, facing page 167. British. Rudolph Ackermann, publisher. In the public domain due to age. via https://commons.wikimedia.org/wiki/File:Carlton_House,_Conservatory,_from_Ackermann%27s_Repository_of_Arts,_1811.jpg
“The interior of the Prince of Wales’ conservatory at Carlton House.” 1811. British. Print. Inscription: Lettered below image with title and “Thomas Hopper, architect/ Engraved Exclusively for La Belle Assemblee, Published by John Bell, Southampton St. Strand, London, September 1, 1811.” Collections of Tyntesfield, North Somerset. Image Tyntesfield © National Trust. Artwork itself in the public domain due to age. via http://www.nationaltrustcollections.org.uk/object/22291.16
“The Exterior of the Prince of Wales’ conservatory at Carlton House,” view of a grand conservatory in the gardens of Carlton House surrounded by trees and shrubs. 1817. British. Inscription: Lettered below image with title and “Thomas Hopper, Architect / Engraved Exclusively for La Belle Assemblee, Published by John Bell, Southampton St. Strand, London, November 1. 1817”. Collections of the British Museum. Cc0 License 4.0. via https://www.britishmuseum.org/collection/image/607638001

“Abandonment of the Whalers in the Arctic Ocean, September, 1871.” Three hand-colored lithographs from 1872 done in New Bedford, Massachusetts by Benjamin Russell. Looks awfully cold. Part of a current Swann Galleries auction catalogue.

“Abandonment of the Whalers in the Arctic Ocean, September, 1871: Blossom Shoals.” 1872. American. Hand-colored lithograph. John Henry Bufford, lithographer after Benjamin Russell. Image © Swann Auction Galleries. Fair use license. via https://catalogue.swanngalleries.com/Lots/auction-lot/-WHALING–JH-Buffords-lithographers-Group-of-3-prints-depict?saleno=2580&lotNo=281&refNo=783413
“Abandonment of the Whalers in the Arctic Ocean, September, 1871″. The names of the various whaling vessels are listed including the ‘Victoria” over at the far right. 1872. American. Hand-colored lithograph. John Henry Bufford, lithographer after Benjamin Russell. Image © Swann Auction Galleries. Fair use license. via https://catalogue.swanngalleries.com/Lots/auction-lot/-WHALING–JH-Buffords-lithographers-Group-of-3-prints-depict?saleno=2580&lotNo=281&refNo=783413
“Abandonment of the Whalers in the Arctic Ocean, September, 1871: The ‘Europa,’ the ‘Daniel Webster,’ the ‘Midas,’ the ‘Chance,’ the ‘Arctic’ , the ‘Progress’, and the ‘Lagoda’: Ships receiving the Captains, Officers, and Crews of Abandoned Ships” 1872. American. Hand-colored lithograph. John Henry Bufford, lithographer after Benjamin Russell. Image © Swann Auction Galleries. Fair use license. via https://catalogue.swanngalleries.com/Lots/auction-lot/-WHALING–JH-Buffords-lithographers-Group-of-3-prints-depict?saleno=2580&lotNo=281&refNo=783413

These hand-colored lithographs appear to have been part of a larger set. Lithographs in sets or otherwise were very popular in 19th century America and the drawings for these images was probably done with the intention of selling them as prints. They refer to incident known as the Whaling disaster of 1871 off the northern Alaskan coast in which a fleet of 33 American whaling ships stayed were trapped in the Arctic ice in late 1871 and subsequently abandoned. Amazingly, no one died.

Please note that in my area where people went whaling from in the 19th century we regard these as history. I know depictions of whaling are not seen like that everywhere. However these images depict no actual whales, that and the ocean won.

“Viviparous Quadrupeds of North America” which was issued in 30 parts between 1845 and 1848. Animals drawn from nature by John James and John Woodhouse Audubon and printed and colored by J.T. Bowen of Philadelphia. In two volumes. Collections of the Cincinnati and Hamilton County Public Library.

“American Beaver.” 1844. American. Plate number XLVI (46). Volume 1. After John James and John Woodhouse Audubon. Printed and colored by J. T. Bowen. Collections of the
Cincinnati & Hamilton County Public Library. Genealogy & Local History Department. Artwork in the public domain due to age. via https://digital.cincinnatilibrary.org/digital/collection/p16998coll34/id/47/rec/2
“Bos americanus, Gmel. American Bison or Buffalo. 1/7 Natural Size. Male.” 1845. Plate LVI (56). Volume 1. After John James and John Woodhouse Audubon. Printed and colored by J. T. Bowen. Collections of the
Cincinnati & Hamilton County Public Library. Genealogy & Local History Department. Artwork in the public domain due to age. via https://digital.cincinnatilibrary.org/digital/collection/p16998coll34/id/57/rec/4
“Ursus americanus, Pallas. American Black Bear. Male and Female.” 1848. Plate
CXLI (141). Volume 2. After John James and John Woodhouse Audubon. Printed and colored by J. T. Bowen. Collections of the
Cincinnati & Hamilton County Public Library. Genealogy & Local History Department. Artwork in the public domain due to age. via https://digital.cincinnatilibrary.org/digital/collection/p16998coll34/id/146/rec/5

Cervus canadensis, Ray. American Elk – Wapiti Deer. 1/7 Natural Size. Male and Female. 1845. American. Plate LXII from Viviparous Quadrupeds of North America. After John James and John Woodhouse Audubon. Printed and colored by J. T. Bowen. Collections of the
Cincinnati & Hamilton County Public Library. Genealogy & Local History Department. Artwork in the public domain due to age. via https://digital.cincinnatilibrary.org/digital/collection/p16998coll34/id/63/rec/8
Vulpes lagopus, Linn. Arctic Fox, Winter & Summer Pelage. 1847. American. Plate CXXI from Viviparous Quadrupeds of North America. After John James and John Woodhouse Audubon. Printed and colored by J. T. Bowen. Collections of the
Cincinnati & Hamilton County Public Library. Genealogy & Local History Department. Artwork in the public domain due to age. via https://digital.cincinnatilibrary.org/digital/collection/p16998coll34/id/126/rec/13

Felis concolor, Linn. The Cougar. Male. 1846. Plate XCVI from Viviparous Quadrupeds of North America. After John James and John Woodhouse Audubon. Printed and colored by J. T. Bowen. Collections of the
Cincinnati & Hamilton County Public Library. Genealogy & Local History Department. Artwork in the public domain due to age. via https://digital.cincinnatilibrary.org/digital/collection/p16998coll34/id/101/rec/50
Sciurus capistratus, Bosc. Fox Squirrel. Natural Size. 1845. American. Plate LXVIII. from Viviparous Quadrupeds of North America. After John James and John Woodhouse Audubon. Printed and colored by J. T. Bowen. Collections of the
Cincinnati & Hamilton County Public Library. Genealogy & Local History Department. Artwork in the public domain due to age. via https://digital.cincinnatilibrary.org/digital/collection/p16998coll34/id/69/rec/59
Ursus maritimus, Linn. Polar Bear. Male. 1846. American. Plate XCI. from Viviparous Quadrupeds of North America. After John James and John Woodhouse Audubon. Printed and colored by J. T. Bowen. Collections of the
Cincinnati & Hamilton County Public Library. Genealogy & Local History Department. Artwork in the public domain due to age. via https://digital.cincinnatilibrary.org/digital/collection/p16998coll34/id/96/rec/105

Decor ideas from German professor of ornament Meyer Franz Sales’ “Handbook of ornament; a grammar of art, industrial and architectural designing in all its branches, for practical as well as theoretical use” which came out in 1900.

“The Tassel”. Plate 118, page 189. Collections of and digitalized by Wellesley College. In the public domain due to age. via https://archive.org/details/handbookoforname1900meye/page/189/mode/1up
“The Fringe and the Valance.” Plate 119, page 191. Collections of and digitalized by Wellesley College. In the public domain due to age. via https://archive.org/details/handbookoforname1900meye/page/191/mode/1up
“The Foliated Shaft.” Plate 121, page 196. Collections of and digitalized by Wellesley College. In the public domain due to age. via https://archive.org/details/handbookoforname1900meye/page/196/mode/1up
“The Trapezophoron.” Plate 143, page 233. Collections of and digitalized by Wellesley College. In the public domain due to age. via https://archive.org/details/handbookoforname1900meye/page/233/mode/1up
Enclosed Ornament: The Circular Panel. Plate 157. Page 258 of Meyer Franz Sales’ Handbook of ornament; a grammar of art, industrial and architectural designing in all its branches, for practical as well as theoretical use which was published in 1900. Collections of and digitalized by Wellesley College. In the public domain due to age. via https://archive.org/details/handbookoforname1900meye/page/258/mode/1up
Enclosed Ornament: The Lozenge Panel. Plate 168. Page 273 of Meyer Franz Sales’ Handbook of ornament; a grammar of art, industrial and architectural designing in all its branches, for practical as well as theoretical use which was published in 1900. Collections of and digitalized by Wellesley College. In the public domain due to age. via https://archive.org/details/handbookoforname1900meye/page/273/mode/1up
Vases: The Römer or Rummer. Plate 206. Page 350 of Meyer Franz Sales’ Handbook of ornament; a grammar of art, industrial and architectural designing in all its branches, for practical as well as theoretical use which was published in 1900. Collections of and digitalized by Wellesley College. In the public domain due to age. via https://archive.org/details/handbookoforname1900meye/page/350/mode/1up
Metal Objects: The Renascence (Renaissance) Candelabrum. Plate 212. Page 363 of Meyer Franz Sales’ Handbook of ornament; a grammar of art, industrial and architectural designing in all its branches, for practical as well as theoretical use which was published in 1900. Collections of and digitalized by Wellesley College. In the public domain due to age. via https://archive.org/details/handbookoforname1900meye/page/363/mode/1up

Crowds of people doing something exciting. Well maybe not that exciting but still they are very dressed up. German. Anton von Werner, artist (1843-1915). Painted many panoramic pictures of the Hohenzollern dynasty who ruled Germany at that time.

“Die Eröffnung des deutschen Reichstages im Weißen Saal des Berliner Schlosses am 25. Juni 1888.” 1893. German. Oil painting. Image source: Bismarcks Reichstag. In the public domain in the United States because the artist died over 100 years ago. via https://commons.wikimedia.org/wiki/File:Anton_von_Werner,_Inauguration_of_the_Reichstag,_oil-painting_1893.png
Anton von Werner, “Unveiling of the Richard-Wagner-Monument in the Tiergarten.” 1908. German. Oil on canvas. Collections of the Berlinische Galerie. In the public domain due to age. via https://berlinischegalerie.de/en/exhibitions/spotlight/
“Baptism in my home.”1879. German. Oil on canvas. Collections of the Museum Foundation Post and Telecommunications,, Frankfurt. In the public domain because the artist died over 100 years ago. via https://commons.wikimedia.org/wiki/File:Anton_von_Werner_Taufe_in_meinem_Hause.jpg
The proclamation of the German Empire at Versailles in 1871″. Version commissioned by the Prussian royal family for chancellor Bismarck’s 70th birthday. 1885. German. Oil on canvas. Collections of the Bismarck-Museum Friedrichsruh. Image source: Museen Nord / Bismarck Museum. In the public domain in the United States because the artist died over 100 years ago. via https://commons.wikimedia.org/wiki/File:A_v_Werner_-Kaiserproklamation_am_18_Januar_1871(3._Fassung_1885).jpg

Dramatic looking landscapes by American artist Louisa Davis Minot. Living from 1788 to 1858, she was part of the Hudson River School.

“White Mountains.” 19th c. American. Oil on canvas. Unsigned, titled and attributed on a handwritten gummed label affixed to the stretcher, with a temporary loan label from the Museum of Fine Arts, Boston, also on the stretcher. Attributed to Louisa Davis Minot. Image © 1999 – 2020 SKINNER, INC, Fair use license. via https://live.skinnerinc.com/lots/view/4-3KUQ3Y/attributed-to-louisa-davis-minot-american-1788-1858
Niagara Falls. 19th c. American. Oil on canvas. Louisa Davis Minot, painter. In the public domain due to age. via https://fineartamerica.com/featured/niagara-falls-louisa-davis-minot.html.
“Niagara Falls.” 1818. American. Oil on linen. Louisa Davis Minot, artist. Collections of the New York Historical Society. Image © The New-York Historical Society. Fair use license. via https://www.researchgate.net/figure/Niagara-Falls-1818-by-Louisa-Davis-Minot-Oil-on-linen-762-1032-cm-Gift-of-Mrs_fig4_307840044

Decorate every room in your home in Gothic Revival with no faux pas. Go shopping with “Pugin’s Gothic furniture” put out by Augustus Pugin in 1830 and published by R. Ackermann in London. Pugin did work at the Palace of Westminster, too.

“Group of Gothic Furniture.” Frontispiece. 1830. Page 5. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/puginsgothicfurn00pugi_0/page/n5/mode/1up
“Decorations and Furniture of a Room.” Title page. 1830. Page 6. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/puginsgothicfurn00pugi_0/page/n6/mode/1up
“Horizontal Grand Piano Forte.” 1830. Page 10. Page 5. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/puginsgothicfurn00pugi_0/page/n10/mode/1up

More coming.

Diamond Head, Waikiki Beach, Honolulu, Hawaii. Mostly paintings but a travel poster or two included.


“Canoes at Diamond Head”. 1890. American. Oil on canvas. Edward Bailey, artist (1814-1903). Collections of the Bailey House Museum, Maui. In the public domain because the artist died over 100 years ago. via https://en.wikipedia.org/wiki/File:%27Canoes_at_Diamond_Head%27,_oil_on_canvas_painting_by_Edward_Bailey,_1890,_Maui_Historical_Society.jpg


“Waikiki Beach.” ca. 1898. American. Oil on redwood panel. Charles Furneaux, artist (1835-1913). Image source: https://archive.is/X51XG Frazier Fine Art. In the public domain in the United States because the artist has been dead over 100 years. via https://commons.wikimedia.org/wiki/File:%27Waikiki_Beach%27_by_Charles_Furneaux,_c._1898.JPG
“Waikiki Beach, Honolulu, Hawaii.” 1950s travel poster, printed in Maui, Hawaii. Image © Art.com. Fair use license. via https://www.art.com/products/p13457081247-sa-i6457290/fred-ludekens-waikiki-beach-honolulu-hawaii-c-1950s.htm
“Diamond Head and Waikiki Beach”. 1918. American. Oil on canvas. Lionel Walden, artist (1861 or 1862 – 1933). Collections of the Hawaii State Art Museum. In the public domain in the United States because the artist died over 80 years ago. via https://commons.wikimedia.org/wiki/File:%27Diamond_Head_and_Waikiki_Beach%27_by_Lionel_Walden,_1918,_Hawaii_State_Art_Museum.JPG

Birds from William Swainson’s “Zoological illustrations, or, Original figures and descriptions of new, rare, or interesting animals : selected chiefly from the classes of ornithology, entomology, and conchology, and arranged on the principles of Cuvier and other modern zoologists”, Published in London between 1820 and 1823.

“Carduelis cucullata: Hooded seed-eater”. Plate 7, page 54. Collections of the Smithsonian Library. In the public domain due to age. via https://www.biodiversitylibrary.org/item/92614#page/54/mode/1up
“Merops urica: Javanese bee-eater”. Plate 8, page 60. Collections of the Smithsonian Library. In the public domain due to age. via https://www.biodiversitylibrary.org/item/92614#page/60/mode/1up
“Platyrhynchus ceylonensis: Ceylonese flat-bill.” Plate 13, page 93. Collections of the Smithsonian Library. In the public domain due to age. via https://www.biodiversitylibrary.org/item/92614#page/93/mode/1up
“Picus rubiginosus: Brown woodpecker.” Plate 14, page 96. Collections of the Smithsonian Library. In the public domain due to age. via https://www.biodiversitylibrary.org/item/92614#page/96/mode/1up

Novelty silver cruet sets, all of these with animal themes. Different times but all fun.

Pair of Novelty silver cruets with glass liners. The peppers and mustard pots modeled as riding boots, the salt as upturned jockey caps, the handles as spurs, and the spoons as riding crops. 1871. English. Made in London by Richard Hodd and Son. Image © Bonhams 2001-2021. Fair use license. via https://www.bonhams.com/auctions/26963/lot/5/?category=list&length=12&page=1
Novelty silver plate cruet salt and pepperpot and egg cruet set with all four piece standing on a silver-plated tray with a central handle and reeded edge. The salt and pepper pots which have lids that screw of so they can be refilled are in the form of baby chicks with the two egg cups modeled as broken egg shells standing on chicken legs. Undated. Maker not known. Image © 1995-2021 eBay Inc. Fair use license. via https://www.ebay.com/itm/324001949513
Cast novelty table cruet in silver-plate with glass liners modeled as a dog standing on a naturalistic base with the open salt in his mouth in the form of a handled basket with the mustard and pepper held on either side of the dog. Registered on April 4, 1871. Victorian. Cast and signed by the manufacturer on the underside. Maker’s marks: diamond shaped English registration mark on the base. Image © Antiques Atlas, 2021. Fair use license. via https://www.antiques-atlas.com/antique/novelty__figural_dog_cruet_in_silver_plate_-_1871/as584a1768