Redecorate your home with Georges Rémon’s 1907 “Intérieurs de style.” Printed in Paris by the Librairie centrale des beaux-arts. Digital Collections of the New York Public Library.
Category: Art book/folio
More designs, all in shades of blue, taken from Owen Jones’ “Examples of Chinese Ornament Selected from Objects in the South Kensington Museum and other Collections,” published in London in 1867.
Colored woodblock prints, designs for kimono published in 1901 by Honda Unkindō that came out in around 1902. Yachigusa. Seikō Ueno. Collections of the Smithsonian.
Views of Ancient Greece as seen in the mid 18th century. Plates from Julien David LeRoy’s 1770 work “Monuments de la Grèce, considérées du côté de l’histoire et l’architecture”. Printed in 1770 in Paris by Louis-François Delatour. Collections of the BnF Gallica, the digital version of the Bibliothèque nationale de France but the Royal Academy in London has it too. The captioning here is an English translation of the original French and is taken from the Royal Academy website.
Plates from the “Cabinet de Peiresc” which has two volumes and was published in Paris in 1620. Antique vases, mostly. Collections of the Bibliothèque nationale de France, gallica.bnf.fr.
Antique vases. Page 8r, Recueil, Cabinet de Peiresc. Numérisation de RESERVE AA-54-FOL. Image source:gallica.bnf.fr / BnF. Collections of the Bibliothèque nationale de France. Artwork itself in the public domain due to age. via https://gallica.bnf.fr/ark:/12148/btv1b525058020/f19.item.r=Cabinet%20de%20Peiresc
A set of four prints from around 1855 depicting the ascent of Mont-Blanc up in the Alps with at least one mountaineer about to slip into the abyss. Made by George Baxter and based on the sketches of John MacGregor a brave mountaineer who reached the summit. Collections of Harvard University. via the publicdomainreview.org.
Do up the sofa cushions so they match the wallpaper. Ideas taken from Christopher Dresser’s 1876 work “Studies in Design” which was published in London. A. Goater, lithographer.
The ancient world. Plates from “Collection Of Etruscan, Greek, And Roman Antiquities From The Cabinet Of The Honorable William. Hamilton His Britannic Majesty’s Envoy Extraordinary At The Court Of Naples. – Naples.” Commissioned by Hamilton with text by Pierre Francois Hughes, baron d’Hancarville. Printed in Naples. Not sure who did the artwork. Probably Prince Hoare who is mentioned in connection with them by the Royal Academy but he is not on the title page.
Sir William Hamilton was the British ambassador to the court in Naples and collected vases which he thought were Etruscan but turned out to be Greek. At the time there was great interest in antiquity and many experts or sort of experts like the man who Hamilton got to write the text. Not like now with PhD programs and other credentials. Several volumes, dedicated to King George III. These are all in the collections of the Royal Academy in London.
More flower pictures, these being colored etchings done in the 18th century by Magdalena (Maddalena) Bouchard who flourished ca. 1772 to 1793. Daughter of the publisher/bookseller Giovanni Bouchard, she probably worked in Rome.
“Germander (Teucrium boeticum): flowering stem.” 1775. Italian. Colored etching by Magdalena Bouchard. Wellcome Collection. In the public domain due to age. via https://wellcomecollection.org/works/bxa4wq32
The biographical information about Magdelena (Maddalena) Bouchard is taken from her entry on the website of the Royal Academy in London which has more of her lovely flowers. See it and them here https://www.royalacademy.org.uk/art-artists/name/maddalena-bouchard
Imagery of an India that isn’t coming back, taken from Thomas Daniell’s “Oriental Scenery: Twenty Four Views In Hindoostan,” which came out between 1795 and 1807. Collections of the Royal Academy, London.
