“The Tassel”. Plate 118, page 189. Collections of and digitalized by Wellesley College. In the public domain due to age. via https://archive.org/details/handbookoforname1900meye/page/189/mode/1up“The Fringe and the Valance.” Plate 119, page 191. Collections of and digitalized by Wellesley College. In the public domain due to age. via https://archive.org/details/handbookoforname1900meye/page/191/mode/1up“The Foliated Shaft.” Plate 121, page 196. Collections of and digitalized by Wellesley College. In the public domain due to age. via https://archive.org/details/handbookoforname1900meye/page/196/mode/1up“The Trapezophoron.” Plate 143, page 233. Collections of and digitalized by Wellesley College. In the public domain due to age. via https://archive.org/details/handbookoforname1900meye/page/233/mode/1upEnclosed Ornament: The Circular Panel. Plate 157. Page 258 of Meyer Franz Sales’ Handbook of ornament; a grammar of art, industrial and architectural designing in all its branches, for practical as well as theoretical use which was published in 1900. Collections of and digitalized by Wellesley College. In the public domain due to age. via https://archive.org/details/handbookoforname1900meye/page/258/mode/1upEnclosed Ornament: The Lozenge Panel. Plate 168. Page 273 of Meyer Franz Sales’ Handbook of ornament; a grammar of art, industrial and architectural designing in all its branches, for practical as well as theoretical use which was published in 1900. Collections of and digitalized by Wellesley College. In the public domain due to age. via https://archive.org/details/handbookoforname1900meye/page/273/mode/1upVases: The Römer or Rummer. Plate 206. Page 350 of Meyer Franz Sales’ Handbook of ornament; a grammar of art, industrial and architectural designing in all its branches, for practical as well as theoretical use which was published in 1900. Collections of and digitalized by Wellesley College. In the public domain due to age. via https://archive.org/details/handbookoforname1900meye/page/350/mode/1upMetal Objects: The Renascence (Renaissance) Candelabrum. Plate 212. Page 363 of Meyer Franz Sales’ Handbook of ornament; a grammar of art, industrial and architectural designing in all its branches, for practical as well as theoretical use which was published in 1900. Collections of and digitalized by Wellesley College. In the public domain due to age. via https://archive.org/details/handbookoforname1900meye/page/363/mode/1up
“Lake Erie Herring (Leveichthys artedi) Natural size.” Number 77 in “A Portfolio of Fish”. Published in 1935. Rost Miles, illustrator. Collections of the Carlsbad City Library. In the public domain. via https://archive.org/details/ccarl_000081“Rock bass (Ambloplites rupestris Rafinesque)”. Number 61 Number 77 in “A Portfolio of Fish”. Published in 1935. Rost Miles, illustrator. Collections of the Carlsbad City Library. In the public domain. via https://archive.org/details/ccarl_000065“Marlin”. From “A Portfolio of Fish”. Published in 1935. Rost Miles, illustrator. Collections of the Carlsbad City Library. In the public domain. via https://archive.org/details/ccarl_000134
“Manmatha”. VIew 11. Plate 1. Image source: gallica.bnf.fr/Bibliothèque nationale de France. Collections of the BnF Gallica. Artwork itself in the public domain due to age, via https://gallica.bnf.fr/ark:/12148/bpt6k1041175n/f11.item#.”Le Géant Ravana”. View 15. Image source: gallica.bnf.fr/Bibliothèque nationale de France. Collections of the BnF Gallica. Artwork itself in the public domain due to age, via https://gallica.bnf.fr/ark:/12148/bpt6k1041175n/f15.item“Anouhma ou Anouhmanla”. View 19, Image source: gallica.bnf.fr/Bibliothèque nationale de France. Collections of the BnF Gallica. Artwork itself in the public domain due to age, via https://gallica.bnf.fr/ark:/12148/bpt6k1041175n/f19.item“Soupramany-Samy.” View 23. Image source: gallica.bnf.fr/Bibliothèque nationale de France. Collections of the BnF Gallica. Artwork itself in the public domain due to age, via https://gallica.bnf.fr/ark:/12148/bpt6k1041175n/f23.itemHariharapoutra. View 39 from Eugène Burnouf and Eugène Vincent Stanislas Jacquet’s work L’Inde française, ou Collection de dessins lithographiés représentant les divinités, temples, costumes. Published between 1827 and 1835 in Paris, France. Image source: gallica.bnf.fr/Bibliothèque nationale de France. Collections of the BnF Gallica. Artwork itself in the public domain due to age, via https://gallica.bnf.fr/ark:/12148/bpt6k1041175n/f39.itemSwaha, épouse d’Agni. View 51. from Eugène Burnouf and Eugène Vincent Stanislas Jacquet’s work L’Inde française, ou Collection de dessins lithographiés représentant les divinités, temples, costumes. Published between 1827 and 1835 in Paris, France. Image source: gallica.bnf.fr/Bibliothèque nationale de France. Collections of the BnF Gallica. Artwork itself in the public domain due to age, via https://gallica.bnf.fr/ark:/12148/bpt6k1041175n/f51.planchecontactVarouna, Dieu des Eaux. View 71. from Eugène Burnouf and Eugène Vincent Stanislas Jacquet’s work L’Inde française, ou Collection de dessins lithographiés représentant les divinités, temples, costumes. Published between 1827 and 1835 in Paris, France. Image source: gallica.bnf.fr/Bibliothèque nationale de France. Collections of the BnF Gallica. Artwork itself in the public domain due to age, via https://gallica.bnf.fr/ark:/12148/bpt6k1041175n/f71.itemKoudongoudouppaigaren. View 203. from Eugène Burnouf and Eugène Vincent Stanislas Jacquet’s work L’Inde française, ou Collection de dessins lithographiés représentant les divinités, temples, costumes. Published between 1827 and 1835 in Paris, France. Image source: gallica.bnf.fr/Bibliothèque nationale de France. Collections of the BnF Gallica. Artwork itself in the public domain due to age, via https://gallica.bnf.fr/ark:/12148/bpt6k1041175n/f203.planchecontact