STEWARD’S COTTAGE. Plate 4, Image 27 of Rural residences, consisting of a series of designs for cottages, decorated cottages, small villas, and other ornamental buildings: accompanied by hints on situation, construction, arrangement and decoration, in the theory & practice of rural architecture; interspersed with some observations on landscape gardening. John B. Papworth, author. Published at R. Ackermann’s Repository of Arts, Strand (London), June 1818. Collections of the Caroline Simpson Library, Museums of History New South Wales. In the public domain due to age. via https://archive.org/details/Papworth03155/page/n27/mode/1upA BATH. Frontispiece, Image 6 of Rural residences, consisting of a series of designs for cottages, decorated cottages, small villas, and other ornamental buildings: accompanied by hints on situation, construction, arrangement and decoration, in the theory & practice of rural architecture; interspersed with some observations on landscape gardening. John B. Papworth, author. Published at R. Ackermann’s Repository of Arts, Strand (London), June 1818. Collections of the Caroline Simpson Library, Museums of History New South Wales. In the public domain due to age. via https://archive.org/details/Papworth03155/page/n7/mode/1upA BAILIFF’S COTTAGE. Plate 5, Image 33 of Rural residences, consisting of a series of designs for cottages, decorated cottages, small villas, and other ornamental buildings: accompanied by hints on situation, construction, arrangement and decoration, in the theory & practice of rural architecture; interspersed with some observations on landscape gardening. John B. Papworth, author. Published at R. Ackermann’s Repository of Arts, Strand (London), June 1818. Collections of the Caroline Simpson Library, Museums of History New South Wales. In the public domain due to age. via https://archive.org/details/Papworth03155/page/n33/mode/1upGOTHIC COTTAGE. Plate 6, Image 39 of Rural residences, consisting of a series of designs for cottages, decorated cottages, small villas, and other ornamental buildings: accompanied by hints on situation, construction, arrangement and decoration, in the theory & practice of rural architecture; interspersed with some observations on landscape gardening. John B. Papworth, author. Published at R. Ackermann’s Repository of Arts, Strand (London), June 1818. Collections of the Caroline Simpson Library, Museums of History New South Wales. In the public domain due to age. via https://archive.org/details/Papworth03155/page/n39/mode/1upA COTTAGE ORNE. Plate 12, Image 75 of Rural residences, consisting of a series of designs for cottages, decorated cottages, small villas, and other ornamental buildings: accompanied by hints on situation, construction, arrangement and decoration, in the theory & practice of rural architecture; interspersed with some observations on landscape gardening. John B. Papworth, author. Published at R. Ackermann’s Repository of Arts, Strand (London), June 1818. Collections of the Caroline Simpson Library, Museums of History New South Wales. In the public domain due to age. via https://archive.org/details/Papworth03155/page/n75/mode/1upA COTTAGE ORNE. Plate 14, Image 87 of Rural residences, consisting of a series of designs for cottages, decorated cottages, small villas, and other ornamental buildings: accompanied by hints on situation, construction, arrangement and decoration, in the theory & practice of rural architecture; interspersed with some observations on landscape gardening. John B. Papworth, author. Published at R. Ackermann’s Repository of Arts, Strand (London), June 1818. Collections of the Caroline Simpson Library, Museums of History New South Wales. In the public domain due to age. via https://archive.org/details/Papworth03155/page/n87/mode/1upPARK LODGE AND ENTRANCE. Plate 19, Image 117 of Rural residences, consisting of a series of designs for cottages, decorated cottages, small villas, and other ornamental buildings: accompanied by hints on situation, construction, arrangement and decoration, in the theory & practice of rural architecture; interspersed with some observations on landscape gardening. John B. Papworth, author. Published at R. Ackermann’s Repository of Arts, Strand (London), June 1818. Collections of the Caroline Simpson Library, Museums of History New South Wales. In the public domain due to age. via https://archive.org/details/Papworth03155/page/n117/mode/1upA PARK ENTRANCE.Plate 20, Image 122 of Rural residences, consisting of a series of designs for cottages, decorated cottages, small villas, and other ornamental buildings: accompanied by hints on situation, construction, arrangement and decoration, in the theory & practice of rural architecture; interspersed with some observations on landscape gardening. John B. Papworth, author. Published at R. Ackermann’s Repository of Arts, Strand (London), June 1818. Collections of the Caroline Simpson Library, Museums of History New South Wales. In the public domain due to age. via https://archive.org/details/Papworth03155/page/n122/mode/1upA VERANDAH. Image 157 of Rural residences, consisting of a series of designs for cottages, decorated cottages, small villas, and other ornamental buildings: accompanied by hints on situation, construction, arrangement and decoration, in the theory & practice of rural architecture; interspersed with some observations on landscape gardening. John B. Papworth, author. Published at R. Ackermann’s Repository of Arts, Strand (London), June 1818. Collections of the Caroline Simpson Library, Museums of History New South Wales. In the public domain due to age. via https://archive.org/details/Papworth03155/page/n157/mode/1upA DOMESTIC CHAPEL. Plate 27, Image 161 of Rural residences, consisting of a series of designs for cottages, decorated cottages, small villas, and other ornamental buildings: accompanied by hints on situation, construction, arrangement and decoration, in the theory & practice of rural architecture; interspersed with some observations on landscape gardening. John B. Papworth, author. Published at R. Ackermann’s Repository of Arts, Strand (London), June 1818. Collections of the Caroline Simpson Library, Museums of History New South Wales. In the public domain due to age. via https://archive.org/details/Papworth03155/page/n161/mode/1up
Ansicht des Säulenhofes. Signed F. W. Bader on the lower right. Page 9 of Das Kaiserlich Königliche österreichische Museum und die Kunstgewerbeschule : Festschrift bei Gelegenheit der Weltausstellung in Wien, Mai 1873. F. W. Bader, Vienna, engraver. J. C. Fischer and Company, Vienna, Austria, printers. Collections of the Getty Research Institute. Artwork in the public domain due to age. via https://archive.org/details/daskaiserlichkon00unse/page/9/mode/1upVenetianischer Caminständer, 1577, aus der Sammlung des Museums. Drawn by Hermann von Riewel. Page 29 of Das Kaiserlich Königliche österreichische Museum und die Kunstgewerbeschule : Festschrift bei Gelegenheit der Weltausstellung in Wien, Mai 1873. J. C. Fischer and Company, Vienna, Austria, printers. Collections of the Getty Research Institute. Artwork in the public domain due to age. via https://archive.org/details/daskaiserlichkon00unse/page/29/mode/1upJuvvelcngehänge. Jan Collaert, artist. ca. 1543. Also in the Metropolitan Museum of Art New York with a date of 1581 here https://www.metmuseum.org/art/collection/search/426130. Page 37 of Das Kaiserlich Königliche österreichische Museum und die Kunstgewerbeschule : Festschrift bei Gelegenheit der Weltausstellung in Wien, Mai 1873. J. C. Fischer and Company, Vienna, Austria, printers. Collections of the Getty Research Institute. Artwork in the public domain due to age. https://archive.org/details/daskaiserlichkon00unse/page/37/mode/1upInitial ‘C.’ F. W. Bader and Company, Vienna, engraver. Page 58 of Das Kaiserlich Königliche österreichische Museum und die Kunstgewerbeschule : Festschrift bei Gelegenheit der Weltausstellung in Wien, Mai 1873. J. C. Fischer and Company, Vienna, Austria, printers. Collections of the Getty Research Institute. Artwork in the public domain due to age. via https://archive.org/details/daskaiserlichkon00unse/page/n58/mode/1upSpitzenmuster von Matteo Florimi, Siena, Italy, 1593. Figure 20, Page 45 of Das Kaiserlich Königliche österreichische Museum und die Kunstgewerbeschule : Festschrift bei Gelegenheit der Weltausstellung in Wien, Mai 1873. J. C. Fischer and Company, Vienna, Austria, printers. Collections of the Getty Research Institute. Artwork in the public domain due to age. via https://archive.org/details/daskaiserlichkon00unse/page/45/mode/thumbKopfleiste, .Motiv aus der Umrahmung des Diploms für die Mitglieder der Gesell-schaft zur Förderung der Kunstgewerbeschule. Initial Z, Venedig 1568. Engraved after a drawing by Joseph Storck. F. W. Bader and Company, Vienna, engraver. Page 68 of Das Kaiserlich Königliche österreichische Museum und die Kunstgewerbeschule : Festschrift bei Gelegenheit der Weltausstellung in Wien, Mai 1873. J. C. Fischer and Company, Vienna, Austria, printers. Collections of the Getty Research Institute. Artwork in the public domain due to age. via https://archive.org/details/daskaiserlichkon00unse/page/n68/mode/1upKreuz mit Email translucide made by Maso Finiguerra in the 15th century and in the collections of the Imperial and Royal Austrian Museum. Engraving after a drawing by Hermann Kühn. Page 68 of Das Kaiserlich Königliche österreichische Museum und die Kunstgewerbeschule : Festschrift bei Gelegenheit der Weltausstellung in Wien, Mai 1873. J. C. Fischer and Company, Vienna, Austria, printers. Collections of the Getty Research Institute. Artwork in the public domain due to age. via https://archive.org/details/daskaiserlichkon00unse/page/n78/mode/1upSchale by A. Hirschvogel (1503-1552). Page 61 Image 85 of Das Kaiserlich Königliche österreichische Museum und die Kunstgewerbeschule : Festschrift bei Gelegenheit der Weltausstellung in Wien, Mai 1873. J. C. Fischer and Company, Vienna, Austria, printers. Collections of the Getty Research Institute. Artwork in the public domain due to age. via https://archive.org/details/daskaiserlichkon00unse/page/61/mode/1upMajolika-Schüssel. Italian, 16th century. in the collections of the Imperial and Royal Austrian Museum. Engraving after a photograph taken by I. Angerer. Image 102 of Das Kaiserlich Königliche österreichische Museum und die Kunstgewerbeschule : Festschrift bei Gelegenheit der Weltausstellung in Wien, Mai 1873. J. C. Fischer and Company, Vienna, Austria, printers. Collections of the Getty Research Institute. Artwork in the public domain due to age. via https://archive.org/details/daskaiserlichkon00unse/page/n102/mode/1upSpitzenmuster. Lace pattern by Cesare Vecelho. ca. 1606. Image 80 of Das Kaiserlich Königliche österreichische Museum und die Kunstgewerbeschule : Festschrift bei Gelegenheit der Weltausstellung in Wien, Mai 1873. J. C. Fischer and Company, Vienna, Austria, printers. Collections of the Getty Research Institute. Artwork in the public domain due to age. via https://archive.org/details/daskaiserlichkon00unse/page/80/mode/1up
Musée National de Malmaison EXPOSITION 1928 de NAPOLÉON Ier à NAPOLÉON III. SOUVENIRS DE LA FAMILLE IMPERIALE. Conservées par l’Impératrice Eugénie dans sa résidence de Farnborough et provenant de sa succession. Front cover. Published in 1928. P. Guillaumot, Paris, engraver-heraldist. Bellenand and Son, Fontenay-aux-Roses, printers. Published by the Musée national de Malmaison. Collections of the Bibliothèques Patrimoniales Paris. Artwork in the public domain due to age. https://bibliotheques-specialisees.paris.fr/ark:/73873/pf0000045806?posInSet=17&queryId=26dd9225-f3a0-45f5-a20a-95a1026c09a7
32. Le Prince Impérial (son of Eugénie and Napoleon III). Medaillon de profil. Marbre, par J. Peyre (1863), sculpteur de la Manufacture de Sèvres, Diamètre : 0.37. Image 19 from a 1928 catalogue titled Musée National de Malmaison EXPOSITION 1928 de NAPOLÉON Ier à NAPOLÉON III. SOUVENIRS DE LA FAMILLE IMPERIALE. Conservées par l’Impératrice Eugénie dans sa résidence de Farnborough et provenant de sa succession. P. Guillaumot, Paris, engraver-heraldist. Bellenand and Son, Fontenay-aux-Roses, printers. Published by the Musée national de Malmaison. Collections of the Bibliothèques Patrimoniales Paris. Artwork in the public domain due to age. https://bibliotheques-specialisees.paris.fr/ark:/73873/pf0000045806/v0019.simple.highlight=imp%C3%A9ratrice.selectedTab=recordL’Impératrice Eugénie entourée de ses dames d’honneur. Painted by Franz-Xaver Winterhalter in 1855. See it in color here https://www.napoleon.org/en/history-of-the-two-empires/paintings/the-empress-eugenie-surrounded-by-her-ladies-in-waiting/. In the collections of the RMN, Compiègne, Musée National du château. Image 21 from a 1928 catalogue titled Musée National de Malmaison EXPOSITION 1928 de NAPOLÉON Ier à NAPOLÉON III. SOUVENIRS DE LA FAMILLE IMPERIALE. Conservées par l’Impératrice Eugénie dans sa résidence de Farnborough et provenant de sa succession. P. Guillaumot, Paris, engraver-heraldist. Bellenand and Son, Fontenay-aux-Roses, printers. Published by the Musée national de Malmaison. Collections of the Bibliothèques Patrimoniales Paris. Artwork in the public domain due to age. https://bibliotheques-specialisees.paris.fr/ark:/73873/pf0000045806/v0021.simple.highlight=imp%C3%A9ratrice.selectedTab=record76. Aiguiere et son Bassin. En vermeil. PAR HENRY AUGUSTE, orfevre de la Couronne. Signes Henry – Auguste. Le bassin est timbré, à son bord inférieur, d’une échelon grave aux Armes Royales. Ces objets ont servi à ondoyer le Prince Impérial aux Tuileries, le 16 mars 1856. Ils sont désignés dans le catalogue de la vente de Farnborough comme ayant appartenu à Louis XVI et à Napoléon Ier. (Collection de M. Bacri). Image 43 with the description being on the previous page. From a 1928 catalogue titled Musée National de Malmaison EXPOSITION 1928 de NAPOLÉON Ier à NAPOLÉON III. SOUVENIRS DE LA FAMILLE IMPERIALE. Conservées par l’Impératrice Eugénie dans sa résidence de Farnborough et provenant de sa succession. P. Guillaumot, Paris, engraver-heraldist. Bellenand and Son, Fontenay-aux-Roses, printers. Published by the Musée national de Malmaison. Collections of the Bibliothèques Patrimoniales Paris. Artwork in the public domain due to age. https://bibliotheques-specialisees.paris.fr/ark:/73873/pf0000045806/v0047.simple.highlight=imp%C3%A9ratrice.selectedTab=record98. Livre d’heures de Napoleon III. Velours grenat, garni de découpures en vermeil; au centre, sur fond d’email bleu, le chiffre de l’Empereur et l’Aigle Impériale. (Collection of Mademoiselle Dechaux). Image 59. From a 1928 catalogue titled Musée National de Malmaison EXPOSITION 1928 de NAPOLÉON Ier à NAPOLÉON III. SOUVENIRS DE LA FAMILLE IMPERIALE. Conservées par l’Impératrice Eugénie dans sa résidence de Farnborough et provenant de sa succession. P. Guillaumot, Paris, engraver-heraldist. Bellenand and Son, Fontenay-aux-Roses, printers. Published by the Musée national de Malmaison. Collections of the Bibliothèques Patrimoniales Paris. Artwork in the public domain due to age. https://bibliotheques-specialisees.paris.fr/ark:/73873/pf0000045806/v0059.simple.highlight=imp%C3%A9ratrice.selectedTab=recordBuvard de Napoléon III, en velours vert, garni d’ornements en ivoire sculpté ; au centre, le chiffre de l’Empereur. Image 63. From a 1928 catalogue titled Musée National de Malmaison EXPOSITION 1928 de NAPOLÉON Ier à NAPOLÉON III. SOUVENIRS DE LA FAMILLE IMPERIALE. Conservées par l’Impératrice Eugénie dans sa résidence de Farnborough et provenant de sa succession. P. Guillaumot, Paris, engraver-heraldist. Bellenand and Son, Fontenay-aux-Roses, printers. Published by the Musée national de Malmaison. Collections of the Bibliothèques Patrimoniales Paris. Artwork in the public domain due to age. https://bibliotheques-specialisees.paris.fr/ark:/73873/pf0000045806/v0063.simple.highlight=imp%C3%A9ratrice.selectedTab=record150. Surtout de table, composé d’une corbeille ovale avec medaillons aux Armes Impériales et de 4 candelabres à 6 lumières, en bronze argenté. Image 72. From a 1928 catalogue titled Musée National de Malmaison EXPOSITION 1928 de NAPOLÉON Ier à NAPOLÉON III. SOUVENIRS DE LA FAMILLE IMPÉRIALE. Conservées par l’Impératrice Eugénie dans sa résidence de Farnborough et provenant de sa succession. P. Guillaumot, Paris, engraver-heraldist. Bellenand and Son, Fontenay-aux-Roses, printers. Published by the Musée national de Malmaison. Collections des Bibliothèques Patrimoniales de Paris. Artwork in the public domain due to age. https://bibliotheques-specialisees.paris.fr/ark:/73873/pf0000045806/v0072.simple.highlight=imp%C3%A9ratrice.selectedTab=record
The Lidd of a Powder Box – The Lidd of a Patch Box Engraved on a copper plate. from John Stalker’s 1688 work A treatise of japaning and varnishing . . . Printed for the author in Oxford, England. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection, The New York Public Library. In the public domain due to age. via https://digitalcollections.nypl.org/items/8f7dec50-c6bb-012f-ac35-58d385a7bc34?canvasIndex=0Other Patterns for Powder Boxes – Other Patterns for Patch Boxes. Engraved on a copper plate. from John Stalker’s 1688 work A treatise of japaning and varnishing . . . Printed for the author in Oxford, England. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection, The New York Public Library. In the public domain due to age. via https://digitalcollections.nypl.org/items/8fcc6930-c6bb-012f-ea35-58d385a7bc34?canvasIndex=0Cloth brushes; combe brushes; a pincushion; trunks for pendants, necklaces, rings, and jewels. Engraved on a copper plate. from John Stalker’s 1688 work A treatise of japaning and varnishing . . . Printed for the author in Oxford, England. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection, The New York Public Library. In the public domain due to age. via https://digitalcollections.nypl.org/items/90753cb0-c6bb-012f-ff04-58d385a7bc34?canvasIndex=0The top of a 12 inch frame for a looking glass for Japan work; the bottom of ye said frame. Engraved on a copper plate. from John Stalker’s 1688 work A treatise of japaning and varnishing . . . Printed for the author in Oxford, England. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection, The New York Public Library. In the public domain due to age. via https://digitalcollections.nypl.org/items/90d0ade0-c6bb-012f-97f0-58d385a7bc34?canvasIndex=0For ye top or lid of a combe box. Engraved on a copper plate. from John Stalker’s 1688 work A treatise of japaning and varnishing . . . Printed for the author in Oxford, England. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection, The New York Public Library. In the public domain due to age. via https://digitalcollections.nypl.org/items/91cd4860-c6bb-012f-d42b-58d385a7bc34Design of birds and insects. Engraved on a copper plate. from John Stalker’s 1688 work A treatise of japaning and varnishing . . . Printed for the author in Oxford, England. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection, The New York Public Library. In the public domain due to age. via https://digitalcollections.nypl.org/items/92120120-c6bb-012f-d8b2-58d385a7bc34?canvasIndex=0Design of tree; bird in one tree. Engraved on a copper plate. from John Stalker’s 1688 work A treatise of japaning and varnishing . . . Printed for the author in Oxford, England. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection, The New York Public Library. In the public domain due to age. via https://digitalcollections.nypl.org/items/9309db80-c6bb-012f-8196-58d385a7bc34Design of flowering plant. Engraved on a copper plate. from John Stalker’s 1688 work A treatise of japaning and varnishing . . . Printed for the author in Oxford, England. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection, The New York Public Library. In the public domain due to age. via https://digitalcollections.nypl.org/items/93659e00-c6bb-012f-8c84-58d385a7bc34?canvasIndex=0Design of monkeys, rabbits, stags, bird.Engraved on a copper plate. from John Stalker’s 1688 work A treatise of japaning and varnishing . . . Printed for the author in Oxford, England. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection, The New York Public Library. In the public domain due to age. via https://digitalcollections.nypl.org/items/9407e6d0-c6bb-012f-f068-58d385a7bc34?canvasIndex=0
They have an Oriental influence but not from the arrival of the first Chinese ambassador to Great Britain who arrived in the mid 1870s during the reign of Queen Victoria. But before that French Queen Marie-Antoinette owned a valuable collection of Japanese lacquerware including a small hen shaped tiered box from the Edo period. And before that Chinese goods reached European markets from the Silk Road (which the current New Silk Road Initiative is named for).
These images are designs for Japanning work which was developed in Europe to imitate Asian lacquerware of the kind Marie Antoinette collected.
Front cover of A Baby’s Opera, a book of old rhymes with new dresses; the music by the earliest masters. Published in 1900. Walter Crane, author. Engraved and printed in colors by Edmund Evans. Fredericke Warne and Company of London and New York, publishers. de Grummond Children’s Literature Collection at the University of Southern Mississippi. Artwork in the public domain due to age. https://usm.access.preservica.com/uncategorized/SO_23f8d6c6-265b-497d-aa5b-e6633ae9d514?view=renderLoving the little mice. Image 3. A Baby’s Opera, a book of old rhymes with new dresses; the music by the earliest masters. Published in 1900. Walter Crane, author. Engraved and printed in colors by Edmund Evans. Fredericke Warne and Company of London and New York, publishers. de Grummond Children’s Literature Collection at the University of Southern Mississippi. Artwork in the public domain due to age. https://usm.access.preservica.com/uncategorized/SO_23f8d6c6-265b-497d-aa5b-e6633ae9d514?view=renderTable of Contents. Image 6. A Baby’s Opera, a book of old rhymes with new dresses; the music by the earliest masters. Published in 1900. Walter Crane, author. Engraved and printed in colors by Edmund Evans. Fredericke Warne and Company of London and New York, publishers. de Grummond Children’s Literature Collection at the University of Southern Mississippi. Artwork in the public domain due to age. https://usm.access.preservica.com/uncategorized/SO_23f8d6c6-265b-497d-aa5b-e6633ae9d514?view=renderGirls and Boys. Image 6 (right side). A Baby’s Opera, a book of old rhymes with new dresses; the music by the earliest masters. Published in 1900. Walter Crane, author. Engraved and printed in colors by Edmund Evans. Fredericke Warne and Company of London and New York, publishers. de Grummond Children’s Literature Collection at the University of Southern Mississippi. Artwork in the public domain due to age. https://usm.access.preservica.com/uncategorized/SO_23f8d6c6-265b-497d-aa5b-e6633ae9d514?view=render Saint Paul’s Steeple. Page 13, Image 8 (upper right side). A Baby’s Opera, a book of old rhymes with new dresses; the music by the earliest masters. Published in 1900. Walter Crane, author. Engraved and printed in colors by Edmund Evans. Fredericke Warne and Company of London and New York, publishers. de Grummond Children’s Literature Collection at the University of Southern Mississippi. Artwork in the public domain due to age. https://usm.access.preservica.com/uncategorized/SO_23f8d6c6-265b-497d-aa5b-e6633ae9d514?view=renderMy Lady’s Garden. Page 14, Image 9 (upper right side). A Baby’s Opera, a book of old rhymes with new dresses; the music by the earliest masters. Published in 1900. Walter Crane, author. Engraved and printed in colors by Edmund Evans. Fredericke Warne and Company of London and New York, publishers. de Grummond Children’s Literature Collection at the University of Southern Mississippi. Artwork in the public domain due to age. https://usm.access.preservica.com/uncategorized/SO_23f8d6c6-265b-497d-aa5b-e6633ae9d514?view=renderI Saw Three Ships. Page 18, Image 11 (upper left side). A Baby’s Opera, a book of old rhymes with new dresses; the music by the earliest masters. Published in 1900. Walter Crane, author. Engraved and printed in colors by Edmund Evans. Fredericke Warne and Company of London and New York, publishers. de Grummond Children’s Literature Collection at the University of Southern Mississippi. Artwork in the public domain due to age. https://usm.access.preservica.com/uncategorized/SO_23f8d6c6-265b-497d-aa5b-e6633ae9d514?view=renderYe Frog and Ye Crow. Page 26, Image 15 (upper left side). A Baby’s Opera, a book of old rhymes with new dresses; the music by the earliest masters. Published in 1900. Walter Crane, author. Engraved and printed in colors by Edmund Evans. Fredericke Warne and Company of London and New York, publishers. de Grummond Children’s Literature Collection at the University of Southern Mississippi. Artwork in the public domain due to age. https://usm.access.preservica.com/uncategorized/SO_23f8d6c6-265b-497d-aa5b-e6633ae9d514?view=renderJack and Jill. Page 25, Image 28 (upper left side). A Baby’s Opera, a book of old rhymes with new dresses; the music by the earliest masters. Published in 1900. Walter Crane, author. Engraved and printed in colors by Edmund Evans. Fredericke Warne and Company of London and New York, publishers. de Grummond Children’s Literature Collection at the University of Southern Mississippi. Artwork in the public domain due to age. https://usm.access.preservica.com/uncategorized/SO_23f8d6c6-265b-497d-aa5b-e6633ae9d514?view=renderDance a Baby. Image 29 (upper left side). A Baby’s Opera, a book of old rhymes with new dresses; the music by the earliest masters. Published in 1900. Walter Crane, author. Engraved and printed in colors by Edmund Evans. Fredericke Warne and Company of London and New York, publishers. de Grummond Children’s Literature Collection at the University of Southern Mississippi. Artwork in the public domain due to age. https://usm.access.preservica.com/uncategorized/SO_23f8d6c6-265b-497d-aa5b-e6633ae9d514?view=render
Front cover. Benedictus: Nouvelles Variations: soixante-quinze motifs décoratifs en vingt planches. Editions Albert Lévy – Paris – Librairie Central des Beaux-Arts. Published in 1924. Edouard Benedictus, artist. Albert Lévy, publisher. Pochoir prints. Collections of the Bibliothèque nationale de France gallica.bnf.fr. In the public domain due to age. https://gallica.bnf.fr/ark:/12148/bpt6k15077177/f1.planchecontactTitle page. Benedictus: Nouvelles Variations: soixante-quinze motifs décoratifs en vingt planches. Editions Albert Lévy – Paris – Librairie Central des Beaux-Arts. Published in 1924. Edouard Benedictus, artist. Albert Lévy, publisher. Pochoir prints. Collections of the Bibliothèque nationale de France gallica.bnf.fr. In the public domain due to age. https://gallica.bnf.fr/ark:/12148/bpt6k15077177/f12.item#Lower image, View 14, Page 1. Benedictus: Nouvelles Variations: soixante-quinze motifs décoratifs en vingt planches. Editions Albert Lévy – Paris – Librairie Central des Beaux-Arts. Published in 1924. Edouard Benedictus, artist. Albert Lévy, publisher. Pochoir prints. Collections of the Bibliothèque nationale de France gallica.bnf.fr. In the public domain due to age. https://gallica.bnf.fr/ark:/12148/bpt6k15077177/f14.itemView 18, Page 3. Benedictus: Nouvelles Variations: soixante-quinze motifs décoratifs en vingt planches. Editions Albert Lévy – Paris – Librairie Central des Beaux-Arts. Published in 1924. Edouard Benedictus, artist. Albert Lévy, publisher. Pochoir prints. Collections of the Bibliothèque nationale de France gallica.bnf.fr. In the public domain due to age. https://gallica.bnf.fr/ark:/12148/bpt6k15077177/f18.item#View 22, Page 5. Benedictus: Nouvelles Variations: soixante-quinze motifs décoratifs en vingt planches. Editions Albert Lévy – Paris – Librairie Central des Beaux-Arts. Published in 1924. Edouard Benedictus, artist. Albert Lévy, publisher. Pochoir prints. Collections of the Bibliothèque nationale de France gallica.bnf.fr. In the public domain due to age. https://gallica.bnf.fr/ark:/12148/bpt6k15077177/f22.item#View 30, Page 9. Benedictus: Nouvelles Variations: soixante-quinze motifs décoratifs en vingt planches. Editions Albert Lévy – Paris – Librairie Central des Beaux-Arts. Published in 1924. Edouard Benedictus, artist. Albert Lévy, publisher. Pochoir prints. Collections of the Bibliothèque nationale de France gallica.bnf.fr. In the public domain due to age. https://gallica.bnf.fr/ark:/12148/bpt6k15077177/f30.itemView 32, Page 10. Benedictus: Nouvelles Variations: soixante-quinze motifs décoratifs en vingt planches. Editions Albert Lévy – Paris – Librairie Central des Beaux-Arts. Published in 1924. Edouard Benedictus, artist. Albert Lévy, publisher. Pochoir prints. Collections of the Bibliothèque nationale de France gallica.bnf.fr. In the public domain due to age. https://gallica.bnf.fr/ark:/12148/bpt6k15077177/f32.itemView 34, Page 11 (lower left detail) Benedictus: Nouvelles Variations: soixante-quinze motifs décoratifs en vingt planches. Editions Albert Lévy – Paris – Librairie Central des Beaux-Arts. Published in 1924. Edouard Benedictus, artist. Albert Lévy, publisher. Pochoir prints. Collections of the Bibliothèque nationale de France gallica.bnf.fr. In the public domain due to age. https://gallica.bnf.fr/ark:/12148/bpt6k15077177/f34.item#View 38, Page 13. Benedictus: Nouvelles Variations: soixante-quinze motifs décoratifs en vingt planches. Editions Albert Lévy – Paris – Librairie Central des Beaux-Arts. Published in 1924. Edouard Benedictus, artist. Albert Lévy, publisher. Pochoir prints. Collections of the Bibliothèque nationale de France gallica.bnf.fr. In the public domain due to age. https://gallica.bnf.fr/ark:/12148/bpt6k15077177/f38.itemView 38, Page 17. Benedictus: Nouvelles Variations: soixante-quinze motifs décoratifs en vingt planches. Editions Albert Lévy – Paris – Librairie Central des Beaux-Arts. Published in 1924. Edouard Benedictus, artist. Albert Lévy, publisher. Pochoir prints. Collections of the Bibliothèque nationale de France gallica.bnf.fr. In the public domain due to age. https://gallica.bnf.fr/ark:/12148/bpt6k15077177/f46.item#View 52, Page 20. Benedictus: Nouvelles Variations: soixante-quinze motifs décoratifs en vingt planches. Editions Albert Lévy – Paris – Librairie Central des Beaux-Arts. Published in 1924. Edouard Benedictus, artist. Albert Lévy, publisher. Pochoir prints. Collections of the Bibliothèque nationale de France gallica.bnf.fr. In the public domain due to age. https://gallica.bnf.fr/ark:/12148/bpt6k15077177/f52.item#
This portfolio can be found in numerous other collections, including the Rhode Island School of Design, the Victoria and Albert Museum, and Skidmore College just to name a few. The Rhode Island School of Design (RISD) site has a link that lets you download a PDF of the entire portfolio.
Palace of Agriculture. Page 4 of a PDF version of The Exposition, a magazine devoted to the South Carolina Interstate and West Indian Exposition, Charleston, South Carolina, December 1, 1901 to May 31, 1902. April 1, 1901 issue, Volume 1, Number 5. Collections of the College of Charleston. Copyrighted in 1901 but in the public domain due to age by now. via the Low Country Digital Library. https://lcdl.library.cofc.edu/lcdl/catalog/lcdl:23618Electrical Island.Page 6 of a PDF version of The Exposition, a magazine devoted to the South Carolina Interstate and West Indian Exposition, Charleston, South Carolina, December 1, 1901 to May 31, 1902. April 1, 1901 issue, Volume 1, Number 5. Collections of the College of Charleston. Copyrighted in 1901 but in the public domain due to age by now. via the Low Country Digital Library. https://lcdl.library.cofc.edu/lcdl/catalog/lcdl:23618Column with a fountain at the base and a female figure at the top holding an electrified wand, this being when cities and towns were still being electrified so when electricity was exciting. Page 6 of a PDF version of The Exposition, a magazine devoted to the South Carolina Interstate and West Indian Exposition, Charleston, South Carolina, December 1, 1901 to May 31, 1902. March 1901 issue, Volume 1, Number 4. Collections of the College of Charleston. Copyrighted in 1901 but in the public domain due to age by now. via the Low Country Digital Library. https://lcdl.library.cofc.edu/lcdl/catalog/lcdl:23617The Cotton Palace. Page 4 of a PDF version of The Exposition, a magazine devoted to the South Carolina Interstate and West Indian Exposition, Charleston, South Carolina, December 1, 1901 to May 31, 1902. March 1901 issue, Volume 1, Number 4. Collections of the College of Charleston. Copyrighted in 1901 but in the public domain due to age by now. via the Low Country Digital Library. https://lcdl.library.cofc.edu/lcdl/catalog/lcdl:23617The Transportation Building. Page 18 of a PDF version of The Exposition, a magazine devoted to the South Carolina Interstate and West Indian Exposition, Charleston, South Carolina, December 1, 1901 to May 31, 1902. May 1901 issue, Volume 1, Number 4. Collections of the College of Charleston. Copyrighted in 1901 but in the public domain due to age by now. via the Low Country Digital Library. file:///C:/Users/owner/OneDrive/Desktop/223093_58c3b1c2036e5f4.pdfSouth Elevation, South Carolina Inter – State and West Indian Exposition, Charleston South Carolina: Prepared at office of Architect in Chief, 80 Broadway, New York City. Page 19 of a PDF version of The Exposition, a magazine devoted to the South Carolina Interstate and West Indian Exposition, Charleston, South Carolina, December 1, 1901 to May 31, 1902. February 1901 issue, Volume 1, Number 3. Collections of the College of Charleston. Copyrighted in 1901 but in the public domain due to age by now. via the Low Country Digital Library. file:///C:/Users/owner/OneDrive/Desktop/223093_58c3b1c2036e5f4.pdf
Specimen d’une planche TRES RÉDUIRE. Le format exact est de 45 X 34. Croquis Architecturaux. Page 4 of A. Raguenet’s Les principaux palais de l’Exposition universelle de Paris. Published in Paris in 1900 by C. Schmid. Collections of the Getty Research Institute. In the public domain due to age. https://archive.org/details/lesprincipauxpal00ragu/page/n4/mode/1up Facade des campaniles et coupoles. Palais par Messrs Larche and Nachon, Architectes. Palais C. Page 4 of A. Raguenet’s Les principaux palais de l’Exposition universelle de Paris. Published in Paris in 1900 by C. Schmid. Viellemard Fils & Cie, Paris, lithographers. Collections of the Getty Research Institute. In the public domain due to age. https://archive.org/details/lesprincipauxpal00ragu/page/n5/mode/1upGuirlandes sous l’entablement et entre les grandes baies des façades. Mr. C. Julien, sculpteur. Palais par Messrs Larche and Nachon, Architectes. Published in Paris in 1900 by C. Schmid. Viellemard Fils & Cie, Paris, lithographers. Palais C. Page 10 of A. Raguenet’s Les principaux palais de l’Exposition universelle de Paris. . Collections of the Getty Research Institute. In the public domain due to age. https://archive.org/details/lesprincipauxpal00ragu/page/n10/mode/1upChapiteaux et bases des flèches pyramidales. Mr. Jacquier de Caen, sculpteure. Palais par M. Tropey-Bailly Architecte. Published in Paris in 1900 by C. Schmid. Viellemard Fils & Cie, Paris, lithographers. Palais A. Page 17 of A. Raguenet’s Les principaux palais de l’Exposition universelle de Paris. . Collections of the Getty Research Institute. In the public domain due to age. https://archive.org/details/lesprincipauxpal00ragu/page/n17/mode/1upCouronnements et balcons des facades en saillie sur l’Avenue des Invalides. Messrs Jacquier Freres, sculpteurs (detail). Palais par M. Tropey-Bailly Architecte. Published in Paris in 1900 by C. Schmid. Viellemard Fils & Cie, Paris, lithographers. Palais A. Page 23 of A. Raguenet’s Les principaux palais de l’Exposition universelle de Paris. . Collections of the Getty Research Institute. In the public domain due to age. https://archive.org/details/lesprincipauxpal00ragu/page/n23/mode/1upEntablement et attique décorer des armes des principales villes de France; Fragment des façades en quart de cercle.Palais par Messrs. Toudoire & G. Fradelle, architectes. Published in Paris in 1900 by C. Schmid. Viellemard Fils & Cie, Paris, lithographers. Palais D. Page 28 of A. Raguenet’s Les principaux palais de l’Exposition universelle de Paris. Collections of the Getty Research Institute. In the public domain due to age https://archive.org/details/lesprincipauxpal00ragu/page/n28/mode/1upDeux des trois frontons couronnant la partie centrale de palais, a droite et a gauche de la grande place servant d’entree a l’Avenue de l’Esplanade. Sculpteurs Messrs. Mallet et Pinard. Palais par Messrs. Toudoire & G. Fradelle, architectes. Published in Paris in 1900 by C. Schmid. Viellemard Fils & Cie, Paris, lithographers. Palais D. Page 53 of A. Raguenet’s Les principaux palais de l’Exposition universelle de Paris. Collections of the Getty Research Institute. In the public domain due to age. https://archive.org/details/lesprincipauxpal00ragu/page/n53/mode/1upVue d’ensemble d’une des deux façades a l’interieur d l’ancienne galerie des machines. Les nombreux pavillions d’exposition places devant le palais ne nous ont pas permis de donner ces façades en perspective. Il manque a cet ensemble deux petites portes, a droite et a gauche, que nous n’aurions pu faire figurer ici sans réduite encore l’echelle du dessin. Mr. Gustave Raulin, architecte. Champe-de-Mars, Palais pour La Salle des Fetes. Published in Paris in 1900 by C. Schmid. Viellemard Fils & Cie, Paris, lithographers. Palais D. Page 104 of A. Raguenet’s Les principaux palais de l’Exposition universelle de Paris. Collections of the Getty Research Institute. In the public domain due to age. https://archive.org/details/lesprincipauxpal00ragu/page/n104/mode/1up
