Theatrical Set Designs and other Fripperies for January 10th MMXXVI in the winter show . . .

smiling on air as somewhere in the northern lands the music strikes up and the dancing begins . . . all year with no one to talk to but musk ox but not today . . . the daughter of the man with the biggest house in the district in her bridal furs riding into the hall on a polar bear with her groom beside her on his musk ox . . . feasting and feet one hopes are nimble . . . better find a lady now or else there will be no one to dance with . . .

my series post for today over on my Substack at the link if you’d like to see it.

https://sarahbguestperry.substack.com/p/theatrical-set-designs-and-other-916

Atokirinia coat. 2021. Metaverse fashion, digital garment. Image courtesy Auroboros. via auroboros.co.uk.

Theatrical Set Designs and other Fripperies for January 8th 2026 in the winter show . . .

meowing on air on the breath of an mother opossum with her babies riding on her back as somewhere in a great city in South America the quinceañera begins . . . pink tulle with a tiara from the best shop downtown and Mother having had to take two weeks off to arrange it all . . . guest after guest and an extra tent needed and the neighbor’s back yard having to be rented . . . but worth it . . . life not always friendly but a memory to last forever . . .

my series post for today over on my Substack at the link if you’d like to see it https://sarahbguestperry.substack.com/p/theatrical-set-designs-and-other-0c8

Orchard pomegranate ornament. Birds of Paradise, NYC. via Pinterest.

An envisioning. 1972 and five o’clock in summer with the heat still like noon at the house in Christabella Greene.

Oh to be here.

Out in the wilds of Rhodesia, visiting someone or other related to Great Uncle. Another tray of lime squashes making its way around the terrace, followed by bowls of salted peatnuts and sweetened up pecans. Funny, what with everyone at the club practically living on beer and hot tea. But it making sense, what with Great Auntie having come from somewhere down on the coast, where whales danced just past the sand bar, the way lions roared from the other end of the reserve. Where life, at least in memory, was a combination birthday picnic/cocktail party that never ran down.

my new short fiction piece at the link if you’d like to read the rest. The image is a photograph from the archives of photographer Slim Aarons.

https://sarahbguestperry.substack.com/p/an-envisioning-1972-and-five-oclock

March 1976—Manuela Bormanero and a friend holiday in the Italian ski resort Cortina d’Ampezzo. Winter Wear Photograph, Slim Aarons, photographer. From the Slim Aarons Archive which is housed at the Getty Institute in California. © Estate of the photographer and the Getty Institute. Fair use license. https://jonathanadler.com/products/slim-aarons-ldquo-winter-wear-rdquo-photograph

Bronze inkwells that double as sculptures or at least draw the eye better than a Post-It note. So much more fun than your next computer mouse. Mostly Victorian, some not.

The Vanishing Race. Undated, by 1920. American. Bronze inkwell. Charles Plein, maker (1870-1920). Signed Plein, Omaha. Image © 2026 Abington Auction Gallery. Fair use license. https://www.abingtonauctions.com/auction-lot/charles-plein-bronze-inkwell-the-vanishing-race_4644BC7944
Bronze and oak wood sailboat ink stand with two glass inkwells and lids. Mid 20th c. No further information available. Image © 2026 Abington Auction Gallery. Fair use license. https://www.abingtonauctions.com/auction-lot/bronze-wood-sailboat-ink-stand-mid-20th-c_0274746AB7
Bronze inkwell embellished with floral, scallop, and ram’s head details and a centered scroll handle with two wells. French. Victorian, 19th c. Maker not known. Image © Newel Gallery. Fair use license. https://www.newel.com/product/french-victorian-bronze-inkwell-2
Inkwell in yellow Siena marble with a gilded bronze sphinx and inkwells. French. Egyptian Revival. Early 20th c. Maker not known. Image © 2026 Pamono GmbH. Fair use license. https://www.pamono.com/early-20th-century-french-inkwell?srsltid=AfmBOopp0UTSL9wnUi3e1BxG7TQ4jbMbAk16XuXUGy861sbIFP_rzkWm
Solid brass or bronze maritime motif inkwell with a glass jar to hold the ink flanked on each side by a clam shell that can be open or shut and a large clam shell on the front that serves as a vide poche to keep small odds and ends in one place. The back is embellished with the motif or two roped anchors. The lid for the glass ink well missing. Undated, ca. 1900. Image © antiquesboutique.com. Fair use license https://www.antiquesboutique.com/antique-desk-accessories/art-nouveau-inkwell-bronze-maritime-decor-early-20th-century/itm248114

Bronze inkwell in the Rococo style and featuring intricate scrollwork, a central bust, and two lidded ink pots along with a letter opener. mid-late 19th c. Probably French. Maker not shown. Image © intondo.com. Fair use license. https://www.intondo.com/en/products/127957/decor/decorative-object/desk-inkwell-bronze-19th-century

Images from the portfolio “Meister der Innen-Kunst: Haus eines Kunstfreundes,” which was published in Darmstadt, Germany by A. Koch in 1902. Part of a contest by Zeitschrift für Innendekoration. All of these being from Volume I with the text being in English and the captioning being in German.

Title page. Image 3 from the 1902 portfolio MEISTER DER INNEN-KUNST: Haus Eines Kunst-Freundes (Masters of Interior Design: The House of an Art Lover). Alex Koch, Darmstadt, publisher with designs by Baillie Scott. Collections of the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125008235489/page/n3/mode/1up
MOTTO: DULCE DOMUM: Baillie Scott, Isle of Man: Haus eines Kunst-freundes Verlage-Anstalt; Alexander Koch, Darmstadt. Tafel V. Image 16 (17) from the 1902 portfolio MEISTER DER INNEN-KUNST: Haus Eines Kunst-Freundes (Masters of Interior Design: The House of an Art Lover). Alex Koch, Darmstadt, publisher with designs by Baillie Scott. Collections of the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125008235489/page/n16/mode/1up
HALL: Baillie Scott, Isle of Man: Haus eines Kunst-freundes Verlage-Anstalt; Alexander Koch, Darmstadt. Image 18 from the 1902 portfolio MEISTER DER INNEN-KUNST: Haus Eines Kunst-Freundes (Masters of Interior Design: The House of an Art Lover). Alex Koch, Darmstadt, publisher with designs by Baillie Scott. Collections of the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125008235489/page/n18/mode/1up
DINING ROOM: Baillie Scott, Isle of Man: Haus eines Kunst-freundes Verlage-Anstalt; Alexander Koch, Darmstadt. Image 20 from the 1902 portfolio MEISTER DER INNEN-KUNST: Haus Eines Kunst-Freundes (Masters of Interior Design: The House of an Art Lover). Alex Koch, Darmstadt, publisher with designs by Baillie Scott. Collections of the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125008235489/page/n20/mode/1up
MUSIC ROOM: Baillie Scott, Isle of Man: Haus eines Kunst-freundes Verlage-Anstalt; Alexander Koch, Darmstadt. Image 22 from the 1902 portfolio MEISTER DER INNEN-KUNST: Haus Eines Kunst-Freundes (Masters of Interior Design: The House of an Art Lover). Alex Koch, Darmstadt, publisher with designs by Baillie Scott. Collections of the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125008235489/page/n22/mode/1up
PLAY ROOM and STUDY: Baillie Scott, Isle of Man: Haus eines Kunst-freundes Verlage-Anstalt; Alexander Koch, Darmstadt. Image 24 from the 1902 portfolio MEISTER DER INNEN-KUNST: Haus Eines Kunst-Freundes (Masters of Interior Design: The House of an Art Lover). Alex Koch, Darmstadt, publisher with designs by Baillie Scott. Collections of the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125008235489/page/n24/mode/1up
Top to bottom: BEDROOM IN PARENTS’ SUITE; BATH; AND LADIES ROOM. Baillie Scott, Isle of Man: Haus eines Kunst-freundes Verlage-Anstalt; Alexander Koch, Darmstadt. Image 26 from the 1902 portfolio MEISTER DER INNEN-KUNST: Haus Eines Kunst-Freundes (Masters of Interior Design: The House of an Art Lover). Alex Koch, Darmstadt, publisher with designs by Baillie Scott. Collections of the Getty Research Institute. In the public domain due to age. via https://archive.org/details/gri_33125008235489/page/n26/mode/1up

Grand Duke Ernst of Hesse-Darmstadt appears to have been an Art Nouveau/Jugendstil art lover as he set up an artist’s colony in Hesse-Darmstadt and this portfolio must have been part of that. He was the brother of the last Russian tsarina the Empress Alexandra. His mother was a daughter of Queen Victoria which explains the London connection. I blogged a few of these images a number of years ago in a different post. I’m not sure of when I happened upon the Internet Archive but at the time of my earlier post there was no scanned version of the entire portfolio or at least not one I was aware of. This has all the designs.

Theatrical Set Designs and Other Fripperies for January 7th 2026 in the winter show . . .

sparking on air on a dewdrop at the edge of the dell as somewhere in the mountains past where the northern lands kiss the sky the sun princesses lace up their skates and get ready to race along the green ribbons in the sky . . . end to end and who knows how far . . . festival at the other end but the food . . . a roasted ox or sea kelp stew to toss on the floor for the dogs . . . only one way to find out . . . start!

my series post for today at the link if you’d like to see it. The ring in the image is Cartier.

https://sarahbguestperry.substack.com/p/theatrical-set-designs-and-other-8bb

The Roosevelt Bears. Teddy bears named for President Theodore Roosevelt but before they entirely morphed into a small child’s stuffed animal kind of thing. These bears carry rifles and smoke pipes when they aren’t putting on academic robes and graduating from Harvard. A children’s book from 1906 written by Seymour Eaton and from a series of books about the Roosevelt Bears.

They slid down ropes and hit the ground, And landed in Chicago safe and sound. Frontispiece, Page 8 of Teddy B. and Teddy G: The Roosevelt Bears, Their Travels and Adventures. Seymour Eaton (Paul Piper), author. V. Floyd Campbell, illustrator. Published in 1906 by Edward Stern and Company, Inc, Philadephia ©. In the public domain due to age. https://archive.org/details/teddybteddygroos0000unse/page/n8/mode/1up
Title page. Page 9 of Teddy B. and Teddy G: The Roosevelt Bears, Their Travels and Adventures. Seymour Eaton (Paul Piper), author. V. Floyd Campbell, illustrator. Published in 1906 by Edward Stern and Company, Inc, Philadelphia. In the public domain due to age. https://archive.org/details/teddybteddygroos0000unse/page/n8/mode/1up
The Roosevelt Bears Leave their Mountain Home. Page 10/18 of Teddy B. and Teddy G: The Roosevelt Bears, Their Travels and Adventures. Seymour Eaton (Paul Piper), author. V. Floyd Campbell, illustrator. Published in 1906 by Edward Stern and Company, Inc, Philadephia ©. In the public domain due to age. https://archive.org/details/teddybteddygroos0000unse/page/10/mode/1up
The bears were ready; they said good-bye: The Roosevelt Bears Leave their Mountain Home. Page 14/22 of Teddy B. and Teddy G: The Roosevelt Bears, Their Travels and Adventures. Seymour Eaton (Paul Piper), author. V. Floyd Campbell, illustrator. Published in 1906 by Edward Stern and Company, Inc, Philadelphia. In the public domain due to age. https://archive.org/details/teddybteddygroos0000unse/page/14/mode/1up
‘I won’t sleep up-stairs,’ said TEDDY-G, ‘I want a window, I want to see: The Roosevelt Bears on the Pullman. Page 31/39 of Teddy B. and Teddy G: The Roosevelt Bears, Their Travels and Adventures. Seymour Eaton (Paul Piper), author. V. Floyd Campbell, illustrator. Published in 1906 by Edward Stern and Company, Inc, Philadelphia. In the public domain due to age. https://archive.org/details/teddybteddygroos0000unse/page/31/mode/thumb
And piled in the straw and oats and hay, when his coat got caught in the wheels some way: The Roosevelt Bears on a Farm. Page 42/50 of Teddy B. and Teddy G: The Roosevelt Bears, Their Travels and Adventures. Seymour Eaton (Paul Piper), author. V. Floyd Campbell, illustrator. Published in 1906 by Edward Stern and Company, Inc, Philadelphia. In the public domain due to age. https://archive.org/details/teddybteddygroos0000unse/page/42/mode/1up
And started them off like country lads: The Roosevelt Bears at a District School. Page 49/57 of Teddy B. and Teddy G: The Roosevelt Bears, Their Travels and Adventures. Seymour Eaton (Paul Piper), author. V. Floyd Campbell, illustrator. Published in 1906 by Edward Stern and Company, Inc, Philadelphia. In the public domain due to age. https://archive.org/details/teddybteddygroos0000unse/page/49/mode/1up
They walked on ropes drawn good and tight, And jumped through hoops and landed right: The Roosevelt Bears at the County Fair. Page 62/70 of Teddy B. and Teddy G: The Roosevelt Bears, Their Travels and Adventures. Seymour Eaton (Paul Piper), author. V. Floyd Campbell, illustrator. Published in 1906 by Edward Stern and Company, Inc, Philadelphia. In the public domain due to age. https://archive.org/details/teddybteddygroos0000unse/page/62/mode/1up
The first to speak was TEDDY-G: ‘The earth has dropped somewhere,’ said he: The Roosevelt Bears in a Balloon. Page 69/77 of Teddy B. and Teddy G: The Roosevelt Bears, Their Travels and Adventures. Seymour Eaton (Paul Piper), author. V. Floyd Campbell, illustrator. Published in 1906 by Edward Stern and Company, Inc, Philadelphia. In the public domain due to age. https://archive.org/details/teddybteddygroos0000unse/page/69/mode/1up
Having a snack: The Roosevelt Bears meet Chicago Children. Page 80/88 of Teddy B. and Teddy G: The Roosevelt Bears, Their Travels and Adventures. Seymour Eaton (Paul Piper), author. V. Floyd Campbell, illustrator. Published in 1906 by Edward Stern and Company, Inc, Philadelphia. In the public domain due to age. https://archive.org/details/teddybteddygroos0000unse/page/80/mode/1up
This stairway climbs itself, you know; you just step on and up you go, The Roosevelt Bears See Chicago. Page 91/99 of Teddy B. and Teddy G: The Roosevelt Bears, Their Travels and Adventures. Seymour Eaton (Paul Piper), author. V. Floyd Campbell, illustrator. Published in 1906 by Edward Stern and Company, Inc, Philadelphia. In the public domain due to age. https://archive.org/details/teddybteddygroos0000unse/page/91/mode/1up
They started off at once to view the rolling rapids and the big horseshoe: The Roosevelt Bears at Niagara. Page 97/105 of Teddy B. and Teddy G: The Roosevelt Bears, Their Travels and Adventures. Seymour Eaton (Paul Piper), author. V. Floyd Campbell, illustrator. Published in 1906 by Edward Stern and Company, Inc, Philadelphia. In the public domain due to age. https://archive.org/details/teddybteddygroos0000unse/page/97/mode/1up
Dressed in automobiling costume: The Roosevelt Bears take an Automobile Ride. Page 124/132 of Teddy B. and Teddy G: The Roosevelt Bears, Their Travels and Adventures. Seymour Eaton (Paul Piper), author. V. Floyd Campbell, illustrator. Published in 1906 by Edward Stern and Company, Inc, Philadelphia. In the public domain due to age. https://archive.org/details/teddybteddygroos0000unse/page/126/mode/1up
These gowns and caps and scrolls you see, We give you now as your degree: The Roosevelt Bears at Harvard. Page 138/146 of Teddy B. and Teddy G: The Roosevelt Bears, Their Travels and Adventures. Seymour Eaton (Paul Piper), author. V. Floyd Campbell, illustrator. Published in 1906 by Edward Stern and Company, Inc, Philadelphia. In the public domain due to age. https://archive.org/details/teddybteddygroos0000unse/page/138/mode/1up

A niece-in-law tying the knot and needing a hotel to rest in between in-law ignoring. Imagery from a 1915 promotional brochure from the Davenport Hotel, Spokane, Washington State USA. So much prettier than the last hotel I stayed at. I think I’ll time travel back and move in for the winter.

Front cover of a 1915 catalogue promoting the Davenport Hotel in Spokane, Washington State USA. Collections of the Library of Congress. https://archive.org/details/davenporthotelsp00dave/page/n6/mode/1up
Exterior view. Page 12 of a 1915 catalogue promoting the Davenport Hotel in Spokane, Washington State USA. Collections of the Library of Congress. https://archive.org/details/davenporthotelsp00dave/page/n11/mode/1up
Main entrance. Exterior view. Page 9 (upper image) of a 1915 catalogue promoting the Davenport Hotel in Spokane, Washington State USA. Collections of the Library of Congress. https://archive.org/details/davenporthotelsp00dave/page/9/mode/1up
Lobby or perhaps one of the Commercial Traveler’s Display Rooms (I think) with a most impressive lamp and an array of potted ferns. Page 11 of a 1915 catalogue promoting the Davenport Hotel in Spokane, Washington State USA. Collections of the Library of Congress. https://archive.org/details/davenporthotelsp00dave/page/11/mode/1up
Lobby, decorated in the Spanish Renaissance style and fixtured by the T. W. Wilmarth Company. Also more potted palms and staff members at the posts by the doorways. Page 15 of a 1915 catalogue promoting the Davenport Hotel in Spokane, Washington State USA. Collections of the Library of Congress. https://archive.org/details/davenporthotelsp00dave/page/20/mode/1up
Another view of the lobby showing its Spanish Renaissance elements and decorations. The description mentions that the colors chosen were part of the Moorish Revival style which was also very fashionable in 1915. Page 22 of a 1915 catalogue promoting the Davenport Hotel in Spokane, Washington State USA. Collections of the Library of Congress. https://archive.org/details/davenporthotelsp00dave/page/22/mode/1up
Another view of the lobby showing its Spanish Renaissance decor including the furniture, light fixtures and wrought iron balcony rail. Page 23 of a 1915 catalogue promoting the Davenport Hotel in Spokane, Washington State USA. Collections of the Library of Congress. https://archive.org/details/davenporthotelsp00dave/page/23/mode/1up
Dining room. Page 33 of a 1915 catalogue promoting the Davenport Hotel in Spokane, Washington State USA. Collections of the Library of Congress. https://archive.org/details/davenporthotelsp00dave/page/25/mode/1up
Isabella Dining Room with more Spanish Revival chandeliers. Page 30/38 of a 1915 catalogue promoting the Davenport Hotel in Spokane, Washington State USA. Collections of the Library of Congress. https://archive.org/details/davenporthotelsp00dave/page/30/mode/1up
Marie Antoinette Ballroom. Page 33/41 of a 1915 catalogue promoting the Davenport Hotel in Spokane, Washington State USA. Collections of the Library of Congress. https://archive.org/details/davenporthotelsp00dave/page/33/mode/1up
Staircase with a bench and huge potted palm that leads to the Mezzanine and the Elizabethan Banquet Room. Page 36/44 of a 1915 catalogue promoting the Davenport Hotel in Spokane, Washington State USA. Collections of the Library of Congress. https://archive.org/details/davenporthotelsp00dave/page/36/mode/1up
Guest room showing a man working at the desk and a view of the bathroom past the open bathroom door over on the left. Page 46/54 of a 1915 catalogue promoting the Davenport Hotel in Spokane, Washington State USA. Collections of the Library of Congress. https://archive.org/details/davenporthotelsp00dave/page/46/mode/1up
Manicurists in the Davenport Hair Salon in the basement of the hotel. Page 47/55 of a 1915 catalogue promoting the Davenport Hotel in Spokane, Washington State USA. Collections of the Library of Congress. https://archive.org/details/davenporthotelsp00dave/page/47/mode/1up
Pompeiian Rooms (marble barber shop and manicure parlors) in the basement of the hotel with the text stating that “a novel feature of this department are two rooms set apart for automobilists and others who come in off a dusty trip. Here they may bathe, have their clothing pressed, have the services of manicurist and masseur, as well as barber, and then lie down for a rest in perfect quiet before presenting themselves in dining room or at the desk.” Page 48 and 49 /56 of a 1915 catalogue promoting the Davenport Hotel in Spokane, Washington State USA. Collections of the Library of Congress. https://archive.org/details/davenporthotelsp00dave/page/48/mode/1up
Not sure which room this is but I think it’s one of the automobilists’ manicure parlors. Page 61 /69 of a 1915 catalogue promoting the Davenport Hotel in Spokane, Washington State USA. Collections of the Library of Congress. https://archive.org/details/davenporthotelsp00dave/page/61/mode/1up
Guest bedroom/chamber. Page 67/75 of a 1915 catalogue promoting the Davenport Hotel in Spokane, Washington State USA. Collections of the Library of Congress. https://archive.org/details/davenporthotelsp00dave/page/67/mode/1up
Part of the suite for automobilists to freshen up. Page 57 of a 1915 catalogue promoting the Davenport Hotel in Spokane, Washington State USA. Collections of the Library of Congress. https://archive.org/details/davenporthotelsp00dave/page/57/mode/1up

Looks like this is/was part of a catalogue listing a number of hotels as there is a photograph of the Grand Canyon Hotel at Yellowstone National Park at the end.

The Davenport Hotel is still there with its potted palms and amazing lobby. Book a room in real time or visit them online. https://www.davenporthotelcollection.com/

Theatrical Set Designs and other Fripperies for January 5th 2026 in the 2025-2026 winter show . . .

whispering on air as on the last bit of lavender scent left in an old forgotten potpourri the children start to sing old songs around a bonfire just beginning to roar somewhere beyond the southern sea . . . songs that go back and songs to be hummed for the words have long been forgotten . . . songs to whisper and then shout until the goddess emerges from the canopy at the top of the trees that tower up into the sky . . . music that can never end as long as the goddess can survive and that’s a very long time yet . . .

my series post for today at the link. The image is from a Sotheby’s email.

https://sarahbguestperry.substack.com/p/theatrical-set-designs-and-other-9ec

In need of a new wardrobe and a wanting to be more chic than anyone shopping at the boutique on the street car line. Imagery from “La Mode 1914,” a commercial catalogue of Bernard et Cie. Collections of the Bibliothèque Patrimoniales, Paris, France.

L’ARRIVÉE AU CHÂTEAU: Créations de Bernard et Cie. Image 13 from La Mode 1914, a commercial catalogue of Bernard et Cie, who were also the publishers. Georges Leonnec, illustrator. G. Heymann, 186 rue de Rivoli, Paris, imprimeur. Collections des bibliothèques de prêt. In the public domain due to age. https://bibliotheques-specialisees.paris.fr/ark:/73873/pf0002307564/v0013.simple.highlight=Bernard%20et%20Cie.selectedTab=thumbnail
AU THÉ TANGO: Créations de Bernard et Cie. Image 15 from La Mode 1914, a commercial catalogue of Bernard et Cie, who were also the publishers. Georges Leonnec, illustrator. G. Heymann, 186 rue de Rivoli, Paris, imprimeur. Collections des bibliothèques de prêt. In the public domain due to age. https://bibliotheques-specialisees.paris.fr/ark:/73873/pf0002307564/v0015.simple.highlight=Bernard%20et%20Cie.selectedTab=thumbnail
À DEAUVILLE. LA POTINIÈRE: Créations de Bernard et Cie. Image 17 from La Mode 1914, a commercial catalogue of Bernard et Cie, who were also the publishers. Georges Leonnec, illustrator. G. Heymann, 186 rue de Rivoli, Paris, imprimeur. Collections des bibliothèques de prêt. In the public domain due to age. https://bibliotheques-specialisees.paris.fr/ark:/73873/pf0002307564/v0017.simple.highlight=Bernard%20et%20Cie.selectedTab=thumbnail
LE RENDEZ-VOUS: Créations de Bernard et Cie. Image 19 from La Mode 1914, a commercial catalogue of Bernard et Cie, who were also the publishers. Georges Leonnec, illustrator. G. Heymann, 186 rue de Rivoli, Paris, imprimeur. Collections des bibliothèques de prêt. In the public domain due to age. https://bibliotheques-specialisees.paris.fr/ark:/73873/pf0002307564/v0019.simple.highlight=Bernard%20et%20Cie.selectedTab=thumbnail