“Looking glass, of the time of Queen Elizabeth, in the possession of Sir Samuel Meyrick, Goodrich Court, Hertfordshire.” Page 26. Drawn and engraved by Henry Shaw. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/specimensofancie00meyr/page/26/mode/1up“French looking glass, from Willimen’s ‘Monuments français inédits.” Page 39. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/specimensofancie00meyr/page/n39/mode/1up“Silver furniture, at Knole Park, a seat of the Countess of Plymouth, date the time of James II.” page 41. Drawn and engraved by Henry Shaw. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/specimensofancie00meyr/page/n41/mode/1upCouch from Penshurst Place, Kent. The seat of Sir Philip Sydney. Date the time of William III. Page 44. Plate from Samuel Rush Meyrick’s Specimens of Ancient Furniture. Drawn and engraved by Henry Shaw. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/specimensofancie00meyr/page/n44/mode/1upFrom Cromwell Hall, Finchley. One of Cromwell’s palaces, of the time of William III. Now in the possession of William Amory Esquire, Devonshire Place. Page 70. Plate from Samuel Rush Meyrick’s Specimens of Ancient Furniture. Drawn and engraved by Henry Shaw. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/specimensofancie00meyr/page/n70/mode/1upBrass Reading Desk, in the possession of Mr. Hull, Wardour Street. Date the later part of the 15th century. Page 124. Plate from Samuel Rush Meyrick’s Specimens of Ancient Furniture. Drawn and engraved by Henry Shaw. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/specimensofancie00meyr/page/n124/mode/1upA Saltcellar, apparently of the time of Henry VIII, of Ivory. A steel nutcracker, of the time of Charles I. Two of wood, made in imitation of the human mouth, time of Charles II. Page 166. Plate from Samuel Rush Meyrick’s Specimens of Ancient Furniture. Drawn and engraved by Henry Shaw. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/specimensofancie00meyr/page/n166/mode/1upAncient Cup and Stand at Oriel College, Oxford. Given by Bishop Carpenter A.D. 1470. The cup is formed of a cocoa nut and the stand of part of a gourd mounted in silver gilt. Page 170. Plate from Samuel Rush Meyrick’s Specimens of Ancient Furniture. Drawn and engraved by Henry Shaw. Collections of and digitalized by the Getty Research Institute. In the public domain due to age. via https://archive.org/details/specimensofancie00meyr/page/n170/mode/1up
Title page. Page 3. Collections of the Clark Art Institute Library. Digitalizing federally funded with LSTA funds through the Massachusetts Board of Library Commissioners. In the public domain due to age. via https://archive.org/details/tradesmansbookof00leit/page/n3/mode/1up?view=theater“Iron Work.” Page 7. Collections of the Clark Art Institute Library. Digitalizing federally funded with LSTA funds through the Massachusetts Board of Library Commissioners. In the public domain due to age. via https://archive.org/details/tradesmansbookof00leit/page/n7/mode/1up?view=theater“Flemish.” Page 11. Collections of the Clark Art Institute Library. Digitalizing federally funded with LSTA funds through the Massachusetts Board of Library Commissioners. In the public domain due to age. via https://archive.org/details/tradesmansbookof00leit/page/n11/mode/1up?view=theater‘Italian: from a rare etching by Guido Reni after Lucas Cambiaso.” Page 13. Collections of the Clark Art Institute Library. Digitalizing federally funded with LSTA funds through the Massachusetts Board of Library Commissioners. In the public domain due to age. via https://archive.org/details/tradesmansbookof00leit/page/n13/mode/1up?view=theaterGothic scroll. Page 22. Collections of the Clark Art Institute Library. Digitalizing federally funded with LSTA funds through the Massachusetts Board of Library Commissioners. In the public domain due to age. via https://archive.org/details/tradesmansbookof00leit/page/n22/mode/1up?view=theaterElizabethan panels. Page 6. Collections of the Clark Art Institute Library. Digitalizing federally funded with LSTA funds through the Massachusetts Board of Library Commissioners. In the public domain due to age. via https://archive.org/details/tradesmansbookof00leit/page/6/mode/1up?view=theaterWindow heads – Elizabethan. Page 36. Collections of the Clark Art Institute Library. Digitalizing federally funded with LSTA funds through the Massachusetts Board of Library Commissioners. In the public domain due to age. via https://archive.org/details/tradesmansbookof00leit/page/36/mode/1up?view=theaterFire screen – Grotesque. Page 16. Collections of the Clark Art Institute Library. Digitalizing federally funded with LSTA funds through the Massachusetts Board of Library Commissioners. In the public domain due to age. via https://archive.org/details/tradesmansbookof00leit/page/16/mode/1up?view=theaterCeilings – Italian. Page 18 from Samuel Leith’s 1847 work The Tradesman’s Book of ornamental Designs. British, published in London. Collections of the Clark Art Institute Library. Digitalizing federally funded with LSTA funds through the Massachusetts Board of Library Commissioners. In the public domain due to age. via https://archive.org/details/tradesmansbookof00leit/page/18/mode/1up?view=theaterMoorish and Flemish. Page 21 from Samuel Leith’s 1847 work The Tradesman’s Book of ornamental Designs. British, published in London. Collections of the Clark Art Institute Library. Digitalizing federally funded with LSTA funds through the Massachusetts Board of Library Commissioners. In the public domain due to age. via https://archive.org/details/tradesmansbookof00leit/page/21/mode/1up?view=theaterTrellis work – Gothic. Page 23 from Samuel Leith’s 1847 work The Tradesman’s Book of ornamental Designs. British, published in London. Collections of the Clark Art Institute Library. Digitalizing federally funded with LSTA funds through the Massachusetts Board of Library Commissioners. In the public domain due to age. via https://archive.org/details/tradesmansbookof00leit/page/23/mode/1up?view=theaterWindow heads – Elizabethan. Page 23 from Samuel Leith’s 1847 work The Tradesman’s Book of ornamental Designs. British, published in London. Collections of the Clark Art Institute Library. Digitalizing federally funded with LSTA funds through the Massachusetts Board of Library Commissioners. In the public domain due to age. via https://archive.org/details/tradesmansbookof00leit/page/33/mode/1up?view=theater
“The defense of the Sampo.” Sketch for the cupola frescoes of the Finnish Pavilion at the 1900 Paris Exposition Universelle. 1899. Finnish. Gouache on paper. Akseli Gallen-Kallela, artist (1865-1931). Collections of the National Board of Antiquities of the State of Finland. Photo credit: Finnish National Gallery. Cc0 license, copyright free. via https://www.kansallisgalleria.fi/en/object/389962Aino myth triptych. 1891. Finnish. Oil on canvas. Akseli Gallen-Kallela, artist (1865-1931). Collections of the State of Finland. Photo credit: National Gallery of Finland. Cc0 License, copyright free. via https://www.kansallisgalleria.fi/en/object/392351“Väinämöisen’s call.” 19th c, before 1873. Finnish. Oil on canvas. Robert Wilhelm Ekman, artist (1808-1873). Collections of the Ateneum Art Museum. Photo credit: National Gallery of Finland. Cc0 License, copyright free. via https://www.kansallisgalleria.fi/en/object/400334“Ilmater.” 1860. Finnish. Oil. Robert Wilhelm Ekman, artist (1808-1873). Collections of the Ateneum Art Museum. Photo credit: National Gallery of Finland. Cc0 License, copyright free. via https://www.kansallisgalleria.fi/en/object/402262