Plates of bird eggs detailed up enough that you feel like you are peeking in their nest. Victorian. Taken from Francis Orpen Morris’ 1853 work “A natural history of the nests and eggs of British birds.”

White Spoonbill and Ibis. Plate CLXIII. Page 4. Collections of the  American Museum of Natural History Library. Biodiversity Heritage Library digitalizing sponsor. In the public domain due to age. via https://archive.org/details/naturalhistoryof03morr/page/4/mode/2up
Curlew and Whimbrel. Plate CLXIV. Page 10. Collections of the  American Museum of Natural History Library. Biodiversity Heritage Library digitalizing sponsor. In the public domain due to age. via https://archive.org/details/naturalhistoryof03morr/page/10/mode/2up
Spotted Redshank and Redshank. Plate CLXV. Page 16. Collections of the  American Museum of Natural History Library. Biodiversity Heritage Library digitalizing sponsor. In the public domain due to age. via https://archive.org/details/naturalhistoryof03morr/page/16/mode/2up

A selection of chapter headings from an very early edition in German of “Märchen aus 1001 Nacht” (One Thousand and One Nights). Illustrated by German artist and illustrator Carl Offterdinger (1829-1889). I can’t find an exact publishing date but mid 19th century and published in Stuttgart with a translation by Loewe of the French.

Chapter heading artwork. Carl Offterdinger, illustrator. In the public domain due to age.

Chapter heading artwork. Carl Offterdinger, illustrator. In the public domain due to age.

Chapter heading artwork. Carl Offterdinger, illustrator. In the public domain due to age.
Chapter heading artwork. Carl Offterdinger, illustrator. In the public domain due to age.

And many many thanks to my fellow pinterest member Marlen Osman whose grandmother this book belonged to. Wishing the wonderful Offterdinger illustrations to find a wider audience, she emailed me and then sent me a file with these images and more which I’ll create posts from soon. Sarah.

Sea shells, plates from William Swainson’s “Zoological illustrations, or, Original figures and descriptions of new, rare, or interesting animals : selected chiefly from the classes of ornithology, entomology, and conchology, and arranged on the principles of Cuvier and other modern zoologists” which was published in London between 1820 and 1823.

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Page 30. Collections of and digitalized by the Smithsonian Libraries. In the public domain due to age. via https://www.biodiversitylibrary.org/item/92614#page/30/mode/1up

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Page 66. Collections of and digitalized by the Smithsonian Libraries. In the public domain due to age. via https://www.biodiversitylibrary.org/item/92614#page/66/mode/1up

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Page 72. Collections of and digitalized by the Smithsonian Libraries. In the public domain due to age. via https://www.biodiversitylibrary.org/item/92614#page/72/mode/1up

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Page 38. Collections of and digitalized by the Smithsonian Libraries. In the public domain due to age. via https://www.biodiversitylibrary.org/item/92614#page/36/mode/1up

Fantastical fish, some real, some imaginary. Taken from Louis Renard’s work “Poissons, ecrevisses et crabes, de diverses couleurs et figures extraordinaires, que l’on trouve autour des isles Moluques et sur les côtes des terres Australes: peints d’après nature …” The first edition came out in 1718 and 1719. These are taken from the second edition, published in Amsterdam in 1754.

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Page 21. Collections of and digitalized by the Ernst Mayr Library, Museum of Comparative Zoology, Harvard University. In the public domain. via https://www.biodiversitylibrary.org/item/200575#page/21/mode/1up

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Page 25. Collections of and digitalized by the Ernst Mayr Library, Museum of Comparative Zoology, Harvard University. In the public domain. via https://www.biodiversitylibrary.org/item/200575#page/25/mode/1up

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Page 23. Collections of and digitalized by the Ernst Mayr Library, Museum of Comparative Zoology, Harvard University. In the public domain. via https://www.biodiversitylibrary.org/item/200575#page/23/mode/1up

PoissonsecrevisIRena_0027
Page 27. Collections of and digitalized by the Ernst Mayr Library, Museum of Comparative Zoology, Harvard University. In the public domain. via https://www.biodiversitylibrary.org/item/200575#page/27/mode/1up

Colorful plates from M. E. Chevreul’s work “The laws of contrast of colour and their application to the arts of painting, decoration of buildings, mosaic work, tapestry and carpet weaving, calico printing, dress, paper staining, printing, military clothing, illumination, landscape, and flower gardening.” Published in 1861 in London and New York by Routledge, Warne and Routledge, an English translation of the French.

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Red and green. Plate III, page 16. Collections of and digitalized by the Getty Research Institute. In the public domain. via https://archive.org/details/lawsofcontrastof00chev/page/16/mode/2up

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Yellow. Plate IV, page 18. Collections of and digitalized by the Getty Research Institute. In the public domain. via https://archive.org/details/lawsofcontrastof00chev/page/18/mode/2up

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Orange and black. Plate v, page 63. Collections of and digitalized by the Getty Research Institute. In the public domain. via https://archive.org/details/lawsofcontrastof00chev/page/n52/mode/2up

More beautiful American wildflowers taken from Emma C. Embury’s 1845 book “American Wildflowers in their Native Haunts.”

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“Sisyrinchium Anceps – Blue Eyed Grass.” Page 108. Collections of the United States Geological Survey Library. In the public domain. via https://archive.org/details/americanwildflow00embu/page/108/mode/2up

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“Chimaphila Umbellata – Prince’s Pine.” Page 128. Collections of the United States Geological Survey Library. In the public domain. via https://archive.org/details/americanwildflow00embu/page/128/mode/2up

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“Erythronium Americanum – Adder’s Tongue Velvet.” Page 135. Collections of the United States Geological Survey Library. In the public domain. via https://archive.org/details/americanwildflow00embu/page/135/mode/1up

More from Owen Jones “The Grammar of Ornament,” published in London in 1910. Collections of the University of Wisconsin.

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“Chinese number 1.” Plate LIX. University of Wisconsin Digital Collections. In the public domain due to age. via http://digicoll.library.wisc.edu/cgi-bin/DLDecArts/DLDecArts-idx?type=article&did=DLDecArts.GramOrnJones.i0034&id=DLDecArts.GramOrnJones&isize=M

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“Chinese number 2.” Plate XL [LX]. University of Wisconsin Digital Collections. In the public domain due to age. via http://digicoll.library.wisc.edu/cgi-bin/DLDecArts/DLDecArts-idx?type=turn&entity=DLDecArts.GramOrnJones.p0231&id=DLDecArts.GramOrnJones&isize=M

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“Chinese number 3.” Plate LXI. University of Wisconsin Digital Collections. In the public domain due to age. via http://digicoll.library.wisc.edu/cgi-bin/DLDecArts/DLDecArts-idx?type=turn&entity=DLDecArts.GramOrnJones.p0233&id=DLDecArts.GramOrnJones&isize=M

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“Chinese number 4.” Plate LXII. University of Wisconsin Digital Collections. In the public domain due to age. via http://digicoll.library.wisc.edu/cgi-bin/DLDecArts/DLDecArts-idx?type=turn&entity=DLDecArts.GramOrnJones.p0235&id=DLDecArts.GramOrnJones&isize=M

Botanical prints of tropical flowers. More from Nancy Anne Kingsbury Wollstonecraft’s 1828 “Specimens of the Plants and Fruits of the Island of Cuba.”

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“Lily and amaryllis belladona.” Plate 38.125. Page 137. Collections of and digitalized by Cornell University. In the public domain. via https://babel.hathitrust.org/cgi/pt?id=coo.31924100271463&view=1up&seq=137&size=125

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“Narcissus (lily of the rocks) and Panoratium caribaea, Sea onion.” Plate 32d. 131. Page 143. Collections of and digitalized by Cornell University. via https://babel.hathitrust.org/cgi/pt?id=coo.31924100271463&view=1up&seq=143&size=125

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“Bastard Fustic.” Plate 33d. 135. Page 147. Collections of and digitalized by Cornell University. In the public domain. via https://babel.hathitrust.org/cgi/pt?id=coo.31924100271463&view=1up&seq=147&size=150

Plates from J. P. Morgan’s privately printed up “Catalogue des Porcelaines Françaises de m. J. Pierpont Morgan.” From 1910. Something to look through on trips when he was away from his collection, no doubt.

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“Deux vases de Forme Ovoïde, fond bleu lapis, en porcelaine de Sèvres.” (one shown). Page 124. Collections of and digitalized by the Getty Research Institute. In the public domain. via https://archive.org/details/cataloguedesporc00morg/page/124/mode/2up

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“Boîte à thé et Couvercle blanc et bleu céleste, en porcelaine de Sèvres.” Page 235. Collections of and digitalized by the Getty Research Institute. In the public domain. via https://archive.org/details/cataloguedesporc00morg/page/n234/mode/2up

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“Cabaret solitaire cinq pièces, fond blanc, en porcelaine de Sèvres.” Page 134. Collections of and digitalized by the Getty Research Institute. In the public domain. via https://archive.org/details/cataloguedesporc00morg/page/134/mode/2up

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“Pendule fond Blanc, en porcelaine de Sèvres.” Page 140. Collections of and digitalized by the Getty Research Institute. In the public domain. via https://archive.org/details/cataloguedesporc00morg/page/140/mode/2up

Drawings of wildflowers taken from the United States Army Corps of Engineers 1848 work “Notes of a military reconnaissance, from Fort Leavenworth, in Missouri, to San Diego, in California, including parts of the Arkansas, Del Norte, and Gila Rivers.” C. B. Graham, lithographer.

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“Zinnia Grandiflora.” Page 204. Collections of the University of Michigan. Google, digitalizing sponsor. In the public domain. via https://archive.org/details/bub_gb_ggFZAAAAMAAJ/page/n203/mode/2up

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Title not legible. Page 208. Collections of the University of Michigan. Google, digitalizing sponsor. In the public domain. via https://archive.org/details/bub_gb_ggFZAAAAMAAJ/page/n207/mode/2up

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Title not legible. Page 210. Collections of the University of Michigan. Google, digitalizing sponsor. In the public domain. via https://archive.org/details/bub_gb_ggFZAAAAMAAJ/page/n209/mode/2up

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Title not legible. Page 210. Collections of the University of Michigan. Google, digitalizing sponsor. In the public domain. via https://archive.org/details/bub_gb_ggFZAAAAMAAJ/page/n209/mode/2up