More designs, all in shades of blue, taken from Owen Jones’ “Examples of Chinese Ornament Selected from Objects in the South Kensington Museum and other Collections,” published in London in 1867.

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Plate II, Page 25. Design taken from a vase of blue and white china. Collections of the Library at the Philadelphia Museum of Art. Lyrasis Members and Sloan Foundation, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/examplesofchines00jone/page/n24/mode/2up
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Plate III, page 31. Arranged from a blue and white china basin with decoration in the Indian manner. Collections of the Library at the Philadelphia Museum of Art. Lyrasis Members and Sloan Foundation, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/examplesofchines00jone/page/n25/mode/2up
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Plate IIII, page 35. Design taken from a large vase. Collections of the Library at the Philadelphia Museum of Art. Lyrasis Members and Sloan Foundation, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/examplesofchines00jone/page/n27/mode/2up

Pochoir prints from “Le Livre de la vérité de la Parole.” A limited edition of only 150, this was a set of plates sold in a slip case. There were 106 plates in black and white and color along with other plates, and a text drawn from ancient Egyptian writings by Joseph Charles Mardrus. François-Louis Schmied did the plates. It was printed in Paris in 1929.

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Plate. Image © 2020 Sotheby’s. Fair use license. via https://www.sothebys.com/en/buy/auction/2020/the-library-of-a-greek-bibliophile-travel-books-aldines-and-an-important-quran/schmied-and-mardrus-le-livre-de-la-verite-de-la?locale=en
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Plate. Image © KB National Library of the Netherlands. Fair use license. via https://www.kb.nl/en/themes/koopman-collection/le-livre-de-la-verite-de-parole
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Plate. Image © 1996 – 2020 AbeBooks Inc. Fair use license. via https://www.abebooks.com/Livre-v%C3%A9rit%C3%A9-parole-Transcription-textes-%C3%A9gyptiens/22581133020/bd
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Plate. Image © 1996 – 2020 AbeBooks Inc. Fair use license. via https://www.abebooks.com/Livre-v%C3%A9rit%C3%A9-parole-Transcription-textes-%C3%A9gyptiens/22581133020/bd
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Plate. Image © Julien Mannoni livres anciens. Fair use license. via https://www.design-is-fine.org/post/91462091509/fran%C3%A7ois-louis-schmied-artwork-for-le-livre-de-la
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Plate. Image © Julien Mannoni livres anciens. Fair use license. via https://www.design-is-fine.org/post/91462091509/fran%C3%A7ois-louis-schmied-artwork-for-le-livre-de-la

Dropped capitals, page decorations that are Art Nouveau in time but look rather more Medieval. Taken from Friedrich Hottenroth’s 1896 tome “Le costume, les armes, les bijoux, la céramique, les ustensiles, outils, objets mobiliers, etc. : chez les peuples anciens et modernes” which was published in Paris in 1896 by A. Guérinet.

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Dropped capital. Page 1. Collections of and digitalized by the Smithsonian Libraries. In the public domain due to age. via https://archive.org/details/lecostumelesarme02hott/page/1/mode/2up
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Dropped capital. Page 61. Collections of and digitalized by the Smithsonian Libraries. In the public domain due to age. via https://archive.org/details/lecostumelesarme02hott/page/61/mode/2up
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Dropped capital. Page 28. Collections of and digitalized by the Smithsonian Libraries. In the public domain due to age. via https://archive.org/details/lecostumelesarme02hott/page/28/mode/2up
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Dropped capital. Page 19. Collections of and digitalized by the Smithsonian Libraries. In the public domain due to age. via https://archive.org/details/lecostumelesarme02hott/page/19/mode/2up
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Dropped capital. Page 39. Collections of and digitalized by the Smithsonian Libraries. In the public domain due to age. via https://archive.org/details/lecostumelesarme02hott/page/39/mode/2up
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Dropped capital. Page 9. Collections of and digitalized by the Smithsonian Libraries. In the public domain due to age. via https://archive.org/details/lecostumelesarme02hott/page/9/mode/2up
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Dropped capital. Page 79. Collections of and digitalized by the Smithsonian Libraries. In the public domain due to age. via https://archive.org/details/lecostumelesarme02hott/page/79/mode/2up
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Dropped capital. Page 87. Collections of and digitalized by the Smithsonian Libraries. In the public domain due to age. via https://archive.org/details/lecostumelesarme02hott/page/87/mode/2up
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Dropped capital. Page 100. Collections of and digitalized by the Smithsonian Libraries. In the public domain due to age. via https://archive.org/details/lecostumelesarme02hott/page/100/mode/2up
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Dropped capital. Page 94. Collections of and digitalized by the Smithsonian Libraries. In the public domain due to age. via https://archive.org/details/lecostumelesarme02hott/page/94/mode/2up
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Dropped capital. Page 103. Collections of and digitalized by the Smithsonian Libraries. In the public domain due to age. via https://archive.org/details/lecostumelesarme02hott/page/103/mode/2up

Animals in India. Taken from Captain Thomas Williamson and Samuel Howitt’s “Oriental Field Sports” which was printed in London in 1807.

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Elephants. Plate 9, page 169. Collections of the Hathi Trust Digital Library. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=nyp.33433003231481&view=1up&seq=169
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Tiger. Plate 12, page 227. Collections of the Hathi Trust Digital Library. In the public domain due to age. via https://babel.hathitrust.org/cgi/pt?id=nyp.33433003231481&view=1up&seq=227&size=125

An India that’s a hop, skip, and jump away. Plates from Robert Montgomery Martin’s 1858 work about India. Martin wrote several books dealing with various parts of the British Empire.

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“Mohuna, near Deobun.” Page 23. W. J. Cook, engraver. Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/indianempireitsh02mart/page/n23/mode/2up
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“The Choor Mountains,” drawn from nature by G. F. White. Page 27. J. Tingle, engraver. Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/indianempireitsh02mart/page/n27/mode/2up
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“Gungootree, the Sacred Source of the Ganges,” drawn from nature by G. F. White. Page 30. J. H. Kernot, engraver. Collections of and digitalized by the Robarts Library at the University of Toronto. In the public domain due to age. via https://archive.org/details/indianempireitsh02mart/page/n29/mode/2up

Seashells from 1811 that look just like the ones on the beach, taken from George Brown’s “The Elements of Conchology, or, Natural History of Shells” which was published in London in 1816. All the plates being signed by George Brown and Robert Scott.

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“Univalve.” Plate 9, page 7. Collections of and digitalized by the Smithsonian Libraries. In the public domain due to age. via https://archive.org/details/elementsofconcho01brow/page/n7/mode/2up
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“Parts of shells,Multivalve and bivalve.’ Plate 1, page 186. Collections of and digitalized by the Smithsonian Libraries. In the public domain due to age. via https://archive.org/details/elementsofconcho01brow/page/n186/mode/1up
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“Parts of shells, bivalve and univalve. Plate 2, page 188. Collections of and digitalized by the Smithsonian Libraries. In the public domain. via https://archive.org/details/elementsofconcho01brow/page/n188/mode/1up
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“Parts of shells, univalve.” Plate 3, page 191. Collections of and digitalized by the Smithsonian Libraries. Fair use licence. via https://archive.org/details/elementsofconcho01brow/page/n190/mode/1up

Plates depicting 17th century animals, all of these having lived on Spitzbergen (Spitsbergen) which is located between Norway and the North Pole. Taken from Friedrich Marten’s 1671 work on the subject which was published in Hamburg in 1675.

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Land mammals. Page 167. Collections of and digitalized by the John Carter Brown Library. In the public domain due to age. via https://archive.org/details/friderichmartens00mart/page/n167/mode/2up
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Whales. Page 172. Collections of and digitalized by the John Carter Brown Library. In the public domain due to age. via https://archive.org/details/friderichmartens00mart/page/n172/mode/2up
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BIrds. Page 163. Collections of and digitalized by the John Carter Brown Library. In the public domain. via https://archive.org/details/friderichmartens00mart/page/n163/mode/2up

Time to go salmon fishing again. More plates from George M. Kelson’s work “The Salmon Fly: How to Dress it and How to Use It” which was published in London in 1895.

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“Rocke’s Fancy, the Butcher, the Silver Grey, Stevenson, the Popham, and the John Campbell.” Plate 5, page 262. Collection of the University of California Libraries. MSN, digitalizing partner. In the public domain due to age. via https://archive.org/details/salmonflyhowtodr00kelsrich/page/n252/mode/1up
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“The Wasp Grup, the Louise, the Hop Dog, the Ghost, the Blue Boyne, the Bo-Peep, the Lorne, and the Inver Green.” Plate 7, page 336. Collection of the University of California Libraries. MSN, digitalizing partner. In the public domain due to age. via https://archive.org/details/salmonflyhowtodr00kelsrich/page/336/mode/1up
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“The Gordon, Childers, Traherne’s Wonder, the Cockatoo, the Silver Ardea, and the Nankeen.” Plate 6, page 302. Collection of the University of California Libraries. MSN, digitalizing partner. In the public domain due to age. via https://archive.org/details/salmonflyhowtodr00kelsrich/page/n302/mode/1up
Rocke’s Grub, the Fairy King, the Mystery, the Little Kelly, Saint Bernard, Skirrow’s Fancy, Beauly Snow Fly, and the Bronze Pirate. Plate 8, page 434, page 262. Collection of the University of California Libraries. MSN, digitalizing partner. In the public domain due to age. via https://archive.org/details/salmonflyhowtodr00kelsrich/page/n434/mode/1up

Flowers, some with blue berries. Plates from Pierre-Joseph Redoute’s 1802 work “Les Liliacees” which was printed in Paris. Redoute made colored drawings of the roses of the Empress Josephine, too.

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“Amaryllis Aurea and Amaryllis Dorée.” Page 61. Collections of and digitalized by the Missouri Botanical Garden. In the public domain due to age, via https://archive.org/details/mobot31753002806674/page/61/mode/2up

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“Ornithogalum Arabicum – Ornithogale d’Arabie.” Page 63. Collections of and digitalized by the Missouri Botanical Garden. In the public domain due to age, via https://archive.org/details/mobot31753002806674/page/63/mode/2up

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“Amaryllis de Broussonet.” Page 62. Collections of and digitalized by the Missouri Botanical Garden. In the public domain due to age, via https://archive.org/details/mobot31753002806674/page/62/mode/2up

More flies to go fishing with. Sunken mounts containing samples of fly-making materials from W. H. Aldam’s 1876 work “Aldam’s Flees & the Art a Artyfichall Flee Making” Taken from the website of PBA Galleries.

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Figure 3 and 4. Image © 2020, PBA Galleries. Fair use license. via https://www.pbagalleries.com/view-auctions/catalog/id/422/lot/135017/A-Quaint-Treatise-on-Flees-and-the-Art-a-Artyfichall-Flee-Making-by-an-Old-Man-Well-Known-on-the-Derbyshire-Streams-as-a-First-Class-Fly-Fisher-a-Century-Ago-Printed-from-an-Old-Ms-Never-Before-Published-the-Original-Spelling-and-Language-Being-Retained-with-Editorial-Notes-and-Patterns-of-Flies-and-Samples-of-the-Materials-for-Making-Each-Fly

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Figures 19 and 20. Image © 2020, PBA Galleries. Fair use license. via https://www.pbagalleries.com/view-auctions/catalog/id/422/lot/135017/A-Quaint-Treatise-on-Flees-and-the-Art-a-Artyfichall-Flee-Making-by-an-Old-Man-Well-Known-on-the-Derbyshire-Streams-as-a-First-Class-Fly-Fisher-a-Century-Ago-Printed-from-an-Old-Ms-Never-Before-Published-the-Original-Spelling-and-Language-Being-Retained-with-Editorial-Notes-and-Patterns-of-Flies-and-Samples-of-the-Materials-for-Making-Each-Fly

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Figures 5 and 6. Image © 2020, PBA Galleries. Fair use license. via https://www.pbagalleries.com/view-auctions/catalog/id/422/lot/135017/A-Quaint-Treatise-on-Flees-and-the-Art-a-Artyfichall-Flee-Making-by-an-Old-Man-Well-Known-on-the-Derbyshire-Streams-as-a-First-Class-Fly-Fisher-a-Century-Ago-Printed-from-an-Old-Ms-Never-Before-Published-the-Original-Spelling-and-Language-Being-Retained-with-Editorial-Notes-and-Patterns-of-Flies-and-Samples-of-the-Materials-for-Making-Each-Fly

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Figures 11 and 12. Image © 2020, PBA Galleries. Fair use license. via https://www.pbagalleries.com/view-auctions/catalog/id/422/lot/135017/A-Quaint-Treatise-on-Flees-and-the-Art-a-Artyfichall-Flee-Making-by-an-Old-Man-Well-Known-on-the-Derbyshire-Streams-as-a-First-Class-Fly-Fisher-a-Century-Ago-Printed-from-an-Old-Ms-Never-Before-Published-the-Original-Spelling-and-Language-Being-Retained-with-Editorial-Notes-and-Patterns-of-Flies-and-Samples-of-the-Materials-for-Making-Each-Fly

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FIgures 17 and 18. Image © 2020, PBA Galleries. Fair use license. via https://www.pbagalleries.com/view-auctions/catalog/id/422/lot/135017/A-Quaint-Treatise-on-Flees-and-the-Art-a-Artyfichall-Flee-Making-by-an-Old-Man-Well-Known-on-the-Derbyshire-Streams-as-a-First-Class-Fly-Fisher-a-Century-Ago-Printed-from-an-Old-Ms-Never-Before-Published-the-Original-Spelling-and-Language-Being-Retained-with-Editorial-Notes-and-Patterns-of-Flies-and-Samples-of-the-Materials-for-Making-Each-Fly