Fish, birds and plants, plates from Mark Catesby’s two volume 1754 folio “The Natural History of Carolina, Florida, and the Bahama Islands: containing the figures of birds, beasts, fishes, serpents, insects, and plants.” Second edition.

“Suillus” (?). Image from “The Natural History of Carolina, Florida, and the Bahama Islands: containing the figures of birds, beasts, fishes, serpents, insects, and plants; particularly, those not hitherto described, or incorrectly figured by former authors, with their descriptions in English and French.” Image © 2021 Sotheby’s. Fair use license. via https://www.sothebys.com/en/buy/auction/2021/fine-books-and-manuscripts-2/catesby-mark-the-most-famous-colorplate-book-of
“Turdus Rhomboidalis” (upper) and “Turdus” (lower image). Image from “The Natural History of Carolina, Florida, and the Bahama Islands: containing the figures of birds, beasts, fishes, serpents, insects, and plants; particularly, those not hitherto described, or incorrectly figured by former authors, with their descriptions in English and French.” Image © 2021 Sotheby’s. Fair use license. via https://www.sothebys.com/en/buy/auction/2021/fine-books-and-manuscripts-2/catesby-mark-the-most-famous-colorplate-book-of
“Cancer clieîis crafsifsimis.” Image from “The Natural History of Carolina, Florida, and the Bahama Islands: containing the figures of birds, beasts, fishes, serpents, insects, and plants; particularly, those not hitherto described, or incorrectly figured by former authors, with their descriptions in English and French.” Image © 2021 Sotheby’s. Fair use license. via https://www.sothebys.com/en/buy/auction/2021/fine-books-and-manuscripts-2/catesby-mark-the-most-famous-colorplate-book-of
“Live oak” (left) and the large red crested woodpecker (right).” Image from “The Natural History of Carolina, Florida, and the Bahama Islands: containing the figures of birds, beasts, fishes, serpents, insects, and plants; particularly, those not hitherto described, or incorrectly figured by former authors, with their descriptions in English and French.” Image © 2021 Sotheby’s. Fair use license. via https://www.sothebys.com/en/buy/auction/2021/fine-books-and-manuscripts-2/catesby-mark-the-most-famous-colorplate-book-of
“Ardea (heron)” and “Lobelia.” Image from “The Natural History of Carolina, Florida, and the Bahama Islands: containing the figures of birds, beasts, fishes, serpents, insects, and plants; particularly, those not hitherto described, or incorrectly figured by former authors, with their descriptions in English and French.” Image © 2021 Sotheby’s. Fair use license. via https://www.sothebys.com/en/buy/auction/2021/fine-books-and-manuscripts-2/catesby-mark-the-most-famous-colorplate-book-of

How the ancients really lived. Plates from Wilhelm Zahn and Otto Jahn’s 1828 work “Die schönsten Ornamente und merkwürdigsten Gemälde aus Pompeji, Herculanum und Stabiae” which was published in Berlin. All of these being Pompeii decor.

“Aus Pompeii.” Page 17. Collections of the Smithsonian Libraries. Cc0 License 1.0. via https://library.si.edu/digital-library/book/schoynstenornam00zahn
“Aus Pompeii.” Page 45. Collections of the Smithsonian Libraries. Cc0 License 1.0. via https://library.si.edu/digital-library/book/schoynstenornam00zahn
“Fries aus dem Tempel der Isis zu Pompeii.” Page 49. Collections of the Smithsonian Libraries. Cc0 License 1.0. via https://library.si.edu/digital-library/book/schoynstenornam00zahn
“Aus Pompeii.” Page 59. Collections of the Smithsonian Libraries. Cc0 License 1.0. via https://library.si.edu/digital-library/book/schoynstenornam00zahn

Plates of Victorian birds, taken from George Robert Gray’s “The genera of birds : comprising their generic characters, a notice of the habits of each genus, and an extensive list of species referred to their several genera” which was issued in parts between 1844 and 1849. Illustrated by D. W. Mitchell and published in London.

“Gypaetinae: Gypaetus barbatus (Linn.)” Page 26, plate 1. Hullmandel and Walton, printers. Collections of and digitalized by the Smithsonian Libraries. In the public domain. via https://www.biodiversitylibrary.org/item/123658#page/26/mode/1up
“Polyborinae: milvago chimango (Vielle).” Page 46, Plate 5. Hullmandel and Walton, printers. Collections of and digitalized by the Smithsonian Institution. In the public domain due to age. via https://www.biodiversitylibrary.org/item/123658#page/46/mode/1up
“Aquilinae: Circaetus holospilus (Vig.).” Page 60, Plate 7. Hullmandel and Walton, printers. Collections of and digitalized by the Smithsonian Institutions. In the public domain due to age. via https://www.biodiversitylibrary.org/item/123658#page/60/mode/1up
“Milvinae: Gamsonyx swainsonii (Vig,).” Page 80, Plate 9. Hullmandel and Walton, printers. Collections of and digitalized by the Smithsonian Institutions. In the public domain due to age. via https://www.biodiversitylibrary.org/item/123658#page/80/mode/1up

Designs to fancy up everything. Why live boring if you can use these? Taken from Samuel Leith’s work “The Tradesman’s Book of ornamental Designs” which was published in London in 1847.

Title page. Page 3. Collections of the Clark Art Institute Library. Digitalizing federally funded with LSTA funds through the Massachusetts Board of Library Commissioners. In the public domain due to age. via https://archive.org/details/tradesmansbookof00leit/page/n3/mode/1up?view=theater
“Iron Work.” Page 7. Collections of the Clark Art Institute Library. Digitalizing federally funded with LSTA funds through the Massachusetts Board of Library Commissioners. In the public domain due to age. via https://archive.org/details/tradesmansbookof00leit/page/n7/mode/1up?view=theater
“Flemish.” Page 11. Collections of the Clark Art Institute Library. Digitalizing federally funded with LSTA funds through the Massachusetts Board of Library Commissioners. In the public domain due to age. via https://archive.org/details/tradesmansbookof00leit/page/n11/mode/1up?view=theater
‘Italian: from a rare etching by Guido Reni after Lucas Cambiaso.” Page 13. Collections of the Clark Art Institute Library. Digitalizing federally funded with LSTA funds through the Massachusetts Board of Library Commissioners. In the public domain due to age. via https://archive.org/details/tradesmansbookof00leit/page/n13/mode/1up?view=theater

Gothic scroll. Page 22. Collections of the Clark Art Institute Library. Digitalizing federally funded with LSTA funds through the Massachusetts Board of Library Commissioners. In the public domain due to age. via https://archive.org/details/tradesmansbookof00leit/page/n22/mode/1up?view=theater
Elizabethan panels. Page 6. Collections of the Clark Art Institute Library. Digitalizing federally funded with LSTA funds through the Massachusetts Board of Library Commissioners. In the public domain due to age. via https://archive.org/details/tradesmansbookof00leit/page/6/mode/1up?view=theater
Window heads – Elizabethan. Page 36. Collections of the Clark Art Institute Library. Digitalizing federally funded with LSTA funds through the Massachusetts Board of Library Commissioners. In the public domain due to age. via https://archive.org/details/tradesmansbookof00leit/page/36/mode/1up?view=theater
Fire screen – Grotesque. Page 16. Collections of the Clark Art Institute Library. Digitalizing federally funded with LSTA funds through the Massachusetts Board of Library Commissioners. In the public domain due to age. via https://archive.org/details/tradesmansbookof00leit/page/16/mode/1up?view=theater
Ceilings – Italian. Page 18 from Samuel Leith’s 1847 work The Tradesman’s Book of ornamental Designs. British, published in London. Collections of the Clark Art Institute Library. Digitalizing federally funded with LSTA funds through the Massachusetts Board of Library Commissioners. In the public domain due to age. via https://archive.org/details/tradesmansbookof00leit/page/18/mode/1up?view=theater
Moorish and Flemish. Page 21 from Samuel Leith’s 1847 work The Tradesman’s Book of ornamental Designs. British, published in London. Collections of the Clark Art Institute Library. Digitalizing federally funded with LSTA funds through the Massachusetts Board of Library Commissioners. In the public domain due to age. via https://archive.org/details/tradesmansbookof00leit/page/21/mode/1up?view=theater

Trellis work – Gothic. Page 23 from Samuel Leith’s 1847 work The Tradesman’s Book of ornamental Designs. British, published in London. Collections of the Clark Art Institute Library. Digitalizing federally funded with LSTA funds through the Massachusetts Board of Library Commissioners. In the public domain due to age. via https://archive.org/details/tradesmansbookof00leit/page/23/mode/1up?view=theater
Window heads – Elizabethan. Page 23 from Samuel Leith’s 1847 work The Tradesman’s Book of ornamental Designs. British, published in London. Collections of the Clark Art Institute Library. Digitalizing federally funded with LSTA funds through the Massachusetts Board of Library Commissioners. In the public domain due to age. via https://archive.org/details/tradesmansbookof00leit/page/33/mode/1up?view=theater

Folio of various decorations for La Scala in Milan, Lombardy. Alessandro Sanquirico, creator, with the bindings attributable to Thovenin. Living from 1777 to 1849, Sanquirico was an Italian scenic designer who designed over 300 productions for La Scala. All of these taken from a current Sotheby’s catalogue.





Set design depicting the eruption of Vesuvius, the climactic scene of Giovanni Pacini’s opera, “L’ultimo giorno di Pompei.” Design by Allesandro Sanquirico for the 1827 La Scala production.Italian. Description taken from https://commons.wikimedia.org/wiki/File:Eruption_of_Vesuvius_from_Pacini%27s_opera_L%27ultimo_giorno_di_Pompei.jpg. Image © 2021 Sotheby’s. Fair use license. via https://www.sothebys.com/en/buy/auction/2021/livres-et-manuscrits/raccolta-di-varie-decorazioni-per-la-scala-c-1830
Design by Sanquirico depicting the “Garden of the palace of Minos on the island of Crete,” danced by Salvatore Viganò in the 1818 carnival in connection with Maria Luisa, duchess of Parma who had previously been married to Napoleon. 1818. Italian. Description details taken from https://www.jstor.org/stable/742589 and here https://digitalcollections.nypl.org/items/510d47e2-0cee-a3d9-e040-e00a18064a99. Image © 2021 Sotheby’s. Fair use license. via https://www.sothebys.com/en/buy/auction/2021/livres-et-manuscrits/raccolta-di-varie-decorazioni-per-la-scala-c-1830
“Interior of a Greenhouse.” Published in 1832. Scene concept by Sanquirico for a production at La Scala in Milan. Image © 2021 Sotheby’s. Fair use license. via https://www.sothebys.com/en/buy/auction/2021/livres-et-manuscrits/raccolta-di-varie-decorazioni-per-la-scala-c-1830
‘Council chamber of the royal palace.” Published in 1832. Stage design by Alessandro Sanquirico for a production at LaScala in Milan. Image © 2021 Sotheby’s. Fair use license. via https://www.sothebys.com/en/buy/auction/2021/livres-et-manuscrits/raccolta-di-varie-decorazioni-per-la-scala-c-1830

Pochoir prints from Eugène Grasset’s 1896 portfolio “La Plante et ses Applications Ornementales sous la Direction.” Make your hallway look like heaven.

“Snowdrop.” Plate 31, page 59. Collections of the Smithsonian Libraries.  Biodiversity Heritage Library, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/planteetsesappl00Gras/page/n59/mode/1up

“Solomon’s Seal.” Plate 34, page 65. Collections of the Smithsonian Libraries.  Biodiversity Heritage Library, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/planteetsesappl00Gras/page/n65/mode/1up

“Nasturtium.” Plate 40, page 77. Collections of the Smithsonian Libraries.  Biodiversity Heritage Library, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/planteetsesappl00Gras/page/n77/mode/1up

Roundels, mostly in black and white. A few that are merely circular. Designs for pottery from the Minton Archives, Stoke-on-Trent, England.

Bird. Undated design sketch created for Minton Pottery which was in business from 1793 to 1968. Thinking this is from around 1900. Image © Minton Archives. Fair use license. via https://www.themintonarchive.org.uk/another-helping-of-folio-frivolity/#more-12685
Detail of a larger design, possibly for a jug or pitcher. Undated design sketch created for Minton Pottery which was in business from 1793 to 1968. Thinking this is from around 1900. Image © Minton Archives. Fair use license. via https://www.themintonarchive.org.uk/another-helping-of-folio-frivolity/#more-12685
Butterfly. Undated design sketch in black and white created for Minton Pottery which was in business from 1793 to 1968. Thinking this is from around 1900. Image © Minton Archives. Fair use license. via https://www.themintonarchive.org.uk/another-helping-of-folio-frivolity/#more-12685

Fish. Undated design sketch in black and white created for Minton Pottery which was in business from 1793 to 1968. Thinking this is from around 1900. Image © Minton Archives. Fair use license. via https://www.themintonarchive.org.uk/another-helping-of-folio-frivolity/#more-12685

Make your back hall look like Queen Victoria’s conservatory. Pochoir prints from Eugène Grasset’s 1896 portfolio “La Plante et ses Applications Ornementales sous la Direction.”

“Couronne Imperiale.” Plate 16. Page 35. Collections of the Smithsonian Libraries. Biodiversity Heritage Library, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/planteetsesappl00Gras/page/n35/mode/1up
“Geranium Sauvage.” Plate 19, page 41. Collections of the Smithsonian Libraries. Biodiversity Heritage Library, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/planteetsesappl00Gras/page/n41/mode/1up
‘Cyclamen.” Plate 22. Page 45. Collections of the Smithsonian Libraries. Biodiversity Heritage Library, digitalizing sponsor. In the public domain due to age. via https://archive.org/details/planteetsesappl00Gras/page/n45/mode/1up

More imagery from a 1921 edition of Aleksandr Pushkin’s fairy tale “Conte de tsar Saltan et de son fils: le glorieux et puissant prince Gvidon Saltanovitch, et de sa belle princesse Cygne” . Published in Paris by Éditions De La Sirène, it was illustrated by Natalia Goncharova.

Page 2. Collections of and digitalized by the Boston Public Library. In the public domain due to age. via https://archive.org/details/contedetsarsalta00push/page/n2/mode/1up
Page 3. Collections of and digitalized by the Boston Public Library. In the public domain due to age. via https://archive.org/details/contedetsarsalta00push/page/n3/mode/1up
Page 5. Collections of and digitalized by the Boston Public Library. In the public domain due to age. via https://archive.org/details/contedetsarsalta00push/page/n5/mode/1up

What you need to show the wallpaper people when they come over and want to see designs you like. Lithographs from C. J. Richardson’s 1851 work “Studies of ornamental design.” F. Bedford and Day & Son, lithographers. Published in London by John Weale.

Title page. Page 7. Collections of and digitalized by the Boston Public Library. In the public domain due to age. via https://archive.org/details/studiesofornamen00rich/page/n7/mode/2up
Page 9. Page 7. Collections of and digitalized by the Boston Public Library. In the public domain due to age. via https://archive.org/details/studiesofornamen00rich/page/n9/mode/2up
Page 34. Collections of and digitalized by the Boston Public Library. In the public domain due to age. via https://archive.org/details/studiesofornamen00rich/page/n34/mode/1up
“Jewel Embroidery.” Page 36. Collections of and digitalized by the Boston Public Library. In the public domain due to age. via https://archive.org/details/studiesofornamen00rich/page/n36/mode/1up
Page 40. Collections of and digitalized by the Boston Public Library. In the public domain due to age. via https://archive.org/details/studiesofornamen00rich/page/n40/mode/1up
“Ceiling of the Sala di Cambio, Perugia. Painted in 1500 by Pietro Perugino and his pupils.” Page 46. Collections of and digitalized by the Boston Public Library. In the public domain due to age. via https://archive.org/details/studiesofornamen00rich/page/n46/mode/1up
“Chalice from the church of San Dominico at Perugia.” Page 48, Collections of and digitalized by the Boston Public Library. In the public domain due to age. via https://archive.org/details/studiesofornamen00rich/page/n48/mode/1up
“Ancient German applique, embroidery. Page 50. Collections of and digitalized by the Boston Public Library. In the public domain due to age. via https://archive.org/details/studiesofornamen00rich/page/n50/mode/1up
“Pattern for applique embroidery.” Page 52. Collections of and digitalized by the Boston Public Library. In the public domain due to age. via https://archive.org/details/studiesofornamen00rich/page/n52/mode/1up